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Football, Movies, Box Office: No “Silver Lining” for the Eagles, Just for the Movie

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It must have been a hard afternoon for Pat Solitano and his friends. The Philadelphia Eagles lost to the New York Giants, 42-7.  It would be a crushing defeat if not for the fact that Pat is the fictitious OCD dad played by Robert DeNiro so brilliantly in “Silver Linings Playbook.” He’s completely obsessed with the Eagles. If only they could have reciprocated this season.

At least the movie did great over the weekend, with $27 million in its till even though it’s still in limited release. Eli Manning scored five touchdowns for the Giants, which would have sent the Solitanos into a tailspin. That hurts! Hopefully “Silver Linings Playbook” will be more of a winner than the Eagles.

Meantime:  “The Hobbit” ruled the box office all weekend. But it Quentin Tarantino’s “Django Unchained” that really had a silver lining, taking in $64 million since Christmas Day. “Les Miserables” is a little ahead of it and a little behind it at the same time with an overall total of $67.4 million. Bette Midler and Billy Crystal did ultimately triumph over Tom Cruise, with “Parental Guidance” finishing $800,000 ahead of “Jack Reacher” for the weekend.

Not to bury the lede, but “Skyfall” has just crossed the $1 billion line around the world. That’s yes, one billion dollars. My guess is they can bring back Judi Dench someway for the next one. Hologram? Ghost?

Bloomberg Rationalizes Random Killing. But I Knew Sunando Sen

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UPDATE 9:15PM SATURDAY NIGHT: I’ve just read Erika Menendez’s statement that she pushed Sunando on purpose, that she “hated Muslims.” She’s crazy, of course, but well enough to be convicted I hope of this hideous crime. This is heartbreaking, that her racism and “insanity” could have resulted in such a tragedy. Sunando truly is the most inncent victim of a hate crime.

Six years ago this past summer I had to remove half century old glass slides from their protective holders and digitize them. They were pictures taken in the 1950s, of my my grandparents’ anniversary, and my parents’ wedding, circa 1956. The slides were used for a 3D Stereograph which no longer worked. No one knew what to do with those slides, how to make them into prints. I called several film labs downtown. Only one person volunteered that he could give it a try. His name was Sunando Sen, and he worked at the NY Copy Center on East 11th St. and Fourth Avenue.

For two or three weeks in the summer of 2006 Sunando and I worked on this little project by phone, email and in person. What do I remember of him? He was patient, mainly. He worked painstakingly to get the pictures right– photos of my parents, then 24 and 22, cutting their wedding cake, my grandparents glowing, great aunts and uncles all the age I am now. My great grandfather is all smiles. He made a relatively complicated procedure easy, and he was happy to do it. There is now an album of photos we thought had been lost to time and technology thanks to Sunando. I never saw him again.

On Thursday night, two nights ago, I took my twin nieces, age 12, to see “Mummenshanz” downtown at NYU. We took the number 1 train back uptown around 10pm. The train stopped a couple of times and the conductor announced, ominously, “There is no number 7 train service due to police activity.” A couple of women, maybe a little tipsy, tourists, asked: “What does that mean?” I said, and my nieces remember it, “It has nothing whatsoever to do with us. Don’t worry.”

It wasn’t until Friday that I realized what had happened: the police activity was about Sunando, who’d been pushed to his death from an elevated train platform by a crazy woman. It was an act of random violence, committed against someone I had actually, briefly, known. You think of these things as remote atrocities–school shootings or theater killings in Colorado, for example. Then a whole class of small children and their teachers are killed in a Connecticut town not far from where I grew up. And a man who was once so helpful and nice to me has been killed. All for no reason.

Mayor Bloomberg says to keep Sunando’s death in perspective and remember how safe the subway is. That’s nice; Mayor Mike spends the weekends in Bermuda. Here in the real world, on the ground floor, it’s not quite so easy.  Bloomberg doesn’t have to meet actual New Yorkers. He can just read about them. For him, we are fictional characters.

Sunando Sen was a real person. I knew him the way a lot of New Yorkers know each other. We pass through each others’ lives. Sunando didn’t tell me anything about his personal life, but he was surprised that I had this family, that I knew who everyone was from before I was born. I remember telling him stories about each one. Now I know from reading about him, Sundando had no immediate family. He had roommates, and they cared about him. But I’ll never forget what good care he took of my family six summers ago. A gentle man, may be rest in peace. I’ll try to keep it in perspective.

