Monday, December 22, 2025
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All-Star “Don’t Look Up” Cast Reveal Secrets: Meryl Streep Thought Being Called ‘the GOAT’ Really Meant She was a Goat

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The all-star cast of Adam McKay’s “Don’t Look Up” had their premiere on Sunday night at Jazz at Lincoln Center, followed by a press conference on Monday. Meryl Streep, Jonah Hill, Leonardo DiCaprio and a heavily pregnant Jennifer Lawrence obviously had a good time making the send-up satire about a comet heading to Earth that will cause complete destruction.

The biggest take away from the press conference: Hill referring to Streep as “the GOAT” in text messages to the three time Oscar winner. Meryl, not hip to all the current lingo, though he was calling her an actual ‘goat.’

Streep said: “I thought well  that’s kind of cute I am kind of an old goat.  And then Jennifer told me in the photo sho0t this morning that means.  I didn’t know.”

The audience responded with laughter.

Hill was visibly taken aback.  “Meryl, “ he pleaded, “ You didn’t know?  It means the greatest of all time, the greatest actor of all time and that’s you!”  Meryl then explained her thoughts on it.  “Well he’s so familiar with me now, and my  mother used to refer herself an old goat and she was so cool.”

Hill told the audience:  “She is the coolest.  Oh my god.  I’m actually spiraling right now For 26 hours you thought I was calling you a goat. My therapist is going to be getting quite the phone call.  Working with you is a dream come true.  I’m bull shook!”

There were other discussions on stage.

McKay talked about how much he admired the films Network, Ace In The Hole, Office Space, Wag The Dog and the like. Jonah   quipped, “You also talked a lot about “Alvin and the Chipmunks: The Squeakquel. ”  McKay shot back, “A lot of people know that at this point, it’s not a reveal now,  that Alvin is really an interpretation of the cultural revolution of Mao Tse Tung. So yes that was a touchstone.”

After the laughter died down in the room, Leo was asked about his climate advocacy for all these years and how it wove into his portrayal.  “It was about breaking the third wall.  The level of tension that Adam created with the comet coming in a specific time frame.  As a scientist that I play, to be sitting on this pulpit not being listened to or heard. I’ve spoken to a lot of scientists like Michael, the character I play, who feel like everything they say is marginalized, they’re not listened to. That’s one of the big reasons I wanted to do the movie.  I felt I had too.  To all those people out there who are speaking the truth.  And yet there are all these alternative facts, we don’t know how to deal with bad news. That’s the amazing hat trick Adam pulled off here with the tone of this movie.  He encapsulated all of that.  As ridiculous as some of this stuff seems.  We were shooting riots the same day they were storming the capital. As absurd as some of this seems, it is reality.”

Lawrence: “It was cathartic, watching this play out in real time was so emotional.  I don’t recall ever making a movie that was so important, fulfilling and devastating.

Jonah paid tribute to his friend Leo’s talent, which then Adam shot back, “Well Jonah, if Meryl is the goat is Leo the llama?” To which Jonah so quick on his comedic feet said, “likely to love acting more awesomely. “!

Meryl said she enjoyed working with McKay. She said: “Adam  is funny and deft and has a humanistic ambition that’s big and willing to go out on a limb and risk being earnest about something, which is so not cool.  And I love him for that.  It’s the other step that the artist takes if he wants too.  He doesn’t step back. I felt honored to be there.  And Jonah, well he made it his job to try and make me break up and ruin my takes and he succeeded.  I kept laughing through the movie it was all so unprofessional which just added to my anxiety that I just retire and get the fuck out of the business!  So that was it!“

Jonah then chimed in again, “I was so grateful to her for accepting all this psychotic stuff. Adam allowed us to have the kind of freedom to bring all of this in. “

DiCaprio raved about working with Lawrence. “There is a once in a generation talent that defines their craft and she’s it.  After I saw her in Winter’s Bone, I couldn’t’ wait to see her legacy, there is nothing that she does on screen that isn’t truthful and amazing.” (Meryl agreed and said, “you’re the beating heart of this movie.”) DiCaprio continued, “I remember us speaking early on and I told you, ‘remember you are the Meryl Streep of your generation.”  Jonah of course added, “Jenn can do anything and you still love her.  That’s so fucking hard to achieve. She can tell the truth and you just want her to win.”

