Friday, August 28, 2026
Home Blog Page 16

NY Film Festival Gets Pedro Pascal-Olivia Wilde Film “Behemoth” Directed by Tony Gilroy for World World Wide Premiere, Centerpiece Film

0

I’m starting to think Olivia Wilde and Pedro Pascal are in every movie this year.

They are definitely the stars of “Behemoth,” directed by Tony Gilroy, the man who gave us “Michael Clayton” and “The Bourne Legacy.” He’s also written a dozen hits including two more “Bourne” movies plus “Beirut” and “Rogue One.” (His brother is Dan Gilroy, his sister-in-law is Renee Russo.)

“Behemoth” has been chosen for a worldwide premiere at the New York Film Festival as Centerpiece film. That’s a big deal. This means “Behemoth” is not going to Venice, Telluride, or Toronto! The NYFF is rockin’ this year!

The film also has an interesting supporting cast including the most welcome return of Jobeth Williams, plus Eva Victor, Alexa Swinton, Kaya Ralls, Erik Griffin, Margarita Levieva, with Hank Azaria and Will Arnett.

“Behemoth” is Disney-Fox Searchlight’s Oscar entry this year, and with that group of filmmakers, it sounds pretty promising.

And yes, this is definitely Olivia Wilde’s third movie of the year including her excellent “The Invite,” and “I Want Your Sex.” What a comeback for her after “Don’t Worry Darling” crashed and burned four years ago. Not surprised, though. She comes from a family of famous American and British intellectuals, all hardcore successes as journalists and filmmakers. That’s for another column! But the genes are top grade!

Bang! Boom! “The Odyssey” Skyrockets to $304 Million in 12 Days Despite Homer Translator Trying to Be a Buzzkill

0

Emily Wilson, translator of “The Odyssey,” doesn’t like Chris Nolan’s movie.

She wrote in a scathing review: “I would be ashamed to have written any part of this script.”

Well, who cares? Can she even write a screenplay? I doubt it. And Homer wrote the book. She just translated it!

“The Odyssey” Box office is now at $304 million, in just 12 days. The whole world is learning about Homer, and lots of people are reading her expensive volume. It’s the number 4 book on amazon.

Wilson should be thanking Nolan and Universal, and sending them Edible Arrangements or Fortnum and Mason baskets.

Instead, Wilson turns out to be a sour prune. Are we surprised? Not really. Emily, get with the program!

Well, it’s only Tuesday, which means $400 million isn’t far away. Curious fans can read another version — the one by Daniel Mendelsohn is considered better anyway.

More good news from the box office: the filmed version of the hit Broadway musical, “Hadestown,” has been an enormous success in just a few days. The movie has made more than $5 million quickly — the Broadway version, still running, would be lucky to earn that in a month! More shows should follow suit. Hello, Barry Diller. “Death of a Salesman” needs this treatment.

The Beatles Ready to Announce “Rubber Soul” Anniversary Box Set with Lots of Extras, Demos, and Whatever is Left That We Haven’t Heard Before

0

A countdown clock has gone up on the Beatles’ website.

Tomorrow morning at 9am will come the announcement of the last anniversary box set from the Beatles canon.

“Rubber Soul” — released in December 1965 — was the 9th American Beatles album but just fifth in the UK. It was the beginning of the group’s turn toward their adult, megawatt classic period, followed by “Revolver,” “Sgt Pepper,” “The White Album,” “Abbey Road,” and “Let it Be.”

The album features such classics as “Drive My Car,” “Nowhere Man,” “Michelle,” “You Won’t See Me,” and best of all, “In My Life,” a song so advanced and lyrically sophisticated for someone of John Lennon’s age (25?) that it’s jaw dropping.


A 2009 remaster is still perfectly good, but you knew technology will make us feel like the group is singing in our living rooms. It will be loud, and super fans will fight over the mixes. But, again, the 2009 version doesn’t go away.

