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Cannes: Viggo Mortensen Goes Full Frontal as “Captain Fantastic” Gets Most Enthusiastic Cheers

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What happens when a film plays Sundance but doesn’t resonate until it hits Cannes? The answer was on display last night in the Salle DeBussy theater as Matt Ross’s “Captain Fantastic” sent a late night premiere crowd into a frenzy of applause, cheers, and standing ovations.

It’s not clear if that was just for the movie or the bravery of cutting edge actor Viggo Mortensen, who displays his full, uh, personality on screen as a kind of survivalist father who takes his family off the grid and into the wilderness of Washington State. His character Ben is the father of six kids including breakout star (like Miles Teller-type) George Mackay, plus a bunch of kids that rival the Partridge Family for beguiling cuteness.

Even though “Captain Fantastic” could maybe be described as the Partridges head for the Mosquito Coast, that would be too simplistic a way to put it. Ross, an actor you would recognize from the HBO series “Big Love” and “Silicon Valley,” grew up in Oregon with an educator mother who eventually took him to socialist school in Britain. Mortensen’s Ben is sort of a stand in for Ross. He’s raising his brood without any modern media, living off the land and in isolation from society.

Unfortunately, Ben’s wife and the mother of the kids hasn’t fared so well in this environment. The daughter of wealthy parents, she’s succumbed to severe depression and suicide. This brings Ben and family to her funeral in New Mexico where the frustrated angry parents (Frank Langella, Ann Dowd) attempt to take control of their grandchildren. That won’t be so easy as Ben has warned them against capitalists, and celebrates Noam Chomsky Day instead of Christmas.

Along the way we meet Ben’s real American middle class sister (Kathryn Hahn), her husband (Steve Zahn) and their two Game Boy playing teenage sons. Of course, in a showdown about values, Ben’s youngest daughter knows more about the Bill of Rights than their older cousins. So it turns out homeschooling is a success.

Mortensen has played hippie types before (memorably in “A Walk on the Moon”) but this film perhaps allows the actor– who’s an artist and a writer himself– to express more of himself than ever before. (Yes, there’s a joke here about letting it all hang out.) With his deeply etched face and soulful eyes, Mortensen is the perfect Lord of these Flies. He makes Ben’s arguments most winning after all.

The enthusiastic audience last night included Orlando Bloom with girlfriend Katy Perry, which turned out to a charming surprise. During onstage introductions of the cast, the smaller kids realized that Will Turner from “Pirates of the Caribbean” and Legolas from “Lord of the Rings” was in their midst and they went, basically, crazy. Later they got to meet Bloom, which I think was more exciting for them than starring in a Cannes premiere!

The kids were not aware, but we were, that Cannes juror Donald Sutherland, and his Lion King mane of white hair, was sitting behind us. Fame is indeed generational.

“Captain Fantastic” isn’t perfect– elements of the ending are a little bumpy– but this is a great film, making the same kind of awards noise as “Whiplash” did two years ago. Sometimes it’s worth waiting through the whole festival to get to the prize at the end.

 

 

 

Scorsese- DeNiro Reunion Movie Biggest Deal Ever at Cannes: $50 Mil All Paid

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Robert DeNiro was pretty happy last night at elegant rooftop cocktail party Harvey Weinstein threw for him. One reason was the movie “Hands of Stone,” in which DeNiro plays boxer Robert Duran’s coach and trainer Ray Arcel. Duran was also at the Albane club rooftop, where the women were the most fashionable I’ve ever seen. The sunset was dazzling, the weather was just right, DeNiro’s wife Grace wore Badgley Mishka, it was all good.

But DeNiro was also happy because “I Hear You Paint Houses,” aka “The Irishman,” is now fully financed. A movie I announced five years ago is now the biggest sale in Cannes history. Martin Scorsese will reunite with DeNiro and Joe Pesci. Al Pacino will join them. There may be a role for Harvey Keitel.

DeNiro told me: “I didn’t want to do it until it was right. And now it’s right.” Paramount will distribute the film which should be released in 2018.  STX, a relatively new player with lots of cash and ambition will make it. Fabirca de Cine will put up the dough.

