Monday, June 8, 2026

Anne Hathaway Ready to Speed the Plow in Formerly Male Role?

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EXCLUSIVE Heard on the Croisette: interesting buzz that an updated film version of “Speed the Plow,” one of David Mamet’s most successful plays, may be coming to us with a surprise.

The word is that Oscar winner Anne Hathaway is talking to Mamet about playing one of the male roles, re-written for her. That would be Charlie, played so brilliantly eons ago on stage by Ron Silver.

There was talk about two months ago that Michael Polish would direct this new screen version. I’m told Hathaway would play Charlie to a big name star as Bobby Gould. How that would affect the third character, Karen, whom Bobby and Charlie each want to bed, is unknown. But you know these days, anything is possible.

Given how women’s roles have changed in Hollywood since “Speed the Plow” first appeared, this seems like a cool idea. I also like the idea of Mamet updating the script some to give it a slightly more contemporary feel.

So stay tuned because this could be interesting, it would certainly give the whole project a lot more edge.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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