Box Office: “The Hobbit” Hits $200 Mil US, “Django” Beats “Les Miz” on Friday Night

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The Friday box office put “Django Unchained” back at number 2, just beating “Les Miserables” for the spot. But both movies are booming, which is good for the box office and their respective studios. The Weinstein Company really needed “Django” to jump start its bottom line since “The Master” never took off and “Silver Linings Playbook” has been a slow and steady earner. All three movies will be up for Oscars certainly. Meanwhile: Universal, even with “Ted” and “The Lorax” finally gets their mass appeal Oscar nominee in “Les Miz,” the best of all worlds.

But “The Hobbit” has jolted back to number as kids took the box office back from adults. On Friday “The Hobbit” crossed the $200 million mark in the US. It’s a massive worldwide hit as part four of “Lord of the Rings.” Let’s hope the profits are divided more quickly and evenly than when the “LOTR” actors were filing lawsuits and going to the press.

And yes, poor “Jack Reacher” keeps getting beaten for fourth place by “Parental Guidance.” Tom Cruise suffering at the hands of Bette Midler and Billy Crystal. Every day a half a million dollar separates them. And then Tom has to suffer the indignity of a fake “girlfriend” on the cover of every tabloid. Read my review of “Jack Reacher” elsewhere on this site today.

One more thing: for some reason “Zero Dark Thirty” is struggling. Would a wide release have been the way to go? Oscar nominations on January 10th should help give it a push.

“Jack Reacher” Beaten by “Parental Guidance” Again, And It’s Easy to See Why

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The moment finally came last night. While my family was in seeing “Parental Guidance,” I sneaked next door and caught “Jack Reacher” at last. OMG, as the kids say these days. What was Tom Cruise thinking? “Jack Reacher” is losing box office daily to four other movies including the Bette Midler-Billy Crystal-Marisa Tomei flick and I can see why. “Reacher” is a befuddlement. It’s not exactly Tom Cruise’s fault, either. He is a fine actor–witness Jerry Maguire, Born on the Fourth of July, Magnolia.

You can see him struggling to make “Reacher” work. But it can’t. Cruise is completely miscast. He doesn’t get to flash his trademark smile once. “Reacher” is all gloom and doom. The character should have been played by Bruce Willis. Or even Denzel Washington. Jack Reacher is described in the books this movie is based on as six foot five. The actor doesn’t have to be that tall precisely, but a large, older sense of resignation is needed. Cruise attempts it, but his physicality does work against him.

“Reacher” is also a stagnant picture, and very talky. After the initial bout of sniper stuff (five people picked off, four of them women), “Reacher” has long sections of banter between Cruise and Rosamund Pike. Pike, by the way, must have been made to stand in trenches because she’s two or three inches taller than Cruise yet is often photographed alongside or below him. And you can tell. Anyway, Cruise’s strong suit is not glib give and take, or world weary wisecracking. He’s no Philip Marlowe. These scenes are quite exasperating.

Also, I take back the idea that this film costs more than the producers say it did. It looks like it cost 50 cents. Cruise is the most expensive object in it. And the static scenes make the under-lit, under-decorated rooms all the more glaring. Tom Cruise and ‘sparse’ are not ideas that go together. Without things whizzing past him, and exploding, he seems a little lost.

There’s talk that director Christopher McQuarrie is Cruise’s pick for the next Mission Impossible. Hmmm…As a writer maybe, but as a director? I’d rather have Tony Gilroy, who did so well this summer with The Bourne Legacy. Between this and “Valkyrie,” McQuarrie is better left to set pieces and small stages.

PS I came out of “Jack Reacher” — and a quarter filled theater at 5:30pm — mostly perplexed. The family, however, loved “Parental Guidance.”

“Les Miserables” Producer: “We Didn’t Need” Taylor Swift in Movie

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“Les Miserables” is a box office blockbuster. Our PAULA SCHWARTZ reports that Kennedy chasing, celebrity-boyfriend-songwriter country singer Taylor Swift auditioned for the role of Eponine but  lost out to Samantha Barks, the only unknown in the starry cast that includes Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried and Eddie Redmayne.

Cameron Mackintosh told Paula at a party for the movie that the famous singer-songwriter had been interested in the role. “She’s a lovely woman and she auditioned, and she was completely un-starry. And she’s talented. It’s just that actually the requirements of that role were better fitted by Sam.”