Is this the greatest gangster movie of all time? Could be. And it concerns the disappearance of Jimmy Hoffa, one of the great mysteries in mob history.

Carrie Fisher: “I wish there were some magical way to bring Han Solo back”

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I had the pleasure of running into Carrie Fisher last night in Cannes, as she returned from the big party on Microsoft founder Paul Allen’s 414 foot yacht. She was with her French bulldog, Gary, who has been all over the Croisette this week helping Carrie promote her “Bright Stars” documentary for HBO.

The film is about her and her mom Hollywood legend Debbie Reynolds. The movie has won rave reviews. It airs next year on HBO; I wish it were sooner.

Carrie is here before returning to London for a month or more of work on “Star Wars 8” directed by Rian Johnson. Mark Hamill is in the film, she told me, but Harrison Ford is not as Han Solo “died” in “The Force Awakens.”

“I wish there were some magical way to bring him back,” Carrie said. “Maybe they have some super secret plan that no one knows about!”

As for Gary joining Princess Leia in outer space, Carrie joked: “I asked, but they said he’s too famous!” Maybe they could dress him as a wookie? “No, he needs something special,” she added.

While she’s in London, Carrie will try and finish work on her “Princess Diarist” book due to be published in October. The entries are from the filming of the original “Star Wars.” “You know, they’re very childish, I was 19. But I’m also updating and annotating them.”

Fisher was the lone celeb on the Paul Allen boat. Also spotted coming and going were Mick Jagger, Kate Hudson, Chris Pine, and Orlando Bloom.

 

Out of focus picture taken at 3:30am c2016 Showbiz411

Cannes: Standing Ovation for Robert DeNiro in Roberto Duran Boxing Movie

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20160516_220614Thirty six years after Robert DeNiro made film history as famed boxer Jake LaMotta in “Raging Bull,” he returned to Cannes in triumph as boxing coach to Roberto Duran in “Hands of Stone.”

Harvey Weinstein jumps back in the Oscar race with this very exciting extremely well made film starring DeNiro, Edgar Ramirez, and a cool cast that includes Ellen Barkin and Turturro. Usher– that’s right, Usher– the pop r&B star– makes a huge impression playing boxer Sugar Ray Leonard. Usher has had screen roles but this is like a startling debut. Beautiful job.

20160516_221112Tonight’s Cannes screening was also part of a star studded black tie tribute to DeNiro. I’ll have video in the morning from the event. There were emotional and funny speeches from Weinstein and DeNiro, with humorous hosting by Cannes festival director Thierry Fremaux.

Meantime Hands of Stone feels like a real movie, the kind that gets awards but you recommend to friends. It’s funny and dramatic and substantial. Its August 26th release can’t come fast enough.

Sharon Stone Not Coming to Cannes amFAR — Says She’s “Prepping a Film”

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Are Sharon Stone and amFAR on the outs again? Seems like it. Stone Tweeted yesterday

Stone has worked tirelessly for the charity. But they haven’t always treated her so well. A few years ago they really dumped her unceremoniously. I reported it and amFAR banned me too. It’s just as well. The annual Cannes dinner has gone from movie chic to Eurotrash creep, with low level models and odd types showing up to fill out the tent.

And as I reported a few weeks ago, amFAR gave a lot of money in their federal tax return to a company that not only went out of business but also almost bankrupted the city of Port St. Lucie Florida.

Stone was AWOL last year, too, which suggests that the deep rifts between her and the clowns at amFAR are still not healed.

Anne Hathaway Ready to Speed the Plow in Formerly Male Role?

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EXCLUSIVE Heard on the Croisette: interesting buzz that an updated film version of “Speed the Plow,” one of David Mamet’s most successful plays, may be coming to us with a surprise.

The word is that Oscar winner Anne Hathaway is talking to Mamet about playing one of the male roles, re-written for her. That would be Charlie, played so brilliantly eons ago on stage by Ron Silver.

There was talk about two months ago that Michael Polish would direct this new screen version. I’m told Hathaway would play Charlie to a big name star as Bobby Gould. How that would affect the third character, Karen, whom Bobby and Charlie each want to bed, is unknown. But you know these days, anything is possible.

