Friday, December 19, 2025
Home Blog Page 1943

Oscars: Academy Members Can Switch Back to Paper Ballot, Governor’s Ball Gets Glitzy Preview

1

You have to like people who are adaptable. Early this evening, the Motion Picture Academy announced that members who signed on for electronic voting online–and didn’t like it– can vote their final ballots on a regular old paper ballot. This will come as a relief to many older voters who struggled with the new system. For the Academy, it was a necessary and good try to move into the 21st century. Next year, people will be more used to it.

“One of our basic goals at the Academy is to increase member engagement.  Despite some challenges, more members voted for this year’s nominations than they have in the past several years,” said Academy Chief Operating Officer Ric Robertson in a statement.  “We are looking forward to a continuation of that trend in the final voting.”

Whew! With that episode over, the Academy introduced a lot of news about one of the best parts of Oscar night, the Governor’s Ball. Keep refreshing here. Details to follow…

Fun Facts About the Oscars Governor’s Ball:

Oscars Governors Ball
Ball Production by Cheryl Cecchetto / Sequoia Productions
Menu Created by Wolfgang Puck with Chef Partner Matt Bencivenga & Executive Pastry Chef Sherry Yard

 1,500 guests
 950 event staff
 350 culinary staff
 12,000 glasses for beverages
 4,000 small plates
 4,500 ramekins and verrines
 6,000 cocktail forks
 4,500 bamboo skewers
 4 different waiter uniforms totaling 344 specialty costumes designed for the ball
 1.78 million beads in the chandelier rings
 .45 miles of rope and tape light in the chandelier
 CNC Router has spent more than 530 hours cutting the curved shapes used on the décor elements including; laminate flooring, partitions, riser walls, stage plugs and the chandelier
 18,000 LED points of light in the chandelier
 More than 100 suspension points to hang the chandelier
 1,000 sheets of 4’ x 8’ of plywood
 28,000 square feet of ceiling fabric
 12,000 square feet of wall fabric
 Approximately 1,500 yards of assorted metallic damask, metallic silk with velvet trim, peau de soi and hand-embroidered confetti organza with metallic threads for table linens and pillows
 423 furniture pieces
 1,935 yards of fabric to recover furniture
 6.072 feet of metal used to fabricate 302 barstools
 60 feet glass creating custom round, square, rectangle and oval tables
 38 gallons of environmentally friendly custom paint
 2,100 man hours
Fun Food Facts
 6,500 wood fired Oscar shaped flat bread
 3,500 miso cones
 250 pounds troll-caught Atlantic bigeye
 17 whole us wild caught yellowtail
 1300 farmed oysters
 5 kilos American farm raised caviar
 600 Maine lobsters
 7,500 individual us shrimp
 250 pounds sticky rice
 30 gallons cocktail sauce
 50 whole yellowtail snapper
 25 gallons spicy mustard
 1,250 stone crab claws
 1,200 yukon gold potatoes
 200 pounds beluga lentils
 300 whole jidori chickens
 6,000 chestnut tortellini
 400 pounds Snake River Farms New York steak
 10 pounds white truffles from Alba, Italy
 10 pounds winter black truffles from Burgundy, France
 3,500 kombu chips (seaweed chips)
 2,500 caprese cones
 2,750 bacon wrapped dates
 4,500 pieces of truffle and parmesan grissini
 20,000 pieces of California grown micro greens
 6,000 pieces housemade mini brioche buns
 5,000 cage-free eggs
 200 quarts heavy cream
 200 quarts milk
 150 pounds organic sugar
 1,000 pounds of L’Etoile du Nord bittersweet chocolate
 30 pounds edible gold dust
 5,000 mini chocolate Oscars
 More than 80 local farmers for fruits and vegetables
 All fish and seafood SeafoodWatch compliant
 540 bottles 2007 Sterling Vineyards Reserve Cabernet Sauvignon
 540 bottles 2009 Sterling Vineyards Reserve Chardonnay
 2,280 Total bottles of Sterling Vineyards wine
 13,680 Total glasses of Sterling Vineyards wine
 1,824,000 – number of premium Sterling grapes to create the spectacular wines for the Oscar celebrations

Oprah-Lance Armstrong Part 2 Gets Anemic Ratings on Friday Night

0

The second part of Oprah Winfrey’s big interview with Lance Armstrong on Friday night was a bust. The interview produced only 1.8 million viewers at 9pm and another 620,000 viewers in its rebroadcast at 11:30pm. For OWN, Oprah’s struggling network, that’s all very good. But it’s not great, not by a long shot.