All the other Beatles albums have had anniversary box sets, and for the layman they’re terrific. Each one has a CD we couldn’t get before, whether it’s the Esher recordings from “The White Album” or Glyn Johns’ mix of “Let it Be.” So we can expect demos, outtakes, takeout menus, and such from the “Rubber Soul” era.

Are we excited? Always. Last year the big event was the refreshed Anthology box, which applied new technology, a sound facelift so to speak, plus a 4th volume. Experts and enthusiasts will say there’s a lot more Apple can release, lots of stuff we’ve never heard as far as demos etc, but I think this may be ‘it.”

Should be released in October, the usual time for Beatles’ reissues, just in time for Christmas.

Carly Simon Won’t Do Much Next Week to Promote Her Powerful Comeback Album: Read Her Refreshing Letter About Surviving Health Setbacks at 83

Review: “Spider Man: Brand New Day,” 9th in the Series Since 2002, May Be the Best Yet, With No End in Sight for Famed Franchise, Saves Hitless Sony

0

I had an epiphany tonight watching the latest “Spider Man” movie: they’re going to outlast me no matter how long I live.

“Spider Man: Brand New Day” is now the 9th live action installment of the series. That doesn’t count two “Spider-Verse” films, which would make this one the 11th.

So wouldn’t you know it? Just when you’d think it would be time to wrap it up, producer Amy Pascal delivers the best in her series of four Tom Holland-led “Spider Man” movies, an adult take on teenage themes, a coming of age story for cartoon characters.

For reference, the first Tobey Maguire film was in 2002, basically a quarter century ago. The elder George Bush was in the last year of his presidency — this was before Bill Clinton! The stars of this film were just 6 years old.

By now, the “Spider Man” movies have taken on the traits of the afternoon serials of the late 30s and early 40s, like “Flash Gordon.” There is no endpoint. And if there is, it just starts all over again. Nothing is really going to happen of any consequence, don’t you worry, you will still be entertained.

Tom Holland, aka Peter Parker, is now an agreeable 30 years old, in great shape (as they show off as much as possible), and not going anywhere. Even Holland appearing in the much more serious undertaking of “The Odyssey” won’t stop him from making at least one more “Spider Man” in his series. Spoiler alert: “Brand New Day” is not the end.

The good news is that “Brand New Day” is an unusually good super hero film, a solid action adventure with stunning set pieces, lots of carefully crafted explosions and fires, and derring-do fights between good and evil. Obviously, the good guys win, but it’s the getting there that director Destin Daniel Cretton and writers Chris McKenna and Erik Sommers have made so much fun. “Brand New Day” is like going back to a restaurant you really loved, and feeling the same way again.

You may recall the last “Spider Man” movie was a salute to the multi-verse, with the two preceding Peter Parkers and lots of old enemies all folding in on each other. It was a huge hit, but dizzying, and the end of the road for such complex gimmicks. Where else could you go?

“Brand New Day” is a lot more straightforward, episodic by nature as if you were watching an entire season of a TV show in two hours. . Picking up from the end of the last movie, Peter’s been living and working as Spider Man but girlfriend MJ (Zendaya) and best friend Ned (Jacob Batalon) don’t remember him. Peter pines for their ld relationships, so he must figure out a way to reveal himself. At the same time, he’s battling a bunch of villains with the help of his begrudging friend Frank Castle aka The Punisher (an outstanding Jon Bernthal). Also noteworthy is Liza Colon-Zayas (welcome anywhere, any time) as a motherly police detective.

Of course, Peter comes into contact with an array of Marvel somebodies including scene stealer Florence Pugh as witty Yelena Belova (a Black Widow), David Banner aka The Hulk (Mark Ruffalo), Marisa Tomei as the now-deceased Aunt May (in newly made flashbacks), and so on. Sadie Sink, of “Stranger Things” fame, comes from another Marvel world, and diehard fans will know who is she right away. Sink is especially good at two things: looking distraught, and running in slow motion.

