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“General Hospital” Celebrates 50 Years With a Classy Nod to the Past

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Soap operas don’t get much respect, witness Procter & Gamble just cancelling “As the World Turns” and “Guiding Light” with no regard to the fans or the people who worked on them. ABC followed suit by axing “All My Children” and “One Life to Live,” although those shows will now attempt a comeback online at the end of April. ABC almost wiped out “General Hospital,” but instead fired the exec who hated soaps (Brian Frons), transferred over the executive producer and head writer who’d– too late– revived “One Life”– and voila! “General Hospital” celebrates its 50th anniversary this week.

Yesterday was the official “50th Anniversary Show,” delayed by a day because the naming of Pope Francis knocked the daytime schedule out of whack. The guy who writes the show, Ron Carlivati, and his team, have done the impossible. “General Hospital” was unwatchable for years. Long story, it had turned into a daytime version of “The Godfather.” Most of the favorite actors and characters were gone. They were replaced by shrillness. The ratings disappeared. Frons (he was fired) was replacing soaps with shows about chopping turnips and hanging curtains. It was almost curtains for “General Hospital.”

Carlivati et al went to work a little more than a year ago. It’s an unprecedented revival. The mob is gone, and the head mobster now just has relationship issues. (His beloved has two personalities.) Finola Hughes was brought back as Anna Devane, the local international spy who now runs the Port Charles Police Department. She is so magnificent that you have to blink twice to realize she’s actually there. A raft of the old faves are back, including Genie Francis as the iconic Laura (of Luke and — fame), and Kristina Wagner, who is more beautiful than ever. Carlivati seems like he’s juggling a good 50 characters, some of whom did or didn’t know each other over the years, but we all knew them. His continuity person must be going insane.

I watch sporadically. Yesterday’s show was absolutely top notch. It began with the head nurse, a large black woman named Epiphany, dropping a reference to the “GH” creators Frank and Doris Hursley, on a phone call. Carlivati is always throwing in ‘in’ jokes and asides. There were lots of surprises and returns from the past. But the most startling was Rachel Ames, who’d been on the show pretty much since 1963 until the last regime threw her out, unceremoniously, a few years ago. I thought maybe she’d retired or was ill. Surprise! At 83, she looked and sounded better than a lot of the younger cast. Who knew? My bet is we’ll be seeing her again.

Soaps are always noted for where hot actors got their start. But no nods are ever given to the superb people who made it their careers and stuck it out. The great Stuart Damon played Alan Quartermaine until that last regime tossed him, too. On camera. So now he must return as a ghost. He is a welcome presence. Jane Elliott plays his atrocious sister and Lesley Charleson is his widow. They are just great. Anthony Geary still plays Luke (of —and Laura) like a rascal who’s seen it all. Constance Towers was on yesterday, brandishing a gun and threatening people. I looked it up–she turns 80 in May. Amazing! There’s a guy named John York who’s been on the show every time I’ve turned it on for 30 years. He’s never aged, and is always likable.

I look for these people when I remember to turn on the show, about once a week, just before the daily flurry of entertainment news has to be reported. They are like an oasis. I’m so glad the people running the show have respect for it now. It can really make a day when Justin Bieber does something silly, and it’s back to work we go.

Exclusive: Rolling Stones Will Kick off 18 Date US Tour In Los Angeles

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EXCLUSIVE: Tomorrow morning comes the official announcement of the Rolling Stones US tour. I can tell you that the tour of arenas will kick off not in Canada, as we originally thought. But the real start is at the Staples Center in Los Angeles, for possibly two shows. The exact date won’t be announced tomorrow morning pending the Staples center sports schedule. But it will be in the first week of May. Then the tour hits the 18 biggest US markets– San Francisco, Chicago, Houston, Atlanta, Memphis, etc. No New York dates are included since no deal has been done yet there by AEG Live. Also the Stones may have saturated that market last winter. Not announced also tomorrow are the dates I told you about at London’s Hyde Park– likely July 6th and 13th. But May and June are Stones America all the way.

http://www.showbiz411.com/2013/03/13/exclusive-rolling-stones-will-play-2-nights-in-hyde-park-plus-glastonbury

Obamas Will Celebrate Memphis Soul with Sam Moore, Booker T, Mavis Staples and…Justin Timberlake?

