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Oscars: Diane Warren’s 9th Nomination Coming with Song for “Marshall” by Andra Day and Common

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EXCLUSIVE Superstar songwriter Diane Warren is like the Susan Lucci of the Oscars in the Best Song category. She’s had 8 nominations. The last one was in 2016 with Lady Gaga for “Til It Happens to You” from “The Hunting Ground” documentary. She was robbed– I think– in favor of Sam Smith’s James Bond theme song from that year. (Sam who?)

Now Warren has a potential 9th nomination. I hear that Andra Day and Common have just recorded her new song, “Stand Up for Something,” for the movie about the arrest and trial of a wrongly accused black man in 1940 Connecticut. “Marshall” stars Josh Gad and Sterling K. Brown, with Chadwick Boseman as a young Thurgood Marshall and Kate Hudson as his accuser. Reginald Hudlin directed, and Open Road releases the film in October.

On the song, Day — who is hot as a pistol right now– recalls a young Aretha Franklin during the Jerry Wexler days in the 1960s. Common, who received an Oscar for his collaboration with John Legend on “Glory” from the movie “Selma,” gives the song a contemporary feel as well.

The whole production sounds like a monster radio hit. And it’s certainly timely these days as a protest song. I hope Warner Bros. Records gets the single out ahead of the movie. This isn’t Warren’s only possible Oscar entry this year– she also has Cher singing the title track from a documentary about Syrian children. (See below.)

Ariana Grande Manchester Charity Show Could Reunite Oasis Gallagher Brothers, Fergie with Black-Eyed Peas

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Ariana Grande, manager Scooter Braun and Live Nation are planning one amazing show in Manchester this weekend.

Katy Perry, Miley Cyrus and Justin Bieber are among the acts already announced, as well as Usher, Coldplay, Take That and Niall Horan.

But two others are of major interest. The Black-Eyed Peas are included, but it’s unclear if Fergie will be part of their show. The Peas have been absent their lead singer for some time. Fergie, like many others, sent a message of condolence on Twitter after the Manchester tragedy. If she showed up with the group, that would make it extra special.

In the Manchester press they’re wondering also about local boys Liam and Noel Gallagher of Oasis. Apparently the Oasis song “Don’t Look Back in Anger” has turned into the city anthem since 22 people were killed on May 22 after Grande’s show. Locals are hoping that the brothers– notorious for fighting on stage and not speaking to each other at all– will put their petty differences aside for the occasion.

Meantime, most of  the secondary ticket sellers who usually rip off fans are vowing not to allow sales for the show on their services. StubHub.com is among those who’ve said ‘no.’ The Manchester newspaper says they’re still waiting to hear from ViaGogo. Most importantly, Ticketmaster.com– owned by Live Nation– has vowed to keep it clean for this show.

Trump Tweet Since Midnight Has Internet Going Wild– What is Covfefe?

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The leader of the free world Tweeted this since midnight tonight. The internet is going wild. What does it mean? Did someone grab his phone from him mid Tweet? What is covfefe? What the hell is going on?

Donald_J._Trump_(@realDonaldTrump)_Twitter_-_2017-05-31_00.44.03

Sarah Silverman Thinks Kathy Griffin Has Nothing to Apologize for Concerning Donald Trump’s Severed Head

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Even though Kathy Griffin just apologized for posting a video of her hoisting Trump’s bloodied severed head, fellow-admiring comedienne Sarah Silverman thinks she has nothing to apologize for.  “Kathy is a singular voice.  She’s really funny and it won’t be news tomorrow.  Kathy is a prolific storyteller.  That’s part of who she is.”  

Sarah was telling that at a Q & A, for her upcoming “A Speck Of Dust,” comedy special as part of Netflix’s FYSEE series in Beverly Hills, to court Emmy voters.

Sarah is unabashedly vocal about politics. “We are being bombarded by daily atrocities.  I’m from New Hampshire; everyone tends to be involved with politics there. “ She says she can be so active “because I keep my overhead low.”  When asked her childhood idols, she answered, “Woody Allen, Nichols and May, Albert Brooks, Robin Williams, his “Live At The Met,” album is just classic. Steve Martin, well he was my everything.  I love smart and aggressively dumb.  Artsy and fartsy.  He embodies that. He pulls scarves out of his fly and he writes for the New Yorker.”  