Newly married couple Holland and Zendaya still have all their chemistry, although they’re starting to age slightly. They’re no longer in high school or college. That’s okay. If their next film is their last in this series, and they’re each under 35, no one will mind. But going beyond that, things might get tricky.

Writers McKenna and Sommers are basically giving us the middle part of a second trilogy, so not too mach can actually happen. There’s a lot of time to stop and examine Spider Man’s mechanics, like his web-shooting ability. There’s a lot of deepening of the characters we already know, which makes “Brand New Day” seem more like a movie than a reel. The writers pull it off with a light touch and a lot of humor, relying on the glibness of Holland and Zendaya and their natural playfulness. It all works.

Some of my favorite things: Ned having a Spider Man tracker that plays the cartoon’s old TV theme song. Also, Marisa Tomei still in the game, with Peter never forgetting his roots. On the other hand, there is no explanation for how Peter lives financially but owns a lot of complicated technology. That’s just called suspension of disbelief.

Kudos to the casting director, Sarah Finn, for finding a huge number of very talented unknowns to play a variety of tiny roles. You can tell she had a ball. All the below-the-line production work is top notch, too. Particularly worth admiring is the dazzling production design, which shows off Peter’s daredevil swings around towns like dizzying real life Tik Tok videos.

“Brand New Day” will be a huge hit, there’s no doubt. Sony is saved once again by the wall crawler, which is ironic since the company ousted executive Amy Pascal years ago, only for her to come back bigger and stronger than ever. And — without giving too much away — this chapter up future Marvel stories in a clean and undistracted way. Did we ever think in 2002 that this stuff would have such a long life? No. But there could be worse things.

PS It is time for Zendaya to make a real movie, with a great director, as a lead character. She’s a movie star with only supporting roles. She can do it with the right story. And please, no cannibalism.

Savannah Guthrie Posts New Message About Missing Mother, Nancy, Nearly 6 Months After Her Disappearance: “We will stop looking for her”

0

Nancy Guthrie disappeared from her home in Tuscon on February 1, 2026.

That was six months ago, and there has been silence since then.

The cruelty to her family in unmatched. If Nancy is dead — as presumed by now — why not just let the Guthries know where she is? What kind of monsters are these people?

Almost six months later, the case is unsolved. Savannah has posted a new video. See below. This is just horrendous.

Record Label Shuffle Bored: Miley Cyrus Leaves Columbia Records — Where She Had “Flowers” Hit — Signs with Atlantic Records as Ed Sheeran Exits

0

Miley Cyrus had the biggest hit of her career with “Flowers.”

The single and its album came from Columbia Records, where Miley has been since moving over from cousin RCA Records a few years ago.

But then she insisted on sinking her money and time into a very poor album called “Something Beautiful.” The project was a huge dud.

So now Miley is jumping to Atlantic Records, which just lost Ed Sheeran to Interscope/UMG.

Are we just moving around the deck chairs on the Titanic? Miley is leaving Columbia just as they’re having a lot of success. Right now, Atlantic is weighed down by Lizzo’s huge flop. Atlantic — once a powerhouse — is not having a big run right now. But maybe the money was too good to pass up..

Alas, Miley did not consult me.

No word on whether Mark Ronson is involved with the new record, of any of the people who worked on “Endless Summer Vacation.” The issue may be that Miley has been doing this her entire life and isn’t great at taking advice or consultation. Her mother is apparently still calling the shots. Let’s hope she can a hit again, but she’ll never top “Flowers.” That was once-in-a lifetime.

“Michael” Jackson Movie — Biggest Biopic of All Time — Not Coming to Netflix, Amazon, or Apple But to — STARZ Channel in August

0

“Michael” will begin streaming soon in an unlikely place.

You’d think the highest grossing biopic of all time would go to Netflix, Amazon, or Apple. Or even Peacock or Paramount Plus.