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The White House will celebrate Memphis soul this month with a PBS special taped next week and to be shown on April 16th. The Memphis soul special was already on PBS schedules for April 16th. And I’d been told some time ago that the producers had contracted Al Green and Justin Timberlake, the latter a soul sort of ‘interpreter” who was born in Memphis. Now a press release has already gone out saying Al Green is not coming. He’s tricky to settle dates on.

But the special looks like it will be great otherwise with Grammy master Ken Ehrlich doing the production. From Stax we get Sam Moore, William Bell, Booker T Jones– music director of the night, some members of the Bar-Kays and the MGs including Steve Cropper. We also get Mavis Staples. Ben Harper and Charlie Musselwhite will perform from their new album of blues music. (It’s very good.)

Cyndi Lauper will perform from her outstanding album called “Memphis,” a blues collection from a couple of years ago. Queen Latifah is on the bill, along with Timberlake and the up and coming Alabama Shakes. I sure wish they’d invite Carla Thomas and her brother Marvell, who played and sang on nearly every Stax Records. They’re also the children of Memphis’s most beloved music man, the late Rufus Thomas.

But anything that promotes Memphis soul is good by me. A great evening is coming!

Exclusive: Feisty Barbara Walters: “I Wasn’t Retiring from Anything”

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Barbara Walters did make a cagey announcement on yesterday morning’s edition of “The View.” She was pretty clear that if she were to make an announcement about retiring, it would on the show and not via a website. So now I can tell you exclusively about my conversation with Walters last night at the premiere of Tom Hanks’s play “Lucky Guy.” West Forty-fourth Street was so backed up with limos that Barbara, a feisty 83 year old on high heels, got out and walked up the block from Eighth Avenue. I happened to run into her and we talked about the events of the day.

She said, “How was I?”– meaning on the show that morning. I said: “You came out with guns blazing, and you looked great.”

Barbara: “Good, because I never went home to change. I’m wearing the same outfit under this coat.” Which was strawberry pink, and pretty chic looking. She’d been in the office all day, like everyone else.

And so. “I wrote over the weekend that you were ambushed, that you might only retire from ABC News but not The View.”

While we were walking, a passerby yelled out to her: “Don’t retire, Barbara!”

Barbara, replying to me and to the stranger: “I wasn’t retiring from anything. I’m not retiring.”

Well, this is in direct opposition to what I keep hearing out of ABC, where they’ve obviously decided otherwise. And let me tell you, they’re not going to get Barbara to roll over and play dead. She never has. And Walters strutted right into that theater, through a big crowd, got her tickets and walked the red carpet like a pro. She spent the intermission chatting with Joy Behar and her husband, Steve.

And PS she loved the play. She knows from drama.

Elton John & Bernie Taupin Will Get Special Songwriters Hall of Fame Award

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Elton John and Bernie Taupin are receiving the Johnny Mercer Award from the Songwriters Hall of Fame. This is a special award to songwriters of the highest merit who are considered the gold standard. This is exciting news because the songs from this duo really are in a league with the legendary Mercer. And what a night the SHOF will be on June 13th, with Berry Gordy getting his own Lifetime Achievement Award, and the inductees including Steven Tyler and Joe Perry, and Mick Jones and Lou Gramm, as well as JD Souther and Holly Knight.

Past Johnny Mercer Award recipients have included songwriting giants: Barry Mann and Cynthia Weil, Phil Collins, Holland-Dozier-Holland, Paul Anka, Dolly Parton, Kris Kristofferson, Smokey Robinson, Stevie Wonder, Carole King, Billy Joel, Jimmy Webb, Hal David, Burt Bacharach, Jerry Leiber, Mike Stoller, Paul Simon, Alan and Marilyn Bergman, Stephen Sondheim, Cy Coleman, Sammy Cahn and Jule Styne.

