Monday, December 15, 2025
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Phoebe Snow, the Greatest Voice of Her Generation, Dies at 60

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Phoebe Snow–nee Laub–  has passed away at age 60. Since January 19, 2010 she’s been in a coma after suffering a brain hemorrhage. It’s sort of unreal for people who actually knew Phoebe; she was a friend of mine and I, hers, for almost 30 years. Her life from the mid 1970s was consumed with the care of her daughter, Valerie, who’d been massively injured at birth. Instead of placing her in a home or hospital, Phoebe determined to care for Valerie at home. Doing this gave her the most love and pleasure in a world. But it also destroyed Phoebe’s career. She owed Columbia Records albums, wound up declaring bankruptcy and never recovered after the most promising start: the hit, “Poetry Man,” several terrific albums, and a voice that was rich with love and humanity. She had, I thought, and still do, the single best voice of her generation. But by the late 1980s she was singing the Bloomingdales jingle on TV. Music producer Charles Koppelman heard the commercial, and helped put out her album, ‘Something Real” in 1989. It was a huge comeback for Phoebe, but shortlived. Every time she started something new, there was a crisis with Valerie, who eventually passed away a few years ago. She had only been expected to live a few months, and because of Phoebe, she’d made it past 30 years old. When Valerie passed away, Phoebe was too. That she is now gone, at such a young age, is just the worst tragedy. Phoebe, RIP. I’ll write more later about this troubled, magnificent woman.

PS The picture on her website is retouched beyond recognition. In her last couple of years, Phoebe, as usual, worked with a lot of questionable associates who may have misrepresented her. FYI.

Orlando Bloom Happy His New Films Have No Fencing or Sword Play

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Orlando Bloom — we do think him as a modern day swashbuckler, whether it’s from the “Lord of the Rings” series or “Pirates of the Caribbean.” He told me last night that he’s very happy his new indie films, “Sympathy for Delicious” and “The Good Doctor” feature no fencing or sword play. In “Delicious” he plays a punk rock star who performs mostly shirtless, albeit covered in tattoos. His band becomes the vehicle for a deejay who suddenly discovers he can heal people by laying on hands. Juliette Lewis is sort of the band’s Chrissie Hynde. Actor Mark Ruffalo, in his directing debut, also plays a local priest who tries to help the film’s central character, played by real life paraplegic actor Christopher Thornton. Last night, at the party following the screening, though, Bloom and wife Miranda Kerr were the object of the panting paparazzi, along with the film’s other star, Laura Linney.

Ruffalo dedicates “Delicious,” to his brother Scott, who was brutally murdered in late 2008 while Mark was shooting his film.  Now at last the film hits theatres in New York and Los Angeles this Friday after debuting at Sundance in 2010. This strangely wonderful, original indie film will need Scott Ruffalo as an angel to watch over it. Distributors didn’t want “Sympathy” when it was first available.

The shot it’s getting on Friday may not last long because it’s also going on Video on Demand. But if you love good films, “Sympathy for Delicious” is a must see. Ruffalo’s best friend, Christopher Thornton, a paraplegic actor (from a rock climbing accident), wrote this unique script for himself ten years ago. The pair have been working on it since then. The hard work paid off. Ruffalo directs this story about a paraplegic homeless guy/parttime DJ, who suddenly has the ability to heal with his hands.

Thornton is sort of mesmerizing as Delicious D aka Dean O’Dwyer in what is alternately a physical and spiritual role. Thornton and Ruffalo just about take up the whole movie, except that Bloom’s rock star is a hoot. And of course nearly stealing the film from everyone is Laura Linney as the rock band’s manager, Nina. Linney is one of those handful of actors who can be plopped down in almost any situation and succeed. It’s worth seeing “Delicious” just for her big scene with Ruffalo. And yes, they played brother and sister memorably in the hit “You Can Count on Me.” At the premiere, Ruffalo admitted to the audience and Linney, “Laura, I always wanted you yo be my sister in real life.”

In New York and LA this weekend, see “Sympathy for Delicious.” Tell your friends.

PS Also at the party at the Soho Mondrian: Griffin Dunne, Aidan Quinn, Gina Gershon, Josh Hamilton, Darren Criss from “Glee,” and the sensational Ewa da Cruz, who’s just shooting a new film. This Audrey Hepburn lookalike is a knockout and great at comedy. Hollywood, are you listening?

