Thursday, December 18, 2025
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New Pop Star Sombr Is a Streaming Machine With Millions of “Records” Sold, More Even That Justin Bieber’s Latest

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Sombr, aka Shane Boose, is a streaming machine.

He’s had two big hits all year — “Back to Friends” and “Undressed.” They’ve never been big on iTunes, but man, they are all over Spotify and other platforms.

Sombr released an album recently that was slow to take off on iTunes. It’s called “I Barely Knew Her,” and at first his fans weren’t buying it.

But now “I Barely Knew Her” is in the top 10, probably after the MTV Video Music Awards brought him to a bigger audience.

The album has already sold more than Justin Bieber’s latest — over 500,000 equivalent copies.

Meantime, both of the singles — also sticking in the top 10 — have sold about 1.5 million streaming equivalent copies.

Sombr is a hit. At 20 years old, the native New Yorker is the son of two media folks (dad Andy Boose arranges events for amFAR and Elton John’s AIDS Foundation, mother is amFAR PR flack). He’s a 7ft string bean with a massive social media following, and that’s paid off. Not to mention the singles are very catchy.

Is a Grammy nomination coming for Best New Artist? Probably. Hold on.

Alicia Keys Coming to the Rescue of Her Ailing “Hell’s Kitchen” Broadway Musical: Will Perform On Stage After Two Shows Soon

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Alicia Keys is standing her ground.

She’s going to perform live on stage for anyone who buys a ticket to her “Hell’s Kitchen” musical after the show is over on September 26th and 27th.

The show, which I raved about, is seeing alarming declines at the box office after a successful 18 month run.

Last week, “Hell’s Kitchen” receipts fell to $624,147 — down $250,000 from the previous week.

The musical, about Keys’s life, is suffering just like all other Broadway shows because tourism is way down thanks to Donald Trump and ICE.

Canadians aren’t coming to the States as retribution for Trump suggesting they become part of the US. Foreigners aren’t coming for fear of being hassled, kidnapped, or arrested. Brown or Black people especially would be worried about being targeted.

And did you know Tony winner Kecia Lewis is still there? And now joining the cast is Christopher Jackson aka George Washington from “Hamilton”? These are superstars!

But look, Alicia Keys on stage playing that piano is worth gold bullion. And even when she’s not there, we must support Broadway. “Hell’s Kitchen” is a helluva show. Get over there now!

PS All of Broadway was severely off last week, by $5 million, as kids went back to school, vacations were over. There were 8,000 fewer tickets sold than the same week last year.

There is no fear in theatre district! Support Broadway!

RIP Bobby Hart, Half of the Team with Tommy Boyce That Wrote the Monkees Hits, “Days of our Lives” Theme, “Hurts So Bad,” and More

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Micky Dolenz of the Monkees posted his goodbye yesterday to songwriter Bobby Hart age 86.

Hart and his late partner Tommy Boyce (who died in 1994) wrote the original Monkees hits including “Hey Hey We’re the Monkees,” “Last Train to Clarksville,” “I’m Not Your Steppin’ Stone,” and “Valeri.”

Boyce and Hart’s theme for the soap “Days of our Lives,” which began in 1965, can still be heard on the Peacock soap. (Not over the end credits, though, when something awful is heard.)

The pair had their own big million selling hit in 1968 called “I Wonder What She’s Doing Tonite.” They also wrote Little Anthony and the Imperials’ “Hurt So Bad” (also a hit for Linda Ronstadt), and “Pretty Little Angel Eyes,” for Curtis Lee.

Boyce and Hart, despite their massive hits, have never been inducted into the Songwriters Hall of Fame. They even appeared on “Bewitched” and “I Dream of Jeannie” back in the day. That’s how famous they were! So many times their names came up in nominating meetings, but Mariah Carey and Madonna came first.

Kennedy Center Plans Memorial Service Tonight for Charlie Kirk Featuring MAGA All Stars, Trump and Vance Still Unconfirmed

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The Kennedy Center continues its move to the right and into politics.

The new chiefs there are holding a memorial service tonight for Charlie Kirk.

Lots of MAGA All-Stars are set to appear including the most vile, including: Speaker Mike Johnson, White House Press Secretary Karoline Leavitt, Director of National Intelligence Tulsi Gabbard, Health and Human Services Secretary Robert F. Kennedy Jr., Senior Advisor for U.S. AGM Kari Lake, Reps. Andy Biggs, Anna Paulina Luna, and Eli Crane, and Arizona state Sen. Jake Hoffman.

No word on Trump or Vance, although I’m sure one if not both will attend because it’s a great photo op.

Kirk was not elected to any office. There was no memorial service for Minnesota State Representative Melissa Hortman and her husband, Mark. They were gunned down just a short time ago in act of political violence.

Kirk’s only tie to Washington was as an advocate for conservative beliefs that would have horrified the late President John F. Kennedy.

JFK would have empathized with Kirk because they were each assassinated, which is unacceptable for anyone of every party.