“Every single person in this film, whether they’re known or unknown, auditioned for this movie,” Mackintosh said. “Nearly every name you’ve heard in the gossip columns are true, came up for Eponine, and it’s wonderful I think that somebody completely unknown got it.”

As for the big-name factor Swift could bring to the show, the producer said, “We didn’t need it. Les Misérables is the star.” It’s run for 27 years, and in 2014 “Les Miserables” is  slated to return to Broadway.

Barks came to the producer’s attention in 2008 when he and Andrew Lloyd Webber did a television show called “I’d Do Anything.” The show was a talent search for a Nancy to play opposite Rowan Atkinson in Oliver. Barks got into the quarterfinals but she didn’t win because, the producer said, she was too young for the role. He later cast her as Eponine on London’s West End for a year. And now she’s playing Nancy in ‘Oliver.” It was during a curtain call in January after the show that Mackintosh came on stage and announced that Tom Hooper had chosen Barks to play Eponine in his film. “Now she’s playing Nancy for me, and I’ve given her three weeks off to publicize the [movie],” Mackintosh explained.

Barks, who grew up in the same Isle of Man,  moved to London when she was 16 to go to drama school. She never imagined the success or opportunities that would come to her as a result of coming in third on the television show. “To be experiencing things like singing with Liza Minnelli, singing with Idina Menzel, having one on one mentors like them. I never dreamed that that would happen to me, so I just left kind of wide eyed and excited I got to experience that. I never thought one day that here I’d be promoting a film I’m just so proud of,” she said. “I’m so proud to have played Eponine on such a scale like this film. I started auditioning when I was 18 and now I’m 22, so, really, for the last four years it’s been the most consistent part of my life.”

She also heard the rumors of big names that auditioned for the part of Eponine but blocked it out of her mind. “My main aim to not think about that,” Barks explained. “I had enough to think of. This was the biggest opportunity of my life so I just had to throw my full heart and soul into being as good as I could in the audition room and try not to focus on any other aspects of that.”

“Dead Accounts” Cutting Its Broadway Run Short

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This time it’s no fun to be right. But I told you two weeks ago that “Dead Accounts,” the play with Katie Holmes as a featured player, was not going to make it. Yesterday producers announced the Theresa Rebeck written play will close on Sunday, January 6th. It was supposed to run through February 24th.  It’s not Katie’s fault, or the actors’, or director Jack O’Brien. “Dead Accounts” is a slight piece of work, ready for off Broadway at best. Also, it’s barely a two-acter. It could have played without an intermission. It’s no wonder that so few people would cough up more than $100 a ticket to see it. Those poor actors, all talented, weren’t able to fill a third of the Music Box Theater every night. Someone wrote that Katie Holmes should have been able to attract more customers. Nonsense. The play got bad reviews, not her. She did fine, so did everyone else including Norbert Leo Butz. Next time, producers should take a hard look at the material.

http://www.showbiz411.com/2012/12/10/broadway-dead-accounts-could-be-dead-soon-katie-holmes-play-drops-25

Bette Midler, Billy Crystal Take Tom Cruise for a Second Day in a Row

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Tom Cruise is just not having a good year. He can only hope that 2013 will be better. He was skunked by Katie Holmes and her family. His whole Scientology mishegos was exposed. And now this: for a second day in a row, Bette Midler, Billy Crystal and a bunch of children trounced him at the box office. Cruise’s “Jack Reacher” was once again beaten by “Parental Guidance,” the Midler-Crystal-Marisa Tomei family comedy. Yikes. “Reacher” did just $3.8 million. Not good. Meantime, “Les Miserables” is number 1 with $30 million in three days.

And: “Django Unchained” is booming with $25 million in the same time. “The Hobbit: An Unnecessary–whoops–Unexpected Journey” already has crossed the $500 million line with most of it coming from foreign sales. “Silver Linings Playbook” is a limited release hit as well. “Reacher” is doing the same or just a tad not as well as the comedy “This is 40.” Tom Cruise needs a romantic comedy. Tom, call Charles Shyer or Nancy Meyers, pronto. Put down your guns.

http://www.showbiz411.com/2012/12/28/bette-midler-billy-crystal-take-tom-cruise-for-a-second-day-in-a-row

http://www.showbiz411.com/2012/12/27/an-oscar-primer-for-academy-members-countdown-to-january-3rd

Fontella Bass, The Great Singer of “Rescue Me,” Dies at 72

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I met Fontella Bass in 2001 at the Rhythm and Blues Foundation dinner that year. The great singer of “Rescue Me,” a song she co-wrote, and is played on the radio constantly, told me this: “I wrote Rescue Me,” she said, “but the producers I was working with never put my name on it. When I asked them about it, they said, Don’t worry, we’ll take care of it.”