“House of Blue Leaves” A Triumph For Stiller, Falco

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So: Ben Stiller played the teenage son in John Guare’s “The House of Blue Leaves” in 1986. Twenty five years later he steps into the main role of Artie. Talk about coming full circle. Ben’s mother, Anne Meara, starred in the original 1971 production. She’s going to be happy tonight, because Ben turns out to be quite the serious stage actor.

After years of inspired silliness with movies like “Tropic Thunder” and “There’s Something About Mary,” Stiller got serious last year with a small but well done film called “Greenberg.” You could tell something had changed in his acting. Now as Artie he’s terrific–sad, confused, earnest and yearning for acceptance from his childhood friend, Billy Einhorn (Thomas Sadowski) now a Hollywood filmmaker.

But Artie is trapped in Queens with his crazy wife, Bananas, played with poignancy by Edie Falco. And he’s got a girlfriend, the seemingly hapless Bunny (Jennifer Jason Leigh). And then there’s Ronnie, Artie and Bananas’ equally crazy teenage son, who’s planning to blow up the Pope during his visit to New York.

Remember this is 1971, and the Vietnam War is raging. A lot of things were being blown up and there was a general sense of confusion and violence in the culture. All the characters in “House of Blue Leaves” are hoping for something, including a deaf Hollywood starlet (Alison Pill) who pays the Shaughnessy’s a tragic visit. And then of course there are the nuns (headed up here by Mary Beth Hurt). They’re an odd unlikable bunch, maybe the worst nuns who ever set foot on a stage. They are also hilariously wacky.

No revival will ever be as good as something we saw the first time. I can remember clearly John Mahoney and Swoozie Kurtz as Artie and Bananas from 1986. They were revelatory. And yet, Ben Stiller has given Artie a new sense of desperation, Edie Falco has toned Bananas down to a human level, and Jennifer Jason Leigh brings new laughs to Bunny’s weird world. John Guare’s play gets more interesting under David Cromer’s restrained direction. And who knew Ben Stiller could play the piano and sing?

Katie Couric’s Announcement Will Come Late Tuesday

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Katie Couric’s announcement that she’s stepping down from The CBS Evening News will come on late Tuesday. The announcement itself, I am told, will be very low key and emanate from an unexpected place. It’s a purposeful move. Couric is heading to London for the Royal Wedding, and to interview British Prime Minister David Cameron. She’s still working for CBS News and doesn’t want to be upstaged by her own news. In all likelihood, Couric will soon announce a deal — as I first reported exclusively– to stay with CBS, have a syndicated talk show, and to keep her hand in with CBS News through the elections and with “60 Minutes.” Scott Pelley will replace her on the Evening News. While Pelley is solid and conventional, he’s also not exactly a shot of adrenalin for CBS in the race against Brian Williams and Diane Sawyer. Maybe he’ll surprise everyone. As for Katie, she’s in a win win situation.

“The Office” Thumbs Its Nose at the Golden Globes

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Last Thursday night’s episode of “The Office” was really, brilliant. I just got a chance to catch up with it on Sunday night. Mindy Kaling wrote “Michael’s Last Dundies,” which was essentially a parody of the Golden Globes combined with a send up of “The King’s Speech.” This was also Will Ferrell’s second episode and a huge improvement from the first, when he was introduced as Michael Scott’s successor, DeAngelo Vickers.

I liked that Kaling accomplished a few things here: she had Kelly break up with Gabe (who I’m not fond of). She also continued the thread of Dwight (Rainn Wilson) being angry about being passed over for Michael’s job. Then, after seven years, there were the visits to many of the Dunder Mifflin staff’s homes. Egging Toby’s house was priceless. And then, for some reason, without any dialogue, Jack Coleman, who was once on “Dynasty” and doesn’t seem to age, is sitting at the Dundies. He play Angela’s boyfriend, but what is he doing there?

A few other character bits: after all this time no one knows still what Ryan (BJ Novak) does in the office. In an usual exchange, Kaling threw in a little cat-hiss between him and Pam (Jenna Fischer). Will it mean anything?

But the main thrust of “Michael’s Last Dundies” were the office in house awards, only referenced before several seasons ago. There’s an inside-baseball reference to Ricky Gervais (who created The Office) when Michael says the Dundies are “like the Golden Globes but not as mean.” Indeed, they are just like the Golden Globes with their ridiculous categories and winners. Note: “The Office” loses every year to “30 Rock.” They probably figure what the hell at this point? Then there’s the “King’s Speech” satire–Ferrell with a giant 80s cassette tape Walkman on, volume turned all the way up in the headphones, screaming out his practice lines as co-host of the Dundies. This is Ferrell beyond compare.

