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Adele’s Bestselling “25” Album Coming to Spotify Tonight, Seven Months After Release

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Adele has finally given in. Her “25” album comes to Spotify tonight at midnight. Actually, it starts in Europe and works its way west as the clock strikes 12 in each time zone. Why? Who knows? Just something to do.

Previously, Adele and her management had kept “25” off of streaming. But it’s on Amazon Prime, and it can be heard on Pandora.

Adding Spotify especially in the US makes sense. The bulk of Adele’s sales came between mid November and the end of December 2015. Since then, it’s been slow and steady. But streaming–especially as she prepares to tour the US–will give “25” a boost.

If you go to Spotify now they’ve already got “Hello,” “When We Were Young,” and “Send My Love to Your New Lover.”

PS Amazon is selling the 14 track bonus CD for $6.49 right now.

50 Cent Jokes at “Power” Premiere: “If They’d Given Me More Tickets, I’d Have Had Beyonce and Rihanna”

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50 Cent took center stage last night at the third season premiere of the Starz series “Power”– he plays Kanan, who may or not be dead in this slickly produced, entertaining show created by Courtney Kemp. Omari Hardwick stars as “Ghost,” who runs a hot nightclub and a drug syndicate. Hardwick is sort of the Idris Elba of TV right now, teetering on a film career.

But “Fiddy” or Curtis Jackson, as he was born, was in the spotlight. He has two lives– rapper is one, well dressed businessman is the other. I think he’s very interesting. At the after party at the Top of the Standard– thrown by Jason Binn, the hardest working man in show business and his DuJour Magazine– Jackson told me he’s working on a new album.

Will he release it on Jay Z’s Tidal? “Oh no,” he said. What label is he on? “I have my own label!” he said. He was wearing a very nice elegant two tone blue tailored suit. When I asked him who made it, he said, “I don’t know, maybe YSL.”

Earlier, at the screening, Jackson was very amusing during his introduction. He said, “I’m looking around and I see some of the seats are empty and it kills me because they said we didn’t have anymore tickets… didn’t have anymore tickets?… I’m happy…all these familiar faces to support me… but the deal is  if they’d given me more tickets I would have had Beyonce and Rihanna…this is devastating me, devastating…this is like a family reunion to me…I want you guys to enjoy…the first episode of season three, and I said the intensity of the finale of season two is consistent throughout the entire season you’ll see exactly what I mean. Check it out.”

PS I did ask Courtney Kemp if she’s got more shows brewing a la Shonda Rhimes– a Shondaland. “Yes!” she said, “But it will be Kemp World!” I don’t doubt it. Bring it on!

 

with Paula Schwartz

Kennedy Center Goes Grammys with Eagles, Mavis Staples, James Taylor, Plus Al Pacino, Martha Argerich

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The Kennedy Center goes Grammys and ignores theatre, dance, jazz, opera. They will induct three pop acts this winter– the Eagles, James Taylor, and Mavis Staples.

Hmmm…

Al Pacino was chosen from film, and Argentinian pianist Martha Argerich were also chosen.

But the Kennedy Center Honors now chases TV ratings. And they have followed the Grammy plan by inducting three pop acts. The Eagles were left over from last year. James Taylor already got the Presidential Medal of Freedom. Mavis Staples represents the R&B world and stands for her family group, The Staples Singers.

The Kennedy Center managed to ignore Broadway during its biggest year in ages– that takes guts. Ballet was also dumped, and jazz and opera were ignored.

Like the Rock and Roll Hall of Fame, the Kennedy Center Honors is starting to circle the drain.

All they’re missing is LL Cool J as emcee.

Meantime, no Dick van Dyke or Carl Reiner, Mary Tyler Moore. Doris Day? And Kenny Rogers? The Eagles will fulfill the country music aspect.

Pop: Meat Loaf is Cooking Up a New Album for September with Jim Steinman

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First the Monkees, now Meat Loaf.

The 1970s King of Bombast, Meat Loaf, or as the New York Times called him “Mr. Loaf,” does not go away. He’s still looking for Paradise by the Dashboard Light.

Mr. Loaf and his composer, Jim Steinman, have a new album coming September 16th on 429/Savoy Records. It’s called “Braver Than We Are” and features a reunion of Ellen Foley and Karla DeVito, who sang on the original “Paradise” hit.