I wrote then: Nearly 35 years later, Bass has never seen a penny in publishing royalties from the much-recorded, bestselling song. She was so disheartened from the experience, she told me, that she left the United States for several years and made a career in Europe.

Fontella Bass died Wednesday in St. Louis. She was 72. Was she cheated by Chess Records and a lot of other people? Yes. And if there were a Performance Rights Act, she would have been paid each and every time “Rescue Me” was and is played on oldies radio. Instead, Fontella Bass goes to the grave having made radio chain owners and record company executives rich, rich, rich.

You can watch her now in our video player on the home page. RIP, Fontella. Your voice will always be heard.

http://www.dailymail.co.uk/tvshowbiz/article-2253825/Rescue-Me-soul-singer-Fontella-Bass-dies-72-suffering-heart-attack.html

 

Downton Abbey Shocker: Spoiler Alert So Read Only if You’re Strong

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Downton Abbey Shocker: STOP READING RIGHT NOW IF YOU DON’T WANT TO KNOW. Remember that when Dan Stevens and I crossed paths the night “The Heiress” opened on Broadway, he wouldn’t answer any questions about his future on Downton Abbey. His obnoxious publicist pulled him away from me so fast I had razor burns. More recently, when I ran into him at a movie premiere, Stevens was calmer. But he still said, “Wait. You’ll see.” And on the Christmas special shown in the UK on Tuesday, the sad news was confirmed: Matthew Crawley is dead. Dan Stevens has left the building. And the show. Will he be able to leverage Downton Abbey into movie fame here in America? Hard to say. He’s going to try. But I guess it’s the difference between being Jeremy Irons or Anthony Andrews– the two stars of “Brideshead Revisited.” Alas, Matthew dies in a car crash. Who will manage Downton Abbey now? Read more here: http://www.telegraph.co.uk/culture/tvandradio/downton-abbey/9765334/Dan-Stevens-Why-I-left-Downton-Abbey.html

Kate Winslet’s Third Marriage Makes Her Mrs. Rocknroll

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People–my friends, family, etc– often ask me, What are these celebrities really like? Are they crazy? And I say, no no, there are really great ones. One of the ones I really like is Kate Winslet. She’s tremendously talented and so level headed. She raises her kids in nearby Chelsea, and all the schoolkids’ friends come to all of her premieres and opening nights.

So now I can report that Winslet, who is 37 and an Oscar winner, has married for the third time. This ’round it’s someone named Ned Rocknroll, and he’s 34. That’s his legal name, although he was born Abel Smith, and he’s the nephew of billionaire adventurer Richard Branson.

According to People and other outlets, it was a secret ceremony that neither Winslet’s parents nor the groom’s knew about. Leonardo DiCaprio, twice her co-star in films, gave her away. In real life, Winslet has two children, one by ex husband Sam Mendes, director of “American Beauty” and “Skyfall.” Those children will have such great material with which to write memoirs. I hope they are taking notes.

You can look at this a couple of ways. It sounds nuts, right? But she married into a really rich family. Also, if you’re famous and beautiful and have an Oscar, you might as well live it up, right? Elizabeth Taylor didn’t stick around Chelsea going to PTA meetings in her thirties. Life is for living.

For more info on Mr. Rocknroll, here’s a great interview with his previous wife, whom he married in 2009 when she was 21.

http://www.dailymail.co.uk/femail/article-2052300/Eliza-Pearson-Hearing-Ned-Rocknroll-dating-Kate-Winslet-painful.html

Why did Mr. Smith change his name? Said his ex: “It was hysterical. We had discussed him doing this many times before, but I wasn’t sure whether he’d do it. The whole thing was about having fun with your name. He thought we all took ourselves too seriously so it was about reacting against it. He looked into just being ‘Ned’, with no surname at all but, apparently, that’s illegal so we couldn’t do it.”

Ned also worked for his uncle briefly as head of head of ‘astronaut relations and marketing.’ Said the ex: “He made that title up himself and it’s on his business cards…The job didn’t impress me. But his passion was incredible, and it really drew me to him. ‘He would say to me, there is no destination. The destination is now, now, now. The journey is the destination. We’re not trying to get somewhere. And that’s a really valuable lesson.’”