Friday, December 19, 2025
Home Blog Page 1729

Miley Cyrus TV Special Twerks Just 2 Million Viewers, Finishes Dead Last of 12 Shows

Has Miley Cyrus already worn out her welcome? On Sunday night NBC put aside two hours for a Miley special based on her “Bangerz” tour. The results were not heartening. Miley had just 2 million viewers. Only 700,000 of them were between 18-49. The rest, I would guess, were younger than 18 since no one older than 50 could possibly be interested.

And it’s not like it was a low viewing night. But Miley’s special came in 12th for the evening behind everything else on broadcast TV. Twelfth. It does sort of suggest that the only people who wondered if she was twerking were asleep or had the set tuned to NBC by mistake.

More amazing since Miley has 18.2 million Twitter followers who were fed reminders before and throughout the show. Apparently all that social networking didn’t move anyone to click the remote in her favor. Lesson learned? I think so.

What’s the problem? The Bangerz theme ran its course months ago, Miley is over-saturated, everyone is sick of the wrecking ball, the Terry Richardson pictures, and so on and so forth. It’s time for Miley to get some home schooling, take a nice break, and leave the stage for a little while. And when she comes back, it has to be something fresh.

Paul McCartney Animated Film a “Go” as Rocker Resumes Tour After Illness

0

Paul McCartney is back, in a big way. I can tell you EXCLUSIVELY that while Sir Paul was recuperating from his recent illness he moved plans forward for his animated film. I told you about this project almost exactly three years ago.

Since then, a couple of things have happened. I’m told that producers Michael Lynne and Bob Shaye have received a finished script that everyone’s happy with.

Second: Offers are out to directors, and one will be named before the end of the summer. Originally, Tony Bancroft (“Mulan”) was rumored, but he may not be the choice after all.

McCartney and wife Nancy were in the Hamptons as Paul readied for the resumption of his “Out There” tour in Albany on July 5th. Sources tell me Paul’s illness– a viral infection — was definitely “serious.” But by all accounts the Albany show was a huge success. The forever Beatle continues his killer concert schedule. He is not to be missed.

Today McCartney is releasing a video for a song called “Early Days” from his “New” album. It’s too bad someone involved with that album couldn’t have chosen an actual catchy single like “Looking at Her.”

Johnny Depp is featured. Why? I do not know.

 

Oscar Winner Diane Keaton Wanted for Cafe Carlyle Gig–And She Wants to Do It

0

I can tell you right now that when Rob Reiner’s “And So It Goes” opens on July 25th, everyone’s going to be talking about one thing: Diane Keaton’s amazing performances singing standards with a jazz band.

On Sunday night at Guild Hall in East Hampton, the star studded audience went nuts for Keaton. This included co-star Michael Douglas, his wife Catherine Zeta Jones, no less than  Barbra Streisand and James Brolin, Bob Balaban and wife Lynn, Joy Behar, plus the film’s director Rob Reiner.

Later, over at the ever popular Nick & Toni’s for a post screening dinner, famed rock promoter Ron Delsener came straight up to the dazzling Keaton. “I want to book you into the Cafe Carlyle,” he announced. “You’ll sell the place out!”

Keaton sputtered, “Okay,” not realizing at first to whom she was speaking. When she finally figured out what was going on, she was thrilled. The Cafe in the Carlyle Hotel on Madison Avenue is home to Woody Allen’s New Orleans jazz band, Elaine Stritch and countless other stars. The late great Bobby Short made it famous.

Keaton brought her son and daughter with her to the premiere– her son is obsessed with pop star Jason Derulo, among others. The kids were with her on Saturday too when she signed copies of her latest book, “Let’s Just Say It Wasn’t Pretty.” The signing attracted so many people to BookHampton on Main Street that they spilled down the block and mixed with the guests at the opening of designer Lisa Perry’s hot new boutique.

