The first two “A Quiet Place” movies were no slouches acting wise. Emily Blunt brought a real sense of fear to the assignment, Cillian Murphy was very engaging in part 2, and Millicent Simmonds had a spectacular debut as the deaf daughter.

But now comes the prequel, “A Quiet Place: Day One,” and it’s a whole different species of film. The aliens are still running around, looking gross and acting mean, killing people and overturning cars. If you make a noise, they will eviscerate you. None of that has changed.

In this standalone chapter, we get to see what happened to other people when the emergency was announced to the world. Oscar winner Lupita Nyong’o’s Samira, dying of cancer, is in a group discussion at her hospice. Alex Wolff is the group leader, and it’s clear they have an itchy scratchy friendship. She doesn’t suffer fools, and even announces that she is mean. She also carries a fluffy white and black security cat with her — everywhere.

Wolff’s Reuben invites the group to see a marionette show in The City — meaning New York. Samira agrees as long as they can get some New York pizza while they’re in town. They get in the hospice school bus, and you know there will be trouble.

Krasinski shares screenplay credit with director Michael Sarnoski. They carry over the spirit of the first two but add new dimensions. Instead of a family bound by biology, this one is made of strangers. Samira is thrown together with Eric, a nattily dressed British law student more dependent on her than the cat. They are just randomly paired by the universe.

It comes as no surprise, but Nyongo’o gives a tour de force performance. She reminded me of Cicely Tyson, with that level of intensity and warmth. There isn’t much dialogue in these movies, so emotion is conveyed largely in facial expressions. The eyes are so important. On all fronts, Nyongo’o carries this 90 minute adventure heroically. An Oscar nomination is not that far-fetched.

The men in Samira’s life are strong presences. Wolff is a very Judd Hirschy guy, perfectly cast. Joseph Quinn, straight from “Stranger Things,” looks like he should be Robert Downey Jr’s son in some movie. He makes an impressive big screen debut. The great Djimon Honsou has a fleeting cameo — he’s the tie in to “A Quiet Place 2.” If they ever make the third movie in the Emily Blunt series, I hope he gets more screen time. Honsou is a two time Oscar nominee who should be working every minute. He’s terrific.

Michael Bay produced the film, and he was there last night at the screening and after party at Lincoln Restaurant. I’d never really met him before, but he’s funny and engaging which makes sense since he’s one of the most successful producers and directors of all time. I asked him what was next and he replied, “I could tell you but then I’d have to kill you.” So we’ll have to wait and see…

PS Paramount may be in corporate disarray, but they have hits! (See: “If.”) That’s all that matters.

“The Apprentice” is coming sooner than you think.

Shown in Cannes, the movie — a documentary style dramatic version of Donald Trump’s early days — may finally have found a distributor.

I’ve confirmed that would be indie outfit Briarcliff Entertainment, whose owner — Tom Ortenberg — steered “Spotlight” to a Best Picture in 2016. His other hits included Michael Moore’s “Fahrenheit 911.”

“The Apprentice” is film directed by Ali Abbasi and written by journalist Gabriel Sherman. Sebastian Stan plays Trump in his 30s and 40s. Newly minted Tony Award winner Jeremy Strong is the late monster Roy Cohn, Trump’s evil guru who taught him the tricks of the trade.

Maria Bakalova, who made such a splash in the “Borat” sequel, plays Ivana Trump. The film re-enacts Donald raping Ivana, something Ivana alleged and subsequently retracted years ago.

There’s a long, complicated history of the film’s financing which had so far prevented it from finding a distributor after becoming a sensation in Cannes last month. It involves Dan Snyder, former owner of the Washington Commanders (formerly Redskins) who invested $5 million thinking the movie would portray Trump in a positive light.

But holding up the release would mean extremely negative PR for Snyder as football season begins, and who needs that? So negotiations are under way to pay him back and move on with “The Apprentice” hitting theaters this fall.

If the film is released before the November 5th election — and I’m told it can be, easily — the impact would be tremendous. Just the publicity alone from the film, apart from people running out to see it, would take over the conversation as Trump struggles to be elected again. Imagine Ivana’s children taking to the media their defense of their father and questioning their late mother’s veracity.

Could “The Apprentice” be in the mix for the Oscars and other awards shows? It’s still unclear but 2024 is turning into a light year for Oscar buzzed films, so anything is possible. Acting wise, from what we’re told, Stan and Strong at least would be cinches. You wouldn’t want to wake up in March 2025 to a newly elected Trump portrayed by an Oscar winner as a rapist.