But the Antoine Fuqua directed tribute to Michael Jackson isn’t getting a normal home.

The winner is — this is true — the Starz channel.

Starz, the Kohl’s of cable and streaming.

How utterly bizarre. Starz is better known for TV series like “Power” and “Outlander.” They do have a recent hit movie, “The Housemaid,” currently playing according to a press release. And they’ve got something called “Beast” with Russel Crowe premiering on August 8th.

Well, this is the deal Lions Gate made. Surprising that it’s not on Peacock, since “Michael” is also a Universal movie.

August 10th is the date to circle for this inauspicious debut.

Carly Simon Won’t Do Much Next Week to Promote Her Powerful Comeback Album: Read Her Refreshing Letter About Surviving Health Setbacks at 83

0

EXCLUSIVE
Carly Simon’s got a great album coming out next Friday, August 14th.

“Comes in Waves” is her first collection of all new material in 18 years. Her voice sounds better than ever, and the songs are going to get a lot of buzz. There are at least four so catchy that they could take off on AC radio. A couple address some of her family issues, including her 10 year marriage in the 70s to James Taylor. (They were the rock and roll Taylor and Travis in their day.)

But Carly, believe it or not, is 83. She’s human (shocker!) and has some health issues. She says she’s been battling Parkinson’s Disease and arthritis. Her honesty in the letter is refreshing just as it’s always been in her songs. So we’re not going to see a deluge of publicity from her the way we did with Paul McCartney and Mick Jagger recently for their new albums. She’s not up to it right now. Read her candid letter to fans below. I’m still holding out for some press. Hope springs eternal!

Carly drops a mesmerizing new single on Thursday night, called “Peaches.” You won’t be able to get it our of your head. In the meantime, below the letter is her new single, “Howl,” which contains a line every Taylor Swift fan should embrace: “Call love a liar.” Each of these songs is as good as anything from her famed catalog.

Don’t forget, she made history in 1990 as the first artist to win an Oscar, Grammy, and Golden Globe for one song — “Let the River Run,” from “Working Girl.” There’s also her dozen or more classic pop hits like “You’re So Vain,” “Anticipation,” “Coming Around Again,” and “Nobody Does it Better.”

Carly’s statement:

So many people have written to me, kindly wondering about my relative silence, asking how I am and what I have been doing. The truth is, I’ve been learning how to live with Parkinson’s disease.
It has taken me some time to understand the diagnosis, to adjust to it, and to decide how much I wanted to say about it publicly. Parkinson’s is different for everyone, and it can be unpredictable. Some days I’m so tired I can’t get the day moving at all. On others, it gives me a little more room to move, think, work, and feel like myself.

The problems began with arthritis in both knees and one hip. I eventually had all three joints replaced, out with the old and in with delicate bouquets of metal and plastic. After three replacement surgeries, I assumed my difficulty walking was simply an unfortunate and rather ironic part of the recovery process.

But my mobility continued to worsen. I had trouble standing up from low chairs and deep couches without someone offering me an arm. Overstuffed furniture became my enemy. Once seated, I could feel as though I had been swallowed by the chair and might remain there permanently, like a guest who had badly overstayed her welcome.

Eventually, there were periods when I could not walk without considerable help. My family and I knew that something more was going on. After an extensive evaluation at the Mayo Clinic, I was diagnosed with Parkinson’s.

I began treatment, including taking medication to help with stiffness and other symptoms. There is no tidy or predictable schedule to the illness. It does not consult my calendar before deciding what kind of day I am going to have.

Parkinson’s is usually associated with movement, tremors, and balance, but it can affect much more than the body. It can bring anxiety, depression, exhaustion, and apathy. The apathy is particularly strange. You can find yourself lying there like a starfish drying in the sun, arms pointing in all directions, while nothing inside is telling you to get up, read, watch, write, sing, call someone, or do much of anything at all.

