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Tale of the Videos: Taylor Swift Scores 71 Mil YouTube Views for “Me!” vs. Madonna’s 9 Mil for “Medellin”

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This week, Taylor Swift and Madonna, each the biggest female stars of their respective generations, dropped new, expensive videos to promote new singles.

Swift has a duet with Brendan Urie of Panic at the Disco called “Me!” It’s about…her.

Madonna has a duet with Maluma, the Colombia pop star, called “Medellin.” It’s about…her.

With a 30 year span between them, Madonna and Taylor are linked. Their main differences: Swift does actually write her own songs, plays instruments, and can sing without much help. But then Madonna is the bad girl to Swift’s goodie two shoes. And Madonna has challenged the culture on every level.

Nonetheless, it’s 2019. Swift’s young voice is what radio listeners of her generation want to hear. Since Thursday night, Swift has scored 71 million views on YouTube. The single is number 1 on iTunes.

Madonna’s single is not on the iTunes top 100. And the video has been 9 million times. Swift has taken the “Me” out of “Medellin.” All that’s left is Dellin, whatever that is.

Madonna isn’t the only older artist who’s suffering. Bruce Springsteen released a single Thursday night. It’s number 18 on iTunes. Plenty more have released music that’s made a brief appearance on the charts, then vanished. That’s the way it is now. Mariah Carey, for example, is still trying to revive her “Caution” album with remixes of the songs. Unfortunately, that’s over.

Record Shattered: “Avengers: Endgame” Opening Beats “Force Awakens” With $96.7 Mil Friday Plus $60 Mil from Thursday Previews

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Disney- Marvel’s “Avengers: Endgame” broke opening day records yesterday with $96.7 million, plus $60 mil from Thursday previews. That’s a total of $156.7 million!

The previous record holder was Disney-Lucas Films’ “Star Wars: The Force Awakens,” with $119 million.

“Endgame” is headed to a $400 million opening weekend in the widest release ever of a motion picture.

The three hour epic is sold out everywhere, too. Everyone wants to see what happens to the super heroes, some of whom were vaporized in the prior movie.

“Endgame” will end the weekend all totaled internationally with close to a BILLION DOLLARS in four days.

Luckily, I own the merchandising rights to Thor’s new larger fashion line. (Just kidding.)

“Beetlejuice” Debuts on Broadway, and Movie’s Co-Writer Reveals Why There Will Never be a Film Sequel

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“Beetlejuice” debuted on Broadway last night, and it was just as good if not better than when I saw it a month ago in previews.

Alex Brightman in the title role is so much a whirling dervish who never stops, and is all consuming. He’s just terrific and certainly my choice for a Tony Award for Best Actor in a Musical. Leslie  Kritzer, such a hit in “Something Rotten,” is breathtakingly funny in a role created for her, Delia, the kooky maybe-fiancee of the man who has bought the haunted house where Beetlejuice and the recently deceased Barbara and Adam lived.

The movie has been a cult hit since it was released in 1998, but writers Scott Brown and Anthony King, director Alex Timbers, and composer Eddie Perfect have reimagined it so there’s a second act and several story arcs that begin and end. It’s not that I think they did a great job. Original co-screenwriter Dave Wilson, who I met last night, agrees.

Wilson wrote the movie with two partners, each now deceased– Michael McDowell and Warren Skaaren. Wilson told me he’s thrilled with what the new writers have done. “I’m so pleased,” he said, “they did a wonderful job.” Wilson told me how the three partners hatched the idea of the ‘m0st haunted house ever’ in which “the living are haunting the dead.”

“Right away,” he said, “we knew we had it. The idea was to be as over the top as possible. Anything goes.” They also knew there would be a big calypso number, although he’s not sure how they settled on “Day O.” But the song’s 95 year old writer, Irving Burgie, isn’t complaining. He returned last night to see the show  again.

Wilson told me there have been many attempts at approaching a sequel to “Beetlejuice.” But it’s not going to happen. “There were a lot of idea, they were all bad. And from what I hear, Michael Keaton has no interest in it. Let this musical be the sequel.”