And then there’s the ending: the entire cast singing a rewritten version of “Seasons of Love” from “Rent” to Steve Carell aka Michael. If you didn’t know it was TV show, you’d swear they’d surprised him. Carell is genuinely moved. As with the candle scene in “Garage Sale,” this moment is gorgeous without being sentimental or schmaltzy. Kaling nails it.

Now I’ll have to watch Thursday night’s show when it airs.  Michael leaves “The Office” for Holly and Colorado. And no, it’s not The Sunshine State (as mentioned in the prior episode). That would be Florida. Colorado, DeAngelo, is the Centennial State.

Oh, also: Ed Helms can do anything.

Aretha Franklin Sensational New Album May 3rd: Track Listing

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Last summer I had the great honor of Aretha Franklin playing me several tracks from a new album called “A Woman Falling Out of Love.” They were wonderful. Out in East Hampton, Aretha and her sister in law Earline made us a lunch of “Aretha’s Chili” with cornbread, and we got to hear the songs on Miss Franklin’s laptop. Now the album is ready. It drops May 3rd at Wal Mart and on walmart.com. The track listing follows. The first single, “How Long I’ve Waited,” was written by Aretha herself. So was “This You Should Know.” I am happy to say that a couple of tracks were written by Norman West, a sort of unsung hero of classic R&B. First he was with the Del Rios, and then co-founded The Soul Children at Stax Records. Also featured on this album are gospel star Karen Clark and Aretha’s famous arranger, H.B. Barnum. The CD is classic Aretha, and feels like she reached back to her early 70s sound–no artifice. This is the genuine article. Hooray!

PS Aretha says this is an album for the ladies. She writes: “OK ladies take a good look at the photo of me on this album; this is how you’re supposed to look when you’re a woman falling out of love.  Don’t sit by the phone waiting for him to call you, girlfriend; I want you to listen very closely to the lyrics of the songs on this album and you’ll hear a few good tips. Go out and have a ball!” – Love always, Ree Ree

1. How Long I’ve Waited – Written and Produced by Aretha Franklin
2. Sweet Sixteen – Written by Riley B. King and Joe Bihari, Produced by Aretha Franklin
3. This You Should Know – Written and Produced by Aretha Franklin
4. U Can’t See Me – Written and produced by Curtis Boone
5. Theme From A Summer Place – Lyrics by Mack Discant, Music by Max Steiner, Produced by Aretha Franklin.
6. The Way We Were – Written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch, Produced and Arranged by Marty Paich
7. New Day – Written Kecalf Franklin Cunningham and Norman West, Produced by Brian Garrett and Joseph Hall
8. Put It Back Together Again – Written by Norman West
9. Faithful (featuring Karen Clark-Sheard) – Produced by Sanchez G. Harley and Co-Produced by Jacqui Whittman
10. His Eye Is On The Sparrow (Performed by Eddie Franklin) – Written by Charles H. Gabriel and Civilla H. Martin, Produced by Aretha Franklin
11. When Two Become One – Written by Curtis Boone
Bonus Track:
12. My Country ‘Tis of Thee – Lyrics by Samuel Francis Smith, Music from Thesaurus Musicus, 1744, Arrangement by Aretha Franklin and H.B. Barnum

Julia Roberts, Movie Producer, Comes to Greenwich Village

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Julia Roberts is back in New York, kids. Over the weekend the Roberts posse made itself known in Greenwich Village at Roberts’s new address. On Saturday, several big black SUVs and security guards appeared in the street where Julia is now residing. They made enough of a spectacle to bring attention to the fact that Julia had arrived. The drivers blocked traffic on the narrow street to load children’s car seats. A little party ensued at Julia’s penthouse apartment, where a new awning has sprung up as well as large, bushy plants on the terrace. On Sunday, more people were in and out of Roberts’ new pad, including Madonna manager Guy Oseary.

