Friday, August 28, 2026
Home Blog Page 17

Pop Charts: Charli XCX and Gracie Abrams Have the Top Albums But Can’t Seem to Generate Any Singles, Ella Langley Has 8!

0

The pop charts show a real conundrum for its top acts right now.

Singers Charli XCX and Gracie Abrams lead the iTunes top 100 albums right now with, respectively, “Music Fashion Film” and “Daughter from Hell.” The former is brand new and the latter is a week old.

Country star Ella Langley is number 3 with “Dandelion,” in the top 3 since April.

The difference? Langley has 8 titles in the iTunes top 100 singles. She also leads the Spotify singles charts with a song most people don’t know, called “Choosin’ Texas.” (It must be popular down South. No one in the big cities would be humming that title to themselves, frankly.)

So, good for her. But Charli XCX and Abrams don’t have one track on the iTunes or Spotify charts. Not one. Nothing is going on. Nothing is happening. Despite their albums being so hot, the songs individually can’t get any attention.

It’s not a good sign for those two album’s further appeal. If the streaming audience doesn’t latch on to tracks, albums tend to fade quickly. Langely’s singles have kept “Dandelion” in the garden for months. If the other two can’t start a fire with at least one single, we may seem them disappear.

As for Charli XCX, I’m really enjoying the album. It’s very different than her sleek “Brat” hit from two summers ago. It’s like a punk album from 1979. The songs are rock, and lyrically rich. My favorite is “No One Lasts Forever,” which would make a great single if edited at the end. Once the song is over, there’s a whole passage with legendary film director David Cronenberg.

Box Office: “The Odyssey” Moving Faster than Odysseus Himself with $300 Million On Target for Tomorrow, Closing in on $700 Mil Worldwide

0

It took Odysseus decades to get back to his family in Ithaca from Troy.

(In real life, we laugh because the trip now would take an hour. But I digress.)

Odysseus should have offered IMAX tickets to his troops! “The Odyssey” is now eyeing $300 million after 11 days at the box office. And that’s just in the US.

Around the world, the total is at $640 million. The $700 mil mark is close at hand.

This is extraordinary for a three hour movie based on a 3,000 year old epic poem.

The $1 billion target is going to come fast. At this rate, “The Odyssey” should remain in theaters a long time. I doubt it will come to home video anytime soon given director Christopher Nolan’s antipathy to the small screens. The last thing he wants is people watching his grand film on phones!

Meanwhile, Disney’s “Toy Story” surpassed $1 billion this weekend worldwide. “TS5” is showing no signs of slowing down, either. It’s still in wide release!

Disney’s less successful “Moana” hit $100 million this weekend also. Not quite in the same league, and derided by critics, but it’s summer, it’s hot, and the children need to go somewhere after “TS5.”

A nice box office note: the filmed version of Tony-award winning hit musical, “Hadestown,” opened to just under $10 million. It might get an extended release now that it’s been so successful. The movie has done so well that the original “Hadestown” score album has jumped to number 7 on iTunes.

Good for Bleecker Street films, which hired the great FalcoInk for publicity. They brought the magic!

Box Office: “The Odyssey” Hits $225 Million on Friday As Word of Mouth Snowballs, Winding-Refn’s “Her Private Hell” Is the Bomb of the Week

0

It’s a homer!

“The Odyssey” is everyone’s favorite movie.

Last night, the box office rose to $225 million after 8 days. Weekend receipts should bring it close to $275 million.

People are writing on social media that they’re going back a second time, and now everyone’s looking for clues, foreshadowing, and maybe some ouzo.

That’s the box story except for a film by Nicolas Winding Refn called “Her Private Hell,” that Neon has released into a void. Panned with 41% on Rotten Tomatoes, “Her Private Hell” is public hell apparently if you see it.

On Wikipedia, the report from Cannes is that “Some people walked out in boredom.” LOL. Winding Refn has made one good movie, “Drive.” All the others have been bombs. And yet, the money seems to be there for him every time!