Steinman, of course, is also known for writing Bonnie Tyler’s great hit “Total Eclipse of the Heart” and Celine Dion’s “It’s All Coming Back to Me Now.” Meat Loaf is also famous for having been in the “Rocky Horror Picture Show.”

Here’s the track list.

  1. Who Needs The Young
  2. Going All The Way
  3. Speaking In Tongues
  4. Loving You Is A Dirty Job
  5. Souvenirs
  6. Only When I Feel
  7. More
  8. Godz
  9. Skull of Your Country
  10. Train of Love

NYC: What It’s Like to Witness an NYPD Office Humiliate a Young Black Professional

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You hear about it. You read about it. But you don’t always get to see it. Last night (Wednesday, June 22) I got to witness what it’s like when an NYPD officer humiliates, embarrasses, and I would say profiles a young black professional for no reason. It wasn’t pretty.

Time: a little after 11pm. Coming out of Du Jour magazine’s premiere party at the Top of the Standard on Gansevoort Street for the TV series “Power.” My friends I notice a scene coming together on the east side of the street. Two uniformed undercover cops have jumped out of a Crown Victoria yellow cab and are berating a young black man, maybe early 30s, dressed in a nice suit. He’s got a pretty young white woman with him. They have also come from the party.

What’s going on? The married couple– Nathan Francis, who has his own financial firm, and Caitlin McDonough, who works for the Plaza Hotel Sahara Group– were trying to get a cab. As McDonough told me later, they were split between calling Uber and hailing a cab. The taxi Francis wanted was blocked by another, and Francis waved that one away on the busy two-way block. McDonough says he yelled to the cab to “chill out” as they debated calling an Uber. He was standing in the street like most New Yorkers in the same situation.

The cops– whom Francis did not realize were undercover in the cab– jumped out. And that’s when the trouble started. Instead of comprehending everyone had made a mistake, the cops threaten to issue Francis a summons. For what exactly, we wanted to know?

McDonough told me later that the lead officer, named Mencarelli, badge 1113, told Francis he’d be cited for at least six things including public intoxication (like us, they’d each had a glass of Champagne at the party), being a public nuisance. and harassing his own wife. There was some talk of “jaywalking” (which to a New Yorker is the funniest word in the English language). McDonough said the cops told Francis, “Something could happen,” implying something serious. All this for trying to hail a cab. While being black.

This was the point where our group intervened, informing Officer Mencarelli and his partner that Francis had done nothing wrong, and that they ought to re-think their approach. This seemed like racism to me, and I said so. (I also told Mencarelli that I was a journalist and knew Commissioner Bratton– haha, all of this meant zip.) What it really seemed like was an unnecessary effort to humiliate or embarrass the only black professional on the block in front of his friends, colleagues, and wife.

Nothing we said to Mencarelli registered. Instead he drew Francis away from us to speak to him without witnesses. “He told Nathan he’d be investigated for 12 months,” McDonough told me on the phone later. “I know he didn’t issue him a summons in the end because you guys were there. His partner was freaking out.”

Mencarelli’s partner filmed the proceedings on a smart phone. I hope the NYPD takes a look at it this morning.

Francis is a native of Westchester County and a graduate of the University of Arizona. Not that that matters. He’s a law abiding American citizen. And he was treated shamefully by an officer of the NYPD last night, with plenty of people watching. The cop simply didn’t care.

They owe the Francises an apology. A public one.

HBO Cancels Mick Jagger Martin Scorsese Vinyl After 1 Season

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HBO has canceled Vinyl After one season. The Mick Jagger produced series with Martin Scorsese had been renewed for a second season early. But ratings were terrible and the show never came together. The hope was for a water cooler show like Game of Thrones. But characters and plots never developed. A few months ago head writer Terrence Winter w
as replaced. It was all downhill from there. I’m sorry for the cast particularly Bobby Cannavale and Ray Romano. They did great work.

Independence Day Movie Ad Site: Murdoch’s NY Post Attacks His 20th Century Fox Studio

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Maybe Rupert Murdoch needs to come back.

His New York Post just attacked his 20th Century Fox over an ad campaign site for “Independence Day: Resurgence.”

The Post feature, posted at 3:06pm this afternoon, is claiming the Fox site for “IDR” is insensitive because you can blow up buildings like the World Trade Center and other famous terrorist targets around the world.

The Post article says they reached out to 20th Century Fox publicists and got no comment. They’re in the same building!

