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Adele’s Favorite Singers are Bette Midler and Stevie Nicks, She’s Also Terrified of Drugs and Drinking

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In an excellent new interview– cover story of Vanity Fair by Lisa Robinson, Adele talks and talks and what she has to say is pretty interesting.

Her two favorite singers are Stevie Nicks and Bette Midler. She tells Robinson: “Stevie Nicks—”I can’t find the words to describe how much I love her”… About Bette, she says, “I’ve obviously loved her for years. I like her humor, but she’s a fucking great singer, a really amazing singer. When I watched her show, I felt like I was really watching the last legend. No one’s made like that anymore.”

Adele is also terrified of drugs and drinking since she had her son.

She says: “I’m too scared to ever take drugs. I used to love to be drunk, but as I got more famous I would wake up the next morning and think, What the fuck did I say and who the fuck did I say it to? I never had blackouts, but when you’re drunk and you go to a party, you’ll talk to anyone. I can see from an outsider’s perspective that I will never write songs as good as the ones that are on 21, but I’m not as indulgent as I was then, and I don’t have time to fall apart like I did then. I was completely off my face writing that album, and a drunk tongue is an honest one. I would drink two bottles of wine, and I would chain-smoke. Then I’d write the lyrics down and the next morning think, Fuck, that’s quite good.”Baby Angelo changed all that: “But since I’ve had my baby, I’m not as carefree as I used to be. I’m scared of a lot of things now because I don’t want to die; I want to be around for my kid. I’m very cautious, whereas I was never cautious before. I would never have done anything before that would make me die, but now I go out of my way to avoid anything that is remotely dangerous—like walking along a sidewalk. I’d rather walk on the grass or a lawn, rather than the pavement, in case a car crashes into me. Also, I don’t go out as much as I used to. I go to very civilized dinners, and I’ll go to work things when I have to, but you have to literally drag me onto a fuckin’ red carpet.”

Janet McTeer, Liev Schreiber Tear Up Broadway with New “Liaisons”: “It’s a beast of a play,” says Liev

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Maybe you know Liev Schreiber from “Ray Donovan.” In New York we know him as a killer stage actor. Janet McTeer is probably best known to movie audiences from “Tumbleweeds.” But we know her from Broadway, where her “A Doll’s House” is remembered by a lot of people as “the best thing I ever saw.”

The pair opened last night in a revival of Christopher Hampton’s “Les Liaisons Dangereuses,” the 1987 play that launched the late Alan Rickman into the stratosphere and for which Lindsay Duncan is revered. It’s hard to top an iconic production. But Schreiber and McTeer are perfectly matched, two of the strongest actors on the planet, and their pas de deux as two romantic schemers is not to be missed.

Really, I will go back and see it again before it closes in January. But in the meantime, “LLD” is a hot ticket as these two, plus the whole supporting cast, bring Hampton’s perfect adaptation of Pierre Choderlos de Laclos’s 1782 novel to life brilliantly. Even if you know the movie– which starred Glenn Close, John Malkovich and Uma Thurman– the stage version is a stunner, and certainly in its way much sexier.

In the opening night audience — a surprise– Naomi Watts, mother of Schreiber’s two sons, and recently separated from him, as well as “Ray Donovan” actor Steven Bauer (who came with the great character actor and restaurateur Paulie Herman), plus Tony winner Cynthia Erivo, designer Zac Posen, Bernadette Peters, and Pierce Brosnan, who had trouble finding his car outside the theater when the show was over.

At the after party at the Gotham Ballroom, Liev told me: “It’s a beast of a play. We’ve worked very hard on it.” When he’s done in January, Schreiber returns to “Ray Donovan,” which will now– as I broke a while back– shoot in New York so he can be at home.

PS Erivo– Tony winning star of “The Color Purple”– stays with her show until it closes in January. She still hasn’t found the time to sign a recording contract. Clive Davis? LA Reid? Where are you?

