Friday, December 19, 2025
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Bradley Cooper, Robert De Niro Have a “Silver Linings” Reunion at the Annual Arthur Miller Foundation Dinner

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Rebecca Miller, daughter of the late really great playwright Arthur Miller, started a foundation in her father’s name a few years ago. Last night, Oscar nominee Bradley Cooper hosted the annual dinner, a small affair held in the cold, drab 2nd floor of the Kimpton Eventi Hotel on Sixth Avenue. The reason for the location? Their old west Soho setting, City Winery, is gone, set for demolition by Disney-ABC.

It didn’t matter one bit that the concrete ballroom was freezing and that you could hear construction going on outside. (Jackhammers, no less, at 9pm.) For some reason, this event works wherever you put it. Maybe it’s because Miller, who is a writer, director, mother, and wife to Daniel Day Lewis, knows the right ingredients for a successful evening. A top notch jazz combo warmed up the crowd under the aegis of Julie McBride. They swung!

So Cooper hosted, which meant making announcements and introducing guests and awards winners for the night. He wore a street suit and approached the job with enthusiasm. Honorees included Pulitzer Prize winning playwright Suzan Lori Parks and music educator Keeshon Morrow, assistant principal and director of arts at the Repertory Company High School for Theater Arts.

There were rousing versions of Cole Porter songs from Broadway heavy weights Sutton Foster, Lena Hall, and Raul Esparza as well as a very winning Darren Criss (who performed a very endearing version of “Let’s Do It,” accompanying himself on guitar). The scene stealer of the night was Ayodele Casel, tap dancer extraordinaire who was trained by Gregory Hines. Each of the performers told an anecdote about their favorite theater teacher, as the AMF’s mission is to bring theater education to public schools.

Halfway through the dinner, the one and only Robert De Niro arrived and took his seat next to Cooper. They’d played father and son in the wonderful “Silver Linings Playbook.” Before this, Cooper had told me how in awe he was of De Niro’s performance in “The Irishman,” which he considers a masterpiece. When I told De Niro his ears must have been burning, he just smiled. How’s he enjoying Oscar season? “It’s okay, it’s okay, I’m having a good time. It’s better than the opposite.”

Cooper showed me a picture on his phone of his two and a half year old daughter, Lea, with model Irina Shayk. “She’s bi-lingual, she can speak Russian,” he said, proudly.

Later Tony Kushner, the Pulitzer Prize winning author of “Angels in America,” took the mic to salute Parks. “I’m sitting at the same table as Robert De Niro,” he said. “So in your honor, Fuck Trump!” Everyone laughed.

Parks is hard at work on the 8 part “Genius” series about Aretha Franklin for Imagine TV and the Discovery Channel. Cynthia Erivo plays Aretha, Courtney B. Vance plays Aretha’s father Reverend C.L. Franklin.  “We cover everything,” she said of the series, which starts shooting in Atlanta next week.

Despite being retired, Daniel Day Lewis was not in attendance. I didn’t ask about him. Miller is a powerhouse in her own right. She did tell me that her 97 year old aunt, the great actress Joan Copeland, is “looking for work.” What does she want to play, I asked? “She’s open to anything,” Miller said. Casting directors take note. She’s not kidding.

Kanye West Next Stop for Sunday Service: An “Opera” at the Hollywood Bowl, Tickets at $1,000 Plus

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Kanye West is in his manic period. He declared himself the greatest artist ever, as decreed by God. He spent Sunday with televangelist Joel Osteen.

Now Kanye has announced he’s producing an “opera” called “Nebuchadnezzar” on Sunday November 24th at the Hollywood Bowl. Seats are up to at least $1,000 on Stubhub.com. Religion pays. Kanye has figured out a way to make money well beyond sneakers or downloads.

The “opera” will be directed by Vaneesa Beecroft, the Italian avant garde artist Kanye has worked with in the past. She mixes fashion and music, sort of like “Sprockets.” She’s put on Kanye’s odd beige runway shows for his ill fitting clothing. Now they’re taking on Jesus, who is King. Although, really, for Kanye, Cash is King.

