The greatest living composer of Broadway shows, Stephen Sondheim, has died at age 91. The tributes will be pouring in from everywhere all night. Most awarded, most sung, most loved even as a curmudgeon, Sondheim’s music permeates our culture in the way that few composers in history have left a legacy.

Sondheim leaves us as one of his landmark shows, “Company,” is about to take Broadway by storm again in a revival. His other shows stretch from “West Side Story” to “Sweeney Todd” to “Into the Woods,” “Follies,” “Sunday in the Park with George,”: and so on. The songs are legendary, especially “Send in the Clowns” to “Somewhere” and everything in between.

I knew Sondheim a little, some from the time leading up to making “Sweeney Todd,” my favorite musical of all time, into a movie, through his close relationship with the legendary filmmaker DA Pennebaker when the director recorded for history the making of the “Company” score with Elaine Stritch. A couple of years ago, when “Sweeney Todd” was being performed downtown at the Barrow Theater turned into a bake shop, I had the good fortune to sit behind him and Bernadette Peters. It was a thrilling night.

Sondheim’s influence on musical theater and performers and the entire landscape of Broadway has filled and will fill books forever.

The lights on Broadway should be dimmed for a week. Here’s the official Times obit.

Domininque Morisseau is best known to Broadway audiences as the author of the book for the hit musical, “Ain’t Too Proud,” about the Temptations.

But she’s also playwright of non-musical plays including one called “Paradise Blue,” that’s part of a trilogy. Yesterday she announced she’s pulled “Paradise Blue” from performances at Los Angeles’s Geffen Playhouse because of an undisclosed incident backstage involving what she terms the disrepect for Black female artists on the creative side.

“Paradise Blue” is no longer listed anywhere on the Geffen website.

Morisseau doesn’t specify what happened to tank an entire production instantly. (Anyone who would like to fill us in on more details in confidence please email me at showbiz411@gmail.com)

Morisseau wrote on Facebook:

“Dear Theatre Village,
My play Paradise Blue will no longer continue its run at the Geffen Theatre.
There will be a lot of sweeping under the rug of why.
There will be a lot of institutional language. A lot of “unforeseen circumstance” type of language. A lot of “we regret to inform you”.
But the sweeping under the rug is a part of the harm. I sweep the whole damn floor. Nothing hidden under the rug. That ain’t cleaning. That’s presenting an image of clean. And that’s not what I do.”

Alas, even with a long post, which I will reproduce below, we still don’t know what happened. The playwright says: “Harm happened internally within the creative team, when fellow artists were allowed to behave disrespectfully. To not acknowledge their impact on one another. To center themselves and their personal struggles over everyone else’s.”

Morisseau continues: “When an institution has the final say on how harm will be addressed. On whose harm matters and whose doesn’t. When Black womxn are verbally abused and diminished, and this is brought to the attention of the theatre by myself and other creatives, and the theatre applauds the Black womxn for how they “take” the abuse…..
I say no more.”

It wasn’t that long ago that playwright Jeremy O. Harris said he was canceling the run of his play, “Slave Play,” from another Los Angeles theater because of what he cited as a lack of gender parity and diversity at the theater. He didn’t actually have that power but his threat was enough to elicit promises of change.

Morisseau is obviously enraged. She writes:
“I am sharing this publicly not to shame the Geffen. They have produced my work in the past. I thought of this place as one of my first west coast homes for theatre. I don’t have many.
This has gutted me.
To think of myself as a playwright who is only trying to contribute humanity and heart to the world, and to have my own humanity and heart crushed and discarded…
This has made me feel insignificant. Foolish. And hugely disrespected.
I demanded that an apology happen from a creative team member for their abuses against other members of the creative team or they do not continue to work on my play.
And instead of staunchly backing this, the Geffen continued to enable more abuse.”

The Geffen posted this statement on their website:

After a series of events, the Geffen Playhouse production of Paradise Blue has been cancelled. An incident between members of the production was brought to our attention and we did not respond decisively in addressing it. As a result of these missteps, some members of the production felt unsafe and not fully supported.

We continually examine our best practices so artists and staff feel safe and can achieve their best work. In this case, we acknowledge having fallen short of this commitment. We have apologized to everyone involved, and in learning from this experience, we commit to continuing our ongoing work to improve and evolve as artists and collaborators.

We respect Dominique Morisseau and her work enormously, and we are proud of this powerful and beautiful production.

Her post is below: