Woody Allen‘s “Nero Fiddled” will be distributed by Sony Pictures Classics’ Michael Barker and Tom Bernard. This is no surprise. The SPC guys have now done five films with Woody. “Midnight in Paris,” just coming to video, is his most successful in, like, forever. The extremely wonderful comedy is headed to Oscar nominations for Best Film, Director, Original Screenplay and possibly an actor nod or two (if Sony would ramp up a little on Corey Stoll). “Nero Fiddled” was shot in Rome, and stars Alec Baldwin, Roberto Benigni, Penelope Cruz, Jesse Eisenberg, Greta Gerwig and Ellen Page. Since “Midnight in Paris” opened Cannes last season, my guess is that Venice will get “Nero Fiddled”-also since it’s Italian. SPC has done very well for Woody, but when he’s hot he’s hot. The old Miramax had a huge success with “Bullets Over Broadway.” The Weinstein Company did gangbusters with “Vicki Cristina Barcelona.” Woody seems to have hit now with every other film. After “Match Point” was so great, “Scoop” kind of went nowhere. After “VCB” came “Whatever Works” and “You Will Meet a Tall Dark Stranger.” But SPC is loyal–look how they stuck with Pedro Almodovar through “The Skin I’m In.” That’s loyalty! So now Nero fiddles, Venice is lucky, and maybe so are we. In the meantime, “Midnight in Paris” just gets better and better with age on DVD.
Madonna Gives Another $830K to Cultish Kabbalah Center Causes
Madonna cannot stop giving money to the cultish Kabbalah Center. No matter what anyone tells her, no matter what the reports say from unbiased sources, she has to keep doing it. Her Ray of Light Foundation gave the Kabbalah Center and its affiliate Success for Kids over $800,000 in 2010 according to the latest tax filing. The breakdown: $650,000 to Success for Kids, formerly Spirituality for Kids; $153,000 to the Kabbalah Centre; $30,000 to Raising Malawi, the affiliate that lost millions of her dollars (as previously reported) and did not fulfill its mission of building a “leadership academy” in Malawi. No one, you see, is going to put Madonna in a corner.
Altogether in 2010: Madonna put $5 million into Ray of Light where it sits tax free. But now Ray of Light claims a worth of over $9 million in assets. Madonna gave away about $1.1. million in total, three quarters of it to Kabbalah. The rest included $250,000 to Partners in Health, a very legit group; $25,000 to the Brazil Foundation (her 22 year old boyfriend in 2009-2010 was Brazilian); $15,000 to the T.J. Martell Foundation (cancer research, famous in the record business) and some miscellaneous smaller amounts. As usual, Ray of Light gave nothing to Elton John AIDS Foundation or amFar, nothing to music education, the Grammy Foundation or MusiCares, not even a nod to a dance program for kids in the U.S. or anything in her suffering state of Michigan.
To date, neither Raising Malawi nor SFK (as either Success for Kids or Spirituality for Kids, its former name) has filed a tax return in 2010. It was revealed earlier this year that Raising Malawi, which had raised money for a school in Malawi, was in financial disarray. No one seems to know exactly what happened to its funds, including $3.7 million raised in 2008 by Madonna with UNICEF and Gucci, from an array of celebrities.
Madonna just signed a new contract with Live Nation and Interscope Records, said to be worth $40 million. It was reported earlier this fall that her eldest brother, Tony, was homeless and living on the street.
Beatles for Sale (ITunes Deal Running Out?); Elvis Costello’s Secret Weapon
ITunes has put the Beatles’ studio albums on sale for $9.99 apiece. All of them. The White Album, a double, is $14.99. Why? Because it’s Christmas? Doubtful. The Beatles albums are never reduced even at retail in what used to be called “record stores.” No. The fact is, ITunes’ hold on the Beatles is coming to an end. No one wants to say when. But I’d say it’s coming up if they’re starting to discount the titles. When the Beatles and EMI announced the ITunes deal on November 15, 2010, they said it would last a year. So get ready for amazon to make a Beatles announcement soon…
…Elvis Costello lost his dad recently. Very sadly, Ross McManus, an accomplished British jazz musician, passed away at age 84. Meanwhile, Costello’s secret weapon for most his career, pianist/composer/Attraction/Imposter/musical director, Steve Nieve, is getting ready to release a new album of pop songs. Stevie Nieve is so talented it hurts. A few months ago he handed me a copy of “2Gether” and I haven’t stopped listening to it. Since then, Nieve released a CD’s worth of instrumental music to ITunes and amazon.com called “Lazy Point.”