Remember, the first part on Thursday night did 3.2 million at 9pm, and another 1.2 million in the second broadcast that night. The second part produced very little in the way of news on Friday except for Armstrong’s telling of how he admitted his lies to his 13 year old son. Otherwise, we are still clueless about how and why he doped, when he actually started, anything about his cancer, his marriage, who knew about the doping and when, and how he manipulated his way into the celebrity world.

It’s not that I don’t want OWN to do well. I do. Sure, why not? But I’ve learned more about how TV ratings press releases are worded because of Oprah and Lance than anything actually about Lance Armstrong. You have to interpret the press releases’ crazy rationales and declarations of faux success before getting to the reality of the situation.

For example, according to tvbythenumbers.com, the Friday night Oprah show scored a 0.6 rating in the 25-49 demo on cable that night. Compare that with the number 1 show on cable on Friday night, “Gold Rush.” The Discovery Channel show had a 1.8 rating in that demo. So you can see the different and level of interest. Most men watched NBA basketball on Friday night on cable.

And it wasn’t Oprah’s fault, necessarily. But between not knowing where OWN is on the “dial,” to Armstrong’s lack of emotion, contrition or any sense that he was sorry, the whole thing became rapidly less interesting from night to night.

“One Life to Live” Cast Confirmed, But Still No Susan Lucci for “All My Children”

6

Just as  I told you last week, Prospect Park Productions has confirmed most of the “One Life to Live” cast for the Online Network including stars Erika Slezak, Robin Strasser, and Robert S. Woods. It looks like they’ve got just about everyone, with a few stragglers still coming in. But with “All My Children,” a show that ABC let fall to waste before its abrupt ending, things aren’t so easy. There’s still no sign of Susan Lucci, aka Erica Kane, and the star of the show. Right now, Prospect Park has managed only to line up sort of miscellaneous characters for the show.

But the lynchpins, so to speak, are Lucci and Michael E. Knight, as well as David Canary–who retired from the show but lives close enough to Stamford, Connecticut to put in occasional appearances. “All My Children” was really run into the ground over the last several years. They would have to get Julia Barr back, as well as a few others the show was forced to drop as their budgets were cut and their location was moved to Los Angeles from New York. Lucci is pretty busy, however, what with “Devious Maids,” the new Marc Cherry series for Lifetime, and a raft of other projects. If Prospect Park wants a success with “AMC” they’re going to have to make some kind of deal with Lucci– even if it’s for once a week.

UPDATED “Django” Dolls, Pulled from Stores, Sell for Thousands on Black Market

4

UPDATE FRIDAY JAN 25TH: eBay is pulling the “Django” dolls from its service. We broke this story this past Tuesday. See below.

Earlier: The action figures made for Quentin Tarantino’s “Django Unchained” were pulled from stores in the last couple of weeks. Some people found them offensive, an uproar occurred, and the “Django” dolls became history. Or not.

Now it seems that whatever dolls were made by NECA are selling well, like hotcakes, on Ebay and other internet sites– even though NECA has removed them from their website as well. The most popular is Broomhilda, the character of a slave girl played by Kerry Washington. It’s hard to say why, but the Broomhilda action figure is selling for upwards of a thousand dollars to collectors.

The dolls shouldn’t have been made; they were inherently racist and there were dozens of complaints. But pulling them off store shelves created a collector’s market overnight. Some sites are offering the full set of 8 figures for anywhere between $8,000 and $15,000. It remains to be seen who will pay those prices, but collectors obviously think someone will.

The dolls, 8 inches tall, represent characters played by Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, Samuel L. Jackson and James Remar. The figures for the five men come in sets ranging in the thousands of dollars. But the Kerry Washington figure — if it can be found– is often advertised at a price equal to the total of the others. It’s hard to say whether or not that’s a compliment as critics have derided the dolls for commercializing slavery.

