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EXCLUSIVE Oscar winner Nicole Kidman on making “The Paperboy”: “I wanted to go to a place that was dangerous”

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Okay, kids, listen up: Best Supporting Actress is a hot category this year. We’ve got Sally Field in “Lincoln,” Jennifer Ehle in “Zero Dark Thirty,” Anne Hathaway singing her guts out in “Les Miz,” and Amy Adams in “The Master.” Jacki Weaver is sensational in “Silver Linings Playbook.” But wait there’s one more: Nicole Kidman’s sexy, incendiary performance as hot hot hot Charlotte Bless from “The Paperboy.”

Millennium dropped the ball on this film, which Lee Daniels directed specifically to look like a freaky Southern gothic circa 1968 with zoom in closeups and a kind of muddy patina to the film. But there is an Oscar DVD, and it’s gone out to Critics Choice voters and everyone else. If you’ve got it, watch it for Kidman’s work. It would be a shame to let it fall through the cracks.

Charlotte is one of Kidman’s best characters. She’s completely out there, wild, uninhibited, afraid of nothing. She looks like a young Ann-Margret. Charlotte is in keeping with Kidman characters from her many forays into indie filmmaking, like “Fur” or “Birth” or “Dogville” or “Rabbit Hole,” for which she was Oscar nominated. And let’s not forget her back-to-back home runs in “The Others” and “The Hours.” No other “movie star” takes so many risks doing small budget, edgy character work as Kidman.

I talked to the Oscar winner from Belgium where she’s been shooting “Grace of Monaco,” about Grace Kelly, with Olivier Dahan, the man who steered Marion Cotillard to accolades in “La Vie En Rose.” She told me she’s trying to wrap up and get to Australia where her sister Antonia is having baby number 6 in a couple of weeks. She’s 42. “It’s not a big deal in my family. My grandmother had her last at 49,” Nicole told me. She also said she will only have another child (she has two with Tom Cruise and two with Keith Urban) “if I get pregnant, if it happens.”

By the way: contrary to the tabs, Nicole is very much in touch with her older kids, Connor and Isabella. She says they’re doing great, but she tries to respect their privacy. Connor is in “Red Dawn.” Isabella is in school in London. That’s it.

But back to Charlotte Bless. Kidman did a Daniel Day-Lewis, and stayed in character for the entire shoot. When she (as Charlotte) and John Cusack (as her psychopath husband) meet in a prison waiting room and have sort of “psychic sex,” the actors had never met before and didn’t talk about what they would do in the scene. It’s so hot the paint peels off the prison walls. “John and I didn’t even talk to each other the movie was over,” Nicole told me.

“What I liked about the character was toughness. And I was always fighting for her fragility, her humanity. Lee (Daniels, director) brought out the sexuality. But I didn’t want to censor myself. In terms of being an actor, I wanted to go to a place that was dangerous. That’s the kind of stuff you try to find and don’t want to be frightened of doing. I’m trying to move out of my comfort zone.”

As for roles like “The Paperboy”: “This is where my heart is. I try to support independent filmmaking. And Charlotte is raw. This part is physically raw. I never got to play someone so damaged.”

After “Grace” is completed, and Kidman and Keith Urban spend the holidays in Australia, Nicole heads home to L.A. She’ll play the part of Urban’s wife (you know, real life) while he’s judging singers on “American Idol.” “I’ll cook,” she said. “I don’t how good it will be, but I’ll be doing it!”

 

 

 

 

 

Oscars: Academy Voters Get Extended Deadline, and Electronic Kiosks Are Coming

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Update on Oscar voting, attention Academy voters:  the deadline to register for paper balloting has been extended to December 14th. If you really don’t have access to a computer or email in 2012, this is for you. But if you don’t register for the paper ballot by tomorrow, I am told, that’s it. You will still be able to register at any time for electronic voting by email or in person at Academy theaters in Los Angles, New York, and London. And get this: the Academy is getting so modern and cool that they will have kiosks–like ATMs– in the lobby at their theatres where voters can log in and vote on the spot. I mean, how easy is that? Call the Academy office if you have questions.

Jeff Zucker Could Make CNN Exciting Again

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CNN has named Jeff Zucker to run the famed cable news network. He replaces Jim Walton. Zucker now has to do something difficult but not impossible: he’s got to turn CNN around. Zucker can do it. He steered the “Today” to its greatest success and laid the foundation for the Matt Lauer era. It’s not his fault that that goodwill was squandered subsequently. Zucker got caught in a squeeze play over Jay Leno and Conan O’Brien, but that was also because he was involved in entertainment programming. His real instinct is news. He’s had a solid launch with Katie Couric’s talk show. And while “Katie” may not be doing “General Hospital” numbers yet, the new talk show is number 1 among all the other debuts, and it’s holding its own. The show comes off best when Katie handles news features like survivors of Hurricane Sandy– she did a great job. That’s Zucker’s forte. He could make CNN exciting again.

Here’s the press release from CNN:

Jeff Zucker will join CNN Worldwide as president of the multi-platform global news enterprise, it was announced today by Phil Kent, chairman and CEO of CNN parent company Turner Broadcasting System, Inc.  In January 2013, Zucker will assume executive oversight of a portfolio of 23 branded news and information businesses that includes CNN/U.S., CNN International, CNN.com and HLN and reaches more than 2 billion people in some 200 countries around the world.  Zucker will report to Kent and will be based at CNN in New York.

Zucker started his 25-year career with NBC as a researcher for NBC Sports’ coverage of the 1988 Summer Olympic Games and rose to president and chief executive officer of NBC Universal.  He was named executive producer of Today in January 1992; under his eight-year leadership, the program was the most-watched morning news show and the most profitable program on television.  Zucker went on to executive-produce NBC Nightly News with Tom Brokaw and the network’s coverage of the Persian Gulf War, the 1993 and 1997 presidential inaugurations and the 2000 elections.  He was promoted to president of NBC Entertainment, president of the NBC Entertainment, News & Cable group and president and CEO of the NBC Universal Television Group.  Currently, Zucker is executive producer of the syndicated daytime show Katie.

“Jeff’s experience as a news executive is unmatched for its breadth and success,” said Kent.  “He built and sustained the number-one brand in morning news, and under his watch NBC’s signature news programming set a standard for quality and professionalism.  As a programmer, a brand-builder and a leader, he will bring energy and new thinking to CNN.  I couldn’t be happier to welcome him or more excited about what he’ll accomplish here.”

“I am thrilled to join the distinguished team of journalists across the worldwide platforms of CNN,” said Zucker.  “The global reach and scale of the CNN brand is unparalleled in all of news.  Outside of my family and the Miami Dolphins, there is nothing I am as passionate about as journalism.  I spent the most rewarding years of my career as a journalist, and it’s where I look forward to spending many more.  I am grateful to Phil Kent for this opportunity, and I’m excited to return to daily newsgathering and compelling storytelling in a place that values those above all else.”

The original 24-hour news network, CNN has the greatest reach of any domestic news network.  The CNN brand on television extends to 100 million households in the U.S. and 265 million households abroad, with significant online and mobile reach and a global newsgathering network with 45 locations.  CNN signatures include Anderson Cooper 360, The Situation Room with Wolf Blitzer, Piers Morgan Tonight, State of the Union, Amanpour and Quest Means Business, as well as award-winning documentaries, unrivaled breaking news coverage and peerless political reporting.

CNN Worldwide, a division of Turner Broadcasting System, Inc., a Time Warner company, is the most trusted source for news and information. Its reach extends to nine cable and satellite television networks; one private place-based network; two radio networks; wireless devices around the world; CNN Digital Network, the No. 1 network of news Web sites in the United States; CNN Newsource, the world’s most extensively syndicated news service; and strategic international partnerships within both television and the digital media.

Barnes & Noble Closing Greenwich Village Store, Their Destruction of Book Biz Nearly Complete

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A sign has gone up in the window of the Barnes & Noble on the corner of Sixth Avenue and Eighth St: they are closing on December 31st. In the mid 1980s, Barnes & Noble swallowed up Marboro Books, Bookmasters and B Dalton, among other booksellers. They killed off small booksellers all over the country, eventually destroying business for many beloved New York landmarks like Colosseum, Books & Co., Gotham, Doubleday, and many others. St. Marks Bookstore, in its reduced form, is rumored to be downsizing and moving again.

B&N wanted to rule the world. They took over the B Dalton store at what used to be the gateway of Greenwich Village, but also added a behemoth store at 21st and Sixth (now gone), Lincoln Center (now gone), and downsized the famous main store at Fifth Avenue and 18th st. On upper Fifth Avenue, they ravaged Scribner Books, the best bookstore in New York, which became Rizzoli and is now a Benetton or some clothier.

Now B&N is in such reduced circumstances that they’ve slinked (slunk?) down Fifth Avenue from their original spot near 48th St. to something far less glamorous on the east side of the street near 45th.

I was working at the B&N outpost on Third Avenue and 59th St. in 1979 when the destruction began. I was in college, and had been reassigned from Marboro on West Eighth St. when B&N bought that chain and killed it. You could see the future: at that moment, truck drivers and maintenance people had been promoted to store managers by the hippie HR guy who thought it was all very funny. No one knew anything about books. No one cared. A customer once walked into our store and asked for “books by Singer”– meaning Isaac Bashevis Singer. He was directed by our night manager to the Singer sewing store on 57th and Third.

Among the stores B&N helped coax into oblviion  was the legendary Wilentz Books on Eighth St. just a half block east of the red brick former Dalton edifice. For a while, Shakespeare & Co. has barely held on, on lower Broadway. Somehow, Three Lives Books–with different owners than the ones I knew–has clung to life in the West Village. But they are very small and off the beaten track. Otherwise, B&N has managed to wreck what used to be a thriving book life in Greenwich Village.

And now, come January 1st, there will be no book store in our neighborhood, known the world over as home to legendary writers from Mark Twain and Dawn Powell to Edna St. Vincent Millay. Congratulations to the Riggios. You ushered out an entire culture and it only took 30 years. Everything will be downloaded onto a Nook. The smell of books, the feel of them, the communal experience of choosing books from piles and stacks, has been decimated. Good work! (I can’t hold amazon accountable for this–they didn’t start with brick and mortar stores.)

I will never forget Ralphie, the manager of the Third Avenue store, who told the staff one night that if his rules were too “astringent” we could leave. There was also a sign on the freight door from the inside that read: “This door is alarmed.” So was I. And now, more than ever.

“Django” Soundtrack Has James Brown-Tupac Mashup, Plus Tarantino’s Actual Records (LPs)

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The soundtrack to “Django Unchained” is going to be very interesting. For one thing, it includes lots of cool music including a posthumous mashup of James Brown and Tupac Shakur. That alone would be wild. But Quentin Tarantino has also enlisted his star, Jamie Foxx, for vocals and production on other tracks. And there is new music from John Legend, who also wrote two great songs on the new Alicia Keys album.

And: Tarantino chose a lot of music for the movie from his collection of vinyl, LP, records. Instead of getting the masters, now digital and all cleaned up, Quentin used his own records. He says in a press release: “I want to thank all the artists who contributed original songs (a first for me) to the picture. Most of these contributions came out of the artists’ own inspiration and their illustration of the film’s soul is invaluable.”

He continues: “In addition to the new original songs I am also using a lot of older recordings on the soundtrack – many of which came from my personal vinyl collection. Instead of having the record companies give me new digitally cleaned up versions of these recordings from the 60’s and 70’s, I wanted to use the vinyl I’ve been listening to for years – complete with all the pops and cracks. I even kept the sound of the needle being put down on the record. Basically because I wanted people’s experience to be the same as mine when they hear this soundtrack for the first time.”

The soundtrack to “Jackie Brown” is still  my favorite of the Tarantino movies because it includes “Natural High” by Bloodstone. But this one sounds very, very promising.

Here’s the tracklist:

1. WINGED
2. DJANGO (MAIN THEME) – LUIS BACALOV, ROCKY ROBERTS
3. THE BRAYING MULE – ENNIO MORRICONE
4. IN THAT CASE, DJANGO, AFTER YOU…
5. LO CHIAMAVANO KING (HIS NAME IS KING) – LUIS BACALOV, EDDA DELL’ORSO
6. FREEDOM – ANTHONY HAMILTON & ELAYNA BOYNTON
7. FIVE-THOUSAND-DOLLAR NIGGA’S AND GUMMY MOUTH BITCHES
8. LA CORSA (2ND VERSION) – LUIS BACALOV
9. SNEAKY SCHULTZ AND THE DEMISE OF SHARP
10. I GOT A NAME – JIM CROCE
11. I GIORNI DELL’IRA – RIZ ORTOLANI
12. 100 BLACK COFFINS – RICK ROSS
13. NICARAGUA – JERRY GOLDSMITH FEATURING PAT METHENY
14. HILDI’S HOT BOX
15. SISTER SARA’S THEME – ENNIO MORRICONE
16. ANCORA QUI – ENNIO MORRICONE AND ELISA
17. UNCHAINED (THE PAYBACK/UNTOUCHABLE) – JAMES BROWN AND 2PAC
18. WHO DID THAT TO YOU? – JOHN LEGEND
19. TOO OLD TO DIE YOUNG – BROTHER DEGE
20. STEPHEN THE POKER PLAYER
21. UN MONUMENTO – ENNIO MORRICONE
22. SIX SHOTS TWO GUNS
23. TRINITY (TITOLI) – ANNIBALE E I CANTORI MODERNI

Katie Holmes Finally Gets to Kiss a Guy On Stage

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Freedom from her past constraints means Katie Holmes gets to kiss a guy for real on stage in “Dead Accounts.” The guy she kisses is Josh Hamilton, and you can tell she has a good time doing it. “Dead Accounts,” by Theresa Rebeck, opens tonight on Broadway. It’s thin material, and probably should have been off Broadway or presented without an intermission. It’s really just an acting exercise for a strong cast that includes Norbert Leo Butz, Judy Greer, Holmes, Hamilton, and Jayne Houdyshell.

Even with director Jack O’Brien there’s not a lot to be made here unless you’re from Cincinnati and have a hankering for that city’s ice cream. Otherwise there’s one idea and very little plot: Butz has returned home from New York where somehow he’s managed to embezzle $27 million from his investment firm. He’s taken it from “dead accounts.” That’s it, not much more, Katie plays his sister, and Hamilton is his best friend. Greer is Butz’s uptight New York wife who wants a cut of the money. Houdyshell is the mid-western mother who believes in god and prays a lot. Unseen is a father who is passing a kidney stone, then is said to be dying. (I have kidney stones, and this is not the case. They should have called me.)

All eyes are on Katie, who is just fine. I think she’s very brave for wanting to jump into theater for the second time. (The first was a revival a few years ago of Arthur Miller’s “All My Sons.”) Katie is obviously a name draw even though she’s not a seasoned stage actress. She would do well to try some off Broadway material, some classical theater, some rep companies. She rises to the occasion of the material, which is better for her in the second act. She’s very lively, projects well, gets good laughs in the right spots, and has the kiss. Bravo to her.

In our audience last night: Tim Daly with his sister who is not Tyne Daly but the other one (she was very nice), and comedian Jim Gaffigan with his wife. A few people — none of these– left the theater at intermission. They should have given Act 2 a chance. “Dead Accounts” is not doing great business right now, but it’s worth a look if for no other reason than to see NLB, who makes the whole thing come alive.

And Katie sounds like she’s living a normal life. Our host across the street at Junior’s told us later how Holmes stopped in the other night around 11pm for a piece of cheesecake to go, and three forks. “Maybe she a boyfriend,” said the young woman. You go, girl!

John Krasinski: “The Office” Will Finally Address Fictitious Documentary About the Group

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John Krasinski’s in town doing press with Gus van Sant and Matt Damon for “Promised Land,” a movie I like a lot about a small town in Pennsylvania trying to decide about fracking. More about that in a minute. Krasinski told us at lunch today that before “The Office” ends, we will see the fictional documentary that’s been shooting for the last nine seasons.

The premise of “The Office” has been that a film crew has been documenting everything going on at Dunder Mifflin. Krasinski says that before the series ends, “the documentary will be addressed.” He also said that he never would have left the series. “I owe it everything,” he said. We will miss Jim and Pam and the whole crew, but let’s face it– by now they would have all been fired or the company would have gone under.

Meantime, there’s “Promised Land” which Krasinski wrote with Matt Damon at their respective dining room tables. Since Damon has four daughters, Krasinski said he was very impressed by the Oscar winner’s focus considering that “four girls were constantly crawling all over him, and he was helping bathe and feed them.”

And lest you think “Promised Land” is anti-fracking movie, it’s not. While drilling for natural gas along the Marcellus shelf has been controversial, it’s also been financially advantageous for a lot of people needing money. “Promised Land” shows both sides.

One more thing: Krasinski says he and Damon considered for a minute having John’s wife, actress Emily Blunt, play the female lead in the film. But, John says: “Matt said she’d be perfect, then realized they’d just been in The Adjustment Bureau together.” Instead, they went with Rosemarie DeWitt, who had just co-starred with Blunt in “Your Sister’s Sister.”

Sundance 2013 Films Announced: Loads of Stars, Pussy Riot and Occupy Wall Street Coming to Park City

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There aren’t a lot of recognizable names among directors in the films just announced for Sundance 2013. Lots of known actors, though. And documentaries about Occupy Wall Street and Pussy Riot. I used a picture of Dakota Fanning and Lizzie Olsen because “Very Good Girls” was supposed to be on this list. Maybe tomorrow. Anyway, I liked the picture.

2013 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN U.S. AND WORLD COMPETITIONS

Afternoon Delight / U.S.A. (Director and screenwriter: Jill Soloway) — In this sexy, dark comedy, a lost L.A. housewife puts her idyllic hipster life in jeopardy when she tries to rescue a stripper by taking her in as a live-in nanny. Cast: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch.
Ain’t Them Bodies Saints / U.S.A. (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine.
Austenland / U.S.A., United Kingdom (Director: Jerusha Hess, Screenwriters: Jerusha Hess, Shannon Hale) — Thirtysomething, single Jane is obsessed with Mr. Darcy, as played by Colin Firth in Pride and Prejudice. On a trip to an English resort, her fantasies of meeting the perfect Regency-era gentleman become more real than she ever imagined. Cast: Keri Russell, JJ Feild, Bret McKenzie, Jennifer Coolidge, Georgia King, James Callis.
C.O.G. / U.S.A. (Director and screenwriter: Kyle Patrick Alvarez) — In the first ever film adaptation of David Sedaris’ work, a cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. Cast: Jonathan Groff, Denis O’Hare, Corey Stoll, Dean Stockwell, Casey Wilson, Troian Bellisario.
Concussion / U.S.A. (Director and screenwriter: Stacie Passon) — After a blow to the head, Abby decides she can’t do it anymore. Her life just can’t be only about the house, the kids and the wife. She needs more: she needs to be Eleanor. Cast: Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney, Laila Robins.
Emanuel and the Truth About Fishes / U.S.A. (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O’Connor, Jimmi Simpson, Aneurin Barnard.
Fruitvale / U.S.A. (Director and screenwriter: Ryan Coogler) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray.
In a World… / U.S.A. (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed.
Kill Your Darlings / U.S.A. (Director: John Krokidas, Screenwriters: Austin Bunn, John Krokidas) — An untold story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen.

The Lifeguard / U.S.A. (Director and screenwriter: Liz W. Garcia) — A former valedictorian quits her reporter job in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager. Cast: Kristen Bell, Mamie Gummer, Martin Starr, Alex Shaffer, Amy Madigan, David Lambert.
May in the Summer / U.S.A., Qatar, Jordan (Director and screenwriter: Cherien Dabis) — A bride-to-be is forced to reevaluate her life when she reunites with her family in Jordan and finds herself confronted with the aftermath of her parents’ divorce. Cast: Cherien Dabis, Hiam Abbass, Bill Pullman, Alia Shawkat, Nadine Malouf, Alexander Siddig. DAY ONE FILM

Mother of George / U.S.A. (Director: Andrew Dosunmu, Screenwriter: Darci Picoult) — A story about a woman willing to do anything and risk everything for her marriage. Cast: Isaach De Bankolé, Danai Gurira, Anthony Okungbowa, Yaya Alafia, Bukky Ajayi.
The Spectacular Now / U.S.A. (Director: James Ponsoldt, Screenwriters: Scott Neustadter, Michael H. Weber) — Sutter is a high school senior who lives for the moment; Aimee is the introvert he attempts to “save.” As their relationship deepens, the lines between right and wrong, friendship and love, and “saving” and corrupting become inextricably blurred. Cast: Miles Teller, Shailene Woodley, Brie Larson, Jennifer Jason Leigh, Mary Elizabeth Winstead, Kyle Chandler.
Touchy Feely / U.S.A. (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother’s foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais.
Toy’s House / U.S.A. (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — Three unhappy teenage boys flee to the wilderness where they build a makeshift house and live off the land as masters of their own destiny. Or at least that’s the plan. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie.
Upstream Color / U.S.A. (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins.

U.S. DOCUMENTARY COMPETITION
The world premieres of 16 American documentary films.
99% – The Occupy Wall Street Collaborative Film / U.S.A. (Directors: Audrey Ewell, Aaron Aites, Lucian Read, Nina Kristic) — The Occupy movement erupted in September 2011, propelling economic inequality into the spotlight. In an unprecedented collaboration, filmmakers across America tell its story, digging into big picture issues as organizers, analysts, participants and critics reveal how it happened and why.
After Tiller / U.S.A. (Directors: Martha Shane, Lana Wilson) — Since the assassination of Dr. George Tiller in 2009, only four doctors in the country provide late-term abortions. With unprecedented access, After Tiller goes inside the lives of these physicians working at the center of the storm.
American Promise / U.S.A. (Directors: Joe Brewster, Michèle Stephenson) — This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons.
Blackfish / U.S.A. (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.
Blood Brother / U.S.A. (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find.
Citizen Koch / U.S.A. (Directors: Carl Deal, Tia Lessin) — Wisconsin – birthplace of the Republican Party, government unions, “cheeseheads” and Paul Ryan – becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.

Cutie and the Boxer / U.S.A. (Director: Zachary Heinzerling) — This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own.
Dirty Wars / U.S.A. (Director: Richard Rowley) — Investigative journalist Jeremy Scahill chases down the truth behind America’s covert wars.
Gideon’s Army / U.S.A. (Director: Dawn Porter) — Gideon’s Army follows three young, committed Public Defenders who are dedicated to working for the people society would rather forget. Long hours, low pay and staggering caseloads are so common that even the most committed often give up.
God Loves Uganda / U.S.A. (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law.
The Good Life / U.S.A. (Directors: Sean Fine, Andrea Nix Fine) — Dr. Leslie Gordon and Dr. Scott Berns fight to save their only son from Progeria, a rare and fatal disease for which there is no treatment or cure. In less than a decade, their work has led to significant advances.
Inequality for All / U.S.A. (Director: Jacob Kornbluth) — In this timely and entertaining documentary, noted economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy.
Manhunt / U.S.A., United Kingdom (Director: Greg Barker) — This espionage tale goes inside the CIA’s long conflict against Al Qaeda, as revealed by the remarkable women and men whose secret war against Osama bin Laden started nearly a decade before most of us even knew his name.
Narco Cultura / U.S.A. (Director: Shaul Schwarz) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by an LA narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.
Twenty Feet From Stardom / U.S.A. (Director: Morgan Neville) — Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead – until now. DAY ONE FILM
Valentine Road / U.S.A. (Director: Marta Cunningham) — In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point blank range. Unraveling this tragedy from point of impact, the film reveals the heartbreaking circumstances that led to the shocking crime as well as its startling aftermath.

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents offer fresh perspectives and inventive styles.
Circles / Serbia, Germany, France, Croatia, Slovenia (Director: Srdan Golubovic, Screenwriters: Srdjan Koljevic, Melina Pota Koljevic) — Five people are affected by a tragic heroic act. Twenty years later, all of them will confront the past through their own crises. Will they overcome guilt, frustration and their urge for revenge? Will they do the right thing, at all costs? Cast: Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Hristina Popovic, Nikola Rakocevic, Vuk Kostic. World Premiere
Crystal Fairy / Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva. World Premiere. DAY ONE FILM