She then was asked about her recent health scare due to epiglottis, a blockage of the airway.  She joked, “They had to tie my hands down, because I’d wake up and try to get the thing out of my throat.  I really thought, because I was loaded with painkillers, that I was captured by ISIS.”  

She recently received acting kudos for her acting turns on “Crashing,” as well as “Masters of Sex.”  Is acting something she’ll do more of?  “Well objectively, I’m really good at it.  I like to dip my toe in it, long as it doesn’t get in the way of stand up.” She continued, “I’m a comedian and comedians want everyone to love them. That’s our sickness.  Her theory is not to question it.  “I think comedy dies in the second guessing.” 

Silverman also quoted writer Charlie Kaufman as a mantra she adheres too.  “Failure is a badge of honor. It means you risked failure. And if you don’t risk failure, you’re never going to do anything that’s different from what you’ve already done or what somebody else has done.”  Savvy Sarah then noted, “I’ve never been for everyone. I’ve had to be comfortable with that. “ 

Media: Scott Pelley is Out as CBS Evening News Anchor After Going Hard on Trump Stories

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Scott Pelley is out as anchor of the CBS Evening News starting now. Page Six reported that this would happen back in December, and today it became a fait accompli.

Age has a lot to do with it– Pelley is turning 60 right now. His vast experience and excellence as a journalist weren’t enough to keep him in the anchor chair. But he gets the consolation prize of “60 Minutes.”

Ratings were a problem. His show ranks third behind Lester Holt, who’s younger and very good, and David Muir, who is on ABC.

Pelley’s replacement for the near future will be Anthony Mason. But he’s “old,” too. CBS News obviously wants to skew younger at 6:30pm. I’ve said before that Jeff Glor is probably their choice, but who knows?

Pelley’s show is so well written and executed, I’m sorry it’s not doing better. It’s my favorite of the three shows. But then again, I am not in the Muir demo. I enjoy really well made news shows. You can listen to Pelley on the radio– CBS Network– at 6:30pm and you don’t miss the visuals. It’s usually that evocative.

With the end of Pelley really comes the end of the great CBS News tradition. Bob Schieffer is still kicking around. But the Murrow generations are now long gone. Remember when Walter Cronkite was trusted because he had the age and experience? Haha. Those days are over.

Pelley, I should note, went after Donald Trump and his circus clowns hard over the last few months. Maybe because he knew his days were numbered, Pelley eviscerated Trump on some nights– the way Cronkite and Rather used to take on Nixon. He did an absolutely great job and should be commended. He will be missed at 6:30.

Wonderful “Wonder Woman” Features Warner Bros. Surprise for DC Comics Fans

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I just came from seeing Patty Jenkins’ “Wonder Woman.” And like the reviews have said so far, it’s Wonderful.

Frankly, you wonder exactly why it took so long to get a good DC Comics movie.

“Wonder Woman” offers a surprise for DC Comics fans, too: a new opening logo for the DC Universe. It’s not been seen before, and all the DC super heroes are in it. It’s a good omen for this fall’s “Justice League.”

Also, in a very minimal way, “Wonder Woman” offers the idea of Bruce Wayne as the Tony Stark of the DC Universe. This is a non spoiler: we don’t see Bruce or Batman, but their presence is felt. And it’s a nice nod.

What can I say that you haven’t already read? First I think “Wonder Woman” is a hit because it’s fresh. We know the stories of Superman, Batman, even Spider Man, by heart. How many times can you hear them? But this story of Diana Prince and her origins? It’s cleanly told, not confusing, very human, tugs at heart strings, seems modern and yet has the feel of a well made film. It’s got a very Spielberg-Lucas feel to it as well. Jenkins got very analog. The movie’s in the woods, there’s a lot of Earth, the relationships are detailed and the dialogue bounces like the first two “Indiana Jones” movies.

And then: there’s Gal Gadot and Chris Pine. She’s the star of the year in this movie. For Pine, this is a breakout, far from Captain Kirk. For the first time, he’s given something to chew on besides a Tribble. He’s got a very Harrison Ford-y thing going on. They’re a good team. From now on, Gadot in Hebrew will mean “thank god.” She is stunning.

