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EXCLUSIVE: Allegations Against “X Men” Director Bryan Singer Connect Back to Long Ago DiCaprio Pal Dana Giacchetto

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It was none other than Dana Giacchetto who was behind the financing of a video company owned by Marc Collins-Rector, named in the stunning lawsuit filed against “X Men” director Bryan Singer this week.

As soon as I saw the name Marc Collins-Rector, I knew that a big piece of an old jigsaw puzzle had finally been found.

Michael Egan alleges rape and all kinds of sexual horrors by Singer and others at a Hollywood estate in 1999-2000. Collins- Rector owned the estate, formerly owned by rapper and felon Marion “Suge” Knight.

Egan would have been a teen then. His allegations fit in with another story I was reporting at that time, about criminal business manager and Ponzi schemer Dana Giacchetto (Leonardo DiCaprio and Mike Ovitz’s former BFF) and a company called DEN– Digital Entertainment Network, which was owned by Collins- Rector.

It’s a lurid story of Hollywood at its worst. Egan says today that he originally filed a suit in 2000, when all this was going on, but no one listened to him. Now it all may come out. And if Singer is culpable, the saga may involve a lot of well known names.

The Collins-Rector part of the story is what should concern all the parties involved.

Giacchetto (laughingly profiled in this week’s Hollywood Reporter– he just lies and they don’t seem to know it) had started yet another fraudulent financial entity called Cassandra Chase. He’d gotten Microsoft and Dell to invest in DEN.

This is what I wrote first back in 1999 before Giacchetto’s involvement was exposed:

Brock Pierce is not a name you might recognize right away. But the 19 year blonde actor has a long history in Hollywood. He played Emilio Estevez’s younger self in both “Mighty Ducks” movies for Disney and has a host of other credits in teen TV and movies. Now Pierce has become involved in a weird internet scandal. A couple of weeks ago, Pierce was forced to resign from a company he co-founded call Digital Entertainment Network. The company maintains a web site called DEN.com which is backed by investors like Microsoft and Dell. And their purpose is to provide Internet programming that’s like television but isn’t quite—sort of streaming video “shows.”

You might wonder how Pierce, a mere 19 year old, could be the founder of such a company. Or how he managed to swing a four year contract at $250,000 per year plus stock perks and bonuses. I did too.

Somehow Pierce fell in with the real “brains” behind the DEN operation are a guy named Michael Collins-Rector, who’s 40, and Chad Shackley, who’s 24. In May, Collins-Rector was sued by an 18 year old named Jacob Walker. The charge? That Collins-Rector, when he ran another Internet company called Concentric, out of Bay City, Michigan, picked Walker up in a chat room when he was just 13 years old. At the time, Collins-Rector was already partnered up, so to speak, with Shackley, who was then 19 himself. In fact, in other papers, Collins-Rector claimed that Shackley had been with him since 1991, or when he was 16.

Walker charged in his suit that Collins-Rector had sexually abused him over the next three years. He even flew Walker out to L.A. when he and Shackley left Bay City for Beverly Hills. Sources tell me that Collins-Rector, Shackley and Pierce have all been living in the former mansion of rap kingpin Marion “Suge” Knight, who is currently in prison.

Last month, Collins-Rector settled the suit of court with Walker and resigned from DEN. Shackley and Pierce also resigned, although they were not named in the suit.

DEN continues to operate. They had planned to make a public offering, or IPO, for $75 million but that has been derailed due to this weird situation. Some of their principles include record company execs Gary Gersh and Jeff Silva, who were brought in to handle the music end of things.

The DEN deal was put together by Chase Cassandra Partners, now known as Chase Capital Entertainment Partners. The actual people in this company include Jeffrey A. Sachs, a former adviser to New York governors Cuomo and Carey, who is also a former dentist. When Sachs put the deal together he was a partner also of Dana Giacchetto, the hotshot money manager who had become best friends with Leonardo DiCaprio and Hollywood agent Michael Ovitz. In the new edition of The New York Observer, which can be found online as well at newsstands, I write about Giacchetto and his unprecedented fall from grace.