Meanwhile back at the screening, Clarius Entertainment’s William Sadleir introduced Reiner, and told us all about his new company’s plans to make movies for adults that aren’t franchise sequels featuring super heroes. Reiner told the crowd when he hired Keaton, she told him she just doesn’t really act, she just what she does.

That’s not exactly so. Keaton and Douglas, as well as the terrific Frances Sternhagen, newcomer Sterling Jerins, “Rocky” star Andy Karl, and Annie Parisse make more out of Mark Andrus’s screenplay than anyone could imagine. If you want to know what real stars can do, watch Keaton and Douglas together. They are luminous.

PS The Reiner movie resurrects a great record, “Both Sides Now,” written by Joni Mitchell and re-recorded by its original hit making singer Judy Collins. Ka ching!

 

 

Frankie Valli Gives “Jersey Boys” Movie No Help on PBS Fourth of July Special

9

Friday night could have been fireworks for the movie “Jersey Boys.” The Clint Eastwood film, currently in theaters, might have benefited from its real life protagonist Frankie Valli plugging it on PBS’s Fourth of July special live from Washington DC.

Alas, this was not to be.

Valli, who doesn’t like the movie, and has stayed away from its premieres, kinda screwed Clint and company very neatly. He opened his three song set to a national audience with a very long version of the theme from “Grease,” a song that does not appear in “Jersey Boys.” He followed it with “Let’s Hang On,” which is featured only in a medley on the “Jersey Boys” soundtrack. In between he gave in and sang “Can’t Take My Eyes Off You.”

He did not sing any real Four Seasons hits from the movie or even mention it. No “Rag Doll,” “Sherry,” or “Walk Like a Man.” Ouch. If anything would have helped “Jersey Boys,” this would have been it. The silence was deafening.

This was not just a snub to Eastwood and the movie, but also to his long time songwriter Bob Gaudio. Only “Can’t Take My Eyes off You” was co-written by Gaudio. “Grease” was written by Barry Gibb. “Let’s Hang On,” a minor Four Seasons hit, was a rare tune without Gaudio’s credit.

Valli has played it cool with “Jersey Boys.” He didn’t come to the premieres in New York or L.A. The given reason was that his estranged wife, Randy, was very ill. But that doesn’t jibe with this reality: Frankie and Randy were married exactly 30 years ago on July 7, 1984. He’s been trying to divorce her for 10 years, filing in 2004. Their divorce is more than contentious. This past May, an appeals court ruled that they would have to split a life insurance policy that Frankie had put in Randy’s name. Earlier, a court had ruled it belonged to Randy only.

They are still not divorced.

During the course of the divorce, in 2011, it was revealed that Frankie makes about $500,000 a month from the Broadway show and touring companies. Maybe that’s why he sings “Let’s hang on/to what we got.”

Good News: “Begin Again” Scores Big Time, with Best Song of the Summer

1

I am thrilled to report that John Carney’s “Begin Again” had a huge holiday weekend. The estimated take for the five days is $1.7 million, with a theater average of $9,680. That’s big, big, big.

Now we have to get Interscope to release and promote Adam Levine singing “Lost Stars.” Otherwise, it will be a lost opportunity. “Lost Stars” should be the song of the summer. The problem, Interscope is worried that it will conflict with Maroon 5’s “Maps” single. I don’t think so. “Maps” isn’t very good. “Lost Stars” can only help Maroon 5 this fall.

When you see “Begin Again” look for the great scenes in the record companies. Rob Morrow and Mos Def play execs, and they get it straight on. And make sure to wait through the final scenes that run with the closing credits. There’s a plot twist that’s all too contemporary in the record business.

 

No Fireworks for Melissa McCarthy’s “Tammy” While “Transformers” Keeps Stomping

0

Friday’s box office proves that the only Fourth of July fireworks were in the sky, not theaters. Melissa McCarthy’s poorly reviewed “Tammy” did about $6.5 million, bringing its three day total to $18.1 million. It’s not bad considering the movie wasn’t particularly expensive at $20-$30 million. But it’s a disappointment considering McCarthy’s TV audience and recent movie appearances should have generated more heat.