“Wonder Woman” will be a franchise. The question is, can Jenkins keep it economical like this and not let studio tendencies blow the sequels to smithereens. Please, no crazy cameos from celebs or extraneous people. (Lynda Carter is allowed, yes.) But otherwise the simplicity of this “Wonder Woman” is what makes it tick. Warner Bros. is saved from the agonies of “King Arthur.”

(Review) A Great “Wonder Woman” Movie Gets it Comic Book Right, Will Save Warner Bros., DC Comics, and the World

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If the audience last week– which included many young enthusiastic girls — was any indication, Warner Brothers will have a huge hit on their hands with their upcoming DC Comic
“Wonder Woman,” which comes out June 2nd. The LA premiere was at the Pantages Theater in Hollywood.

Bottom line: The movie is terrific, just the breath of fresh air Warners needs after many plodding Superman and Batman movies, and the box office failure of “King Arthur.”

Director Patty Jenkins started out the night with kudos for Warner Brothers. “I literally can’t believe this is the first “Wonder Woman” film. Thank you to Warner Brothers, Kevin Tsujihara, Sue Kroll and more for finally pulling the trigger on this.”

Jenkins then referenced the Manchester tragedy. “Wonder Woman” stands for love and being a hero, I want to dedicate this to the people in Manchester; love wasn’t able to reach them in time. “ She noted that some of the British cast (including the wonderful David Thewlis) wasn’t here in LA because, “we thought we were having two premieres,” referencing the one in London that was recently cancelled because of the bombings.

The director thanked producer Chuck Roven (his daughter with the late Dawn Steele, Rebecca Steele Roven, is also a producer). Jenkins talked about the actors, with whom obviously there is obvious mutual affection. Chris Pine (he plays hunky Steve Trevor) got on stage and showed off his singing skills by warbling a quick verse of “Can You Feel the Love Tonight.” Wonder Woman herself, the truly luminous and gracious Gal Gadot paid tribute to Patty: “The magical moments in you head are all in the movie. “ Pine made the final quip. “Thank you for coming out to The Pantages, I’m here the next three weeks.” “Wonder Woman,” will be around and lauded for much longer than that.

My review is here:

Jenkins gets it all comic book nerd right. Gal Gadot plays the title character and she is off the charts terrific and authentically appealing. This powerful talented actress checks every box. The camera could not love glamorous Gal more. Gal endows her Diana Prince (Princess Diana of Themyscira) with badass fierceness, warmth and endearing appeal. Most DC characters,“Man Of Steel” “Batman vs. Superman” “Suicide Squad” are caricatures, wooden with no believable or interesting inner life.

Gadot changes that. As soon as she came on screen, the audience went crazy. Jenkins smartly sticks to the mythology of the comic book. Rather than making the film all about the visuals, which are superb, she adroitly adds a substantive story and sticks to its true roots, coupled with an old school war movie sensibility and of course the ubiquitous evil villains.

The cast is A plus. Chris Pine plays the ill-fated love Steve Trevor with humor and compassion. Robin Wright and Connie Nielsen as the tough protective Amazons, Danny Huston as the wicked Ludendorff and David Thewlis as Sir Patrick all give compelling performances. At the after party, my friend’s teenage daughter told me, “It was so cool seeing this powerful woman doing all these amazing things.” And that perfectly sums it up. Bravo Jenkins, Gal and company.

Ex Game Show Host Chuck Woolery Melts Down on Twitter, Fights Accusation of Anti-Semitism

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Former “Love Connection” game show host has been melting down for the last day on Twitter. Who knew he was so crazy and awful? Now 76, Woolery is currently fighting the accusation that among other things he’s anti-Semitic. Of course, it’s possible he suffers from dementia. That would be his best defense after reading all these Tweets. All the great, smart, articulate and literate game show hosts like Alan Ludden and Gene Rayburn are rolling in their graves. PS Peter Marshall is 91, and I’m sure he disapproves.

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Soap Opera Cliffhanger: “Young and Restless” Actor Michael Muhney Social Media Silence Points to Possible Return

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Is Michael Muhney finally coming back to “The Young and the Restless”?