In a statement from Collins-Rector, by the way, the DEN founder said he was moving on to start a new business. Guess what it was? Something to do with internet privacy.

While they were at DEN, the founding trio really lived it up. They spent $12 million in the first six months of 1999 on “salaries and other benefits.” They spent another nearly $3 million developing and launching their first internet series. It was  half hour show called “Chad’s World,” named presumably for Shackley and produced by the wunderkind, Pierce. Its subject: the life of a gay teenager.

As for Pierce: I don’t know what his future is in Hollywood, but it’s evident that he hasn’t talked to his dad in quite a while. When I called Jeff Pierce in St. Louis Park, Minnesota he said he had not heard of the scandal and did not know what Brock was up to. “I’ll tell you what, though,” Mr. Pierce said to me, “he’s a smart kid.” I guess so.

And this is what followed after Giacchetto was discovered (by me in the New York Observer and Foxnews.com) to be a fraud who’d gotten his clients to invest in Collins- Rector’s company:

Unbeknownst to Giacchetto, an 18 year old named Jacob Walker filed suit against DEN and its principals in May 1999. He claimed that the company’s founder, Marc Collins-Rector, now 40, had picked him up in a chat room on the Internet five years earlier and sexually molested him for some time. It didn’t help that Collins Rector already had a dicey past: his current partner, Chad Shackley, is only 24 now and advertises the fact that he’s been with Collins-Rector since 1991. Then there’s Brock Pierce, an 18 year old former child actor who seems to be Shackley’s roommate now.

Last week, Collins-Rector settled his suit with Walker by walking away from DEN. He took Shackley and Pierce with him. But before they went, the three had been planning a $75 million IPO. (With Cassandra-Chase’s help, they had also added record company vets Gary Gersh and John Silva to DEN, as well as executive David Neuman.) The IPO has since, obviously, been sidelined.

During their brief, glorious run at DEN, the trio lived it up. In their recent SEC filing they claim to have spent $12 million on salaries during the first six months of 1999. More than two million was spent on developing an Internet “TV” series produced by Pierce called “Chad’s World,” about a troubled gay teen. “Chad’s World” has already come and gone from the Net.

More to come…

 

Money Talks: Prince, Formerly Warner Music’s “Slave,” Signs Major Deal with Label

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Prince once hated Warner Music so much he wrote the word SLAVE on his cheek and used the photo for publicity. He dropped his name and used a symbol for years. He was The Artist Formerly Known as Prince. Leaving Warner Music, he journeyed to EMI and to Arista, had a major hit — “The Most Beautiful Girl”– on an indie label, and carried on like crazy.

How times have changed: today Prince announced a new deal with Warner Music almost 20 years after he prince_symbol2left. Under the new deal he owns his master recordings. He says he’ll release new music, old music, unreleased music, everything.

Terms of the deal “were not disclosed” but facts are facts: Prince hasn’t made real money in years and years. Like 20 years. He’s done re-records of his old records to circumvent not owning his masters. No one cared. They just want to hear “1999.” He may be eccentric, but Prince has bills to pay.

Apparently Warner Music’s president, Cameron Strang, got owner Len Blavatnik to open his pocketbook. Over the years, Warner Music has lost so many catalogs and artists it’s laughable. This signals a desire maybe to get back in the game.

It’s interesting because it looked a few weeks ago like Prince was headed to Epic Records. L.A. Reid announced he was putting out a single with Prince over there. But that may have been a leverage move.

Anyone’s who been around in this business for a while must be scratching their heads. Prince and Warner Music? What’s next, Putin letting the Ukrainians live in peace?