There were lots of stars in the audience last night, including John Mulaney, Renee Elise Goldsberry, and Daphne Rubin Vega. Richard Kind brought his daughter (her twin brother went earlier in the week to see “Tootsie”).   I met Kritzer– who must win a Tony– and the hilarious Jill Abramowitz, who has a show stopping sequence as Beetlejuice’s hardcore mother. (You have to see her!)

Ignore the Times review– blech. Everyone loves this show. Alex Timbers is a genius. Shake, shake, Sonora!

Harvey Weinstein Rape Trial Postponed from June 3rd to September 9th After All Day Hearing Was Mostly Closed to Press

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Harvey Weinstein’s rape trial has been postponed from June 3rd to September 9th.

This comes after a day long hearing that was mostly closed to the press. Judge James Burke gave the defense extra time to prepare, as Weinstein had changed attorneys and added some new ones in the last couple of weeks.

Weinstein is accused of five counts of rape and sexual assault, involving two victims, and could face life in prison if convicted.

The prosecutors want to call other women who have stories about Weinstein, but no decision has been reached. Some of those women came to court today, which is why media was shut out. Weinstein’s lawyers have argued that those women would prejudice the case.

The date of September 9th is a little ironic. It’s right in the middle of the Toronto Film Festival, Weinstein’s former field of dreams.

Billy Crystal on Taking New Co-Star to Lakers Games: “I feel like I’m his uncle, and I take him to the games, and he hides spare change and candy in my pocket”

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Billy Crystal and Ben Schwartz co-star in “Standing Up, Falling Down,” a rare gem of a film with lots of heart by Matt Ratner, who is making his directing debut. The film was a stand-out on the first full day of screenings at the Tribeca Film Festival, where it made its world premiere Thursday evening at the SVA Theater. Both stars and directors walked the red carpet and participated in a lively Q&A after the screening, along with co-stars Grace Gummer, Eloise Mumford, John Behlmann (currently on Broadway in “Tootsie”), Debra Munk and Jill Hennessy.
“Standing Up, Falling Down,” is a comic drama about the unlikely friendship between 34-year-old Scott (Schwartz) and jaded, alcoholic dermatologist Marty (Crystal). Scott has just returned to his home in Eastern Long Island after an unsuccessful stint in LA pursuing a career as a stand-up comic. Scott first encounters Marty when the older man is failing over drunk in a local suburban bar. Scott then unknowingly meets Marty again in his dermatology clinic where the younger man goes for treatment for a skin rash.
The two discover they have a lot in common; they each have failures, issues and heart ache and come to lean on each other for support and enlightenment in an attempt to get their lives together. Crystal, whose character  is a sad sack of a man, a widower, and estranged from his two children, has never been better, especially in scenes that draw on his full range as a dramatic actor. His comedy chops are sharp as ever. And Schwartz as a comedic and dramatic actor will be a revelation to audiences who know him mainly from his work in the comic series “Parks and Recreation.” Also an improv actor known for his work with the Upright Citizens Brigade, Schwartz is fast on his feet, terrifically funny during the Q&A with Crystal, where the duo demonstrated what a natural rapport they have, which came across vividly on screen.
On the red carpet, I asked Schwartz, who is charming and has an incredible, preternatural head of hair, what drew him to making the film?
“Well the biggest thing is Billy Crystal because to me he is an icon of all icons. And I was told at the beginning when I got the script that he had chosen me, like he was one of the reasons it went out to me. So, immediately I was flabbergasted that he knew who I was. And to get into the role, and it’s just a matter of us reading it all together,” he said. “We looked at that script, we worked on that script, and we made it something we were really excited about.”
I asked Schwartz how he connected to his character of a failing stand-up comic?
“The character is so in my head at the very beginning of my career,” Schwartz said. “I was in improv comedy, and there’s always that fear of you don’t know what’s going to happen, you hope you make it, you try so hard, nobody wants to see you, nobody’s coming to my shows. And this character at the very beginning (is in this same situation). And it’s something I’ve connected to very strongly because it’s like ‘Oh this person really wanted to do this, and he failed, now what happens? How does he find his confidence again?’ So as someone as a comic I could understand that person, I can feel who that person was.”
As for what it was like working with Crystal, Schwartz told me:
“He’s incredible, I’ve seen every movie he’s ever done. And then when you see him for the first time in real life you’re like ‘Woah!’ And then you calm down and then you’re like ‘Oh I get to do a movie with him now’. It’s just, it’s wonderful, it includes everything you want it to be and it’s as brilliant as you want it to be, and he’s very talented, and he was down to improvise, and he was everything I’ve hoped that he would be.”
Crystal and Schwartz became close friends, even going to basketball games together, where during the Q&A someone asked if it was really them he’d seen on TV sitting court-side together at an NBA game.
“Yeah, we [effing] were,” said Schwartz. “For me, let me say this. To me Billy Crystal who, to me is not only an icon, not only a legend, but his films, I was raised on. ‘When Harry Met Sally,’ And then, I grew up with ‘City Slickers,’ and you start saying hello. You grow up with someone who shaped your life as a comedian and as a human being. And then you meet him, and he has an incredible family, and he has an incredible wife, and I got to learn so much as a human being and as a comedian. But we’re also enormous NBA basketball fans, truly.”
Said Crystal, “And I’ve had these seats, and he keeps bugging me. Can I go? Can I go? And whenever someone doesn’t go, I get these texts. I have a vibe that no one’s going. Can I go? And he said we go a lot together. And I feel like I’m his uncle, and I take him to the games, and he hides spare change and candy in my pocket.”
Added Crystal, “We’ve become great friends. And I love the energy of the whole movie. We were basically changing in our cars or some terrible place,” he laughed. “These young people committed to supporting and making this movie the way we all felt it should be, and that was kind of thrilling for me to come to the set every day with challenging material. I don’t drink, so I had to sort of learn-how, and that was fun. And we go to the games and we smashed. We just get smashed at the game, and we say it’s research, it’s just research. Yeah, we’ve gone several times and we’re doing another one (Q&A’s) of these tomorrow, and with regrets my Clippers are playing at the same time the screening is. So, I’m going to say goodnight now.”
Photo: c2019 Showbiz411 by Paula Schwartz