But “2Gether” is full of beautiful vocals from very talented guest stars including Glenn Tilbrook of Squeeze, French singer Vanessa Paradis, Joe Sumner of Fiction Plane, Robert Wyatt (famous for his song “Shipbuilding”), Ron Sexsmith, New York’s very own Laurie Anderson, and Harper Simon. These are the catchiest, most engaging tracks anyone could want to hear. I’m addicted to several of them– a killer called “Up” with Joe Sumner, “Life Preserver,” “I Don’t Miss You,” “Reactor,” “Save the World” and “Vertigo.” The whole thing is like a box of chocolates. I can’t wait for Nieve to release this collection. Some small American label would do themselves a lot of good to get the rights to “2Gether.” While I’m waiting, I downloaded “Lazy Point.”
By the way, Steve is married to French philosopher/writer/psychoanalyst Muriel Teodori, the estimable and marvelous co-writer of their “Welcome to the Voice” opera. Not bad.
Exclusive News About Paul McCartney New Album of Standards
Exclusive: Paul McCartney wrote two new songs for his upcoming album of lost standards from the 30s, 40s, and 50s. In addition to songs written by or associated with Frank Loesser, Fats Waller, Charles Brown, and other legends, McCartney contributed a couple he wrote in the style of the great jazz classics. One of them, called “My Valentine,” is up on YouTube (see link here).
The album, whose title may be released this week, was produced by another legend, Tommy LiPuma, and features Diana Krall, John and Bucky Pizzarelli, and a collection of all star musicians. Eric Clapton plays guitar on two tracks. Stevie Wonder adds his harmonica to another. There are no guest vocals, just Sir Paul.
McCartney was so happy with the experience, I’m told he’s asked LiPuma to produce his MusiCares Person of the Year show on February 10th in Los Angeles–three days after the album is released.
Some tracks from the album–I can tell you exclusively–include “My Valentine” (the probable title), “I’m Gonna Sit Right Down and Write Myself a Letter,” “We Three,” “Get Yourself Another Fool,” “Only Our Hearts,” (with an arrangement by another legend, Johnny Mandel) and Loesser’s “More I Cannot Wish You” from “Guys and Dolls.”
http://www.youtube.com/watch?v=uutKQ-F8b6U
http://www.musicares.org
Next “Star Trek” Adventure: No Original Cast Members
The next “Star Trek” installment, directed by J.J. Abrams, will have no members of the original cast. No Shatner, no Nimoy. No classic recipe Kirk, Spock, Bones, Scotty, Uhura, Chekhov or Sulu. The last “Star Trek” film featured Leonard Nimoy as Spock. But sources close to the next film, many of whom worked with Abrams on the new “Mission Impossible,” confirmed for me last night that none of the originals has been invited back this time. “MI4″‘s Simon Pegg, who now plays Scotty (original Scotty, James Doohan, is in space heaven now with original Bones, DeForrest Kelly), quipped, “That would involve time travel. And if the real Scotty showed up, that would be something.”
Meantime, the “Mission Impossible–Ghost Protocol” crew convened at the Museum of Modern Art last night for a post-premiere party. Tom Cruise and Katie Holmes brought their own security team in addition to the regular team assigned to the invite only party. The result was a scrum inside the party, with boundaries. The Cruises were careful to keep everyone they could out of their perimeter, even some people from Paramount Pictures. It was a pointed contrast to Cruise shaking hands and signing autographs outside the Ziegfeld Theater earlier. He’s a man of the people in public. In private, the people must be approved.
But the rest of the party was very friendly, as co-star Paula Patton took up a position outside the Cruise mews with husband singer Robin Thicke, and Robin’s dad, Alan Thicke, and all the Thickes and Pattons. The tall gorgeous couple has been together since they’re 15 years old. “Actually 14,” said Paula’s mother. “She was always putting on shows as a kid and acting. My father used to say, Well, she’s not going to be a mathematician.”
And thank goodness for that. Paula Patton is simply a stunning woman. She was a standout in “Precious.” But with “MI4,” she’s on her way. Also hovering around the protected Cruise-Holmes center: director Brad Bird, co-stars Jeremy Renner and Josh Holloway, and composer Michael Giacchino. Some of the non cast included Kristen Wiig and Bill Hader from “SNL” and actor-radio host Stephen Baldwin. Viacom chief Phillippe Daumann also arrived, with his own security team. (The MoMA lobby may have been the safest room on the northeast corridor last night!)
Largely absent from the Cruise scrum: producer J.J. Abrams. He really made himself scarce.
Meantime, “Mission Impossible 4” opens Wednesday as wide as Steven Tyler’s grin. It’s all set to be a blockbuster, and rightly so. From the minute the theme music starts, to the surprise ending, the film is a total rocking big studio pleasure.