Given how women’s roles have changed in Hollywood since “Speed the Plow” first appeared, this seems like a cool idea. I also like the idea of Mamet updating the script some to give it a slightly more contemporary feel.

So stay tuned because this could be interesting, it would certainly give the whole project a lot more edge.

 

REVIEW Jeff Nichols’ Loving Story of Racial Prejudice on 1958 Interracial Marriage

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In a moment when Donald Trump has brought the issue of race forward on a divisive way Jeff Nichols “Loving” comes just in time. Understated performances by Joel Edgerton and Ruth Negga make this narrative adaptation of Nancy Biurski’s documentary a powerful reminder how backwards the U.S. south and can still be when it comes to basic civil rights.

Rather than play out the Supreme Court case that finally allowed a mixed race couple in Virginia to be married, nichols uses the couples relationship and deep love for each other to depict their story.

Indeed when the lawyers appear it’s almost a shock to the film’s elegiac tone. (They sound like they’re in a film strip.) It will take lot to move “Loving” out of art houses. But I suspect on VOD and new platforms it will be captivating.

Cannes: Kendall Jenner Allowed at Vanity Fair A List Gala, Breaking “No Kardashian” Rule

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You know you’re at the Cannes Vanity Fair party when you turn around and a newsboy-capped Leonardo DiCaprio is in deep conversation about the environment, and Tobey Maguire is chatting up Kate Hudson, resplendent in a gorgeous red gown.

That’s what it was like last night at the famed Hotel du Cap, which Graydon Carter’s team took over with Chopard. It was very dramatic– they lit all the towering trees around the pool. With the waves of the Mediterranean splashing against the rocks, and yachts bobbing on the water, a smoky dark blue ink sky– and yes, Mick Jagger working all the rooms.

Trudie Styler, producer of Sunday’s premiere movie “American Honey” was getting the first press reviews– all good, even great– and hanging with old pal Russell Crowe. They were tucked into a corner with Hudson, Jodie Foster and her girlfriend, while Joel Edgerton, looking ever the the movie star in a tux, introduced me to a bunch of friends. Just the usual Saturday night!

Freed from the jury room, so to speak, Kirsten Dunst told me she had to see 21 films so she didn’t have time for “The BFG,” which isn’t in competition. We were lucky that the movie’s star, Mark Rylance, recent Oscar winner, didn’t overhear us. But he was busy accepting accolades from everyone who’d come up from Cannes and the Spielberg red carpet premiere. (Huge ovation, by the way, the biggest so far.)

Kendall Jenner was there– but I was told an exception was made for her because her father now-Caitlyn Jenner– had been on the Vanity Fair cover. “Otherwise no Kardashians are allowed here,” an observer said. “She’s a Jenner.” Well done. Kendall was busy inside the party posing model-like for a photographer as if she were on a shoot. Her hair blew in the breeze as she cocked her head back. I don’t think she knows any other activity, like cocktails and small talk.

I ran into Colin Firth and his smart, beautiful wife Livia– who couldn’t stay as long as they liked after dinner. “We’re double booked at another event in Cannes!” said the impeccable Colin. And just around that time there was a swirl of stars from Faye Dunaway to Salma Hayek, Chloe Sevigny, Petra Nemcova and so on.

 

 

 

Cannes Review: Steven Spielberg’s “BFG” is a “BFD”

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Steven Spielberg’s adaptation of Roald Dahl’s The BFG recaptures the spirit of “ET” some 36 years later. It’s not a huge coincidence since both screenplays were written by the late Melissa Mathison. And as part of a continuum The BFG is set in 1982 when Dahl published his book and ET was released.

This film may begin more slowly and dream like than “ET” but soars in its second half in every way. Mark Rylance and Penelope Wilton are just wonderful respectively as the big friendly giant and Queen Elizabeth. Ruby Barnhill makes an impressive debut as Sophie based on Dahl ‘s real life granddaughter.

What a treat this film is. And the production values, special effects, animation are some of the most exquisite ever. This is not just a family or children’s film. But like ET or Fantasia may capture the hearts of several generations.