Clint Eastwood’s “Jersey Boys” Trailer– Watch Here– Looks Terrific

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The trailer for Clint Eastwood’s take on “Jersey Boys” is here, and the movie looks terrific. At first I thought Eastwood was an odd choice for directing this film. But the trailer is lively and fun. Plus the story is well told by Marshall Brickman, who wrote the book for the musical, and John Logan, whose polish of the script looks like it’s sharper than ever. Christopher Walken co-stars. But the big news is that John Lloyd Young, who originally played Frankie Valli in the Broadway show, was cast instead of bringing in a so-called Hollywood Star. Cool stuff. “Jersey Boys” opens June 20th and should be a blockbuster July 4th hit.

Bill Clinton Surprises Sting, Trudie Styler at “A Swell Party” for the Rainforest Fund 25th Anniversary

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When Bill Clinton walked on stage last night I don’t know who looked more surprised, Sting or wife Trudie Styler. There was such uncertainty that Clinton would come, let alone give a talk to the star studded Carnegie Hall audience for the Rainforest Foundation’s 25th anniversary, that he was never announced. And no mention of him was made all afternoon during rehearsals.

But Clinton did show up, just at the end of Act 1, in the break between Stephen Stills’ two songs, and rocked the house. The place went wild as Clinton not only spoke about Sting and Trudie’s dedication, but let Kevin Spacey do imitations of the former president at the mike with him. “Sometimes you can’t tell who’s talking,” Clinton said. Then referring to Spacey’s role as a vicious president elect on “House of Cards,” Clinton marveled of Spacey’s Frank Underwood, “He’s president and a murderer.”

Clinton was only one hit of amazing night produced by Styler and Sting. They put together an eclectic list of artists and came up big winners with Paul Simon, James Taylor, Stephen Stills, opera great Renee Fleming, Chris Botti Dionne Warwick, Patti Scialfa, and Oscar Isaac from “Inside Llewyn Davis.”

The Rainforest show began with Sting, James Taylor and Kevin Spacey, wittily commiserating and singing around a leather padded bar to “What a Swell Party” from “High Society.”

And as usual the concert had a family element to it. Sting’s son Joe Sumner delivered a more than credible “Smells Like Teen Spirit” with Narada Michael Walden’s house band. Sting and Trudie’s daughter Eliot (aka Coco) Sumner rocked a gravelly “Born to Be Wild.” Famed backup singer Lisa Fischer (from “20 Feet to Stardom”) and sensational Ivy Levan did a Rolling Stones medley of “Start Me Up” and “Jumpin’ Jack Flash” that tore the paint off the ceiling of Carnegie Hall.

All of Sting’s family was there: six kids, two grandchildren (including a 12 week old baby Chloe), sister Anita, loads of friends, loyal Rainforest concertgoers from the last quarter century, as well as pals like Rita Wilson, billionaires Ronald Perelman and Len Blavatnik, and Melanie Griffith– friends with Sting since their classic film “Stormy Monday” some 25 or more years ago.

Styler, looking stunning in a brilliant white gown, told the audience that in 25 years the Rainforest Foundation had raised an astounding $35 million to protect the rainforests of the world and their indigenous people. The foundation is easily the most consistent charitable organization started and run by celebrities with a cause ever. As Simon noted, charities that followed– like his Children’s Health Fund– looked to the Rainforest Foundation as an example of how it’s done.

There were some lovely turns: Dionne Warwick, a national treasure, found some notes we hadn’t heard for a long time on “Walk on By” and “Anyone Who Had  a Heart.”  Oscar Isaac, overdue for his own album, reinvented Rod Stewart’s “Young Hearts” into a bluesy folk number. Patti Scialfa partnered with Sting on an irresistible “Stand by Me.”

The show also gave Sting and Paul Simon to reprise their collaborations from last month’s successful joint tour. Who knew that Sting’s voice would be so well suited to Simon’s songs. He breathes new life into “Bridge Over Troubled Water,” “The Boxer,” and “America.” Simon added “Graceland” as a solo number.