Sounds like Kanye will be sampling Puccini’s “Nabucco,” about the longest-reigning monarch of the ancient Mesopotamian kingdom of Babylon. His fans will think he wrote it, Puccini’s dead so there’s no sampling fee, and maybe he’ll get Nabisco to underwrite it with Ritz crackers.

There’s a sucker born every minute. And Kanye’s finding them, one at a time.

 

 

Taylor Swift Wins Taking Her Case to the Court of Public Opinion, She Can Sing Her Old Songs on AMAs, Old Record Label Caves

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Taylor Swift has won. She can sing her old songs this Sunday on the American Music Awards. Big Machine Records and Scott Borchetta have caved. This is what they say:

“The Big Machine Label Group and Dick Clark Productions announce that they have come to terms on a licensing agreement that approves their artists’ performances to stream post show and for re-broadcast on mutually approved platforms. This includes the upcoming American Music Awards performances. It should be noted that recording artists do not need label approval for live performances on television or any other live media. Record label approval is only needed for contracted artists’ audio and visual recordings and in determining how those works are distributed.”

Big Machine is worried that Taylor will sing her old songs live, and they will then be streamed or bought in place of the masters they paid $300 million for earlier this year. But that’s what’s going to happen. What won’t happen is that new versions of Swift’s old hits will replace the established ones on radio and in the mainstream. That never happens. But that’s another story.

Taylor was smart. She took her case to the court of public opinion. And she won, hands down. She’s very good at playing this card so far whether she’s right or she’s wrong.

A big part of this panic was what she could play at the AMAs if Big Machine put its foot down. The Grammys would not want her singing songs from her current hit album now in November on ABC, another network. They are counting on an exclusive performance on CBS January 26th of songs from “Lover.” That would not have worked out at all.

So, crisis averted. But next up are Taylor’s four summer concerts in gigantic stadiums. And even though those will be pitched toward “Lover” songs, she’ll want to do some of the old ones. And then there’s the issue of her Netflix special. But for now, this show will go on. And the AMAs got a lot more publicity than they could have ever hoped for. Now if only some other record companies will prevent their artists from performing (not saying who), we might be thrilled!

Broadway: Six Hour “Inheritance” Opens Looking for 2020 Tony Awards, But Martin McDonagh’s “Hangmen” Will Come in Spring

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The six hour play “The Inheritance” opened last night on Broadway, with eyes on the 2020 Tony Award for Best Play next June.

Matthew Lopez’s play already has strong competition from Adam Rapp’s “The Sound Inside,” now playing at Studio 54 to rave reviews with Mary Louise Parker.

But now comes news that Martin McDonagh’s great play “Hangmen,” which had an off Broadway run last season at the Atlantic Theater Company, is coming in February 2020. Look out. This one will be tough to beat. For one thing, it has three powerhouse producers: Robert Fox, Jean Doumanian and Elizabeth I. McCann.

But wait, stop: three great original plays! Who’d-a thunk it? Broadway really is cyclical.

“Hangmen” hasn’t announced cast yet, but I can only hope most of the original cast from the Atlantic will return. Last year the story was that star Johnny Flynn couldn’t transfer to Broadway because his wife was expecting a child. That little girl, Ida, is now two years old. I’m sure she can take care of herself by now!

Meantime, “The Inheritance” opened to a lot of praise and respectful reviews. Lopez sort of mixes “Angels in America” with E.M. Forster’s “Howard’s End.” Sort of. A very talented newish playwright, Lopez could use an editor. There’s no reason this should be split over two nights. I saw part 1 on Saturday. It rises to brilliance in some plays, but becomes pedantic and preachy in a long stretch that could easily have been cut.

The overall production rises above the minutiae however. There are usually 10 men on stage at one time. Stephen Daldry’s direction is so facile that you don’t see it unless you’re looking for it. In another director’s hands I don’t know how this would have worked. But he keeps everyone moving in subtle ways.

The actors are all top notch, but three of them stand out: Kyle Soller, the lead character named Eric Glass, is our eyes and ears through this journey to explore gay life in New York post-AIDS crisis. He’s a little like Snoopy as he pads through the many plots and twists. Eric is the solid citizen, the tentpole, so it’s not a showy role. But Soller is an extremely likable guide.