U2 Took a While But They’ve Returned to Form with Martin Garrix-Produced “Fireflies,” The Right Single to Put Them Back on Top

0

Ah, U2. My U2.

They released two EPs of interesting music. Then a single called “Street of Dreams” that I tried hard to understand.

But now order has been restored in the universe. DJ Martin Garrix has produced this new U2 track called “Fireflies,” and now I want to hear it in a stadium. It’s excellent. Bono has command of his falsetto and his voice soars. The band supplies a U2 signature with Edge’s clanging guitar reminding us why we love this group.

U2 is on the way back.

Gracie Abrams Goes to “Hell” and Back for Number 1 Album of the Week, BTS Gets a Massive Bump from World Cup Performance, “Thriller” Says High

0

There are 15 albums by female performers on the hitsdailydouble top 50 album, which is the actual chart to follow.

Gracie Abrams came in at number 1 with her “Daughter from Hell,” which she obviously isn’t — she’s a good kid, the child of movie director/producer JJ Abrams and wife Katie McGrath. No nepo baby, she earned it.

“Daughter from Hell” sold 123,975 copies and more than half were physical sales. The rest was from streaming. Obviously her fans want to own the music, not just listen passively.

Meantime, BTS had a 61% surge from last week for the album “Arirang.” The album went from 26 to 8, mostly on the strength of their appearance on the World Cup half time show. Quite amazing.

Right behind them is Michael Jackson’s perennial “Thriller,” still riding the coattails of the “Michael” movie. Michael’s “Number Ones” album is just a couple of notches lower. We’ve stopped counting the total sold on “Thriller.” It can’t be done!

Also: based on the World Cup show, Justin Bieber’s “Swag” album rose 6% from last week — 19,000 copies almost all from streaming. The Lil Bieber seems to be in first position for next year’s Super Bowl half time show. His 2026 plan — playing Coachella, the World Cup, and the Super Bowl — is working. He doesn’t have to tour. Even if the NFL doesn’t pay for anything but production, his sales will skyrocket!

Gracie Abrams New Album Debuting at Number 1, But The Catchiest Pop Song by A Female Singer Songwriter This Summer Is from the OG of Them All

Callum Turner May Have Blown His Chances to Be James Bond as Underwhelming Trailer for Romcom Downplays Acting Skills

0

Ruh-roh.

English actor Callum Turner had been getting a heavy push in the race to fill Daniel Craig’s shoes as James Bond.

He even got married to pop star Dua Lipa, which raised his profile mightily.

But now the trailer has dropped for a romcom in which he stars, called “One Night Only.”

To say it’s underwhelming is an understatement.

Instead of being action packed or vibrant, “One Night Only” looks — for lack of a better word — terrible. Turner seems silly. And his acting skills are severely downplayed.

Fans are mocking the trailer like crazy. You can read the comments under the clip.

You do wonder what his reps were thinking. Turner was very good in George Clooney’s rowing movie, but he didn’t say a lot. He just stood around and looked charming. This clip is like the reveal in “Singin’ in the Rain.” It could be a tactical error.

Brandi Carlile Sails Into Montauk for Lighthouse Show, Introduced by Katie Couric, Followed by Fervent Fans from Venue to Venue Around the Country

0

No opening act, just Brandi Carlile and co. at the Montauk Lighthouse this week, after a brief, biographical intro by Katie Couric. This was a fan fest for Carlile, who has many fans following around the country from venue to venue from Florida to Colorado, wherever she takes them. This was that kind of crowd at the Montauk Lighthouse under stars and accompanied by the sound of the sea.

From her new album, “Returning to Myself,” she sang the title song with its refrain, “It’s the only thing to do,” channeling Joni Mitchell with whom she apprenticed. As one fan told me on the port-o-potty line, “That’s just her thing. She honors the women vocalists and song writers before her, Tanya Tucker, Bonnie Raitt. But in the end, she makes it her own.” She sang Bonnie’s, “I Can’t Make You Love Me.”