It’s unclear how many dolls were manufactured, although one site suggests that only 1,000 sets made it to stores.

Meanwhile “Django Unchained” has become Quentin Tarantino’s most successful film to date with over $130 million box office office sales so far. It’s also the biggest movie for the The Weinstein Company, whose other $100 million-plus hits have been Tarantino’s “Inglorious Basterds” and the Oscar winning “King’s Speech.”

“Django” is nominated for Best Picture at this year’s Oscars, along with original screenplay by Tarantino. Christoph Waltz is nominated for Best Supporting Actor.

 

 

How TV’s “Rhoda” Put Han Solo on A Career Track

1

My old friend, Valerie Harper, has just published a charming, breezy new memoir called “I, Rhoda,” which has a lot of fascinating nuggets of information. One of them is that our Rhoda put Han Solo on his career track. Valerie recalls that during the early days of her run on The Mary Tyler Moore Show, she hired a carpenter to fix a loft in her house. That would be Harrison Ford, who told Valerie that he was an actor but pounding nails to make a living. Soon after, Ford fell out of Harper’s loft and broke his arm. That was the end of his carpenter career. “Star Wars” was not far off.

Fans of “MTM” and “Rhoda” will enjoy this look back to Harper’s meteoric rise as a comedy actress. She played nine seasons as Rhoda Morgenstern, four on Mary’s show and five on her own. I wish I could tell you that Valerie has something nasty to say about anyone she worked with, but she doesn’t. Mary encouraged right through her career, and almost forced her to do the “Rhoda” spin off. They remain friends today, and Mary even called in yesterday morning and surprised Harper on “Good Morning America.”

Valerie does recount her legal success against Lorimar Productions after they fired her from the “Valerie” TV series. She doesn’t give much info about her political life with the Screen Actors Guild, something maybe she’ll discuss in another volume.  But the big secret of the book–successful surgery for benign lung cancer–is a cliff hanger with a (thank goodness) happy ending.

Now if only whoever owns the “Rhoda” series would clean it up digitally and put out a decent boxed set!

PS Book publicists being what they are, I downloaded “I, Rhoda” onto my Kindle today. It was totally worth it. If I’d waited for a review copy, we’d all be very old and gray. Nothing has changed.

Inauguration Music: Sony Dominates with Hudson, Keys, Clarkson

1

The music from the Inaugural ceremony and the balls show on TV are making one thing clear: Sony Music has all the major presidential artists. Kelly Clarkson, so good on “My Country Tis Of Three,” is on RCA-Sony. She’s one of Clive Davis’s artists from J Records and “American Idol.”

Jennifer Hudson, singing “Let’s Stay Together,” also comes from Davis roster and is now on RCA. Ditto Alicia Keys, who performed a rewritten version of “Girl on Fire” (still using the uncredited music from “Hey There Lonely Girl”).

And there’s more: Beyonce, who I thought was so-so (although she looked amazing) is on Sony. And James Taylor has most of catalog on Sony.

Jamie Foxx, now performing on CNN at the Inaugural Ball, is a Clive Davis find and a Sony-RCA star. (He’s doing his Ray Charles material.) I will never forget Jamie debuting his musical talents at a Clive Davis pre-Grammy dinner several years ago. The audience was gobsmacked. The rest is history.

PS Hudson’s version of Tina Turner’s take on “Lets Stay Together” was wonderful. Hudson should just do an album of great cover songs–including her “Holly Holy” Neil Diamond tribute from MusiCares and her “Will You Be There” from the Michael Jackson memorial.

What Happened to All the Talk About the Oscars? Academy Ban is Hurting Traditional Press Push

0

It’s January 22nd, with a little more than a month to go before the Academy Awards. The nominations for the Oscars were announced on January 10th–12 days ago– to much fanfare after weeks of campaigning and publicity. The build up and what comes after is supposed to fuel the interest in the ABC telecast on February 24th–and also help the movies and actors who were nominated.

But since January 10th, it’s been all radio silence on the subject of the Oscars. What happened? I’ll tell you: new Academy rules for this year prevent studios and producers from any more campaigning. There are no more cocktail parties, lunches, or dinners. Movies can be screened, but no food or drink can be served. All the fun involved with the Oscars– meeting the casts, chowing down, and writing about it the next day–has been elimninated.