Two more outstanding performances come from the “older” men (haha– my age). John Benjamin Hickey and Paul Hilton are a couple. Hickey is a real estate billionaire. They’ve been together for 36 years but the relationship is dormant, they’re rarely in the same place. I’m not even sure if they’re in the same scene together. But their dynamic, and these actors’ talents, make “The Inheritance” eminently watchable.

Will I return for Part 2? Yes, on a separate day. Lopez is smart. He’s got the legendary Lois Smith in Part 2, at the end, and she can’t be missed. Plus, the whole point of this thing turns out not to be AIDS or the gay journey but real estate. Howard’s End was a house in Forster’s book. In “The Inheritance,” there’s a country house up for grabs, and we want to see who gets it.

Warning: the end of Part 1 is quite moving, as said house becomes something quite transcendent. What a way to place a cliffhanger!

Trump Will Give Medal of Arts to All-White Gang of Supporters: Jon Voight, Alison Krauss, Sharon Percy Rockefeller, Et Al

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CORRECTED: Donald Trump will further degrade awards giving when he gives the National Medal of Arts to an all white group of people this Thursday, most of whom are his ardent supporters.

The big name is actor Jon Voight, who loves Trump and is as right wing as you can get. Even though he won an Oscar for “Coming Home” in 1977, Voight is outspoken for Trump. He also filmed a role in an anti-abortion movie that’s been long in the making. I doubt his daughter, Angelina Jolie, will come to the White House ceremony.

Others include bluegrass singer Alison Krauss, and WETA president Sharon Percy Rockefeller. She’s the wife of former West Virginia Democratic senator and governor Jay Rockefeller. Trump loves West Virginia because he can do big rallies there and the people think he’s helping them. Sharon also ran WETA, a PBS station. (Ironically Trump has tried to eliminate funding for PBS). Also receiving the Medal of Arts are all the military marching bands. There might be some non-white people in there.

The group is rounded out by the Claremont Institute, philanthropist Teresa Lozano Long, chef Patrick J. O’Connell and author James Patterson. The former is a prominent conservative think tank. Long and her husband, who are at least 90, are Republican philanthropists from Austin, Texas. Patterson– I’m not surprised he’s with Trump, are you? He went from the ad biz to creating a bestseller factory of junk thrillers. Why is O’Connell getting the award? I’m sure there’s some nefarious reason.

According to the Atlantic Monthly, a committee made recommendations to Trump, but they were ignored.

Christine Blasey Ford Surprised With Standing Ovation at ACLU Gala in Los Angeles by Judd Apatow with Special Bill of Rights Award: “We need to thank courageous whistleblowers”

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Christine Blasey Ford, who accused Supreme Court Justice Brett Kavanaugh of a sexual attack when they were young, was surprised tonight at the annual ACLU dinner in Los Angeles. At their Bill of Rights dinner, Judd Apatow presented Ford with a special award. It was a total surprise to the audience, and kept quiet because of security concerns.

When Apatow introduced her to the star studded crowd, the audience went wild, giving her a standing ovation.

She told the crowd: “I underestimated the machine against me, but I also underestimated my support.” She received 200,000 emails and handwritten letters. “That’s why it’s so important that the ACLU is in the forefront of this movement against sexual violence against women and to speak up for the victims.”

Other recipients of the ACLU Bill of Rights award tonight were actor Don Cheadle, songwriter Justin Tranter, and activist Judy Balaban. Presenters included Judy’s cousin, actor Bob Balaban, Regina Hall, Selena Gomez and actress Chrissy Metz. Metz performed her soon to be Oscar nominated song, “I’m Standing with You,” written by Diane Warren for the movie “Breakthrough.”

