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Trouble: New Tom Cruise Movie “American Made” Opens Worldwide Starting This Week, US Not Til End of September

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My friends, there is trouble in River City. Or make that, Universal City.

Tom Cruise’s new movie, “American Made,” is opening this week. Only, not in the United States. This week “American Made” opened in Taiwan and the Netherlands. Next week, it begins a rollout around the world. All through the rest of August moviegoers in 20 countries will be able to see  “American Made.”

Then, in September, another dozen or so countries will get it.

Finally, on September 29th, when the entire world has cast their vote on “American Made,” the Doug Liman-directed adventure will open in the United States.

This is HIGHLY unusual. But for Universal, which just experienced rough times with Tom Cruise in “The Mummy,” it’s a preventative measure. “The Mummy” did poorly in the US ($80 mil) but very well abroad ($325 mil). So why open it here first, where American audiences’ ambivalence toward Cruise could queer the whole deal? Better to open around the world, and let grouchy US audiences see it last.

Tonight, Rotten Tomatoes published a handful of reviews from US writers. Did they like it? Even though they were lukewarm, Rotten Tomatoes labeled all the reviews positive. Because the movie doesn’t open here until September 29th, and many reviewers are on vacation, Universal was smart. They drew the second string reviewers.

Still, Variety’s Guy Lodge says comparisons to “GoodFellas” or “American Hustle,” suggested in press notes, don’t fly. He writes: “American Made” lacks the sense of moral reckoning and self-effacing human irony it needs to achieve the emotional payoff or tragicomic heft of “American Hustle,” let alone Scorsese’s masterwork.

Indeed, from the trailer below, Cruise sounds like Ray Liotta doing the voice over from “GoodFellas.” In Taiwan, they won’t care. But in the US, that may be be a problem.

So we’re in new territory here. Most blockbusters open in the US first, then around the world. Some open day and date, and a few get a couple of days head start abroad. But six weeks of “previews” before America sees it? Never. And Cruise, who loves to go on world promotional tours, is sidelined with a broken ankle and other injuries from a mishap shooting “Mission Impossible 6.” That doesn’t help.

Stay tuned. This “American Made” journey begins now and will take six weeks to unfold– again, very unusual. We will definitely see reports of HUGE box office in foreign lands. But let’s not forget, they just want to see Tom Cruise grin. The reality of “American Made” is off in the distance.

Justin Bieber Drops New Single, Todd Rundgren and WAR Want Their Song Back

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Justin Bieber has no ideas. His songs are formed from bits of material floating though the universe. He wants to be friends. Please tell him we have plenty of friends: Todd Rundgren, WAR, Bette Midler, Elton John, Carole King, James Taylor. Also, those bird sounds or whatever they are were very 2015.

Bieber’s partner here is one Michael Tucker, aka BloodPop(*trademark), who worked on Lady Gaga’s “Joanne” album.

Justin

Todd Rundgren

WAR

Elvis Presley: Big Business in Death But His Charitable Foundations Have Ground to a Halt

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Elvis Presley is alive for his fans in memory and in sales. As far as charity goes, however, Elvis has left the building. Both of the foundations connected to him– the Presley Foundation and the Elvis Presley Charitable Foundation– are moribund.

It’s the 40th anniversary of Elvis Presley’s death. Is he still popular? This year alone, according to Buzz Angle, his records have had so far 290 million streams. He’s sold almost 292,000 albums this year–2017– to date. Elvis has sold 465,800 songs– that’s singles– this year, too. Even after 60 years, ain’t nothing but a hound dog.

These days, Elvis and Graceland are money making machines. Forbes estimated that Elvis raked in $55 million in 2015. The total value of Elvis’s estate could be as high as $500 million.

Some background: Lisa Marie Presley inherited her father’s estate. In 2005, she sold 85% of the estate– except for Graceland and Elvis’s personal possessions– to CKX Inc for $100 million. In 2013, CKX sold their holdings to another company, Authentic Brands. Lisa Marie still holds that 15% plus everything done at Graceland, etc. It’s a lot of money. And it’s always coming in.

Graceland maintains a website for the Presley Charitable Foundation. But over the years this group, run by Lisa Marie, has rapidly dissipated. Registered in Santa Monica, the Presley Charitable Foundation had just $26 in revenue in 2014-15. Yes, twenty six dollars. Claiming total assets of $112K, they made exactly one donation in that year– to St Jude’s Children’s Hospital, for $4,500. (This is from their Federal tax filing form 990.)