Taylor contributed “Fire and Rain” and “How Sweet it Is” on his own. Stephen Stills, a newcomer to the Rainforest family, gave the group a couple of depth charges with “For What It’s Worth” and and the Latin tinged “Amazonia. All the artists pitched in for a big finale on “Love the One You’re With.”

And what of Patti’s husband, Bruce Springsteen? He came to rehearsals to cheer Patti on, but was in Nashville by 7pm to play a three hour, thirty minute show with the E Street Band. I am not kidding. I saw him at around 2:50pm leaving Carnegie Hall. Now I’m reading reviews of the Nashville show. Amazing.

 

photo c2014 Showbiz411

 

 

 

 

 

“American Idol” Down 5% from Last Week Even as Competition Tightens

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Down, down, down. “American Idol” continues its slalom ride down in the ratings. Last night the show was down 5% in ratings, with a 1.9 in the key demo and 8.3 million total viewers. Last Wednesday they were still at 2.0 and and 8.9 million total fans. So where did 600,000 people wander off to? “Survivor” best “Idol” handily last night. Otherwise everything else was in reruns. This should be the moment when “Idol” is up as the competition narrows. But apathy has set in. Tonight’s results show will produce shockingly lower numbers.

Speaking of music: if you’re a fan of country pop, get Carlene Carter’s new album “Carter Girl.” It’s just a wonderful piece of work, with terrific musicians (Jim Keltner!) and production by Don Was. I think I’ve played it 10 times in my car already! Carlene is the daughter of the late June Carter Cash, and stepdaughter of Johnny Cash. She was once married to Nick Lowe, and made records with him and with Dave Edmunds. What a voice!

Cannes 2014: Ryan Gosling Directing Debut, New Godard, Bennett Miller’s “Foxcatcher,” New Film from “The Artist” Director, Tommy Lee Jones Directs Meryl Streep

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The 2014 Cannes Film Festival line up was announced this morning in Paris. The selections are intriguing. “Grace of Monaco” opens the fest, hopefully very changed from its early reports. Bennett Miller’s “Foxcatcher” is one of two films from Sony Pictures Classics including Mike Leigh’s “Mr. Turner”; David Cronenberg’s “Maps to the Stars” isn’t theirs yet but feels like it. Also out there is Tommy Lee Jones’s “The Homesman” with Hilary Swank and Meryl Streep. Clips from it are generating a lot of buzz.

Of much interest is Michel Hazanavicius’s “The Search” and a directing debut from Ryan Gosling called “Lost River” with Eva Mendes. There’s also a new film from 83 year old legend Jean Luc Godard. And what would Cannes be without Ken Loach, whose films are made for his own cult followers? On the imdb they say: “Unlike virtually all his contemporaries, Ken Loach has never succumbed to the siren call of Hollywood.” That’s an understatement! Also at the festival: “Eleanor Rigby,” a very fine film with Oscar potential from Ned Benson with Jessica Chastain and James McEvoy.

Godard, by the way, has made his first 3D movie with “Goodbye to Language.” It’s only 70 minutes, but should stir up a storm on the Croissette! Also, Cannes officials are said to in discussions with religious officials about preventing any rain this year (just kidding).

 

OPENING NIGHT
Grace of Monaco, Olivier Dahan

COMPETITION
Goodbye to Language, Jean-Luc Godard
The Captive, Atom Egoyan
Clouds of Sils Maria, Olivier Assayas
Foxcatcher, Bennett Miller
The Homesman, Tommy Lee Jones
Jimmy’s Hall, Ken Loach
La Meraviglie, Alice Rohrwacher
Leviathan, Andrei Zvyagintsev
Maps to the Stars, David Cronenberg
Mommy, Xavier Dolan
Mr. Turner, Mike Leigh
Saint Laurent, Bertrand Bonello
The Search, Michel Hazanavicius
Still the Water, Naomi Kawase
Timbuktu, Abderrahmane Sissako
Two Days, One Night, Jean-Pierre and Luc Dardenne
Wild Tales, Damian Szifron
Winter SleepNuri Bilge Ceylan