The idea was to make it all a level playing field. There are always accusations that some studios (usually The Weinstein Company) overdo it with the socializing. And evening it out for everyone is a smart idea. But erasing all of it, for six weeks or so, is a mistake. A big one.

If this were the case in actual political campaigning, the correlation would be that prior to the conventions, you could entertain potential voters. But between the choosing of the nominees and the election–from Labor Day til November 7th or so–all talk of the candidates would cease.

The result is that no one is talking about the Academy Awards at all. And wasn’t the point of moving up the nominations announcement by a week to kick off a major marketing push? But when the Oscars finally arrive this year, there will have been a paucity of publicity surrounding the movies and the show.

And now there’s a struggle around by Hollywood publicists who are trying to cook up feature stories about the various nominees. You see, the easiest thing to do was toss these little events and put columnists and interviewers in the room. The stories that came out of that stoked the press and fired  up interest in the show consequently. The studios didn’t mind spending the money, and in fact all of them were happy to use commercial sponsors who liked the plugs they got. Everyone won.

But this way, I’m nervous everyone loses, especially ABC. Five weeks is a long time. Other movies will be released. And unless all the nominees make the talk show circuit, it could be a little weird on February 24th–almost an after-thought–when the Oscars finally arrive on ABC. I sure hope not. But it would be wise of the Academy to lift the ban on gatherings right now, and put the word Oscar back on Google News and everywhere else as soon as possible.

And this is important because so far this new adminstration of the Academy has made one good decision after another–from the host and producers of the Oscars to just about everything else. Maybe they can take this rule, which is a holdover from last year, and amend it quickly.

James Franco’s Poem for Obama (for Yahoo!)

0

Yahoo! asked a few established poets and actor James Franco, who just got a degree in poetry from Warren Wilson College, to compose some lines for President Obama on the occasion of the inauguration. Franco also has a cool collection of poems out in book form called “Strongest of the Litter.” Here’s the poem, reprinted from Yahoo! I like the approach Franco took–a little Hollywood, a little name droppy, but in the end a lovely insight about Obama. You can see Franco read the poem at http://news.yahoo.com/president-obama-in-asheville-a-james-franco-poem–231846640.html

Obama in Asheville by James Franco

Asheville, North Carolina, is the birthplace of Thomas Wolfe and the sometime residence of F. Scott Fitzgerald When he visited Zelda at her institution; He stayed at the Grove Park Inn, a grand stone edifice.

On the phone once, Cormac McCarthy lamented The two added wings and the spa, and marveled At the original structure, They pulled the stones From the mountains and brought them down on mules.

Soon after his fortieth birthday, Fitzgerald attempted suicide Here, but couldn’t shoot his own head, drunk, I guess. Later, after he was actually dead, from alcohol, Zelda perished in a fire at her institution, one of nine.

*

Asheville is the place where the Black Mountain College once stood And helped birth Rauschenberg, Twombly and Johns, Cage and Cunningham; now I think it’s a Young Men’s Christian Association. On the wall of the Grove Park, they have pictures of the famous guests;

I’m not up there, but Obama is. I was asked to write something For the inauguration of his second term, but what could I write? I was in Asheville, studying writing, but not the political sort; I write confessions and characters, and that sort of thing.

I wrote my friend Frank about what I could do, but he was unresponsive. I went to class and then the little burrito place where they know me, And finally at night I got Frank’s email on my phone and pulled over On the side of Warren Wilson Road, past the school barn with the WWC —

That I couldn’t see in the dark — right before the school entrance; A little spot where there’s a path that leads to a lake called Snake Lake. First I called my class at UCLA, and told them to watch Apocalypse Now, And that it used Heart of Darkness as a model, and that we’d watch

Eleanor Coppola’s Hearts of Darkness, the making-of, the following week. Then I read Frank’s note. He said he was sleeping twenty hours a day, With no symptoms except that he desired sleep And just a little more sleep. He’s in his seventies.

Then he said that my poem was a difficult task. How to write about a man written about endlessly; A man whom everyone has some sort of experience of; How to write so that it’s not just for the converted.