NFL’s Final Public Filing Shows Roger Goodell’s Disappearing Salary, Severe Drops in Revenue

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National Football League: Where has all the money gone? The final public filing for the NFL– they’re going private next year, taking all transparency with them– tells a strange story. The highly overpaid commissioner Roger Goodell is now “down” to just $15 million in compensation for 2015. (He made $35 million the year before, and $44 mil the year before that.) Goodell’s recent years of huge numbers brought a lot of criticism. Now there’s a suggestion that he’s deferring reported compensation until the NFL doesn’t have to file public reports as a foundation. And you know, he’s doing such a great job anyway!

The rest of the 2015 Form 990 report is a mystery, too. All the huge numbers from 2014 are severely reduced in 2015. Did revenue really fall from $619 million to $82 million? And did they really cut grants from $30 million to $2 million? NFL Foundation numbers seem to have deflated faster than Tom Brady’s balls!

nfl foundation

Still, the staff seems to be soldiering on. I give them credit. (I do love the way there are no commas in Goodell’s salary, but commas in all the others.)

Meanwhile TV ratings for the NFL are down by 11% this year.

nfl salaries

 

 

 

Box Office: Tom Hanks Goes 1 for 3 in 2016 as “Sully” Scores, “Inferno” and “Hologram” Wipe Out

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Tom Hanks swung for the fences in 2016 and came back with one home run, a miserable strike out and a long fly ball. They would be “Sully,” “A Hologram for the King,” and “Inferno.”

The latter made $15 million in its opening weekend, if that (the real count may be lower tomorrow). If “Inferno” hadn’t been released internationally before its US debut, it might have counted as a strike out too. But that worldwide audience saved it with over $130 million in early receipts.

“Inferno” was beaten at the box office by “Boo! A Madea Halloween,” which has triumphed over Toms Hanks and Cruise. Cruise’s “Jack Reacher” meanwhile has taken a beating, with a scant $39 million in the till so far. “Never go back” has proven to be a prescient subtitle.

Hanks was so good as Sully Sullenberger just six weeks ago that there was talk of an Oscar nomination. I still think that’s possible. He’d be wise to let “Inferno” burn out quickly and turn to a “Sully” campaign.

Meanwhile, the other sort of big loser seems to be “The Magnificent Seven” remake. The Antoine Fuqua-Denzel Washington ensemble has stalled at $90 million for the U.S. and a paltry $60 million abroad. With a cost of $100 million, “M7” is a drag. I don’t think sequels will be forthcoming. Too bad. The guys did a very good job.

As for Hanks, the way he’s choosing projects might be up for reconsideration. “Hologram” was a weird one. His upcoming “The Circle” looks even stranger. “Toy Story 4” is a long way off in 2019. We need Tom back in something light and smart, if there is such a thing or a person who can still do that with Nora Ephron gone.

Ricky Gervais, Jodie Foster, Samuel L. Jackson Celebrated at Bawdy Britannia Awards in Hollywood

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The 2016 British Academy Britannia Awards is BAFTA’s big event in Hollywood, where the Brits honor fellow countryman and anglophiles for their tinseltown contributions. Last night’s gala was quippy, clever and very British. Before the event began, I caught up with lovely Emmy winner Shohreh Aghdashloo; currently starring on the Netflix hit “The Expanse, ” and Mykelti Williamson, who’s already garnering raves for his yet to be released “Fences.” He told me that, “it was an honor of a lifetime, to be in this film with Denzel.”

Then the show began, and Ben “Doc Brown” Smith, an English rapper comedian and actor, whom I didn’t know–he played a Detective in the English version of “Law And Order”– and as they say, he killed it. He started by comparing the Brits and Americans. “”You tricked Tony Blair into going into Iraq. Hey, we tricked you into taking Piers Morgan.” Piers went along with the joke, and stood up and waved to the crowd.

Referring to honoree Samuel Jackson, Doc quipped, “Everyone has a favorite Sam Jackson movie, “Pulp Fiction,” “Jackie Brown,” “Hateful Eight.” I’m cultish, mine is the Capital One Credit Cards.” Sam also played along and gave a thumbs up. Doc went on, “It’s the first time America heard a black man say, “What’s in your wallet?” Referring to honoree Ang Lee’s choice of controversial films, Doc noted, “Ang is still pushing the boundaries. His next movie is a straight musical.” Doc noted that if the audience didn’t like what he was doing, he’d get honoree Ricky Gervais to “go Golden Globes on your asses.”