The Presley Charitable Foundation touts low cost housing– an apartment building they put their name on in Memphis called Presley Place in conjunction with other Memphis charities. But the latest tax filing doesn’t mention the building or any other projects. The Presley Charitable Foundation lists an address in Santa Monica, California. But when I called there yesterday, a woman who answered the phone said they were long gone.

Meanwhile, there’s the Elvis Presley Charitable Foundation, registered in Memphis. Lisa Marie is president of this charity, too. On their Form 990 for 2014 which goes to the end of 2015 the EPCF had just $59,588 in its till. In 2015, they made a total contribution of $2,525 divided among four groups.

It wasn’t always this way. Back in 2006-07, the EPCF gave away $277K to mostly local charities. Even as late as 2010, they gave almost $250K to another set of locals. But the estate contributed almost nothing that year, and funds were dwindling.

According to the group’s website at Graceland.com: “The Elvis Presley Charitable Foundation receives a portion of the overall business income of Graceland/Elvis Presley Enterprises, with additional funding from the company’s royalties on specially licensed products and from special benefit events the company stages. A meaningful amount of the EPCF’s funding also comes from donations made by Elvis fan clubs and individual Elvis fans and admirers from around the world.”

Of course, as with most celebrity families there are a lot of mouths to feed. Lisa Marie lives off the estate. She has four kids by two ex husbands and is currently in a bizarre divorce/custody battle with the most recent one. (The two other ex husbands– Michael Jackson and Nicolas Cage — didn’t need her money.) Then, of course, there’s her mom, Priscilla Presley, who helped turn Graceland into a huge business, and Scientology, to whom both Lisa Marie and Priscilla have given money in the past.

But at least one of Elvis’s descendants turns out to be a surprise bread winner– Lisa Marie’s daughter, actress Riley Keough. She’s been a total success, currently starring in Steven Soderbergh’s “Logan Lucky” and the director’s TV series, “The Girlfriend Experience.” She turns out to be Elvis’s greatest legacy.

Katy Perry Delays “Witness” Tour by 12 Days “Due to Production Delays”

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Katy Perry won’t be able to get a Witness until September 19th. Her tour to back her Witness album has been delayed by 12 days. It was supposed to kick off September 7th.

In a statement Perry says: “Due to unavoidable production delays, major elements of my tour stage design could not be available for me to rehearse on until this week,” said Katy Perry. “I’ll be spending the next few weeks taking the time to properly prepare the show to be an experience I am proud to share with you. I’m sorry for any inconvenience this causes, but hope everyone who sees the show will agree it was worth the wait.”

According to a press release: “WITNESS: The Tour is an imaginative trip from outer-space to inner-space, from the planets to the bottom of our oceans, and a musical journey through Katy Perry’s biggest milestones and mega-hits right up to her latest album. The dramatically original staging means that there isn’t a bad seat in the house, when Katy brings out her band and dancers, along with all the bells and whistles.”

I’ve seen Katy at Madison Square Garden. These shows are like something from Ringling Bros (without the animals). When there are “Fireworks,” it’s intense. Every song is a set piece often requiring acrobatics and pyrotechnics. It’s not like the old days when Carly or Carole or Joni just played their guitar or piano. It’s not even like Bette Midler coming out of a clam shell. If something went wrong, it would be a disaster on the scale of “Spider Man” on Broadway. So take all the time you need, Katy.

Trump Lawyer Posts Tweet He’s Not a Racist, Has a Lot of Black Friends

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This is my favorite Tweet of the day from the nut house. Much better than anything from Trump himself. Trump’s in house counsel in Trump Tower (built, by the way, on a lie after Trump knocked down Bonwit Teller and destroyed its landmark doors) Michael Cohen– Just because he supports Trump doesn’t make him a racist. So he posts a lot of photos of himself with black people. The message: “A lot of blacl people are my best friends.” I can’t help thinking of Sammy Davis, Jr. kissing Archie Bunker. Norman Lear must apoplectic at this point. They finally give him a Kennedy Center award and he’s not going to go near it. Cohen is just absolutely clueless. This is so embarrassing.

Review: “The Only Living Boy in New York” Features a Little Simon & Garfunkel and a Rogues’ Gallery of Hip New Yorkers

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In “Baby Driver,” the whole  musical pay off to the film is Simon & Garfunkel’s title song at the end. Not so in the other movie this summer named for one of their tunes. You only hear a nanosecond of the “The Only Living Boy in New York” on this movie’s soundtrack. Oh well, maybe they couldn’t afford more.