“Transformers” just keeps rolling along at number 1. Paramount has made around $420 million worldwide so far. They’ll easily hit the half billion dollar mark. I keep thinking of Mary Hartman stumbling on a Nielsen “family” in a mental hospital. Who else could be going to see this thing?

Meantime, everyone says to me, “There are no movies to see.” There are: “Begin Again” and “Chef” are jus two. And don’t miss “Jersey Boys” if you’re an adult. You will love it.

Watch Peggy Lee’s Patriotic Song “Freedom Train”– Tony Bennett, Lady Gaga Should Re-record It

0

Peggy Lee recorded “The Freedom Train” with Johnny Mercer, Benny Goodman, and Margaret Whiting in 1947. The song was written by Irving Berlin and given as gift to the US Heritage Foundation. The lyrics are very modern. Tony Bennett and Lady Gaga should re-record it. Happy Fourth of July weekend!

R&B Superstars: Labelle Reunion Coming Monday at Nona Hendryx’s NYC Show

0

Voulez-vous coucher avec moi?

Patti Labelle and Sarah Dash are set to be at Joe’s Pub THIS MONDAY NIGHT JULY 7TH for pal Nona Hendryx’s show at Joe’s Pub. Talk about fireworks! Nona is one of our great R&B superstars. With Patti and Sarah she is, was, and will always be Labelle, singers of one of the greatest iconic songs in pop music history– “Lady Marmalade.” That line from the song almost got them banned on radio, then became the most memorable hook ever.

At Joe’s Pub, Nona will be mixing up soul, blues, and pop. Her voice is better than ever. and her band rocks. Consider that Labelle started in 1962 when the ladies were teens and called the Bluebelles.. At one point in the late 60s, their piano player was a Brit named Reggie Dwight. A couple of years later he was a star himself, known as Elton John. “He was a baby.”

In the early 70s, Labelle recorded a now classic album with Laura Nyro called “Gonna Take a Miracle.” Download it now and it sounds brand new.

Nona is a proficient songwriter. One of the numbers she’ll do Monday night is “Let’s Give Love a Try,” a boiler of a hook that would have been a hit back when there was radio. She also has a number called “The Ballad of Rush Limbaugh.” “He’s such an evil person,” Nona declares. “I think he believes some of what he says, but I think he’s just taking the piss…”

Over the years, Nona and Labelle toured with the Stones, and with the Who. “I don’t think the audience heard a note we sang,” Nona recalls, “there was so much shouting and screaming for the Stones. They had a private plane. We went commercial. But we got to know them really well.”

During the early 70s, Labelle made a transition to a harder rock sound and the “Lady Marmalade” chapter. In the beginning Patti was wary, Nona says, “but then look at the pictures. She really embraced it.” When “Marmalade” was recorded, Nona says, it took a lot to convince everyone to release it. “It was an exciting time. We got a chance to do a lot of things we dreamed about.”

The song and the record are one of a handful that have transcended the culture. It was co-written by the Four Seasons’ Bob Crewe, and Kenny Nolan. Allen Toussaint produced it in New Orleans. “It had a great catchy hook, and we didn’t know what it meant.”

July 7th–be there!

 

 

 

 

 

Lily Rabe Jokes About Rain-Cancelled Shakespeare in the Park: “We’re Very Good in It”

1

Alas, it was not meant to be, me seeing “Much Ado About Nothing” at Shakespeare in the Park. Torrential rains and what looked like a typhoon cancelled the show for a second night in a row at the Delacorte Theater.

Hundreds of theatergoers huddles under the eaves of the Delacorte starting around 7pm for an 8pm curtain. But the skies darkened, thunder roared, lightning snapped and lit up Central Park.