Lawrence was having none of the praise. Hearing all this mushy stuff, she joked:  “That was worth every penny.  I had to mortgage my house, but it was worth it!”

 

Shock: Nick Cannon Announces Death of 5 Month Old Son Zen from Brain Cancer

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Nick Cannon announced today the tragic death of his youngest son, Zen Scott Cannon, 5 months old. Zen died of brain cancer. Cannon has six other children including two with Mariah Carey. Zen’s mother is Alyssa Scott, and was the fourth of four children born in the last year. Everyone including this column made fun of Nick for fathering so many children by so many different women in a short time. But this is just awful. Sending condolences to everyone in Zen’s extended family.

Sad News: Marvel and DC Comics Titan George Perez Announces Stage 3 Pancreatic Cancer, “Six Months to Live”

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The worlds of Marvel and DC Comics are abuzz today and not in a good way. Legendary artist and writer George Perez, whose work on “The Avengers” and “Wonder Woman” and many other series is famous, announced he’s dying from stage 3 pancreatic cancer. On social media, Perez says he has six months to live.

This is just terrible news. Retired, Perez is 67 years old. We’re sending love to him and his family.

Here’s a link to George’s Wikipedia bio with details of his amazing career. His legacy is that he’s the super hero. God bless.

Sunday Ratings: Cable’s “Yellowstone” Most Watched Show on TV, “Succession,” “Curb” Level Out

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Sunday night ratings were all about football, football, football. NBC brought in over 17 million viewers and Fox had 13 million-plus.

If you weren’t watching football on Sunday night it’s likely you were tuned in to cable to see “Yellowstone” on the Paramount Channel. This is not the same thing as Paramount Plus. It’s a cable channel. I don’t even know where it is! But someone does, because 7.2 million people watched Kevin Costner saddle up on Sunday night.

“Yellowstone” is so popular that it was the most-watched non-sports or news show on TV or cable on Sunday night.

It’s so popular that no one watches anything else. On HBO, “Succession” leveled off to 613,000 viewers at 9pm. At 10:30, “Curb Your Enthusiasm” came in at 423,000. In between, also at 9pm, the “Dexter” revival on Showtime had 549,000. Those are about average for scripted dramas on HBO and Showtime for Sundays at that hour.

PS The “Succession” season finale airs this Sunday at 9pm, and something bad is going to happen to someone, possibly J Smith-Cameron’s Geri. I hope not. But J indicated as much in an interview last week.

HBO Max, not HBO, starts with the new “Sex and the City” Thursday. Since HBO Max doesn’t give numbers, we won’t know if the show is a hit except from viewer reactions.

Broadway: “Wicked” Announces First Black Glinda with Brittney Johnson, Giving the Show Some Needed Soul

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Oz is about to get a big shake up.

On Broadway, “Wicked” is getting its first ever Black actor in one of the two leading roles. Brittney Johnson will take over as Glinda on February 14, 2022. Now the show will have some R&B soul. Count me in.

No word on why the current Glinda, Ginna Claire Mason, is stepping down. Mason had a much trumpeted elevation to Glinda after appearing in touring companies and then commanding the Broadway spot beginning this fall after the pandemic break.

Johnson is a Broadway vet already with credits for “Sunset Boulevard” and “Les Miserables.” Original Glinda Kristen Chenoweth clearly thought she was talented enough to include in her “For the Girls” revue on Broadway two years ago.

 

Fleeting Fame: Adele Replaced at Number 1 on iTunes by New One Name 17 Year Old Singer Gayle

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Fame is fleeting and 2021 is a lot different than 2015.

Adele is learning this the hard way. Just a few weeks after her single, “Easy On Me,” stormed the charts and took hold at number 1, the party is over. “Easy on Me” has been replaced by a song from another one name singer. And a total unknown.

Now number 1 has gone to a record by a singer named Gayle. The single is called “abcdefu” and just from the title sounds like a song Adele should have sung. But she chose to make a whole album with the same songwriters she used six years ago.

So far Gayle is number 1 on iTunes, which is in real time. On Billboard, Adele is still number 1 but having a tough time on the Billboard Hot 100. While “Easy on Me” remains at the top of Billboard’s chart, all the other tracks from Adele’s new “30” album are collapsing. “Oh My God” is the highest, at 37, with an arrow pointing down. It’s the same for two others. This means there’s no follow up single for “Easy On Me” as it’s replaced by Gayle and whoever comes next.