The title refers to a book about a young man, Thomas Webb (Callum Turner) coming of age in New York, discovering his manhood. It helps that he is surrounded by beautiful women, a girlfriend Mimi (Kiersey Clemons) who, wanting to stay friends after one hot night, is as much adrift as he is but will go to Croatia, a mysterious woman (Kate Beckinsale) he stalks, and his mother Judith (Cynthia Nixon) whose oxygen comes from giving dinner parties. In one clever scene, she presides over the table with a rogue’s gallery of New Yorkers: Ahn Duong, Debi Mazur, Tate Donovan, Wallace Shawn, types who make you ask, why wasn’t I invited?

Two prominent men figure in this story, his father Ethan Webb (Pierce Brosnan) who works in publishing, and an eccentric neighbor (Jeff Bridges) who stands in as a father figure, doling out sage advice. Without giving too much away, there’s a novelistic twist here, from scriptwriter Allan Loeb, who was advised to write this as a novel: “A novelization may be written, but not by me,” he told me. Marc Webb’s fine direction takes the risky narrative strategy to a fully satisfying end. No, Thomas does not meet up with Mimi in Croatia, but he does forge an enviable bond with his dad, despite having slept with his mistress.

Guests for a sumptuous after party at the newly refurbished Bar 65 at the Rainbow Room, quipped, yeah, publishing is really like that. Yeah, right! But hey, there is a love letter quality to the way New York is shown, matched too in the top-of-the-world views from the jewel in Rockefeller Center’s crown. While Cynthia Nixon and Kate Beckinsale greeted well-wishers, Jeff Bridges, though introduced at the MoMA screening, did not make it to the party, and Pierce Brosnan was rumored to be in Hawaii. But London-based Callum Turner, the lead after all, carried on at the bar—he’s also in “Fantastic Beasts”—and Kiersey Clemons told me her next movie is “Hearts Beat Loud”; she’s thrilled that Blythe Danner will play her grandmother.

Whew! Here’s a Live Video from Van Morrison Singing His New Song, “Transformation”

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Whew! See, things will be okay. Van Morrison has a live video of his new hit, “Tranformation.” New album “Roll with the Punches” comes out September 29th. Jeff Beck plays on the studio version.

Van says in a press release: “From a very early age, I connected with the blues. The thing about the blues is you don’t dissect it–you just do it. I’ve never over-analysed what I do; I just do it. Music has to be about just doing it and that’s the way the blues works–it’s an attitude. I was lucky to have met people who were the real thing–people like John Lee Hooker, Jimmy Witherspoon, Bo Diddley, Little Walter & Mose Allison. I got to hang out with them and absorb what they did. They were people with no ego whatsoever and they helped me learn a lot.”

Transformation by Van Morrison on VEVO.

Broadway: Bill Murray’s Visits Didn’t Help, “Groundhog Day” Will Close Anyway Next Month

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It’s all over for “Groundhog Day.”

I told you on Monday that Bill Murray’s two visits last week to the Broadway show based on his hit movie helped the box office– a bit.

But the $96,000 Murray added wasn’t enough. “Groundhog Day” will close on September 17th. It joins “Bandstand” and “Natasha, Pierre and the Great Comet” as shows that– without winning Tony Awards– failed to find audiences.

Andy Karl was nominated for Best Actor in a Musical for “Groundhog Day.” He was killed off of “Law & Order SVU” so he could play the role. Maybe they can bring him back as a twin.

Next to go should be “A Doll’s House, Pt. 2” which no one is going to, “1984”– a puzzlement anyway, and “War Paint.” The whole 2016-17 season is going to be left with “Evan Hanson,” “Hello, Dolly!” and two terrible musicals cashing in on movie tie-ins– “Charlie and the Chocolate Factory” and “Anastasia.”

Ratings Disaster: Showtime’s “Twin Peaks” Reboot Fails to Make Top 150 Cable Shows for Sunday Night

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“Twin Peaks” has just three episodes to go (the finale September 3 is a double), but it’s over as far as everyone is concerned.

The Showtime reboot failed to make the top 150 cable shows on Sunday night. It was beaten by everything. The number 150 show, “Ouija: Origin of Evil” on Cinemax Prime, scored 124,000 viewers. “Twin Peaks” was somewhere below that, in a space that can’t be counted. Even I couldn’t be counted since I was at the Khalid show and watched the extremely daunting Part 14 on the Showtime press site.

Meanwhile, “Game of Thrones” won the night with 10.7 million viewers for the HBO show.k

Showtime at least can be happy about “Ray Donovan,” which took in 1.1 million viewers after “Twin Peaks” at 9pm. And the comedy “I’m Dying Up Here” benefited from “Ray Donovan” and had 240,000 viewers– not great but something.