Jimmy Webb said of the duo in a statement: “Some catalogs are more ‘deep’ and significant than others not only because of their pertinence to the times in which they were written, but because their sheer mass is overpowering.  It’s just not that easy to write 40 Top 10 records.  It’s kind of like swimming the English Channel with your hands tied behind your back. Elton’s readily identifiable melodic piano style has proven to be a perfect accompaniment to Bernie’s razor sharp lyrics about relationships and living on the edge of life both in good and bad times.”

PS Look at these catalogs of songs from all these songwriters. Without them, we’d have nothing. And given what songwriting is like now, we’re going to be hard pressed to find new honorees for these kinds of awards in ten years. Songs now are sampled, interpolated, lifted, stolen, and worked on by committees. Very disappointing.

 

 

 

Tom Hanks in Tears at Standing Ovation for Broadway Debut from A Tough Crowd

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Tom Hanks got a wildly enthusiastic standing ovation last night as he made his Broadway debut with Nora Ephron’s “Lucky Guy.” The response was not just from friends and fans because they like Hanks, but because his portrayal of Mike McAlary is such a moving, funny, and lovely experience. This was my second time seeing “Lucky Guy” and I do admit to having a soft spot for it. Ephron captured life in a New York newsroom between 1985 and 1998 perfectly. A lot of the specifics of McAlary’s life have been telescoped to fit a normal running time. But even taking dramatic license, Ephron worked in enough to capture the triumphs and the hubris.

And Hanks broke down in tears at the end of the show, when a curtain pulled back on stage to reveal a large portrait of Ephron, who died last July. “Nothing like sharing a personal moment with 11,000 strangers,” Tom said to me later at the afterparty at Gotham Hall. But those were real tears. “Nora and I were always showing each other what we were writing. I ran into her in London last year, and she said, ‘You know I finished that thing.’ I read it and said, What can we do with this now?”

Hanks is not alone on the stage. And under George C. Wolfe’s heartfelt direction, the supporting cast each gets a chance to shine, from Peter Gerety to Courtney B. Vance to Peter Scolari and Christopher MacDonald.

So was there? Who wasn’t there? Loads of folks from the New York tabloids, starting with eminence, Pete Hamill. The Times was represented by current editor in chief Jill Abramson and past legend Gay Talese. The News was there in the person of Mort Zuckerman, who is referred to in “Lucky Guy” as “the owner.” He may have winced at some of the references.

And then were Rita Wilson (cheering on Tom) and Angela Bassett (for Courtney Vance) as well as Sting and Trudie Styler, Graydon Carter, Holland Taylor on a night off from “Ann,” Martin Short, NBC’s Brian Williams, Barbara Walters, Liz Smith, Cindy Adams, Joy Behar, Regis and Joy Philbin, Lawrence O’Donnell, Spike Lee, Lorne Michaels, director Paul Haggis, Tom’s actor son Colin Hanks with his seven months pregnant wife (second kid– you know Tom is a grandfather already) director Moises Kaufman, and New Yorker editor David Remnick. Nia Vardalos, on a book tour starting this morning, flew in to support Tom, as did Universal Pictures chief Ron Meyer and producer Walter Parkes. Loads of actors too from Ellen Barkin to Rosie Perez to Geoffrey Wright to Richard Kind and Bobby Cannavale.

Nora Ephron’s family was there, too, including husband Nick Pileggi and her two sons, Jacob and Max. I ran into Larry David on one side of the room and Laurie David on the other. Tonya Pinkins looked swell as did Emmy Rossum. Even Mayor Mike Bloomberg, taking a break from large soda patrol, stopped in to congratulate Hanks and the cast. There was also a reunion of 80s press agents with the arrival from Savannah of legend Bobby Zarem, along with Peggy Siegal (who helped bring the A list in last night), Ken Sunshine, and Dan Klores.