“abcdefu” was co-written by Gayle, for whom there is little info currently, with Sara Davis and David Pittenger, and produced by Pete Nappi. (Thanks Wikipedia.) PS UPDATE: She’s 17, from Nashville, and a discovery of the great Pete Ganbarg of Atlantic Records and Kara DioGuardi. Congrats!

Adele isn’t suffering from the chart loss. Tickets to her Las Vegas sit down go on sale today and will be gutted in short order. Then the secondary market will take over and we’ll be hearing stories of $1000 tickets. Hello!

Pedro Almodovar’s “Parallel Mothers” Has a 100% on Rotten Tomatoes But Spain Didn’t Enter It for the Oscars

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Here’s a quandary as today the members of the Critics Choice Association– a group I belong to — receives ballots for nominations.

On Rotten Tomatoes, Pedro Almodovar’s sensational “Parallel Mothers” has a 100% rating. That’s 45 out of 45 reviewers. Penelope Cruz won the Venice Film Festival award for Best Actress. And yet, the film was not entered by the Spanish Film Commission as their choice for the Oscars in Foreign Language Film.

To further the irony, the Spanish film people chose a film starring Cruz’s husband, Javier Bardem. Go figure.

So now there’s a problem. Critics groups and the Academy have to find Penelope and “Parallel Mothers” on their own or it will flounder in its US release. This would be a shame.

For me, Cruz gives one of the 5 best performances by an actress this year without a doubt, maybe the best. In a competitive year, her turn as Janis, a single woman who wants to become a mother is incredibly captivating and moving. It’s full of Almodovar’s drama and humor. And Cruz brings to Janis the sexiness of Sophia Loren updated with modern practicality. I don’t want to give it away, but when Janis is delivered lemons she makes lemonade. Or in Almodovarian terms, when she’s pelted with tomatoes she whips up a tasty gazpacho.

Without the entry from Spain, “Parallel Mothers” is only eligible for Best Picture, a category that rarely accepts films in a foreign language. “Parasite” was a very rare exception. But Best Actress is a place where Penelope Cruz could find success. She already has an Oscar for Best Supporting Actress in Woody Allen’s “Vicki Cristina Barcelona.” She’s been nominated two other times, for Best Supporting Actress in “Nine,” and for Best Actress in Almodovar’s “Volver.”

“Volver” remains one of Almodovar’s top movies. I often think it’s his best. It’s the best precursor to “Parallel Mothers” in that it sees Cruz playing an intelligent, forthright woman who must find her way out of a dilemma. While “Volver” revolves around death, “PM” springs with life. A baby is at the center of the story, and what sacrifices a woman will make to secure a family. You can’t imagine a woman as beautiful as Cruz getting into so much trouble in the process. But Penelope, playing the movie as a drama without a hint of hammy-ness, brings out pathos and wry laughs as she must solve her own problem.

So I hope my fellow Critics Choice voters will enter Penelope’s name as one of the possible nominees for Best Actress this week. And I also hope that all the other voters in different groups seek out this movie and this performance. There’s a reason that it’s at 100% on Rotten Tomatoes. It’s that good.

Alicia Keys Readies New Album for Friday But Digital Only Despite Heavier CD Sales in Past

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Alicia Keys– it’s hard to think of her as emeritus now. But her hitmaking years are over, along with top 40 radio play. She had her hits 20 years ago– “Fallin’,” “You Don’t Know My Name,” “Empire State of Mind.” and “If I Ain’t Got You” were the big ones.

But decades pass, audiences grew up and out of the record buying mode. Still, even though Keys’s last few albums were low sellers, they at least sold on CD. Her last album, “Alicia,” had first week sales of just 62,000. And 51,000 of those were on discs.

Her new album, “Keys,” is coming on Friday. But there will be no CDs. It’s just digital. If you’re looking for it on Amazon, you won’t find it. Presumably you’ll be able to download it on iTunes. And stream it on Spotify or Apple Music. But no CDs, no LPs– even though they’re hot right now.