Soap opera fans have noted Muhney’s complete radio silence on his favorite venue of communication, Twitter, since the beginning of May. The last time the actor who played Adam Newman Tweeted something of interest was April 28. He replied to a fan’s query about his status with the show with instructions to contact CBS Daytime exec Anjelica McDaniel, Sony TV’s Steve Kent, “Y&R” producer Mal Young, and, oddly, Billy Hayes, the real life subject of the famed 1978 Alan Parker movie “Midnight Express.”

Billy Hayes? What’s the connection there? Well, it turns out that current headwriter of “Y&R” Sally Sussman is the writer, producer, and director of a highly regarded documentary about Hayes called “Midnight Return.” Sussman chronicles what happened to Hayes after his escape from a Turkish prison — including the movie and the aftermath.

Sussman, who came to the soap a few months ago, vowed not to bring back the Adam Newman character. But fans have continued a persistent drumbeat with petitions and Twitter campaigns. Maybe the correlation is that if drug smugglers deserve a second chance, so do talented but arrogant actors.

Muhney left “Y&R” three years ago for a whole bunch of reasons. The main complaint was that he was difficult and didn’t get along with the show’s star, Eric Braeden. Braeden made reference to this in a recent autobiography, but he’s also not considered the friendliest team captain in town. Muhney was also subject of a vicious rumor concerning a young actress on the show, but it was nothing more than that– and the actress has since left the show, promoted — incidentally — to CBS prime time.

Now Braeden also seems to be cutting back his on air time. At age 75, he’s not on the show every day. The time may be right for Muhney’s return. Certainly with ratings down, a Muhney comeback would be potent stuff. The fans will go wild. Muhney remains mum. Stay tuned…

Adam Lambert Would Be Happy to Be on the New “American Idol” if Ryan Seacrest Doesn’t Work Out

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There’s news this morning that ABC didn’t work out their “American Idol” deal with Ryan Seacrest before he arrived at “Live with Kelly” and the network signed Katy Perry to be a judge on the revived series.

(No one wants “American Idol” to come back, by the way. It’s way too soon. But that’s another story.)

So Seacrest faces getting paid a lot less than Perry. His team obviously planted this story for negotiations purposes. I’m sure he figures, they can’t have “American Idol” without him.

There’s also a story going around that one time “Idol” winner Chris Daughtry was signed to be a judge.

But wait– Adam Lambert wants in. At a recent ASCAP event honoring songwriter Diane Warren, our Leah Sydney asked Adam if anyone from “Idol” had called and if he’d do it.

Lambert’s response: “it could be cute and it could be huge.” Lambert told Sydney that he’s on the road with Queen this summer, but still would want to be a judge on “Idol,” and that ”it could be worked out.” 

What we don’t get is why they don’t ask Diane Warren to do it. She’d be the best “Idol” judge ever– and the most qualified. At the recent 34th annual ASCAP Pop Music awards, LeAnn Rimes performed Warren’s signature hit (among her 1000 signature hits) “How Do I Live?” ASCAP President and hitmaker Paul Williams cheered the songwriter crowd on, as they sang her songs, and Snoop Dogg kept puffing away in the Wiltern Theater.

Warren, whose talent and productivity in music is unparalleled and is still as strong as ever, was honored with the Founders Award. Relative newcomer Meghan Trainor received the Vanguard award.  Snoop presented Diane (they have collaborated before) with her award to which she quipped, “Is that a spliff you’re holding?” then asked the crowd for a light for laid back Snoop. Rimes literally stole the show with her and Warren’s mega hit, “How Do I Live.” 

Trainer recalled that her parents took her to an ASCAP Expo as a 16 year old, and thanked the group for “looking at me as a person, not just a pop star or a dollar sign.”  Sony/ATV was awarded publisher of the year. Their greast CEO Martin Bandier noted, “ It’s a great time for the music business with streaming driving up revenue.  But I don’t have to tell you songwriters are not yet sharing in this growth.” “Love Yourself” written by Ed Sheeran and Benny Blanco, was Pop Music Song of the year, and Max Martin — who writes the hits Diane doesn’t– took the Songwriter of the Year.