*

I met Obama once, in D.C., the Correspondents’ Dinner. I was the guest of Vanity Fair, guided through D.C. by the wife Of Christopher Hitchens, when he was alive. We went to Hitch’s place, He had books from floor to ceiling, and said he had read

To Borges, when he was blind, Old Icelandic Eddas— Then we waited in a private room with the likes of Tom Cruise, And Katie Holmes, and Claire Danes. When Obama entered The crowd converged. Finally, I got to shake his hand,

He knew me from Spider-Man. I asked him for advice, I was scheduled to give the commencement speech at UCLA And there were some undergraduate knockers against me; He had been denied the usual honorary degree by Arizona State

Because he hadn’t accomplished enough, so I wondered How he dealt with detractors. He smiled his smile and said, “Humor.” Well he’s damn right, and I wonder how much That stand-up comedian is laughing in the face

Of this big country. Because he is one man and we are many, And a great servant of the people—he’s a president, not a king— And doesn’t need to face what King Charles once faced. (Frank suggested I examine Marvell’s semi-inauguration poem for Cromwell:)

That thence the Royal actor borne The tragic scaffold might adorn:      While round the armèd bands      Did clap their bloody hands.

That most famous stanza, and then:

But bow’d his comely head Down, as upon a bed.

And he was beheaded, good-bye Charles.

*

If I were to act in the film about Obama, All I would need to get down, aside from the outer stuff— And I know that’s important—is his essential kindness, I’d let the writer put in all the political crap,

And the specific things that he was up against, All that stuff on CNN and the Huffington Post, And I’d say the lines that were written, just like Obama Reads his lines, but what would really put the role over

Would be the goodness at its core. That’s what will be remembered. Yes, his race, no one will forget. But the soul too. I’d win the Academy Award if I just captured that.

Obama in Asheville

Asheville, North Carolina, is the birthplace of Thomas Wolfe and the sometime residence of F. Scott Fitzgerald When he visited Zelda at her institution; He stayed at the Grove Park Inn, a grand stone edifice.

On the phone once, Cormac McCarthy lamented The two added wings and the spa, and marveled At the original structure, They pulled the stones From the mountains and brought them down on mules.

Soon after his fortieth birthday, Fitzgerald attempted suicide Here, but couldn’t shoot his own head, drunk, I guess. Later, after he was actually dead, from alcohol, Zelda perished in a fire at her institution, one of nine.

*

Asheville is the place where the Black Mountain College once stood And helped birth Rauschenberg, Twombly and Johns, Cage and Cunningham; now I think it’s a Young Men’s Christian Association. On the wall of the Grove Park, they have pictures of the famous guests;

I’m not up there, but Obama is. I was asked to write something For the inauguration of his second term, but what could I write? I was in Asheville, studying writing, but not the political sort; I write confessions and characters, and that sort of thing.

I wrote my friend Frank about what I could do, but he was unresponsive. I went to class and then the little burrito place where they know me, And finally at night I got Frank’s email on my phone and pulled over On the side of Warren Wilson Road, past the school barn with the WWC —

That I couldn’t see in the dark — right before the school entrance; A little spot where there’s a path that leads to a lake called Snake Lake. First I called my class at UCLA, and told them to watch Apocalypse Now, And that it used Heart of Darkness as a model, and that we’d watch

Eleanor Coppola’s Hearts of Darkness, the making-of, the following week. Then I read Frank’s note. He said he was sleeping twenty hours a day, With no symptoms except that he desired sleep And just a little more sleep. He’s in his seventies.

Then he said that my poem was a difficult task. How to write about a man written about endlessly; A man whom everyone has some sort of experience of; How to write so that it’s not just for the converted.

*

I met Obama once, in D.C., the Correspondents’ Dinner. I was the guest of Vanity Fair, guided through D.C. by the wife Of Christopher Hitchens, when he was alive. We went to Hitch’s place, He had books from floor to ceiling, and said he had read

To Borges, when he was blind, Old Icelandic Eddas— Then we waited in a private room with the likes of Tom Cruise, And Katie Holmes, and Claire Danes. When Obama entered The crowd converged. Finally, I got to shake his hand,

He knew me from Spider-Man. I asked him for advice, I was scheduled to give the commencement speech at UCLA And there were some undergraduate knockers against me; He had been denied the usual honorary degree by Arizona State

Because he hadn’t accomplished enough, so I wondered How he dealt with detractors. He smiled his smile and said, “Humor.” Well he’s damn right, and I wonder how much That stand-up comedian is laughing in the face

Of this big country. Because he is one man and we are many, And a great servant of the people—he’s a president, not a king— And doesn’t need to face what King Charles once faced. (Frank suggested I examine Marvell’s semi-inauguration poem for Cromwell:)

That thence the Royal actor borne The tragic scaffold might adorn:      While round the armèd bands      Did clap their bloody hands.