Jennifer Lawrence then came to give the Stanley Kubrick Britannia Award for Excellence in Film to her good friend Jodie Foster. Jennifer noted, “It’s very rare for a woman to write/produce and direct and be completely normal. “ After extolling her more, Jennifer introduced her by saying, “here’s my vote for the next president of the United States.” Jodie, following video tributes from Julia Roberts and Kristen Stewart, gave a heartfelt speech by saying, “ I make movies. It’s good hard work done with pure love. I’m going to stick around, I’m not done yet.”

Jake Gyllenhaal, paid tribute to his “Brokeback Mountain” director Ang Lee by noting, “Ang knows that to tell a big story, you have to keep it small.” Ang then explained, “Jake says I was modest during Brokeback Mountain. “It wasn’t wisdom. I was so tired. I literally was half asleep during the whole shoot.” He went on to apologize to all the actors he’s worked with by explaining, “Actors have always been tortured by my bad English and my bad sense of humor.”

The lovely Gugu Mbatha-Raw  introduced Ewan McGregor with the Humanitarian Award for his work on behalf of displaced people worldwide. He spoke passionately about his work on behalf of UNICEF and dedicated his award to them. Tom Hanks presented  British Artist of the Year to his “Inferno” co-star Felicity Jones, comparing her to Botticelli’s Venus (they shot the film in Florence). Jones noted, “I’ve never seen one man so obsessed with tiny Italian cars. He was stopping on the streets of Florence to take endless selfies with the tiniest of cars.”

Christopher Guest gave the Charlie Chaplin Britannia Award for Excellence to his good friend Ricky Gervais. Chris noted, “I’m honored to present this award to my good friend. It would be a better honor if he were presenting it to me, would make more sense. Listen “The Office,” “Extras,” — if not for his personality he would be a great person to admire.” Steve Carell on videotape quipped about Gervais, “I get lost in his eyes.” Larry David got more graphic: “He deserves the award for the biggest balls. I don’t know how he walks around with those things.”

A poignant clip was then played with Ricky and David Bowie singing, which prompted applause from the crowd. Ricky said, “I’ve been to a lot of award ceremonies and someone always gets up and says, “Oh I didn’t think I’d win so I didn’t prepare a speech. Well I knew I was going to win, and I didn’t prepare a speech. Which shows you what contempt I have for Hollywood. I humbly accept this award, it’s an honor.”  He took a beat and added: “No it isn’t. “I have so many people to thank, but I’m a star so I can’t be bothered.” Even his longtime girlfriend of 30 years, Jane Fallon, wasn’t spared. “If I’m honest she hasn’t done fuck all, I mean she’s here cause of the free Champagne.” Jane, of course, agreed and held up her glass. Ricky did ask for another award next year, “Come on it’s a free trip.”

Brie Larson ended the night by presenting the Samuel L. Jackson with the Albert R. Broccoli Britannia Award for Worldwide Contribution to Entertainment. The awards were sponsored by Jaguar Land Rover and American Airlines. Also attending; Simon Helberg, Jack Huston, Producer Julia Verdin, Producer Bonnie Arnold, Brit powerhouse agent Duncan Hayes, Producer Manager Eric Ortner, Producer Brian Gott, Screenwriter Marc Iannarino, Nigel Lythgoe, Pixie Lott, Jane Seymour and more. As the Brits would say, “brilliant” show!

Chrissie Hynde Has an Excellent New Pretenders Album, But It’s a Stealth Release That Needs Our Help

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Chrissie Hynde has her first new Pretenders album in 8 years, but it’s a stealth release without marketing and publicity. I’m not even sure it has a distribution.  But here goes.
 

“Alone” is yet another declaration of independence by the number 1 one rocker chick in the world. With Grace Slick in retirement, Hynde retains the title of the best female rock vocalist on the planet. She’s also the toughest songwriter, full of Tootsie Roll songs that are hard on the outside and soft in the middle. And tasty, too, replete with hooks, memorable riffs, and choruses. You know, Chrissie scares a lot of people but she loves to make songs that you can’t get out of your head.

