Tuesday, June 23, 2026

Inauguration Music: Sony Dominates with Hudson, Keys, Clarkson

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The music from the Inaugural ceremony and the balls show on TV are making one thing clear: Sony Music has all the major presidential artists. Kelly Clarkson, so good on “My Country Tis Of Three,” is on RCA-Sony. She’s one of Clive Davis’s artists from J Records and “American Idol.”

Jennifer Hudson, singing “Let’s Stay Together,” also comes from Davis roster and is now on RCA. Ditto Alicia Keys, who performed a rewritten version of “Girl on Fire” (still using the uncredited music from “Hey There Lonely Girl”).

And there’s more: Beyonce, who I thought was so-so (although she looked amazing) is on Sony. And James Taylor has most of catalog on Sony.

Jamie Foxx, now performing on CNN at the Inaugural Ball, is a Clive Davis find and a Sony-RCA star. (He’s doing his Ray Charles material.) I will never forget Jamie debuting his musical talents at a Clive Davis pre-Grammy dinner several years ago. The audience was gobsmacked. The rest is history.

PS Hudson’s version of Tina Turner’s take on “Lets Stay Together” was wonderful. Hudson should just do an album of great cover songs–including her “Holly Holy” Neil Diamond tribute from MusiCares and her “Will You Be There” from the Michael Jackson memorial.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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