When the rain really started to pour the crowds pulled in tightly. I realized I was standing next to Megan Mullaly, of “Will & Grace” and Broadway fame. She was with a friend, Jodie Markell, the actress who adapted and directed a fine 2008 film of Tennessee Williams’ “The Loss of a Teardrop Earring.” We all gossiped for a while, unable to brave the wall of rain. Megan will co-star this fall with Matthew Broderick and Nathan Lane in Terrence McNally’s  “It’s Only A Play” with Stockard Channing and F. Murray Abraham. What a cast!

Then, by accident, “Much Ado” star Hamish Linklater appeared out of nowhere and began apologizing that the show had indeed been cancelled. The heavy rain intensified. Linklater stopped and talked to us, mostly because of Mullaly and Markell. I told him I’ve seen him in Woody Allen’s “Magic in the Moonlight.” “It’s silly, right?” he asked. “I’m very silly.” He is, the movie is very funny.

Lily Rabe showed up next. She and Linklater have been the stars of Shakespeare in the Park for the last several years. Now they are a couple. It’s very nice. They are probably the best two “young” actors in New York. I asked them, “Since I have to write about something, could you do some of the play for us right here?” They declined. I asked Lily, facetiously, “Are you at least good in the play?” She answered: “We are, I wish you could have seen it. Everyone is good. He’s good,” she pointed to Linklater. “I don’t know about me, but  I know that.”

A homeless man came in under the eaves out of the rain. He was pulling a red suitcase on wheels, and a had a large umbrella. He was missing several teeth, but he was wearing a North Face camouflage jacket. “I came prepared,” he said to no one. Then he asked Linklater, “Are in the play?” The actor intoned, “Yes, I am Benedick!” They discussed Benedick’s standing as a soldier vs. the man with the red suitcase’s own military interests. Then Linklater said to Rabe, “We have to go.”

“Much Ado” closes Sunday after one more performance on Saturday, depending on weather. “King Lear” with John Lithgow and Annette Bening starts on July 22nd.

 

Music Biz Alarm: All Albums Down 14% 1st Six Months 2014, Streaming Way Up: Kids Don’t Want to Own the Music

24

Hello people over 30. You had record collections, tapes, CDs. Then you downloaded music into your computers or devices. Well, guess what? Kids today don’t want any of that. They’re happy to pay an annual fee and “stream” it all.  They are not buying CD or downloading anything. What the heck am I supposed to do with twenty boxes of 45s and a room full of CDs????

According to Nielsen, during the first six months of 2014, sales of all albums both physical and digital were down 14.9%. And sales just of digital downloads (from iTunes mostly) were down 11.6%.

But dig this: sales of CDs were down 19.6%.

What was up? Streaming jumped 50%. And sales of vinyl LPs were up 40%.

I’d say this is crazy. But how many times have I played music on my computer or phone via Spotify because it was right here, and convenient? A lot. Too much.

And listen, this is felt everywhere.  There are almost no CD players made now. They’re like Gramaphones.  And when I walked into the last little record shop on West 8th St. in Greenwich Village, and asked for Chrissie Hynde’s new album, the clerk asked if I could spell her name. SPELL Chrissie Hynde. Chrissie woulda punched him.

Nielsen: from reading their stats I gleaned a few other things: Katy Perry is the current biggest pop star. Justin Bieber does not exist in the music world.  Country music remains huge. Only physical CD in the top sold more than 400,000 copies– the “Frozen” soundtrack, with 1.7 million.

And vinyl? Among the top 10 was the only legacy act– The Beatles with “Abbey Road.”

The most played record on radio? “Happy” by Pharrell Williams.

All of this why Apple is pushing iTunes radio. All these streaming music businesses better get their acts together and start paying artists and writers properly. If streaming is the future, it’s not going to the rape of the people who made the product. Or I’m going to have lots of stories to write for a new generation.