One surprise on this Pretenders album: the absence of drummer Martin Chambers, who’s been with her since 1979. He’s the only other original band member. I don’t know where he is, but I hope he’s okay. I sure hope there’s not been a falling out. That would be terrible.

Anyway, Chrissie’s written a lot of the songs by herself, and some as collaborations. The best of the latter include “Let’s Get Lost,” written with Amanda Ghost (she almost destroyed Epic Records a few years ago) and maybe a nod to Chet Baker. Sounds like a single to me, if there is such a thing anymore. “Never Be Together” is a bluesy number that will stick in your memory for a long time; it features the legendary Duane Eddy on guitar! Really!

I’m already addicted to the title track, and to “The Man You Are.” “Chord Lord” seems like a Pretenders song from 1983, and that’s a good thing. “One More Day” and “Roadie Man” each harken back to a late 60s pop sound. I;m intrigued by the Goth -ish ballad “Death is Not Enough” and “Holy Commotion,” which closes the album is one of the few rockers.

Unfortunately there’s no lyric sheet, no press release, and little to work with, so I’m winging this– and that’s only because “Alone” has had such a poor launch that it’s sitting at number 56 on amazon.com right now. Oy vey. Go get this record. It doesn’t disappoint. Far from it. It’s a total pleasure.

PS Pretenders are on tour, hitting New York on December 1st. Not to be missed.
Here’s a great live show I found on YouTube from 1994:

Ron Howard- Tom Hanks “Inferno” a Bust in U.S. But Saved by Foreign Box Office ($100 Mil Plus)

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The latest Ron Howard-Tom Hanks collaboration is a box office bust… in the United States. Domestically, “Inferno” will make less than $17 million this weekend. An $800,000 opening on Thursday night foretold disaster. A 20 rating on Rotten Tomatoes didn’t help. Critics hate this movie.

But there’s good news. “Inferno” has already made over $100 million abroad. Playing in most countries except China, “Inferno” opened a few days before its US premiere and audiences swarmed to it. They liked seeing Hanks running around an international travelogue. The story was irrelevant. So was the dialogue. This is the beauty of the international release.

So while headlines will blare that “Inferno” has “gone up in flames,” Sony can take some solace in that they will break even in the long run. “Inferno” cost between $75 and $100 million. But with the international sales, DVD, etc and television, Sony will avoid Dante’s seventh ring of hell. And that’s good because right now Sony has bigger challenges coming with “Billy Lynn’s Long Halftime Walk.”

Lady Gaga’s “Joanne” Is Number 1, But It’s a 47% Sales Drop from Last Album Even with Deep Discounting

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Lady Gaga’s “Joanne” is a great album. But half as many people who bought her last album, “ArtPOP,” wanted her new album this week. Or should I say, wanted to pay for it.

“Joanne” will wind up selling half as many CDs, streams and digital downloads as “ArtPOP” did three years ago. The older album sold 260,000 copies in its first week. “Joanne” came in at 160K total for the opening week. You can add in about 40,000 streams for a total including streaming of 199K according to hits dailydouble.com. But it’s a 47% drop since 2013, when there wasn’t much streaming at all.

And compare that to “Born this Way” — 440,000 copies first week including a controversial 99 cent discount sale on Amazon.

Still, “Joanne” — with a first day discount down to $3.99 on amazin– is an anemic number 1 for the week because sales are way down everywhere. It has nothing to do with the quality of the music. It has to do with a generation of music fans who are relying on free avenues to get their sounds.

Lady Gaga is not alone in her sales struggles. Three weeks ago, Solange Knowles debuted at number 1. Now she’s number 27.

At least she’s also doing better than legacy artists. Barry Gibb of the Bee Gees has a new album, and it’s sold fewer than 10,000 copies.

Gaga’s big problem is that she’s been unable to establish a hit single from “Joanne.” Her people threw three singles into the world and they came back like boomerangs. It’s not like she hasn’t worked hard– Gaga’s been on lots of TV and has been part of a pop-up “Dive Bar” campaign.