Again I will say: I’ve never seen a movie star take to the stage like Tom Hanks. Three cheers for him. And some awards.

Ryan Gosling Goes Beyond “Pines” to “Towheads”

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BY PAULA SCHWARTZ, SPECIAL TO SHOWBIZ411– Ryan Gosling slipped into the second row of the Walter Reade Theater in Lincoln Center Saturday night to catch Shannon Plumb’s “Towheads,” which was screened as part of the New Directors/New Films festival. Plumb is married to Derek Cianfrance, who directed “The Place Beyond the Pines,” starring Gosling and Bradley Cooper, and which opened Friday. (Box office is impressive; it’s raked in $270,000 in four theaters.) Cianfrance also directed Gosling in “Blue Valentine.”

Probably few people even spotted the Oscar-nominated actor, who was with friends. There was no sight of girlfriend Eva Mendes. After the movie, Gosling raised his hand and asked a question in the Q&A.

Cianfrance’s “The Place Beyond the Pines” focuses on fatherhood, responsibility and legacy. “Towheads” is the other side of the coin. Plumb, a video and performance artist, wrote, directed and starred in an impressive and enjoyable film that celebrates motherhood. At the same time her character struggles to find her purpose and identity in life in addition to being a mother and the wife of a famous director.

Plumb, who is the star, the director and the screenwriter,  has a real gift for physical comedy. She plays a Brooklyn actress and overtaxed mother named Penny, who spends most of her day caring and doting on her impish and energetic sons, Cody, 4, and Walker, 7 (Plumb and Cianfranc’s real-life sons). Meanwhile, her husband Matt is a busy theater director (played by Cianfrance), who is too self-obsessed or distracted to give her any emotional support. When Penny seems to be having a meltdown, he asks if she is having a midlife crisis and suggests she get a facial. Then he dashes off to work, which he points out supersedes everything else because it pays the pills. The camera never directly films his face, which is obscured by cereal boxes or books. (The film was shot in the couple’s rambling and comfortable cluttered Brooklyn apartment.)

Working with a miniscule budget, Plumb said there were few takes and she didn’t storyboard. Although there was a script, the children’s scenes were all improvised. Her sons worked only four hours a day and of course she found herself always “overly protective.” There was also some resistance at first by her impish boys. “On the first day Walker quit,” Plumb said. But they ended up loving it. “When it was over, they were sad at the end. They were crying.”

Although she’s a well-known visual artist she’s new at the film business. She didn’t know how to shoot a movie.  “I didn’t know anything but low angle. I put the camera down here,” she pointed low. “I never moved a camera before. Derek tried to sketch something out real quick,” she said, but, “It would drive me crazy.” The best advice he gave her: “Keep it simple.”  The fact is she’s made an savvy film that witty, fun and smart.

When an audience member asked during the Q&A  if she’d ever gone experienced a breakdown like the character she plays, Plumb replied, “Certainly I’ve experienced a crisis for sure. You panic. The children always come first and they come first until 9 at night,” she said. “And all of my friends, they’ve all gone through it. It’s harder for moms. It’s crazy but you get through it. That’s what this (film) is for as well.”

Plumb made it clear the unsupportive husband in the film was not based on Cianfrance. “He’s not my real husband. He’s nothing like that.” When she first envisioned the husband, his role was  “just to open a door and close it,” because, “I wanted this to be a mother’s story. I wanted it to be about the mom. It could be a single mom, a mom who has a husband who works all the time, who could be any mother,” she said. “The husband is a stereotype of the 50’s, 60’s kind of man.”

Finally Cianfrance decided he would play Plumb’s film husband because of a bedroom scene.  “He didn’t want anybody sleeping in his bed,” Plumb said. So she told husband, “If you want to do it, fine,” and his reply, “Yeah maybe I should do it,” worked out. “I’m so happy he did. He’s a good actor. I didn’t know he was so good,” Plum mused. “I didn’t know he could act, but he can,” she laughed.