Moving “Twin Peaks” to 8pm was supposed to help the ratings. But this past Sunday, at 8pm on cable most everyone was watching sports or something on TLC called “90 Day Fiancee.”

No one knows what “Twin Peaks” cost but let’s say 18 episodes cost at least $9 million on the low side, ad $18 million on the high side. The show has lots of name actors, and a ton of special effects. But ratings have collapsed from Part 1, usually resting around 240,000 viewers. The fact that fewer than 124,000 showed up Sunday really seals the deal.

Part 14 was just as frustrating as the entire 13 that preceded it. There’s no plot, a lot of filler, long pointless scenes. There’s no continuity. People come  and go. On Sunday, Kyle MacLachlan– the star– wasn’t even on the show. But several members of producer-director David Lynch’s family were including his wife, Emily Stofle, who’s appeared in several episodes for no particular reason. (She plays a character no one knows, who discusses people we’ve never heard of and don’t care about.)

Sunday’s episode was full of special effects and weird stuff that connected to nothing. Lynch has indulged himself playing FBI chief Gordon Cole, who used to be a minor ingredient in the old “Twin Peaks” and here takes up screen time for no purpose. Cole’s continued trait is that he’s hard of hearing and must shout all the time. He hears nothing. This is an embarrassing hiccup in 2017.

On Sunday, Italian actress Monica Bellucci also played herself, in dream Cole has. Why? I guess, why not? She has no connection to the show, and the dream didn’t further the plot. Sitting next to Bellucci in a cafe was actually someone I know– a French journalist and publicist named Melita Toscan du Plantier who ran the late lamented Marrakech Film Festival in real life. She looked good.

This week: unicorns? Spaceships? Viewers?

Very Good “Logan Lucky” Has Daniel Craig Ditching James Bond, a Script Written by A Phantom, No Red Carpet Premiere

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Steven Soderbergh’s heist comedy “Logan Lucky”– we’re lucky to have it. Like the Logan family, we were having a cursed summer. But here’s an original film that’s so entertaining, funny, witty, well made, acted, directed and,hmmm… written by someone.

Someone is Rebecca Blunt, who is either Soderbergh using a pseudonym, his wife Jules Asner, some member of Emily Blunt’s family, or an actual person with that name who somehow scored her first screenplay with a two time Oscar winning director.

I’ll say it’s Soderbergh. Leave it at that.

Soderbergh, you recall, was supposedly retiring from filmmaking. He was done. And then he wasn’t.

Well, he’s back just in the nick of time with “Logan Lucky,” a clever heist movie with a lot of inside jokes and humor. One of the characters refers to their job– stealing all the money from the Charlotte Motorway during a NASCAR race– as “Oceans 7-11.” LOL.

Instead of Clooney, Pitt, Roberts and Zeta Jones– cool, classy– we get Channing Tatum and Adam Driver as white trash brothers from West Virginia, their sister (Riley Keough– best yet– Elvis is smiling), Daniel Craig as a smarter than you think jailed con, Katie Holmes, Seth MacFarlane (hilariously unrecognizable as a Brit billionaire a la Richard Branson), with Hillary Swank as dessert.

There’s just enough character development that you get it, we know the story right away, who’s with who, backstories, all simple and clean. (Thanks, Rebecca Blunt.) Then we have the heist–also clean, told one way first then we back up to get what really happened. The looting of the Motorway is totally ingenious– it involves pneumatic tubes. That’s all I can say.

Daniel Craig is so happy not to be James Bond, he’s grinning through the whole film. He has one of the show stopping scenes involving bleach pens and a plastic bag. Channing Tatum, shirt on whole movie, is completely winning. He really is the Danny Ocean of this group, and pulls it with aplomb. Kudos.

Great country rock soundtrack. Editing by Soderbergh, as usual. One spoiler– “Game of Thrones” is used as a knockout punchline– you’ll see. Katherine Waterston has a minor role but it’s always good to see her.

I’m a huge Hillary Swank fan, so I was thrilled to see her come in to try and clean this craziness up. Maybe I’m reading into it, but I thought she was doing a little Dirty Harry as her own inside joke.

“Logan Lucky” is depending on reviews– so far 96 to 100 on Rotten Tomatoes. They had one weird premiere in Tennessee with Tatum and Soderbergh. No one else. No New York or Hollywood publicity. I guess the screenwriter thing is being avoided, and maybe Craig didn’t want to answer questions from nosy reporters. Despite all that, it’s going to work out.