I hate to say it, but at 30, Gaga’s got a marketing problem. She gave up her wild looks and outfits for performing with 90 year old Tony Bennett. It was admirable artistically, and I loved it. But it turns out that whole episode may have cost her some audience who now think of her as an “older” artist.

The result is the absence of top 40 radio. It’s a very curious turn of events. Gaga records for the most powerful record company in the world–and they couldn’t get her on Z100. It’s not too late– and wouldn’t Gaga at the Jingle Ball at MSG be amazing? It could still happen.

“Justice League” News: Jeremy Irons, In Oscar Race for “Man Who Knew Infinity,” Spills the Beans on Batman’s Butler Alfred’s Crush

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Jeremy Irons is back in the Oscar race playing famed mathematician G.H. Hardy in Matthew Brown’s “The Man Who Knew Infinity.” Last night producers Ed and Annie Pressman– who worked with Jeremy when he won the Oscar for “Reversal of Fortune”– tossed Irons a swell dinner at Bagatelle in the Meatpacking district for about 50 of their closest pals. I sat between the young Princeton math whiz who consulted on the film and Tony winning composer Stephen Schwartz of “Wicked” fame.

(At the next table, by the way, was beautiful Devika Bhise, who co-stars in the movie. She is quickly becoming a star. Last winter I met her at Lynn Hirschberg’s It Girl lunch for W Magazine in Los Angeles. Attention casting directors: she lives in New York and could be the next Priyanka Chopra– or better.)

Across the table were Neil deGrasse Tyson aka “The Man Who Knows Everything” and his wife Alice.  I asked Alice what its like being married to the Man Who Knows Everything. She replied, “I know more.” Good answer. Later, I overheard DeGrasse Tyson quizzing the Princeton math whiz,  Manjul Bhargava, about prime numbers. It was like a scene out of “The Big Bang Theory.”

Lots of New York actors were also in attendance including Bob Dishy and his wife Judy Graubart, Rutanya Alda, and so on.

Before we get to “Infinity,” what about about the upcoming “Justice League” movie? Irons is back as Alfred, loyal butler to Bruce Wayne. Alfred, who used to serve martinis and dust the Batcave, has become a lot more active in recent Batman movies.

Jeremy said: “It’s the same Batcave as in Batman vs. Superman, we used the same set and costumes. There’s not a lot for Alfred to do because there are many superheroes this time. But I do have a thing for Wonder Woman. That’s clear.”

Does she return Alfred’s feelings, I asked?

“No, well, she doesn’t say much,” Irons said with a sigh. “None of them do.”

Irons really makes Hardy come alive in “Infinity,” and he’d be a neat Best Supporting Actor nominee.

What really shows is that he’s very convincing as Hardy while in real life Irons knows absolutely nothing about math. During a short Q&A during dinner with deGrasse Tyson, someone in the audience actually asked a math question. Irons, charming as ever, and accompanied by his little white dog called Smudge, blithely answered: “I don’t know, but I do know my martini is kicking in.”

Smart Alecs? Billy and Stephen Baldwin in Family Twitter Feud Over Presidential Election

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Alec Baldwin is already pretty outspoken. He’s also doing a hell of a job playing Donald Trump on “Saturday Night Live” this fall.

But in his own family there’s dissension over the election.

Brother Stephen, a conservative who also became zealously religious, recently Tweeted: “If my father were alive today (a veteran) He would be ashamed & disgusted of media biased & manipulation by people like @andersoncooper”

Billy Baldwin, Stephen and Alec’s liberal brother, replied: “If our father were alive today… he’d smack you in the side of the head for supporting Donald Trump.”

I know all three of these Baldwins, they are all nice guys. This is their problem. But still…

Stephen knocked Alec with this Tweet: “Sad monday for me @nbcsnl & Hollywood Democrats think partial birth abortion is funny ! Sad as I think of all my beautiful nieces & nephews”

And Alec replied: “I don’t recall @nbcsnl using the phrase “partial birth abortion.”

I don’t either.

Meantime, Alec got a little dig in on “SNL” playing Trump, announcing that he had the best Baldwin brother in his corner– Stephen.
PS No word yet from the remaining Baldwin brother, Daniel.