That has been one of the hardest things to explain. It is not simply sadness or laziness. It is as though the part of the brain that sends out invitations to participate in life has temporarily misplaced the guest list.

During this same period, I was also treated for basal cell carcinoma on my face. The cancer was removed, but the surgery affected my appearance and made me more self-conscious about being seen in public. I have always been more critical of my appearance than anyone else could possibly imagine (check out the irony of having written “You’re So Vain.”), and this gave my inner critic quite a lot of new material.

Between my mobility issues, the Parkinson’s diagnosis, the surgery, and the emotional effects of it all, withdrawing from public view was the most palatable reaction. If a person is allowed to hibernate during both winter and summer, then I have become an all-season bear.

But I have not stopped living, and I have not stopped working.

In the middle of all this, I began recording a new album, Comes in Waves. That still feels mysterious to me. Music has always known when to arrive. It has rescued me more times that I can count. It is like a cat or dog that quietly appears beside you when it senses you are not quite yourself.

The album includes songs and fragments of songs that had been waiting for me, some for years. There were melodies, verses, and ideas written down and tucked away for some unknown future when I would have the time and attention to finish them.
Apparently, that future is now.

Working on the music gave shape to days that did not always have much shape. It gave me somewhere to go without having to leave the room. It reminded me that illness can change your life without becoming the whole of your life.

I do not consider Parkinson’s a gift or a blessing. It is neither. It is difficult, frustrating, and sometimes frightening. I am still learning how to live with it and how to accept it without feeling that I have surrendered something essential.
I am still writing, singing, imagining, laughing, worrying, remembering, and occasionally getting trapped in an overstuffed chair.
I am deeply grateful to my children, my family, my friends, my caregivers, and the medical professionals who have helped me through this. Their love and patience have carried me through days when my own reserves were not enough.
I wanted to share this now because so many people have reached out with genuine concern. I am touched by that concern, even when I have not known how to respond.
These days I move more slowly, I lean on others more than I once did, and I have learned to accept that every day will look a little different. But I am still very much here.
With love,
Carly

Watch Bruce Springsteen Joined Jon Bon Jovi On Stage Tonight at MSG for a Surprise Turn on 2 Songs, And They Each Sounded Great

0

Jon Bon Jovi had a good and bad and then much better week.

A sinus infection derailed his MSG show, but he was gracious and smart telling the audience.

Tonight he was back on stage at the Garden with Bruce Springsteen surprising the crowd. The pair performed Bruce’s “Promised Land” and Jon’s “Who Says You Can’t Go Home” to massive ovations from the crowd.

Thanks to this Twitter account for getting a good video. Am I crying? Are you crying?

Singer Katie Pruitt Latest to Cancel Gig at Levon Helm Studios in Support of Famed Late Drummer’s Daughter Amy After Her Ouster from Business

0

The Summer of the Woodstock soap opera continues.

Now singer Amy Pruitt joins a long list of artists canceling gigs at Levon Helm Studios’ The Barn.

Instead, she’s rescheduled her show set for September 25th to nearby Bearsville Theater.

Pruitt cancelled in support of the late Levon Helms’s daughter Amy, who announced recently that she’d been ousted from her father’s business by two interlopers — Michael Skurnick and Brian Parillo, and her stepmother. (Amy’s songwriter mom, Libby Titus, who was married to Steely Dan’s Donald Fagen, died in October 2024 from cancer.)

Since then, musicians have pretty much turned their back on the well known music venue.

Pruitt wrote on Instagram: “My first experience at @levonhelmstudios was nothing short of magical, the reason behind that magic had everything to do with the family & community behind it. I hope you understand my decision.”

Her longer statement is below.

The legal wrangling hasn’t stopped Amy Helm, who’s on tour this summer (check her website). Tomorrow she’s performing at a music festival in upstate New York. In August, she hits the Pacific Northwest.