It was Ford’s brave testimony earlier this year that held up the approval by the Senate of Kavanaugh for the Supreme Court. Even though he got the appointment, Ford was widely believed by most of the country and the non Trumpers in Congress.

keep refreshing…

 

 

 

 

UPDATED Harry Styles Premieres “Watermelon Sugar” on “SNL,” But Show’s Ratings — with Less Politics — Fall From Prior Week

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UPDATED
Ratings for “SNL” fell with Harry Styles as host and musical guest. They were down to 3.9 million from the previous show’s 4.1 with Kristen Stewart and Coldplay. “SNL” has averaged 4.1 mil this season but is way down from last season. The show seems to be steering away from politics after the cold opening. That’s a mistake.

EARLIER Harry Styles premiered his new single, “Watermelon Sugar,” on “Saturday Night Live” last night. It’s the second single from his forthcoming album, “Fine Line.” The title of the song echoes Richard Brautigan’s avant garde 1968 novella “In Watermelon Sugar,” which is described thusly: “Death is a place where the sun shines a different colour every day and where people travel to the length of their dreams. Rejecting the violence and hate of the old gang at the Forgotten Works, they lead gentle lives in watermelon sugar. Brautigan expresses the mood of a new generation.”

Hmmmm. Did Harry read the book or just like the title? You decide. The song jumped to number 4 overnight on iTunes. Not number 1. Harry has trouble getting his fans to buy his music, I don’t know why.

There are about 10 other songs on Spotify called “Watermelon Sugar.” There’s also a group called “Watermelon Sugar.” But this sort of thing doesn’t bother Harry. On his debut album, he borrowed sounds and riffs from many places. This is called interpolation these days. It’s all an homage of different, er, Styles.

Is Streaming Killing the Movie Business? Box Office Drops By More than 50% Year to Year as Only “Ford v Ferrari” Hits

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“Ford v Ferrari” was the number 1 movie this weekend, making $31 million. That sounds great until you realize that this week last year, “Fantastic Beasts 2” made twice that, $62 million. The top five films at the box office is off by more than 56% year to year. More options like Netflix, Hulu, etc plus advance buzz kill from social media and Rotten Tomatoes has all led to a significant drop off in theater attendance. The films most hurt are the mid-level ones, with several good films like “Motherless Brooklyn” and “The Good Liar” simply striking out.

Star Tributes Pour in for Celebrated Photographer Terry O’Neill, Elton John Says: “He was brilliant, funny and I loved his company”

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Famed photographer Terry O’Neill has died at age 81 from prostate cancer. O’Neill was the toast of Hollywood and rock music during the heyday of the 60s, 70s, and 80s. He was married to Oscar winner Faye Dunaway for three years, and they had a son, Liam. Tributes are pouring in on Twitter. He shot everyone important, and his pictures were unique and memorable. O’Neill was right at the center of everything that was hot in a time when that mattered and the celebrities were STARS.

UPDATE Dave Matthews Band Leads Pat Benatar, Others in Fan Vote for Rock and Roll Hall of Fame

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It’s not a surprise, but Pat Benatar has knocked down a peg in the fan vote for the Rock and Roll Hall of Fame.

Dave Matthews Band has pulled out in front with over 503,000 votes. Benatar is runner up with 451,000 fans.

Each of them will wind up being inducted and deservedly so. Benatar was over looked for far too long. Matthews’ influence and his whole life in the music world make him a perfect candidate.

The Doobie Brothers, who should also get in without trouble, are at number three.

But numbers four and five, I think, should be chosen by the Rock Hall voters. The fans have Judas Priest and Soundgarden in those positions. But it’s high time the MC5 got in. This is getting ridiculous. And Rufus featuring Chaka Khan, or rather Chaka Khan featuring Rufus, have waited way too long.

Additionally, the RRHOF would be smart to finally name Billy Preston in the Side Man category. The Fifth Beatle, the only artist ever to join the Beatles as a credited artist on a record (“Get Back”), Preston has to be included this year. After all, this year’s ceremony in Cleveland will coincide with the 50th anniversary of “Let it Be.”

In that regard, it would be swell to see a special award this year to a producer. I’m thinking Richard Perry, who was the most successful producer of the 70s and 80s, even into the aughts. His recording artists include Carly Simon, Rod Stewart, Ringo Starr, Leo Sayer, The Pointer Sisters, and so on. What a resume!

John Sykes, our nation turns its lonely eyes to you.