And it’s not only women. She loves Elton John, with whom she made a Grammy nominated album. She shouted out to Chad Smith of the Red Hot Chili Peppers, with whom she worked on the album she made with the Rocket Man, and sang, “Who believes in angels anyway?”

She sported a shirt especially purchased for this gig, with a lighthouse on its back. Before she called out for a jacket the night air cooled—”well, you all know there’s a lighthouse on my back,” she sang about her British partner, who could be condescending, she quipped: “Sometimes you meet a woman overseas and sometimes a woman oversees.” She sang about being a mother to Evangeline and Eliza, dressed up in blue, who were enjoying the music and the sloped venue outside the historic lighthouse monument. It was the perfect night down to her twin sidemen Tim and Phil doing “Sounds of Silence” with Carlile swooning behind them as they serenaded her and us.

She had us in the proverbial palm of her hand. She knows her people. And for a good part of this generous performance she asked for requests that came like clockwork: such as “Dyin’ Day.” I especially loved her take on motherhood, cherishing the moments of separation that lead to their ultimate growing up and away: “You Without Me,” “Welcome to the End of Me/ I Am the Mother of Evangeline.” Brandi Carlile may be as much beloved for the wisdom she brings: “Time makes every one of us an absolute cliché.”

She said the thing she wanted to see most in New York was a cockroach, and she did, suggesting the fleabag hotel of her first arrival. LOL. Time may have passed but nothing about her feels tired.

Box Office: “The Odyssey” on the Brink of $200 Mil Today in Just One Week, Still With Shows Sold Out Around the Clock, Plus “The Invite” Being Declined

0

LOL. So close and yet so close.

“The Odyssey” will cross the $200 million line tonight after one week in release. It’s on the brink, teetering last night at $199 million.

Shows are still sold out around the clock.

Plus, two different translations of Homer’s epic poem are in the amazon top 20! People not in high school are voluntarily reading “The Odyssey”! No numbers yet but you can bet Homer’s heirs will be demanding royalty statements!

Meantime, A24’s “The Invite” is being declined after a strong indie start. “The Invite” has a total of almost $18 million but it’s down 29% from last week.

I was one of those who put down some cash for a ticket this week. “The Invite” is “Who’s Afraid of Virginia Woolf” if made by Woody Allen at his height. It’s also kind of a psychological horror thriller that could easily be performed on stage — I’ll bet it comes to Broadway next.

Olivia Wilde’s direction is superb. Rashida Jones and Will McCormack’s screenplay is going to get all kinds of awards attention. But so, too, will all four actors starting with Penelope Cruz, Edward Norton, Wilde herself, and Seth Rogen playing the Woody character. And Sting gets a shout-out for tantric sex! Nice work!

Revealed: Ben and Casey Affleck’s Mom, Chris, Passed Away in May at Age 83, Remembered Fondly as Harvard Racliffe Graduate, Dedicated Political Activist

0

I was very startled tonight to read that Ben and Casey Affleck’s mom, Chris, died at 83 back on May 31st. Her sons have just announced the passing.

Like Matt Damon’s late great dad, I remember meeting Chris back in the time of “Good Will Hunting.” She was terrific. Condolences to her family and friends.

Here’s her obit, reprinted from Legacy.com. May her memory be a blessing

Born in New York City, in 1942. From the beginning of her life, Chris made her unconventional name her own, foreshadowing both the personality and the practicality that would follow her to her death. She accepted a typo in her first email address in similar fashion, making her “Chritopher” with no “s” for a solid twenty years.

Chris cherished her younger siblings. She idolized her stepfather, Sam, and took pride in his WWII service and support for civil rights. At Nightingale-Bamford, she made the most of an elite education while remaining skeptical of the tightly cloistered world it represented. When a teacher chastised her for criticizing Jim Crow, without hearing from the “other side,” she slipped down to a payphone to ask Woolworth’s whether they really did turn Black customers away. That was Chris: always willing to acknowledge that she might be wrong and never letting that uncertainty be an excuse for inaction.