That most famous stanza, and then:

But bow’d his comely head Down, as upon a bed.

And he was beheaded, good-bye Charles.

*

If I were to act in the film about Obama, All I would need to get down, aside from the outer stuff— And I know that’s important—is his essential kindness, I’d let the writer put in all the political crap,

And the specific things that he was up against, All that stuff on CNN and the Huffington Post, And I’d say the lines that were written, just like Obama Reads his lines, but what would really put the role over

Would be the goodness at its core. That’s what will be remembered. Yes, his race, no one will forget. But the soul too. I’d win the Academy Award if I just captured that.

 

 

Obama in Asheville

Asheville, North Carolina, is the birthplace of Thomas Wolfe and the sometime residence of F. Scott Fitzgerald When he visited Zelda at her institution; He stayed at the Grove Park Inn, a grand stone edifice.

On the phone once, Cormac McCarthy lamented The two added wings and the spa, and marveled At the original structure, They pulled the stones From the mountains and brought them down on mules.

Soon after his fortieth birthday, Fitzgerald attempted suicide Here, but couldn’t shoot his own head, drunk, I guess. Later, after he was actually dead, from alcohol, Zelda perished in a fire at her institution, one of nine.

*

Asheville is the place where the Black Mountain College once stood And helped birth Rauschenberg, Twombly and Johns, Cage and Cunningham; now I think it’s a Young Men’s Christian Association. On the wall of the Grove Park, they have pictures of the famous guests;

I’m not up there, but Obama is. I was asked to write something For the inauguration of his second term, but what could I write? I was in Asheville, studying writing, but not the political sort; I write confessions and characters, and that sort of thing.

I wrote my friend Frank about what I could do, but he was unresponsive. I went to class and then the little burrito place where they know me, And finally at night I got Frank’s email on my phone and pulled over On the side of Warren Wilson Road, past the school barn with the WWC —

That I couldn’t see in the dark — right before the school entrance; A little spot where there’s a path that leads to a lake called Snake Lake. First I called my class at UCLA, and told them to watch Apocalypse Now, And that it used Heart of Darkness as a model, and that we’d watch

Eleanor Coppola’s Hearts of Darkness, the making-of, the following week. Then I read Frank’s note. He said he was sleeping twenty hours a day, With no symptoms except that he desired sleep And just a little more sleep. He’s in his seventies.

Then he said that my poem was a difficult task. How to write about a man written about endlessly; A man whom everyone has some sort of experience of; How to write so that it’s not just for the converted.

*

I met Obama once, in D.C., the Correspondents’ Dinner. I was the guest of Vanity Fair, guided through D.C. by the wife Of Christopher Hitchens, when he was alive. We went to Hitch’s place, He had books from floor to ceiling, and said he had read

To Borges, when he was blind, Old Icelandic Eddas— Then we waited in a private room with the likes of Tom Cruise, And Katie Holmes, and Claire Danes. When Obama entered The crowd converged. Finally, I got to shake his hand,

He knew me from Spider-Man. I asked him for advice, I was scheduled to give the commencement speech at UCLA And there were some undergraduate knockers against me; He had been denied the usual honorary degree by Arizona State

Because he hadn’t accomplished enough, so I wondered How he dealt with detractors. He smiled his smile and said, “Humor.” Well he’s damn right, and I wonder how much That stand-up comedian is laughing in the face

Of this big country. Because he is one man and we are many, And a great servant of the people—he’s a president, not a king— And doesn’t need to face what King Charles once faced. (Frank suggested I examine Marvell’s semi-inauguration poem for Cromwell:)

That thence the Royal actor borne The tragic scaffold might adorn:      While round the armèd bands      Did clap their bloody hands.