Part of the humor is how Plumb finds Beckett-like absurdity in every day events and situations, whether it’s to tear open a box of cereal, hold up a tampon box or drink out of a curly straw. She has a tour-de-force moment in a disaster of a gown big as a mountain, where she struggles to sit and then stand in sky-high platform heesl, while no one around her, including her husband – Cianfrance backlit –  even notices her.

Plumb is lanky and loose-limbed and fun to watch, whether she dashes down a busy street with a stroller, pushes a kid’s bike while she balances a  gown or her head, or makes unsexy and inept moves as a pole dancer. Meanwhile she’s a quick change artist, changing costumes and characters and genders, including one hilarious scene where she leaves her apartment dressed as a man, dons a mustache and puts on a  masculine swagger. She’s obviously been inspired by Charlie Chaplin and Buster Keaton. And this last scene, where she leaves her home disguised as a man made an impression on Gosling, who plays a macho guy with tattoos, muscles and guns in “The Place Beyond the Pines.”

During the Q&A, Gosling asked: “You play so many scenes as a man. What’s the key to playing a man?”

Without referring to him by name, Plumb replied, “When I went to acting school my teacher told me, if you want to walk like a man you’ve got to separate your legs, and walk like this, loose.” Plumb demonstrated and swung her legs wide apart as she walked. “It’s starts physically, then you become a man, so I just started. It’s so amazing to step into those shoes to see what it’s like,” being the other half. “Men are fun to play.”

Someone asked if things would have worked differently for her character if she had had a daughter instead of sons. Plumb replied thoughtfully. “Yeah. It’s a whole different thing. It’s a different dynamic. It would have been different I think. I do want a daughter but I’m not having anymore,” she laughed.

Barbara Walters: Nothing Is Going On–“I Have No Announcement to Make”

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Barbara Walters returned to “The View” this morning with a big announcement. It came after a weekend of speculation after a Thursday gossip item that she was going to proclaim her total retirement. “If and when I have an announcement to make, I would make it on this program.” Walters looked extremely healthy and with it, and not like someone who was going to retire from anything–including a fight with ABC over her future.

http://www.showbiz411.com/2013/04/02/exclusive-feisty-barbara-walters-i-wasnt-retiring-from-anything

Later in the show, Walters exclaimed to “General Hospital” actor Tony Geary “35 years–who has a job that long?” Everyone in the audience laughed, and clapped. Even Walters surprised herself. But she is clearly not ready to give into ABC. And the planted gossip item on Thursday–meant to seal her fate–has backfired.

www.showbiz411.com/2013/03/28/ambush-barbara-walters-has-no-plans-to-retire-from-the-view

 

 

Broadway Getting a Black Juliet, White Romeo in Exciting New Production

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This sounds very cool: “Romeo and Juliet” is coming to Broadway for the first time since 1977– and Juliet is being played by an African American. So is her father. Condola Rashad, the very talented daughter of Phylicia Rashad — that’s Claire Huxtable to you TV fans — and Ahmad Rashad, will play the tortured Juliet. One of the great New York actors of all time. Joe Morton, is going to be Lord Capulet. Rashad’s Romeo will be played by movie star Orlando Bloom.

Award winning director David Leveaux is running the show. “Shakespeare did not only write of his world – he imagined ours,” says Leveaux in a statement. “The very improbability that two young people might, through their imaginations and their courage, change the world by overcoming the cynical tyranny of division handed down to them by their elders, is the best and happily most improbable reason I can imagine to bring this story to the Broadway stage today.”

Performances begin in late August at the Richard Rodgers Theater. Rashad has already been Tony nominated for her role in “Stick Fly.” Of course, the mixed race part of this will only be visible to us, not to the players or the characters. And that’s a real breakthrough for Broadway, where actors of any race or color should be able to play any role. Maybe it is the 21st century after all.