Berlin Film Fest Fun: 9-11, Death Row Inmates, Jason Patric
I never go to the Berlin Film Festival because it’s a schedule conflict with the Grammy Awards. But hey–this stuff looks pretty amusing. I may change my mind!
Captive, France/Philippines/Germany/Great Britain. By Brillante Mendoza (Serbis, Kinatay, Lola.) With Isabelle Huppert, Katherine Mulville, Marc Zanetta. World premiere.
Dictado (Childish Games), Spain. By Antonio Chavarrías (Susanna, Volverás, Las vidas de Celia) With Juan Diego Botto, Barbara Lennie, Mágica Pérez. World premiere.
Extremely Loud And Incredibly Close, USA By Stephen Daldry (Billy Elliot, The Hours, The Reader) With Tom Hanks, Sandra Bullock, Max von Sydow, Thomas Horn International premiere / Out of Competition.
Jin líng Shí San Chai (The Flowers Of War), People’s Republic of China. By Zhang Yimou (The Red Lantern, Hero, A Woman, A Gun And A Noodle Shop) With Christian Bale, Ni Ni, Atsuro Watabe International premiere / Out of Competition.
Kebun binatang (Postcards From The Zoo), Indonesia/Germany/Hongkong, China. By Edwin (Kara, Anak Sebatang Pohon, The Blind Pig Who Wants To Fly) With Ladya Cheryl, Nicholas Saputra. World premiere.
Berlinale Special
Death Row: Documentary series in four parts, USA. By Werner Herzog (Fitzcarraldo, Cave Of Forgotten Dreams) World premiere.
Don: The King Is Back, India/Germany. By Farhan Akhtar (Dil Chahta Hai, Lakshya, Don) With Shah Rukh Khan, Priyanka Chopra, Boman Irani, Om Puri, Florian Lukas. German premiere.
Keyhole, Canada. By Guy Maddin (My Winnipeg, The Saddest Music In The World, Brand Upon The Brain) With Jason Patric, Isabella Rossellini, Udo Kier, Brooke Palsson. International premiere.
La chispa de la vida, Spain. By Álex de la Iglesia (El día de la bestia, Perdita Durango, The Last Circus) With Salma Hayek, José Mota, Fernando Tejero, Blanca Portillo, Juan Luis Galiardo, International premiere.
Marley Documentary, Great Britain/USA. By Kevin Macdonald (The Last King Of Scotland, Life In A Day, Touching The Void,) World premiere.
James Franco’s Former Acting Teacher Suing NYU: It Started Here
Well, this is out of left field. A little over a year ago, we did a video (shot by our trusty videographer Chris Barrett) interview with Oscar nominee James Franco. Remember? He told us he got a D in acting class at New York University as part of his grad program. The video is below in the video player. Now the acting teacher, Jose Angel Santana, is suing NYU. He says they fired him because he gave Franco the D. He’s represented by young labor lawyer Matthew Blit, who’s also represented strippers who felt their rights were being violated. Monday, Monday! Blit has never contacted this column. But Santana doesn’t deny he gave the bad grade. But we have no idea yet why NYU got rid of Blit–it’s just his claim. NYU will surely file a counterclaim.
The New York Post says Santana and Blit are claiming Franco was an absentee student. But Franco was shooting “127 Hours” during that semester. He had to cut off his own arm! Isn’t that considered Life Experience? And Franc-ly (to employ a Post-like pun) the Oscar nominee has been incredibly popular with his fellow students at NYU, where acting class was a small part of his Masters program in filmmaking.
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UPDATE Matthew Blit has sent over the complaint. It has less to do with Franco than with Santana’s accusations of racial discrimination. He also says that another professor, Jay Anania, also the brother of the late Elizabeth Edwards, had it in for him. Anania wound up working with Franco as a director on a film project. But Santana’s biggest complaint is that he was paid less than other teachers and stuck in an office that used to be a broom closet.