That most famous stanza, and then:

But bow’d his comely head Down, as upon a bed.

And he was beheaded, good-bye Charles.

*

If I were to act in the film about Obama, All I would need to get down, aside from the outer stuff— And I know that’s important—is his essential kindness, I’d let the writer put in all the political crap,

And the specific things that he was up against, All that stuff on CNN and the Huffington Post, And I’d say the lines that were written, just like Obama Reads his lines, but what would really put the role over

Would be the goodness at its core. That’s what will be remembered. Yes, his race, no one will forget. But the soul too. I’d win the Academy Award if I just captured that.

Box Office: “Silver Linings” Finally Breaks Out; Arnold Rebuffed

0

The holiday weekend has produced a couple of winner and losers at the box office. “Silver Linings Playbook” has finally broken out and hit its stride. After 63 days in release, “SLP” at last went “wide” and made over $11 million from Friday to Sunday.

Yes, people really, really like it. “SLP” comes into Monday morning with $56 million in the till. The David O. Russell directed comedy finished third, behind “Mama” and “Zero Dark Thirty.” With continued good word of mouth and maybe some SAG Awards love next Saturday, “SLP” could hit Oscar weekend with $75 million.

On the other hand, Arnold Schwarzenegger may have made his last stand with “The Last Stand.” The action film comeback for the former Governator made only $6.3 million over the weekend–and that’s a high estimate.

The movie hasn’t been released internationally yet, and that’s where it will make its money–in places where English isn’t necessary but audiences will get a kick out of seeing Arnold. Still, “The Last Stand” shows that Americans aren’t interested in the man who lied to and deceived Maria Shriver and her family.

Justin Bieber’s Mother Promoting Anti-Abortion Film And Offshoot Conservative Charitable Fund

1

Exclusive: Justin Bieber’s mother, Patti Mallette, is promoting an anti-abortion film called “Crescendo.” She hopes to distribute it beginning February 28th.  She’s also promoting a conservative right wing offshoot charitable foundation associated with the film’s producer. Here’s the message on the Crescendo website:

“On February 28th, Crescendo, a short film that has been globally heralded and has won over 11 international awards, will be screened at 100 events and then 1,000 events total in 2013. Bring a screening to your community today by clicking below! Each screening is a terrific fundraising opportunity for you. We thank you for experiencing this groundbreaking short film by the producers of Bella, Eduardo Verastegui, Jason Jones and Leo Severino and executive producer Pattie Mallette, the mother of Justin Bieber!”

It’s interesting timing that Bieber is releasing an “Acoustic” album this week, while his mother, Mallette, is also soliciting donations to a so-called charity run by her co-producers on “Crescendo”– including Jones. The registered 501 c(3) is called Hero, Inc. and it’s run by Jones out of Green Bay, Wisconsin, and Los Angeles. Jones is also the president and founder of Movie to Movement, which ran the grassroots campaign for the right wing funded documentary “2016: Obama’s America,” according to the “Crescendo” website. Jones is passionately aligned with the Pro Life, anti-Obama movement, having written articles for Breitbart.com and other websites.

HERO has some questionable finances. According to its most recent federal tax filing Form, HERO Inc. paid exactly HALF of the $554,000 it claimed in revenue for 2011 for salaries–$270,000. They finished 2011 over $20,000 in the red, the minus column. Jones was paid $88,000 in salary.

HERO-stands for Human Rights Education and Relief Organization. Its “primary exempt purpose”: “promoting a “Whole Life” ethic that recognizes the intrinsic worth of the sanctity of human life at all stages of physical development, regardless of social standing, physical or mental abilities, or geopolitical circumstances.”

http://www.guidestar.org/FinDocuments/2011/261/209/2011-261209762-089a37f4-9.pdf

There’s more: somehow these people have taken a charming 2006 indie movie called “Bella” and bent its meaning into a pro-life crusade. Jones and Severino were two of many producers on the film. Verastegui played the male lead. But the entire meaning of “Bella” has been perverted in the name of starting “pregnancy care centers”–or places where teens are advised not to consider abortion. Mallette is fully behind this as evidenced by a video on the Crescendo website.

http://www.youtube.com/watch?v=8kF_zlvzYuQ&feature=player_embedded