The party preceded a showing at the Tribeca Film Festival of a movie Roberts and her sister Lisa produced called “Jesus Henry Christ.” The film is directed by Dennis Lee, with cinematography by Julia’s husband, Danny Moder. Michael Sheen and Toni Collette star. Hopefully this Roberts-Moder collaboration will get a distributor. A prior outing, called “Fireflies in the Garden,” has never been released in the United States even though Roberts is in the film. It was also directed by Dennis Lee. Interestingly, “Jesus Henry Christ” was the title of a short film also directed by Dennis Lee, in 2003. It had a different plot, and similarly named characters, but was then based on a short story by indie filmmaker Joe Turner Lin.

Paula Abdul to Join “X Factor”: Scooped Here Last August

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Simon Cowell is now saying what I told you last August: Paula Abdul will join him as a judge on “X Factor” this fall. This was known last summer. Here’s the link to my original story: http://www.showbiz411.com/2010/08/09/paula-abdul-will-join-simon-cowell-on-x-factor When “X Factor” was conceived for America, this much was already on the table. Simon and Paula’s reunion is the single biggest publicity hook that “X Factor” has when it makes its American debut. Add to those judges L.A. Reid, who by September will be a Sony Music executive, and Brit singer Cheryl Cole. Will Mariah Carey pop in and make appearances? Possibly. She’d be the anti-Jennifer Lopez.

But here’s the reality: Cowell expected “American Idol” to tank in the ratings once he was gone. For a while he was right. But then the drama of a couple of good contestants really helped. And Steven Tyler turned out to be enough of his own  X factor that people have wanted to see what he’ll do each week. Jennifer Lopez–not a singer, but looking radiant every week, and expressing sympathy and encouragement to all players–is doing well. So Cowell needs his biggest gun. That’s Paula.

Reps, etc can say that Simon has been toying with different names for a long time. But I was told about Paula last summer, and it’s coming to pass.

Ben Stiller Sings and Plays Piano On Broadway

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Who knew? Ben Stiller has made so many movies in the last few years, it was all getting to be a blur. But when he opens Monday night on Broadway in John Guare‘s “House of Blue Leaves,” audiences will get a big surprise: Ben sings, and plays piano. He’s not Van Cliburn, but he’s up there playing chords realistically. He’s also belting out the very funny songs sung by his character, Artie Shaughnessey without embarrassing himself it all.

On Saturday night, Laura Linney caught the show with husband Marc Schauer. It was a Showtime night since Linney is on the network’s “The Big C” because also in the audience was Showtime chief Matt Blank and wife Susan. Also catching the show was Guare himself–rare that a playwright shows up for a performance with guests, but Guare can be confident his 40 year old play is funnier and more tragic than ever. After the show, by the way, the crowds are thick outside waiting for Stiller and co-stars Edie Falco and Jennifer Jason Leigh to emerge from the stage door.

Ben is a late entry for most critics voting this week in various theater awards like the Outer Critics and the Tonys. The list of potential nominees among leading actors for Broadway shows is long, starting with Al Pacino, Robin Williams, Billy Crudup, Bobby Cannavale, Mark Rylance, and James Earl Jones. Heavy stuff.

Oprah Will Not Save the Soaps: Video Message

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Oprah Winfrey has one life to live and it’s her own. She is not going to move ABC’s canceled soaps to her OWN Network. She released a video to YouTube (see it below on our video player), which was quite extraordinary, explaining her position.

With a little editing, here’s what Oprah says on camera: “I would like to say thank you to everybody who has been responding, bombarding our message boards really with your requests for me or OWN to take on the soaps. I understand what’s it like…to have a show you love off the air…I felt the same when Mary Tyler Moore went off the air, I must say…I appreciate that you all think I could save the soaps.

But here is the bone marrow truth. The soaps have been an institution in broadcast history and television because they had the support of the audience…There are just not enough people at home in the daytime to watch them.

Believe me, if there was a dime left to be made from them on broadcast television it would still be happening. And so because all good things come to an end, and all good things have their time, as do the soaps, as does The Oprah Winfrey Show, I will not be taking on the responsibility of trying to revive an institution that for all intent and all purpose indicates that time has come for it to be over. So thank you for believing I could save them. But I really can’t.”

My opinion, not that Oprah asked? I watched a big block of OWN recently. It is quite dreadful. It’s all reality and fake documentary and makeover crap. It’s well below the standard set by her own show.  I don’t know if adopting the ABC soaps is the answer, but if OWN is going to survive, it’s going to need some kind of high quality scripted programming. Otherwise, it’s just competing with cable’s wasteland of 500 vapid channels. She could worse than bring on half hour versions of the current ABC shows.