Here’s_a_poorly_thought_out_ad_campaign_New_York_Post_-_2016-06-22_15.43.54Click on the picture to see most of the article, which was Tweeted out by Post film critic Lou Lumenick.

These ad execs clearly spaced out when they came up with this campaign.

A new interactive Web site for the movie “Independence Day: Resurgence,” out Friday, allows users to type in any world address and view the aftermath of apocalyptic alien attack.

Called “Independence Day: My Street,” the feature, which utilizes street-level images, seems harmless at first glance. An Entertainment Weekly headline says, “ ‘Independence Day’ Web site turns your street into a smoldering crater.”

That is true. Watching your tony suburban block be destroyed by space invaders is all good fun — until you discover the many careless holes in the program.

Type in “1 World Trade Center” and the user will be confronted with an upsetting image of a battered downtown New York City that resembles the 9/11 terrorist attacks.

While the World Trade Center, the site of the largest terrorist attack ever committed on American soil, got through the cracks, some spots have seemingly been blocked by the site’s creators.

Locations that elicited a “not found” so far in The Post’s searches include La Guardia Airport and Pulse Nightclub in Orlando, Fla., where 49 people were shot and killed on June 12.

Wow. If they didn’t like the ad campaign, they’re not going to like the movie. Fox/NewsCorp whatever it’s called could use a hit this weekend.  “IDR” is currently rating a 45 on Rotten Tomatoes.

Tony Awards: Reveal of Nominating Committee Members May Explain Annual Hollywood Star Boycott

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Now that the theater season is over. a new one must begin. And so the Tony Awards have announced the members of the nominating committee for 2016-17. New members include humorist and screenwriter Paul Rudnick, and writer-director Peter Hedges.

Funny: the actors on the committee are people you’ve never heard of– Adrian Bailey, Harvey Evans, Jessica Stone, Jessica Molaskey. The only one who’s got name recognition is Debra Monk. No wonder Hollywood names do so poorly at nominating time. Where are all the big Broadway stars? Why aren’t they on this list? With Sally Field and a boat load of new Hollywooders coming this fall and next winter, this should be interesting. 

The next announcement will be the name of William Ivey Long’s successor as head of the American Theater Wing.

The 2016-2017 Nominating Committee includes:

  • Adrian Bailey – Actor
  • Victoria Bailey – Executive Director, Theatre Development Fund
  • Luis Castro – Media and Entertainment Executive/Producer**
  • Hope Clarke – Choreographer
  • Paul Cremo – Dramaturg/Director of Opera Commissioning Program, The Metropolitan Opera
  • Patricia Cruz – Executive Director, Harlem Stage/Aaron Davis Hall, Inc.**
  • Trip Cullman – Director
  • Edgar Dobie – Executive Producer, Arena Stage – Washington, DC**
  • Scott Elliott – Director/Artistic Director, The New Group**
  • Harvey Evans – Actor
  • Sean Patrick Flahaven – Writer/ Composer/Orchestrator/ Conductor/Producer
  • Paul Gallo – Lighting Designer
  • Jenny Gersten – Former Executive Director, Friends of the High Line
  • Daniel Goldfarb – Playwright, Bookwriter
  • Sam Gonzalez – Dir. of Operations, Pfizer Medical/Board of Trustees, Playwrights Horizons
  • Adam Gwon – Composer/Lyricist
  • Roy Harris – Production Stage Manager
  • Peter Hedges – Writer**
  • Jack Hofsiss – Theatre, Film, Television Director
  • Mara Isaacs – Founder and Director, Octopus Theatricals, LLC**
  • Lou Jacob – Director at the New School for Drama
  • Anne Keefe – Associate Artist, Westport Country Playhouse**
  • Tom Kitt – Composer, Lyricist, Bookwriter
  • Fran Kumin – Consultant, Perf. Arts Organizations/Foundations/University Theatre Programs
  • Michael John LaChiusa – Composer, Lyricist, Librettist**
  • Kate Levin – Cultural Assets Management Principal, Bloomberg Associates
  • Reynold Levy – Former President of Lincoln Center for the Performing Arts
  • Patricia Marx – American Humorist and Writer, Former Television Writer
  • Jim McLaughlin – Former Producer, CBS News/TV Feature and Documentary Producer
  • Tony Meola – Sound Designer**
  • Jessica Molaskey – Actor**
  • Debra Monk – Actor
  • Roger Morgan – Lighting Designer, Theatre Designer
  • Laurence O’Keefe – Composer
  • Katherine Oliver – Media and Technology Principal, Bloomberg Associates
  • Christian Parker – Chair, Graduate Theatre Program, Columbia University
  • Paige Price – Actor/1st Vice President of AEA/Executive Artistic Director, Theatre Aspen
  • Ravi S. Rajan – Dean, School of the Arts – SUNY Purchase
  • Paul Rudnick – Playwright, Novelist, Screenwriter, Essayist**
  • Susan H. Schulman – Director/President, Stage Directors and Choreographers
  • Mikki Shepard – Executive Producer, The Apollo Theatre**
  • Warner Shook – Director
  • Ellen Sorrin – Director, The George Balanchine Trust**
  • Jessica Stone – Actor/ Director**
  • Edward Strong – Producer
  • Wynn Thomas – Production Designer
  • Jose Antonio Vargas – Journalist/Filmmaker/Founder of Define American **
  • Jennifer von Mayrhauser – Costume Designer
  • Tom Watson – Retired Executive, Television Advertising
  • Preston Whiteway – Executive Director, The Eugene O’Neill Theater Center
  • Evan Yionoulis – Director**