OUT OF COMPETITION
Coming Home, Zhang Yimou
How to Train Your Dragon 2Dean DeBlois
Les Gens du Monde, Yves Jeuland

UN CERTAIN REGARD
Amour fou, Jessica Hausner
Bird PeoplePascale Ferran
The Blue Room, Mathieu Amalric
Charlie’s Country, Rolf de Heer
Dohee-ya, July Jung
Eleanor Rigby, Ned Benson
Fantasia, Wang Chao
Harcheck mi headroKeren Yedaya
Hermosa Juventud, Jaime Rosales
Incompresa, Asia Argento
JaujaLisandro Alonso
Lost River, Ryan Gosling
Party Girl, Marie Amachoukeli, Claire Burger and Samuel Theis (OPENER)
Run, Philippe Lacote
The Salt of the EarthWim Wenders and Juliano Ribeiro Salgado
Snow in Paradise, Andrew Hulme
Titli, Kanu Behl
Tourist, Ruben Ostlund

MIDNIGHT SCREENINGS
The Rover, David Michod
The SalvationKristian Levring
The Target, Yoon Hong-seung

SPECIAL SCREENINGS
The Bridges of Sarajevo, Various
Eau argentee, Mohammed Ossama
Maidan, Sergei Loznitsa
Red ArmyPolsky Gabe
Caricaturistes – Fantassins de la democratie, Stephanie Valloatto

Review: “Of Mice and Men” Brings Broadway Debuts for Franco, O’Dowd and Meester

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No one can be unhappy with the new Broadway production of “Of Mice and Men.” Certainly not John Steinbeck. Except for opening night last night, the audiences are young people, lots of girls, who probably think an actual rodent is involved.

They are coming for James Franco, Chris O’Dowd, and Leighton Meester, all making Broadway debuts. Franco they know from “This is the End,” O’Dowd from “Bridesmaids,” Meester from “Gossip Girl.” Most nights the audience has no idea that Anna Shapiro also directed “August: Osage County.” They probably hear it as “Orange County.”

The opening night audience was replete with stars: Joe Morton, Paul Haggis, and Jeremy Piven were scattered about. Franco’s actor brother Dave was there, as were many Franco family members including 90 year old art dealer grandmother Mitzi.

Katie Couric was also present. She had an ulterior purpose: her charity, Stand Up to Cancer, had organized the night and sponsored the after dinner at the Plaza Hotel ballroom. Swanky!

A nice touch: at the end of show, Chris O’Dowd jumped down off the stage and swooped Anna Shapiro up so she could take a bow. Nice touch.

The show: as soon as “Of Mice and Men” began I realized I was mouthing a lot of the words. Oh, those rabbits. They’re back. No one in the cast is bad; it’s just degrees of what works now and what may gel later. O’Dowd, I thought, was exceptional, totally absorbed into Lennie. You felt for him all the way through.

Franco has incredible presence, and no problem being heard. He’s a little flat in the first act, where he’s also saddled with a huge amount of expository dialogue. As he settles in, Franco’s performance will grow. For the moment, he’s just busy as George making sure the trains run on time. There are a lot of trains.

Leighton Meester would have been an excellent failure if she’d failed. After all, “Gossip Girl”? But like Blake Lively and Penn Badgely, Meester shows she has more in her repertoire. She’s not Eva LaGallienne. But she’s very likable, conveys enough to make her climactic scene memorable.

Kudos to the whole supporting cast. I really liked Jim Parrack, Ron Cephas Jones, and Jim Norton.

UPDATE Hi Ho! “Transcendence” Johnny Depp’s “Lone Ranger” Follow Up Could Be Bigger Flop

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UPDATE THURSDAY AM: “Transcendence” is at 17% on Rotten Tomatoes. And falling fast. Ouch!