Ron Howard Shows His “Pavarotti” Documentary for the First Time and Wins Bravo’s from Shania Twain, Steve Perry, Diane Warren

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There is a reason Ron Howard is as respected as he is as a filmmaker.  His latest, “Pavarotti,” is a cinematic gem about the larger than life, singular operatic genius Italian tenor international superstar Luciano Pavarotti.

Last night at CAA in Los Angeles, Sir Lucian Grainge, Rob Light and CAA’s Richard Lovett hosted the film’s packed first screening.  Ron Howard told the VIP crowd, which besides being filled with industry execs including Ron’s Imagine partner Brian Grazer and Co-Chairman Michael Rosenberg, as well as Shania Twain, Steve Perry, Peter Asher and 10 time Oscar nominee Diane Warren.

Howard told the audience that “my introduction to the documentary world was not so long ago through Brian, who delved into docs.  I never got terribly involved. I had lunch with [the late] Jonathan Demme and I expressed to him that I wanted to do docs and that I was just a little terrified.  His answer to me was, “dude, just do it. You’re going to love it, and you’re going to learn something and tell stories.  Jonathan was right.” Ron previously directed docs on Jay Z and The Beatles.

Howard went on to thank everyone involved including Grainge, and pointed out that Lucian was named after Pavarotti, to which Lucian agreed from the audience.  Ron talked about the previously unseen footage, (Pavarotti’s performances worldwide are enchanting) and how he couldn’t have done it “without the blessing of the Pavarotti family. “ Howard then quipped, “This is the first time I’m seeing it without a pad and notes, so no more changes.  You all better like it, damn it!”