The Future / Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta. World Premiere
Houston / Germany (Director and screenwriter: Bastian Günther) — Clemens Trunschka is a corporate headhunter and an alcoholic. Drinking increasingly isolates him from his life and leads him away from reality. While searching for a CEO candidate in Houston, his addiction submerges him into his own darkness. Cast: Ulrich Tukur, Garret Dillahunt, Wolfram Koch, Jenny Schily, Jason Douglas, Jens Münchow. World Premiere
Jiseul / South Korea (Director and screenwriter: Muel O) — In 1948, as the Korean government ordered the Communists’ eviction to Jeju Island, the military invaded a calm and peaceful village. Townsfolk took sanctuary in a cave and debated moving to a higher mountain. Cast: Min-chul SUNG, Jung-won YANG, Young-soon OH, Soon-dong PARK, Suk-bum MOON, Kyung-sub JANG. International Premiere
Lasting / Poland, Spain (Director and screenwriter: Jacek Borcuch) — An emotional love story about two Polish students who fall in love with each other while working summer jobs in Spain. An unexpected nightmare interrupts their carefree time in the heavenly landscape and throws their lives into chaos. Cast: Jakub Gierszal, Magdalena Berus, Angela Molina. World Premiere
Metro Manila / United Kingdom, Philippines (Director: Sean Ellis, Screenwriters: Sean Ellis, Frank E. Flowers) — Seeking a better life, Oscar and his family move from the poverty-stricken rice fields to the big city of Manila, where they fall victim to various inhabitants whose manipulative ways are a daily part of city survival. Cast: Jake Macapagal, John Arcilla, Althea Vega. World Premiere
Shopping / New Zealand (Directors: Mark Albiston, Louis Sutherland, Screenwriters: Louis Sutherland, Mark Albiston) — New Zealand, 1981: Seduced by a charismatic career criminal, teenager Willie must choose where his loyalty lies – with a family of shoplifters or his own blood. Cast: Kevin Paulo, Julian Dennison, Jacek Koman, Alistair Browning. World Premiere
Soldate Jeannette / Austria (Director: Daniel Hoesl) — Fanni has had enough of money and leaves to buy a tent. Anna has had enough of pigs and leaves a needle in the hay. Cars crash and money burns to shape their mutual journey toward a rising liberty. Cast: Johanna Orsini-Rosenberg, Christina Reichsthaler, Josef Kleindienst, Aurelia Burckhardt, Julia Schranz, Ines Rössl. World Premiere
There Will Come a Day / Italy, France (Director: Giorgio Diritti, Screenwriters: Giorgio Diritti, Fredo Valla, Tania Pedroni) — Painful issues push Augusta, a young Italian woman, to doubt the certainties on which she has built her existence. On a small boat in the immensity of the Amazon rain forest, she faces the adventure of searching for herself. Cast: Jasmine Trinca, Anne Alvaro, Pia Engleberth. World Premiere
Wajma (An Afghan Love Story) / Afghanistan (Director and screenwriter: Barmak Akram) — A young man in Kabul seduces a girl. When she tells him she’s pregnant, he questions having taken her virginity. Then her father arrives, and a timeless, archaic violence erupts – possibly leading to a crime, and even a sacrifice. Cast: Wajma Bahar, Mustafa Abdulsatar, Haji Gul, Breshna Bahar. World Premiere
What They Don’t Talk About When They Talk About Love / Indonesia (Director and screenwriter: Mouly Surya) — Mouly Surya’s film explores the odds of love and deception among the blind, the deaf and the unlucky sighted people at a high school for the visually impaired. Cast: Nicholas Saputra, Ayushita Nugraha, Karina Salim, Anggun Priambodo, Lupita Jennifer. World Premiere
WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary filmmakers working today.

Fallen City / China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood / India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain / Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious project ever conceived on the Internet, Google has been scanning the world’s books for 10 years. They said the intention was to build a giant digital library, but that involved scanning millions of copyrighted works. World Premiere
The Machine Which Makes Everything Disappear / Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man / United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer / Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course / Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma / United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (El Midan) / Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project / United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit / Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers’ code, he might still be alive. International Premiere
Who is Dayani Cristal? / United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. DAY ONE FILM

Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling. Digital technology paired with unfettered creativity proves the films selected in this section will inform a “greater” next wave in American cinema.
Blue Caprice / U.S.A. (Director: Alexandre Moors, Screenwriters: R.F.I Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real life events that led to the 2002 Beltway sniper attacks. Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick.
Computer Chess / U.S.A. (Director and screenwriter: Andrew Bujalski) — An existential comedy about the brilliant men who taught machines to play chess – back when the machines seemed clumsy and we seemed smart. Cast: Patrick Riester, Myles Paige, James Curry, Robin Schwartz, Gerald Peary, Wiley Wiggins.
Escape from Tomorrow / U.S.A. (Director and screenwriter: Randy Moore) — A postmodern, surreal voyage into the bowels of “family” entertainment; an epic battle begins when an unemployed, middle-aged father loses his sanity during a close encounter with two teenage girls on holiday. Cast: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor.
I Used to Be Darker / U.S.A. (Director: Matthew Porterfield, Screenwriters: Amy Belk, Matthew Porterfield) — A runaway seeks refuge with her aunt and uncle in Baltimore, only to find their marriage ending and her cousin in crisis. In the days that follow, the family struggles to let go while searching for things to sustain them. Cast: Deragh Campbell, Hannah Gross, Kim Taylor, Ned Oldham, Geoff Grace, Nick Petr.
It Felt Like Love / U.S.A. (Director and screenwriter: Eliza Hittman) — On the outskirts of Brooklyn, a 14-year-old girl’s sexual quest takes a dangerous turn when she pursues an older guy and tests the boundaries between obsession and love. Cast: Gina Piersanti, Giovanna Salimeni, Ronen Rubinstein, Jesse Cordasco, Nick Rosen, Case Prime.
Milkshake / U.S.A. (Director: David Andalman, Screenwriters: David Andalman, Mariko Munro) — In mid-1990’s America, we follow the tragic sex life of Jolie Jolson, a wannabe thug (and great-great-grandson of legendary vaudevillian Al Jolson) in suburban DC as he strives to become something he can never be – black. Cast: Tyler Ross, Shareeka Epps, Georgia Ford, Eshan Bay, Leo Fitzpatrick, Danny Burstein.
Newlyweeds / U.S.A. (Director and screenwriter: Shaka King) — A Brooklyn repo man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark coming-of-age comedy about dependency. Cast: Amari Cheatom, Trae Harris, Tone Tank, Colman Domingo, Isiah Whitlock Jr., Adrian Martinez.
Pit Stop / U.S.A. (Director: Yen Tan, Screenwriters: Yen Tan, David Lowery) — Two working-class gay men in a small Texas town and a love that isn’t quite out of reach. Cast: Bill Heck, Marcus DeAnda, Amy Seimetz, John Merriman, Alfredo Maduro, Corby Sullivan.
A Teacher / U.S.A. (Director and screenwriter: Hannah Fidell) — A popular young teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end. Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Dubeck.
This is Martin Bonner / U.S.A.(Director and screenwriter: Chad Hartigan) — Martin Bonner has just moved to Reno for a new job in prison rehabilitation. Starting over at age 58, he struggles to adapt until an unlikely friendship with an ex-con blossoms, helping him confront the problems he left behind. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse.