But Kirk’s beliefs are the antithesis of what reasonable people believe in. He was a supporter of gun violence, racism, and misogyny.

This is the new Kennedy Center, however. They just fired the head of the jazz department after letting go the chief of the dance department in a continuing effort to minimize the arts and scare off actual artists who usually appear at the Center.

As for Trump: A few hours after Kirk was murdered, a grieving Trump could be seen at Yankee Stadium dancing a jig in his seat, smiling like a jackal. When asked earlier at the White House how he was holding up after Kirk’s death, Trump proceeded to point out construction on the unnecessary $200 million ballroom being built on the property.

Crushing Blow for “Spinal Tap” Sequel: No One Went, Weekend Box Office $1.6 Mil, Studio Dumped It Unceremoniously

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The group, Spinal Tap, isn’t real. In fiction, they are sort of bumbling losers who don’t get their own joke.

Their original 1984 movie, “This is Spinal Tap,” directed by Rob Reiner, remains a massive hit and the first “mockumentary.”

But the sequel, “Spinal Tap II: The End Continues,” released this weekend by Bleecker Street Films, has been an utter disaster. More like if Spinal Tap had made a movie within a movie.

Total box office was $1,674,926 million — for four days! No one went!

Why? Because Bleecker Street dumped it without promotion or marketing. It’s their fault. The movie had decent reviews, a huge possible pool of goodwill from fans who would have gone if encouraged — or if they knew it existed.

Reiner and the cast should be properly enraged. The movie has appearances by superstars Elton John and Paul McCartney. The main cast is beloved.

This is worse than a mini Stonehenge dropped from the sky during a Spinal Tap performance, or an all black colored album cover.

Poor Bleecker Street. They must be out of money. Their own beloved leader, Andrew Karpen, died of cancer this spring, and that clearly wrecked the company.

We knew this was coming. Bleecker Street didn’t report numbers on Friday or Saturday morning. There were no ads and almost zero promotion. What could have been a very funny campaign didn’t materialize, and this is the pathetic result.

More to come…

Oscar Buzzed “Hamnet” by “Nomadland” Director Chloe Zhao Wins Toronto Film Fest, Netflix’s “Frankenstein” Runner Up

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Here are the winners of the Toronto Film Festival.

“Nomadland” director Chloe Zhao is said to have a very strong Oscar contender in “Hamnet,” the story of William Shakespeare writing “Hamlet” starring Paul Mescal and Jesse Buckley.

Runner up is Netflix’s Oscar entry, Guillermo del Toro’s “Frankenstein.”

Keep an eye on the international winners, “Sentimental Value” and “No Other Choice.” They are each high on the list for Oscar contenders as well.

*The big money is on Paul Thomas Anderson’s “One Battle After Another,” but we can’t say that til Wednesday.

People’s Choice Award presented by Rogers: Hamnet, dir. Chloé Zhao

First runner-up: Frankenstein, dir. Guillermo del Toro

Second runner-up: Wake Up Dead Man: A Knives Out Mystery, dir. Rian Johnson

International People’s Choice Award presented by Rogers: No Other Choice, dir. Park Chan-wook

First runner-up: Sentimental Value, dir. Joachim Trier

Second runner-up: Homebound, dir. Neeraj Ghaywan

People’s Choice Documentary Award presented by Rogers: The Road Between Us: The Ultimate Rescue, dir. Barry Avrich

First runner-up: EPiC: Elvis Presley in Concert, dir. Baz Luhrmann

Second runner-up: You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution…, dir. Nick Davis

People’s Choice Midnight Madness Award presented by Rogers: Nirvanna the Band the Show the Movie, dir. Matt Johnson  

First runner-up: Obsession, dir. Curry Barker

Second runner-up: The Furious, dir. Kenji Tanigaki

Box Office: “Downton Abbey” Finale Gets Huge 96% Audience Rating — $20 Mil Weekend, “Spinal Tap” Studio Acting Like Movie Doesn’t Exist

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The box office is the usual mixed bag.

“Downton Abbey: The Grand Finale” is heading toward a $20 million opening weekend after a robust Thurs-Fri take of $8.85 million.

It doesn’t hurt that this is a movie fans really want to see — a whopping 96% audience response on Rotten Tomatoes, not to mention a very high 90% critics rating.

Julian Fellowes and Simon Curtis really poured themselves into making a perfect ending to this 16 year saga.

The weekend total may be even more than $20 million. Keep an eye on this one. And let’s hope Fellowes gets some nods for his excellent screenplay come awards season.

Focus Features has done a great job with this one.

On the other hand, “Spinal Tap II: The End Continues” remains as much a mystery as the origins of Stonehenge. It opened Thursday night and there are still no box office reports from Bleecker Street Films.

“Spinal Tap II” is actually being made into a cult film. The studio has all but ignored it. Producers must be furious. Reviews are B, which ain’t bad, with even the NY Times’ tough Manohla Dargis sending some nice notes.