Chris taught literacy classes in Mississippi during Freedom Summer, marched against the Vietnam War, and reveled in 1960s counterculture. One of the first Radcliffe women to receive a Harvard diploma, she eschewed a world of higher paying careers to spend 35 years as a public school teacher. Every student, whether just arrived from Haiti or Cambridge upper crust, was a cherished citizen of her classroom republic, equal to each other and to herself.

Her favorite young people, however, were her sons, Benjamin Géza (b.1972) and Caleb Casey (b.1975). Her five grandchildren, Indiana (2004), Violet (2005), Atticus (2008), Fin (2009), and Sam (2012), were the animating force of her last two decades. Chris was suitably proud of her descendants’ achievements, but she was delighted when they questioned, defied, or cleverly engaged authority.

She retired in 2008, to both see the world and change it. After volunteering on the Obama campaign trail, she traveled to Palestine/Israel, in 2009, and returned home as an organizer with the Alliance for Water Justice in Palestine. In her beloved Truro, she was a founding board member of the Sustainable Cape project. When her granddaughter’s student activist group needed a space for trainings, she invited them to Truro and attended every single workshop herself, taking notes. Her activist spirit was woven into the robust social life she kept with friends like Tom and Betsy Bilodeau, Peg and Carl White, Peter and Nancy Garrison, Patty Collinge and Jan Egleson, and those friends’ children and grandchildren.

Given six months to live in December of 2025, she called her friend, Josh Laub, to take oral histories of his time as a principal in the South Bronx.

Her greatest wish after her diagnosis, however, was to live to see her grandson graduate high school. She did so, attending with her family on May 31, 2026. She died peacefully, in her sleep, two days later.

A Bridge Too Far? Wealthy Director of $200 Mil Flop “Bolden,” Shooting Epic in Australia About the Building of San Francisco’s Golden Gate Bridge

Dan Pritzker is back!

GNot satisfied with flushing hundreds of millions of dollars down the tubes with his last movie project, the Hyatt hotel empire heir has returned for more.

Pritzker lost at least $200 million shooting, and then reshooting with a whole different cast, his jazz movie called “Bolden.”

A period piece, “Bolden” took about 10 years to make, and remake, before it was ultimately released to a few theaters and bombed.

The whole thing was a vanity project, travesty that came to include many actors and casts.

In the end, “Bolden” — about little known coronet king Buddy Bolden — made around $300,000 during its limited run. The whole thing was gigantic write off, and maybe caused Hyatt Hotel rates to increase out of the blue.

I really thought that was it for Pritzker, whose brother Tom is chairman of Hyatt Hotels, as far as the movie business. Until today.

It turns out Pritzker has been shooting another megamovie, in Australia. It’s about the building of San Francisco’s Golden Gate Bridge which, as we all know is NOT Down Under, but right here in the good ol’ USA.

Deadline.com, failing to mention the “Bolden” disaster, says the cast of “Fog City” includes Cooper Koch, Angus Imrie, Sarah Bolger, Miranda Otto, and Carla Gugino. At least, that’s the cast of this version because if Pritzker doesn’t like the finished product, he may start all over again!

Executive producers of this extravaganza is Richard Arlook, a former talent manager whose previous credits don’t indicate anything of this enormity. Producers are Jon Cornick, and Michele Tayler. The latter must be a glutton for punishment since she worked on “Bolden.”

Is this a bridge too far? A compelling subject? Not really. Watching a bridge being built by miscellaneous people you’ve never heard of doesn’t sound like a movie. Also, we know the ending — the bridge is there and there are cars on it all day. Drama? In the bridge’s OG story, it was closed from 1951 to 1954 because it was unstable. (I won’t make the obvious joke.)

There doesn’t seem to be that much drama about building the Golden Gate Bridge. But maybe there’s secret backstory we will learn about.

“Bolden” seems to be on YouTube, for free, with just 2,600 views.