“Django Unchained”–Quentin Tarantino Epic–Rumored Ready for Screening This Weekend

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Rumors are swirling, but here’s the latest– Quentin Tarantino’s latest epic, “Django Unchained,” is said to be ready for screening this weekend in New York. Of course, it has to be if the various voting groups like the New York Film Critics Circle and the Screen Actors Guild–are going to see it in time. Then, of course, there are the Hollywood Foreign Press and the National Board of Review.

But Sunday will already be December 2nd, and the clock is ticking down. I’m told the final sound mix was conducted yesterday and on into today. Then Tarantino will carry a “wet print”–with much drama — to his waiting fans.

Is it true “Django” clocks in at three-and-a-half-hours? Holy moley, we’ll have to wait and see. In the past when his films were incredibly long–like “Kill Bill”–Harvey Weinstein broke it in half and issued 2 parts. Sources say “Django” is a mind-blower, and an epic. What a way to end the year, right?

“Django” is the first movie Tarantino has made without his longtime editor Sally Menke. She died in 2010 while hiking during a horrendous Los Angeles heatwave. Menke has been succeeded by Fred Raskin, her second in command on the “Kill Bill” movies. I’m told he did a great job.

Also being praised: Don Johnson, who took over his role after Kevin Costner dropped out. Tarantino likes to bring back all the crazy bad boys from eras past. This time around he also has Michael Parks, Bruce Dern and Robert Carradine.

 

“General Hospital” Up 19% from Last Year, Beating Katie Couric by 500K Viewers

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Remember when ABC Daytime thought they’d get rid of the soaps? Well, it didn’t work. They killed “All My Children” and “One Life to Live” before anyone could do anything, and left “General Hospital” to die another day. However: “General Hospital,” revitalized beyond belief by “OLTL” exec producer Frank Valentini and head writer Ron Carlivati is up a whopping 19% over last year at this time. It’s scoring a 2.8 mil in overall viewers, about a half million more than Katie Couric’s talk show–which replaced it at 3pm. Let’s not forget as well that the soap’s big replacement show, “The Revolution,” lasted a short time and was killed off like a soap character–except no twin will return one day.

It’s hard to believe that “General Hospital” staged this kind of insurrection. ABC would still probably like to see it go away. But Valentini and Carlivati combined elements from “OLTL” into the show, and revived old, favorite characters who’d been done away with by former megalomaniac  exec producers and head writers. CBS snapped up Jill Farren Phelps, who nearly destroyed “GH,’ for the number 1 soap “Young and the Restless.” That show continues a downward spiral in the ratings.

Meantime, “GH” scored an inside joke this week when the last will and testament of series patriarch Edward Quartermaine was read. The billionaire left half of his estate to Habitat for the Humanity and the other half to…PBS! That was a little jab at Mitt Romney, who was angling to get rid of Public Broadcasting. Very funny. Edward was played for two decades by beloved actor John Ingle, who passed away a few weeks ago. Carlivati frequently sneaks funny one liners into the scripts. A few weeks ago, someone on the show decried the need “for more talk shows.” Considering how badly most of those are faring in the ratings, maybe it’s time to re-start the soaps. Susan Lucci, are you out there?