All this despite a very good 88% audience rating on Rotten Tomatoes — a lot of movies with bigger pushes would be jealous.

Not sure if most people realize the photo of Spinal Tap is a parody of Crosby, Stills & Nash’s first legendary album cover by the famed Henry Diltz– as if the latter group could hold a candle against the former. But that’s the joke.

“Downton Abbey: The Grand Finale” Has Biggest Preview Night of the Three Post-Series Movies, Looks at $17 Mil Weekend

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“Downton Abbey: The Grand Finale” opened in royal style last night.

The last of the trio of films post-TV series had the best preview night of the three. “DAGF” brought in $2.6 million.

That’s more than double the prior installment, in 2022. And $500,000 more than the original “DA” film in 2019.

All signs point to a pretty swell weekend, with a possible $17 million take.

The new film is creator Julian Fellowes’ piece de resistance, and Focus Features knows it. They threw him and the cast an old fashioned premiere Monday night with a screening at Jazz at Lincoln Center followed by a lavish party at the NY Public Library.

You always know the studio means business if they take over the Library, by the way.

Fellowes was there, eating, meeting, and greeting. He’d never met Tony nominee Kristine Nielsen, who plays Mrs. Bauer on his HBO hit, “The Gilded Age,” and was thrilled when she came to say hello.

Other “Gilded Age” cast included Christine Baranski, aka Aunt Agnes, who came over from a fundraiser for the American Theater Wing.

There was plenty of “Downton Cast” on hand to celebrate including director Simon Curtis and his wife, Elizabeth McGovern, aka Lady Grantham, as well as Laura Carmichael (Edith), Hugh Bonneville (Lord Grantham), Michelle Dockery (Mary), Alessandro Nivola (he plays a sexy scoundrel), Paul Giammatti (Lady Grantham’s sad sack brother from America), Kevin Doyle (Mr. Moseley), and so on.

At the screening, Curtis and Fellowes gave a special shout out to Bob Balaban, who got all this started. In 1995 he went to famous director Robert Altman with the idea for what became “Gosford Park,” which he and Fellowes wrote and was a smash hit. “Downton” is really the TV version. So all kudos to Balaban, who was there with wife Lynn Grossman.

Fellowes has written every word of “Downton.” With “Gilded Age,” he gets ‘final pass’ on the scripts. He told me he’s completely stunned about how “Gilded Age” has taken off. No one was sure it would happen. In “Downton” Mr. Moseley — who’s now a screenwriter — makes several inside jokes about writers and actors, who’s most important, and so on. It was ironic, then, that Fellowes and Baranski disagree about the imperious Aunt Agnes — he thinks she does things for the right reasons. Her portrayer is a lot harder on her. Interesting.

After 16 years, I will really miss all these people. The “Downton” crowd was the nicest — except for “The Sopranos” — we ever dealt with. Every one of them was a pleasure to interview and review. But at least they’ve given us this one, last great send off.

PS When you see “The Grand Finale” this weekend, bring tissues. The ending deserves a whole box!

“SNL” Exit: Ego Nwodim Says She’s Out After 7 Years: “The hardest part of leaving a party is knowing when to say goodbye”

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“SNL” has lost another key player.

The great Ego Nwodim is out after seven years. Nwodim joins Heidi Gardner, Michael Longfellow, Emil Wakim, and Devon Walker who’ve either left or been let go by Lorne Michaels this month.

She wrote on Instagram: “The hardest part of leaving a party is knowing when to say goodbye”

She thanked Lorne Michaels, as well.

Nwodim’s seven year contract was up, and I guess renegotiation did not go well.

She’s a star, turning everything she did into magic. Her Dionne Warwick talk show was one of the great sketches of the last few years.

On the closing Weekend Update last May she went balls out in a performance that should have earned her an Emmy.

Nwodim’s exit is bad also because she’s a black woman, something “SNL” does not specialize in. She’s leaving several voids at once. But let’s hope we see her again soon in new triumphs.

Charlie Kirk Cash In Begins: Right Wing Singer Tom MacDonald Releases “Charlie” Hours After Activist’s Assassination

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Right wing singer and Canadian white rapper Tom MacDonald didn’t waste any time exploiting Charlie Kirk’s death.

MacDonald — who issues MAGA recordings every few months unknown to the mainstream — has released a digital single called “Charlie” that blames “woke people” for the podcaster’s death. (I’m actually surprised he didn’t call the record “Captain Kirk.” Missed opp!)

MacDonald has no idea who killed Kirk but he was willing to write any lyrics if he could make a buck off what’s happened.

On the video McDonald writes: “All proceeds to be donated,” but he doesn’t say to whom. Kirk’s lawyers should get on that one fast.

What happens when the killer doesn’t fit McDonald’s description? Well, never mind!

PS Get a load of this guy. He is #MAGA from tip to toe. Even from Canada. They have loonies, too. Yeesh.