Dad of Red Hot Chili Peppers Anthony Kiedis Writes a Book About Sex, Drugs, and Rock and Roll

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Somehow I missed the whole story of how Anthony Kiedis of the Red Hot Chili Peppers grew up in Hollywood. His father is a 73 year old hipster actor from Grand Rapids, Michigan who made sure his 12 year old son experienced sex, drugs, and rock and roll. Maybe this explains Kiedis’ drug problems and why he didn’t wear a shirt until a couple of years ago. John Kiedis, aka Blackie Dammett, has written a book about all of this. You can buy it on amazon as a Kindle download for six bucks. I’m giving you guys the press release I received this morning, as well as a video clip from the BBC. I kind of like this guy.

the release:

Dammett!

Who put the HOT in the Red Hot Chili Peppers–The wild, lurid, hilarious tell-all Hollywood Babylon memoir of Anthony Kiedis’ dad

Soon-to-go-viral book now available as an exclusive on Amazon’s Kindle Direct Publishing

http://www.amazon.com/dp/B00C4MD2DY

April 1, 2013–Beverly Hills, California: You may wish you had some of that evil 1980s Sunset Strip cocaine too when you can’t put this book down til dawn–it’s immersive, exhilarating, exhausting, elegiac, ribald…and hilarious.

It’s simply the biggest, boldest epic of Hollywood and Rock & Roll ever written.

It’s the memoir of John Kiedis, father of legendary rockers Red Hot Chili Peppers front man Anthony Kiedis.

John Keidis–AKA Blackie Dammett–the Hollywood Babylon Renaissance man whose mind blowing exploits and relentlessly lurid lifestyle shaped his future Rock & Roll Hall of Famer son–between the torrent of drug and sex fueled parties, auditions and business deals in Hollywood, New York and London, Dammett towed the young Red Hot Chili Pepper with him on his drug deals with a show biz who’s who.

Along the way Dammett found time for acting in high profile movies and TV too–everything from “misunderstood junkie hypochondriac suspected child kidnapper with a soft side” to “a failed Hell’s Angel.”

Then there were the “girls.” OMG. Nobody could make this stuff up:

“New girls were always coming of age, replenishing the scene… Deirdre, Darcy, Jill Jacobson, Melissa, Skye Aubrey, Lisa Blount, Lehna from Sweden, Summer, Shannon, Veronica Blakely, Tallulah, Debbie Baker from Trashy Lingerie, Punky, Vickie, Raven Cruel… Annette Walter-Lax who later became Keith Moon’s significant other…”

Fasten your seatbelts–it’s going to be a humpy ride.

Dammett knew them all:

He played Pong (the first video game) with John Lennon, and then Lennon, temporarily exiled from NY by Yoko Ono and lubed with coke and whiskey, poured out his legendary heart to Dammett.

Dammett partied with the likes of Lou Reed, Axl Rose, Andy Warhol, Keith Moon, Alice Cooper, Liza Minnelli, Frank Sinatra, 14-year-old Drew Barrymore, George Carlin, David Lee Roth, Deborah Harry, the Ramones, Talking Heads, Richard Hell and Television, Patti Smith and Basquiat…the list goes on and on.

This is Blackie Dammett’s story–the man who has had a profound, ineffable influence on his son, Anthony Kiedis, front man of the seminal Rock & Roll Hall of Famers Red Hot Chili Peppers.

And the entire book is ghost-writer free–every single word is Blackie Dammett’s.

From his Lithuanian ancestors landing at Ellis Island (with some Algonquin and Mohican blood mixed along the way), to Blackie’s classic youth in 1940s and ‘50s hardscrabble Michigan (an almost Norman Rockwellian, American Graffiti idyll), to his hilariously depraved Hollywood of the 60s through the 90s, his story is the story of America in the second half of the twentieth century–an epic, authentic cultural document without equal in detail, profound candor and heart.

Hey Blackie–You’ll never heave lunch in this town again.