Sundance 2012: Some Anticipated Movies Missing from List
The 2012 Sundance Film Festival films were announced recently. And while the list of those that made it looks interesting, Sundance may not have the star power of previous seasons. Several movies that were anticipated simply vanished and didn’t make the cut. One that I thought might have a Sundance start, Lawrence Kasdan’s “Darling Companion,” with Diane Keaton and Kevin Kline, is instead opening the Santa Barbara Film Festival on January 26th. Also missing: Penn Badgley as Jeff Buckley in “Greetings from Tim Buckley.” I know the people who made that film thought they were heading to Sundance. Oscar nominated director/writer Terry George has a lovely film with “Whole Lotta Sole.” Somehow, it didn’t make the cut. A natural for Sundance, Walter Salles‘s “On the Road,” was not even mentioned. And the James Franco-(John) Carter art film collaboration, “Maladies.” also is MIA. I had heard it was supposed to go into the New Frontiers section, but there was a snafu. And still, weirdly, nowhere despite a lot of interest: Darryl Roodt‘s “Winnie” with Jennifer Hudson and Terrence Howard; and Geoffrey Fletcher’s “Violet and Daisy,” with Alexis Bliedel and Saorise Ronan. I’ve actually seen the latter, and it seemed like it was prfect for Sundance. It’s very hip and fun. There were probably more than just these films. If you know of more, please don’t hesitate to comment at bottom.
Diane Keaton on Al Pacino, Warren Beatty, and “Godfather III”
The absolutely terrific actress and filmmaker, now bestselling author, Diane Keaton, published her memoir about a month ago. I’m just getting around to reading “Then Again,” and getting quite a kick out of all the softly delivered gossip in this can’t put down read. Keaton is circumspect, but she does dish about past loves Warren Beatty and Al Pacino, as well as about the many endings that were proposed or shot for Francis Ford Coppola‘s ill fated “Godfather III.”
In 1989, Keaton had been dating Pacino on and off for quite a while. They’d gone through several hreakups and make ups. But interestingly, there is no mention of Pacino’s daughter Julie, who was born a month before the shoot began, to acting coach Jan Tarrant. Keaton, sources have said, didn’t learn that Pacino was the father until they were shooting the film in Italy, which led to the break up. The set was full of tension.
Keaton writes: “As we waited for the twelfth rewrite of the ending of Godfather III, I thought about the other versions. There was one where Talia [Shire] kills Eli Wallach, Al is blinded, and Andy [Garcia] breaks off with Sofia [Coppola] the minute before she is assassinated. After blind Al discovers his dead daughter on the steps of the theater, he blows his brains out.
“There was the one where Al is assumed dead but comes back. There was one where he is shot but lives, only to be killed on Easter Sunday on his way to church. There was the version where Al is gunned down at Teatro Massimo but Sofia lives. No one of us knew what to expect. Would this be the final, final draft or just one in a continuing series of attempst to end the safa of our erratic and entirely brilliant leader Francis Coppola?”
As it happened, it didn’t quite end the Coppola saga, but the great director never really recovered.
As for Beatty. Keaton writes that when she first saw Beatty on screen in “Splendour n the Grass,” that was it. “I’d never seen anyhing like Warren Beatty. By thing, I mean he wasn’t real. He was to die for.” Then she met him. After their first meeting he wrote her a note telling her she was a movie star and could do anything she wanted. (This was after she’d won the Oscar for “Annie Hall.”)
“After I confessed how terrified I was to fly, Warren surprised me as I was about board a flight to New York. took my hand. walked into the plane, sat down still holding my hand, and never let go until we landed. Once safe on the ground he kissed me, turned around and flew back to L.A. On Valientines Day he bought me a sauna for one bathroom and a steam room for the other. He was full of magnanimous gestures.”
After reading Keaton on Beatty, you will have no doubt who Carly Simon wrote “You’re So Vain” about. Well done!
Mission Impossible 4 Rakes It In, with “Batman” as Value Added
“Mission: Impossible 4” or “Ghost Protocol,” took in a staggering $13.6 million weekend–and it’s only on 425 screens. The Brad Bird directed blockbuster is set to open wide on Wednesday in over 3500 locations, but it’s literally making a killing before that. Fans of Warner Bros.’s “Batman” series are claiming that the “MI” numbers were inflated because the trailer for next summer’s “Dark Knight” film preceded “MI” in IMAX theaters. But that’s quibbling–and “Dark Knight” fans could only have enjoyed “Ghost Protocol” anyway.
Meanwhile, the second “Sherlock Holmes” film with Robert Downey Jr and Jude Law is number this week in its debut. “Game of Shadows” made $14 mil on Friday night and was projected for a $40 weekend. Of course the first “Sherlock Holmes” movie did about $24 million on its opening day in 2009. But that was Christmas Day. If this film does 55% of the earlier one’s business, that’s pretty much ok for a sequel. It does suggest maybe that a third “Sherlock” isn’t a vital goal.
As for Oscar contenders: “The Artist,” “Hugo,” “My Week with Marilyn,” and “The Descendants” all continue to do very well. “Shame” is doing a little less well despite all its depravity, debauchery and full front nudity. Come on people! What’s wrong with you? “Shame” faces an uphill battle with its NC 17 rating and not much advertising as a consequence. Too bad there wasn’t an IMAX version.