UPDATE Just a little more at 12:06PM Eastern from Cannes– Spielberg does not make sequels really (aside from Indiana Jones, which was supposed to a satire of afternoon movie serials). “The BFG” is not a sequel to “ET” at all but Spielberg, so prolific with an amazing canon of work includes a few nods to the 1982 movie. At one point Sophie and the Giant touch fingers much like Elliot and ET, and it’s simply an acknowledgment.

I have always been of the opinion that the original Spielberg movies– not the biographies like “Lincoln” or “Schindler” or “Bridge of Spies”– has a very distinctive style that is very much auteur like. He has always been a commercially successful but he isn’t a “commercial” director. He said today in his press conference that making an original he felt “free”– his imagination run wild.

“The BFG” is such a compassionate movie, and very much an American one too. It’s also got something in common with “AI: Artificial Intelligence” in that it’s two movies — very Sondheim-Sunday in the Park with George. And while the first half is very artful, the second half is what makes the whole piece work. Rylance is great but I think we’ll see Penelope Wilton get acclaim in the supporting actress category too.

Movie opens July 1st from Amblin-Disney for July 4th weekend. It will set a record for an original non sequel film. Just wait.

Mick Jagger Says Possibility of Performing “Like a Rolling Stone” with Bob Dylan at Mega Concert

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Mick Jagger was the star of the show last night in Antibes at Charles Finch’s annual swanky A list dinner at the Hotel du Cap’s Eden Roc restaurant. It’s the hardest ticket in town, and the best insider party at the Cannes Film Festival every year. Finch–publisher, producer, raconteur, tummler, impresario–has a single classy sponsor, Jaeger LeCoultre watches– and they turn the Eden Roc magically in four hours time after lunch and before cocktails into a throwback of glamorous Cannes Film Festivals from long ago.

Jagger was the biggest star– he always is, because he’s Mick Jagger. But there were plenty of famous people in the room including filmmaker Nick Broomfield (who was honored and given a gorgeous J-LeC watch) Clive Owen, “Mad Max” director George Miller, Gael Garcia Bernal, Trudie Styler, Harvey Weinstein, “Black Mass” director Scott Cooper, model mogul Heidi Klum, Mads Mikkelsen, Rebecca Hall, Dominic West, and so on.

(There was also a big photo display Finch curated of famous filmmakers. One of the photographers was Philip Caruso, who also happens to be the son-in-law of “Ironweed” author and Pulitzer Prize winner William Kennedy. Caruso came with his beautiful wife, Bill and Dana Kennedy’s daughter, Kathy.)

What a swell night, chowing down on foie gras on the Mediterranean amid the likes of these folks. (If you’re young, think Cake by the Ocean.) So I did tell Mick Jagger that this column broke the story about the big mega Coachella concert next October and he was thrilled. (He really lit up like a Christmas tree.) I asked him if he and Bob Dylan, who playing are on the same night, might duet on Dylan’s “Like a Rolling Stone.” The Rolling Stones are known for a remarkable live version of that song.

“We could, we might,” Mick said. “We’ve done it at least once before, in Argentina. But never in the US. I have to ask him if we can.” Jagger said he’s incredibly excited about the shows, by the way. And then he headed to the sumptous buffet— yes, he served himself because as Dylan says you gotta serve some-body.

Broomfield, Charles Finch’s oldest friend, was the honoree of the night for his 3o plus documentaries. He told the crowd (after Finch’s introductory remarks– read hilariously behind dark glasses because Finch had lost his actual reading specs) about their wild times together getting into trouble and Broomfield almost being killed on three separate occasions) about his upcoming Whitney Houston film for Showtime.

Later he and I spoke about the Houston doc- I broke the story here about the Houston estate trying to block him.

“The harder they come at me I’ll come right back at them,” he assured me. What about rights to Whitney’s recordings I asked? “I have them,” Broomfield said without more explanation. But there’s more to come. And that’s when were interrupted by reasonable distractions: a strolling band playing the Beatles’ “Love Me Do” and the arrival of stunning Heidi Klum. And homemade ice cream was being served.

PS No sign of Leonardo DiCaprio who had had lunch on the Eden Roc patio hours earlier with pals including Tobey Maguire and Lukas Haas– eight guys, no women Leo’s posse or an outtake from “Entourage.”