EARLIER: Is it possible? Johnny Depp’s “Transcendence,” headed to theaters in two days, looks like a disaster. Already panned by Variety and the Hollywood Reporter, “Transcendence” is hard to spell and harder to type. It’s also, apparently, quite awful. Warner Bros., distributing but not financing, has embargoed reviews until the very last minute. But the smell of death is in the water, and sharks are circling.

The movie is financed by Alcon Entertainment, not known for its Oscar releases– although they did have a fluke in 2009 with “The Blind Side.” Last year Alcon delivered “Prisoners,” a bad movie with good intentions and nice performances from Hugh Jackman, Melissa Leo, and Jake Gyllenhaal.

But Depp seems to have drawn his second financial and career flop in a row. “The Lone Ranger” was, to use a current word, “epic” as it collapsed into a top 10 money loser. “Transcendence” didn’t cost nearly as much– maybe in the $100-$150 million range. The film, which also stars Morgan Freeman, has low enough visibility– and an avalanche of bad reviews coming– that it will literally take Depp’s personal draw to overcome a catastrophe.

Here’s the trailer. I know it’s a good payday, but I can’t figure out how Morgan Freeman keeps a straight face when he intones this line: “If we can’t stop him, it will be the end of mankind as we know it.” If only the Zuckers could do a parody where a Freeman-like character keeps coming into the room and saying that, a la “Airplane!”

“Soul Train” is Coming to Broadway: Get out the Afro Wigs and Platform Shoes

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Broadway continues to revisit pop music of the recent past. “Motown” is a big hit, and “Rock of Ages” keeps chugging along. And don’t forget Carole King-Gerry Goffin and Barry Mann-Cynthia Weil from “Beautiful.” Now comes word that “Soul Train” is going to do The Hustle right into a Broadway theater. Can we take a disco musical? And who will play Don Cornelius? “Soul Train” comes from the producer of “Rock of Ages.”

Matthew Weaver, says a release, has acquired the rights to “Soul Train” from Soul Train Holdings LLC, a partnership between Magic Johnson Productions and Ron Burkle’s Yucaipa Company. There were 1,100 episodes of the fabled music show. Someone will have to write a book and a score, plus choose the music to go along with it. (Nile Rodgers, call your agent!)

“Soul Train” featured every major R&B act of the 70s and 80s. Its theme music came from Gamble & Huff, and was a hit instrumental disco record called “The Sound of Philadelphia.”

“Soul Train,” if it’s done right, should be a lot of fun. If they’re smart, they’ll rotate through special guest stars of the era and turn the whole thing into a party. Gloria Gaynor, get ready!

Exclusive: Oscar Nominee Ed Harris, Cynthia Nixon Among Stars Signed for Franco “Adderall Diaries”

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EXCLUSIVE: The film adaptation of “The Adderal Diaries” is coming together. A gaggle of big names have signed up, according to my sources, for the very low budget movie: Ed Harris (Oscar nominated for “Pollock”), Cynthia Nixon, Amber Heard and Christian Slater, as well as the ubiquitous James Franco. Pamela Romanowsky is directing for Franco’s production company, from a script she wrote with Franco from Stephen Elliot’s memoir.

The story is about a computer programmer who kills his Russian wife, whom he met through an online dating service. The main character is the reporter (Elliott)  who covers the murder trial (presumably Franco). The movie is set to rev up production on May 6th in New York while Franco is on Broadway starring in “Of Mice and Men.” That schedule should keep him pretty busy, although, as we know, that’s nothing new.

Romanowsky previously directed “TAR,” the low budget film Franco produced about poet CK Williams. This seems more like a Sidney Lumet movie, but, alas, we have no Lumet. We’ll see if Romanowsky is up to the task.

PS Enjoying the resurgence of Christian Slater. Keep it coming!