**Denotes new Nominating Committee Member

Pop Sales: Kanye West’s “Life of Pablo” Is Lowest Seller of the Year Thanks to Bad Decisions

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The numbers are out for the first half of 2016 on the pop charts. Drake is the leader so far in sales and sales-plus-streaming according to hitsdailydouble.com.

But the loser by far was Kanye West.  His “Life of Pablo” was so botched by bad decisions and marketing that he sold only 30,000 CDs and physical downloads. Ouch! Adding streaming to his total brought him only to 339,000. “Pablo” is the lowest selling album of the top 25 since January 1st.

Also of note: Prince had almost no streaming thanks to his own decision to pull out of it before his death. Once he died, he sold 1.3 million albums but still had no streaming. I guess since he’s dead and has no children or a wife it doesn’t matter now. But his siblings will no doubt ask the new administrators of his estate to fix that situation pronto.

Adele sold only 1.6 million albums since January 1st. Between mid November and the end of last year– the time from the release of “25”– the frenzy around her moved something upwards of 7 million units. Once things calmed down, the novelty was more subdued. And Adele also had very little streaming since wouldn’t put that album on Spotify and other services.

Taylor Swift also suffered from lack of streaming.

But poor Kanye. “Life of Pablo” was good. But he continues to hang himself from his own petard, as it were. A total mess. No wonder he’s complaining about financial problems. I hope his weird beige clothing is making him some money. 

 

TV: Showtime Series “Billions” Seeks First Ever Non-Binary Actor for Recurring Role

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EXCLUSIVE You know, I love “Billions” on Showtime. The Brian Koppelman-David Levien drama stars Paul Giamatti and Damian Lewis.

Now, for the second season, “Billions” breaks new ground. They’re looking for a non-binary actor.

A new character called, Taylor, I am told, is described in casting notices around town “as any ethnicity, Female-born Gender Non-binary (Please Google ‘Gender Non binary’ if you don’t know what it is). Early 20s. Brilliant grad student, smartest person in every room. Recurring Role. Multiple episode arc. Must be available and living in New York City.”

Where else would they be? When I read it fast I thought it said granary, and this was a gluten free thing. Alas, it’s something else.

According to the interweb:

Non-binary gender (see also genderqueer) describes any gender identity which does not fit within the binary of male and female. Those with non-binary genders can feel that they:

  • Have an androgynous (both masculine and feminine) gender identity, such as androgyne.
  • Have an identity between male and female, such as intergender.
  • Have a neutral or non-existant gender identity, such as agender or neutrois.
  • Have multiple gender identities, such as bigender or pangender.
  • Have a gender identity which varies over time, known as genderfluid.
  • Have a weak or partial connection to a gender identity, known as demigender.
  • Be intersex and identify as intersex, know as amalgagender
  • Have a culturally specific gender identity which exists only within the culture they or their ancestors belong to.
  • Otherwise feel that their gender is neither fully male nor fully female.

Well. It means neither female nor male. “Billions” is cutting edge, and I fully expect it to receive a lot of Emmy nominations. That last episode of season 1 is still seared in my memory. Can’t wait to see what’s next!