Box office update: “Hitman’s Bodyguard” made $21 million over the weekend and finished at number 1. That’s a very soft number 1. The only reason it did that well wasn’t from reviews– they were bad– but it’s a kind of Marvel Comics reunion of Deadpool– Ryan Reynolds– and Nick Fury– Sam Jackson. Unfortunately, their super powers were lacking. “Hitman” at least wasn’t suicidal.

“Logan Lucky” has a 93 on Rotten Tomatoes. But it’s DOA with $8 million for the weekend. Come on people– go see a terrific heist movie. What’s wrong? What’s wrong is NO MARKETING. No publicity. No appearances on talk shows. No buzz. Jeez Louise. Why bother? Now Steven Soderbergh with will retire again. I sure hope not.

The good news: “Girls Trip” is the only comedy of 2017 to cross the $100 million line. Mucho congrats. Universal has a franchise now. Two sequels– why not? A Boys Trip? Boys and Girls Trip? Keep em coming.

“Logan Lucky” is Steven Soderbergh’s comeback film with Channing Tatum, Daniel Craig (James Bond, for goodness sake) and a neat cast. On Rotten Tomatoes it has a 93. It’s a smart funny heist movie.

“The Hitman’s Bodyguard” with Ryan Reynolds and Samuel L. Jackson has a 40. No one really liked it, it was sort of a cliche ridden romp for movie stars, without much thought. The director, Patrick Hughes, is not considered A list.

But “Hitman” did almost three times the business last night, taking in $8 million with very little press or promotion– it sold on the names.

“Logan Lucky” wasn’t very lucky– $2.8 million on Friday night signals a disaster. It also had very little publicity– nearly nothing except a small premiere in Tennessee.

What a mess. For LionsGate, “Hitman” is a cookie cutter success. It’s right off their conveyor belt. For little indie Bleecker Street, “Logan” could have been a breakout. But it tracked poorly and no one from the production– save for Tatum and Soderbergh– put much effort into promoting it.

“Logan Lucky” won’t even finish second for the weekend. That honor goes to holdover horror film “Annabelle Creation.” If only “Logan” had been as Lucky as the Wolverine movie “Logan” from earlier this spring.

The “Hitman” success is moderate. And the total box office for the weekend will be scarifyingly low.

“Leap!”—directed by Eric Summer and Eric Warin– is a clever Swan Lake for kids with lush animation. But it’s also a lot of fun for adults. A hit all over the world, “Leap!” has been smartly recast with American actors who bring their own sensibilities starting with Elle Fanning as Felicie, the young heroine trapped in a French orphanage in late 1880s Normandy. She dreams of being a prima ballerina in Paris. But that means escaping the confines she’s known since childhood. Wait til she meets a cast of characters in Paris, some who help and many who hinder her trajectory to fame and happiness.

Fanning — who’s become the go-to late teen actress–  plays it straight and lovely so the gang of scene stealers around her can do their bits. Kate McKinnon– playing three roles but mainly the deliciously evil Regine LeHaute — is an essential addition to the canon of wicked witches like Cruela deVil and Cinderella’s stepmother. (McKinnon can do no wrong, and luckily Regine seems like she was drawn just for her.)

The great Mel Brooks is hilarious as the proprietor of the Normandy orphanage from which Felicie (Elle Fanning) wants to escape. (He has at least one line that made me laugh out loud. Wait for it.) Felicie has competition in Regina LeHaut’s daughter, Camille (a lovely sneering Maddie Ziegler). Luckily, Felicie also has some supporters– a bff In Victor, a young budding inventor (Nat Wolff) and a mentor in Odette (Carly Rae Jepsen).

There isn’t a little girl in America who won’t want to be Felicie or identify with her. It’s a story old as time, to quote another animated classic. And guess what? It still resonates with every new generation.