This is unusual. But it’s been many years since Keys, who became an international brand in 2000 thanks to Clive Davis, has sold much of anything. Her last actual hit album, “Girl on Fire,” was released in November 2012 and sold 755,000 copies in the US, about 1.3 million worldwide. Before that, starting in 2000, Keys had had 4 multi-platinum albums.

But Keys’s 2016 album, “Here,” with excellent tracks, had no single. There was no ear-wig for the radio. And it’s been like that for the last few years. In 2020, she had a potential hit in “Underdog,” which was used for commercials and so on, but it never really took off. Recent releases, even a new single called “Best of Me,” has failed to get attention.

Maybe it was just decided to it was too expensive to make CDs or LPs this time around. But not having any physical product for someone who should be a legacy artist seems a shame.

The Country Gets a Break: Devin Nunes Leaving Congress to Work for the Former Guy at His “Media” Company

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The nation has dodged a bullet.

Devin Nunes, the imbecilic Congressman from California, is leaving to work for the Former Guy at his “media” company.

Nunes is a 10 term congressman who had a lot of power. He worked his way to become the head of the House Intelligence Company, a contradiction in terms since he lacked any intelligence. Then the Republicans lost the House and he was out anyway.

He will run Trump’s company, which is already being investigated. Good night, and good luck.

According to Politico, Nunes said in a statement: “I wasn’t being paid much, there weren’t many opportunities to line my pockets more, so I’ll take my chances with Trump, who famous pays no one.”

No, that’s not what he said. But it would have been apt. No, he said: “Recently, I was presented with a new opportunity to fight for the most important issues I believe in,” Nunes said in the email. “I’m writing to let you know I’ve decided to pursue this opportunity, and therefore I will be leaving the House of Representatives at the end of 2021.”

Isn’t that great? Maybe his district can find someone decent, smart, intelligent, literate, and humane. Who knows? Politico says that under California law, congress people don’t have to live in their own districts. How crazy is that? Oh, California. It’s a free-for-all.

Certified Nut Job: Drake Withdraws His Two Grammy Nominations And No One Really Cares

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Big scoop this afternoon from Variety:

Drake has withdrawn his two Grammy nominations. He doesn’t want them. They were for Rap Album of the Year and Rap Song of the Year.

The album is called “Certified Lover Boy.” I think now Drake is kind of a certified nut job.

The withdrawal is not a big deal. I don’t think many care whether he keeps the nominations or gives them back. He wasn’t going to come to the Grammys anyway.

Drake is probably pissed that “Certified Lover Boy” was nominated for Album of the Year in the General category. Hey– at least he was nominated. Kacey Musgraves won the Album of the Year in 2019 was totally snubbed this year in the General category, and in country!

I think Drake is taking all of this too seriously. He needs a sense of humor. It’s not like he doesn’t have millions of fans, millions of dollars, and millions of homes.

Another Grammy twist this week: the Recording Academy removed the names of Taylor Swift, Jack Antonoff and St. Vincent from a song called “deja vu” on the album, “Sour” by Olivia Rodrigo. Rodrigo sampled their songs in her song, so when her album was nominated for Album of the Year, the actual writers were included. But the Academy decided that since those three didn’t write for “Sour” directly, they shouldn’t get a Grammy nod.

Hey– I think that if you sample other peoples’ work, you shouldn’t be nominated at all. It’s not your work.  But I’m an old coot who watched Paul McCartney write “Get Back” on video last week, himself, without sampling anyone and the song has lasted 50 years. These sampled constructions do not stand the test of time. PS Two songs called “Deja Vu” — one by Dionne Warwick, the other by Crosby Stills & Nash-– are infinitely better.

The Recording Academy said: “During the submission process, the Academy received credits from the label for the track ‘deja vu.’ Last week, we received the correct credits from the label, which recognize Annie Clark (St. Vincent), Jack Antonoff and Taylor Swift as songwriters of an interpolation on the track. In keeping with current Grammy guidelines, as songwriters of an interpolated track, Clark, Antonoff and Swift are not nominees in the Album of the Tear category for SOUR. Antonoff and Swift are nominated in the category for Swift’s album evermore.”

It doesn’t matter anyway. The Tony Bennett-Lady Gaga album, “Love for Sale,” is going to win Album of the Year. So move around the chairs on that Titanic.

As for Drake, lighten up, my friend.  To paraphrase Seinfeld, “Everyone loves the Drake!”