Howard has nothing to worry about.  You don’t have to be an opera lover to enjoy this film.  It’s a true work of art for all people, like Pavarotti himself.  Bravo, Ron Howard! You have an operatic sized grand slam with this one, a certain awards favorite and a deserved Oscar contender.

“Pavarotti” a CBS Films, Polygram Entertainment, Brian Grazer presentation, along with Imagine Entertainment and White Horse Pictures production, will be in limited release on June 7th.

 

 

 

 

Photo credit: Chris Whitaker

 

French Legend Catherine Deneuve Would Love to Work with Woody Allen: “He is a man of immense talent. I don’t know what would stop me!”

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Legendary French actress Catherine Deneuve has a message for Woody Allen: she wants to work with him.

In a new interview in Paris Match with their famed Hollywood reporter Dany Jucaud, Deneuve says if Woody offered a role, she’d take it in a minute.

“I would love to work with him, he is a man of immense talent,” Deneuve tells the magazine. “I don’t know why I wouldn’t accept an invitation. What would stop me?”

That’s good news for Woody, whose biggest hit ever was “Midnight in Paris,” shot in the French capitol. Also, Deneuve is only 75 years old, so she’s perfect for Woody, who’s 83. She’s a younger woman! They would make a great couple on screen.

Deneuve, who only has 1 Oscar nomination, has a dozen nominations from the Cesar Awards and two wins for Best Actress. Her great movies include “Indochine,” “Belle du Jour,” and “The Last Metro.” Woody, who’s directed several actresses to Oscar wins, would be a great collaborator.

Meantime, Woody’s popularity in France has not faded. As I wrote a few weeks ago, his French distributor, MARS, wants to release his “Rainy Day in New York” even if Amazon won’t release it here.

 

“Avengers: Endgame” $60 Million Thursday Previews, Largest Ever, Beats “The Forces Awakens” by $3 Mil

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Here we go!

“Avengers: Endgame” took in $60mil last night, largest ever preview night. It beat “The Force Awakens” by $3 mil.

“Endgame” is on track for a $300 million opening, shattering all records. It now has $305 million including foreign markets that had a 24 hour jump on the US.

A billion dollars should be in the Disney till by Sunday night.

They do talk about friendship and family over money in “Endgame,” but hey– the money is the endgame!

All of this record breaking stuff is very exciting. And it will be until “Star Wars: The Rise of Skywalker” comes in December. And it’s all from Disney! This is no Mickey Mouse stuff, as they say!

Taylor Swift’s Color Drenched EXPENSIVE New Video is a Duet with Brendan Urie Called “ME!”: This is What 2019 Pop Sounds Like

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Taylor Swift dropped a new single tonight. It’s a duet called “ME!” for a good reason, it’s about HER. The song could have been called “It’s All About Me,” but why waste those other words? Brendan Urie of Panic at the Disco is her partner in crime in what could the Song of the Summer of 2019. It’s a very expensively made video, you can the $$$$$ money everywhere. It’s got HIT written all over it. A whole summer of this. If you’re young, it’s fine. If you’re old, you want the Springsteen single. Note to Madonna: THIS is what 2019 sounds like. “Medellin” sounds like 1989.

Listen to Bruce Springsteen’s Great New “Hello Sunshine” Recalling Jimmy Webb, Glenn Campbell, Harry Nilsson, John Hartford

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If John Hartford’s “Gentle on My Mind” and Fred Neil’s “Everybody’s Talkin’ at Me” had a single, it would be Bruce Springsteen’s “Hello Sunshine.” I love it, it’s perfect for summer. Bruce signals Glenn Campbell and Harry Nilsson from 1968-69, and Jimmy Webb’s “Wichita Lineman.”

Yesterday people misunderstood that he was coming with a “Western” album. It’s not country western. It’s California, Arizona breezy southwest pop. The music lush and melodic. You won’t be able to forget this song.

We’ll have to ask Bruce if this a 50th anniversary thing. His song could go in the soundtrack of Quentin Tarantino’s “Once Upon a Time in Hollywood,” set in 1969. It’s a very specific sound. I can’t wait to hear the album!