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Tom Cruise Scores Disastrous Opening Weekend with “Digger” Headed to Just $8 Million, Lowest Since 2007’s “Lions for Lambs”

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Tom Cruise will be very sheepish now.

His biggest dud is here since 2007’s “Lions for Lambs.”

“Digger” is headed to an $8 million opening weekend.

It’s really his worst ever personal opening weekend since Meryl Streep and Robert Redford were involved in Lions.

“Digger” is Tom on his own, and it’s a mess. Alejandro Innaritu’s social satire cost at least $150 million. It will be remembered as the final nail in the coffin of Warner Bros. As bad as this year has been, “Digger” also represents the end of Mike DeLuca and Pam Abdy’s otherwise successful run at the top of the company.

Things are so bad that the “Digger” Instagram page is full of vitriol.

Somehow the studio has convinced influencers and a few others also to post claims that one day “Digger” will be appreciated as a classic that was misunderstood. I don’t think that is going to happen.

For the rest of the weekend, “Digger” will play to mostly open houses except for the curious and the faithful. I’m now thinking that the bulk of tickets sold at The Grove in LA and some other venues is from Scientology purchases. “Digger” is as mind numbing as an L Ron Hubbard lecture.

Nicole Brown Simpson’s Sister Denise is Back, Cashing in Again 30 Years After Double Murder, We Recall Her Shady History

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Denise Brown is back.

The sister of Nicole Brown Simpson is on Nightline tonight, interviewed by Diane Sawyer.

Give me a freakin’ break.

The subject is admirable: domestic abuse. Denise wants to warn young women about the perils of it. She’s written a book about, cashing in once again on Nicole.

She also indicates that she’s in touch with Nicole’s kids with OJ Simpson. As far as I know, she’s not.

But Sawyer, usually savvy, lets it go. She doesn’t seem to get what Denise’ s grift has been all these years.

She’s traded on Nicole avariciously. The Nicole Brown Simpson Foundation was eventually shut down because of financial impropriety. Read this link.

And read this story, too.‘

The publicist who sold this interview — let’s say, rather, pitched — really deserves a raise.

Here’s what I wrote on Foxnews.com on October 2, 2000:

10.3.00: Questions About Nicole Brown Simpson Charity 

After this column’s investigation one year ago, you would have thought the Nicole Brown Simpson Foundation was going to get its act together. Wrong.

New government filings for 1999, just recently made available, show that the charity set up in Nicole’s memory by her family is still up to some shady business.

The organization reports that in 1999 it took in $49,000 from public donations.

But it also reports that it paid an almost equal amount — $45,000 — to its staff. The staff includes Denise Brown, Nicole’s sister, chairman of the foundation. She received $17,845 in salary last year. Another $28,000 went to unidentified staff.

In contrast, the Foundation gave away a paltry $3,500 in grants and allocations to battered women’s organizations. The organization’s statement of purpose is to “provide funds to organizations that shelter and protect families caught in the crisis of family violence.”

The organizations listed as recipients of this largesse are the Deschutes County, Ore., Domestic Violence Council ($1,000), Women Helping Women ($500), Phoenix Crisis Center ($500), YMCA ($500), Haven House ($500) and Community Law Center ($500). No addresses or specifics are given for the donees. (A spokesperson for the Deschutes Council verified they had received $1,000, which was used to fund a local conference on domestic abuse. No one from the Nicole Simpson Foundation participated in it.)

However, the Nicole Brown Simpson Foundation spent $16,366 on their own “office expenses” including such non-specifics as “reimbursements,” “outside service” and insurance.

Additionally, the government filing reflects that the Foundation began 1999 with $70,574 in assets and ended the year with $3,063 in the till. This would suggest that nearly $67,000 went to non-charitable pursuits since the group lists only that $3,500 in donations.

They also managed to rack up a $7,000 phone bill and $26,000 in “occupancy” or rent. This means they spent twice as much on phone calls as they did on allocating grants. Maybe they should have used postcards, or pigeons.

Monday was the fifth anniversary of the criminal court decision in the Nicole Brown-Ron Goldman murder trial, which left O.J. Simpson a free man. Since then, the Brown family — which was known to sell pictures of Nicole to the press and once offered her wedding video for sale over an 800 number — has maintained the Foundation in Nicole’s memory.

But last year this column first reported that the Foundation took in about $85,000 in 1998 and paid out only $6,000 to charities. Denise Brown was forced to concede that she was pulling down close to $50,000 in salary. At the time Brown said that the 1999 forms — not yet filed — would reflect a change in the way the Foundation did business.

The foundation’s Web site, by the way, boasts that after Fox411’s story last year, the group “has received a clean bill of health from the attorney general’s office of the state of California. This is very good news for the Foundation, its supporters and victims across the country.” It’s unclear whether they mean the Foundation’s victims, or the victims of domestic abuse.

Kaos: Trump Moving Kennedy Center Honors to 20,000 Seat Arena But Has No Honorees or Network, Also Selling The Pianos in Theater

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It’s just another day of chaos at the Kennedy Center.

Donald Trump says he’s staging the Kennedy Center Honors at the Capital One Arena in Washington DC.

He has no honorees, or a producer, or network, but that’s the plan. The Honors are usually held the first week of December. The arena is booked with basketball games, but they could be moved around for the show.

The cavernous arena is also ten times the size of the intimate Kennedy Center. Even if Trump just used the floor seats, the stage is gigantic by comparison which would mean a much different scale for the Honors.

Also, it’s unclear who would be invited, or if the public could buy tickets.

Who could the honorees be at this late date? Country music singers, definitely. Like mind actors such as Jon Voight and Mel Gibson, maybe even Dennis Quaid. Hip hop artist Nikki Minaj has thrown herself into the Trump world this year. So who knows what motley crew could be assembled?

At the same time, word has gone out that the Steinway pianos at the Kennedy Center are being sold off.

Pictures here at slippeddisc.com.

If Trump were just storing the pianos it would be one thing, but selling them off more than suggests the building is coming down. Of course, that would be in violation of the court order. But we New Yorkers know that Trump destroyed the Bonwit Teller department store on Fifth Avenue to build Trump Tower after promising to preserve the store’s front doors. He does whatever he pleases.

Trump Son-in-Law Jared Kushner, Who’s Made Millions During Two Terms, Takes to Twitter to Defend Himself — from CNN, to Start

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Jared Kushner is on Twitter.

He says he’s going to defend himself after ignoring “false and misleading stories.”

He’s not using Truth Social, but instead the platform owned by Elon Musk.

This should be interesting. Kushner, Trump’s son-in-law, is thought to have enriched himself with hundreds of millons of dollars over the last 10 years and two Trump terms, will have to be up all night if he goes through with his plan.

His first foray is to rebut a CNN story that he’s benefited financially from the diplomatic work he’s done in the Middle East.

His first two Tweets are below.

By taking on CNN, Kushner is opening himself up to a lot of reporting and refuting. Where is this going? It’s interesting that he decided to announce this on the same day that Skydance touted taking over Warner Bros, which owns CNN. They already own CBS, which will have to report this story.

Dig This: “Digger” Digs Its Own Grave with Lowest Tom Cruise Preview Numbers in Decades — Ill Conceived Satire Earns $1.2 Mil

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Can you dig it?

Tom Cruise’s new movie, “Digger,” has a rough go in previews last night.

Total was just $1.2 million. Budget is said to be between $150 and $180 million.

Cruise doesn’t make a lot of non franchise movies. Since 2014 there’s been “Edge of Tomorrow,” which made $1.6 million in previews, and in 2017 “American Made,” which had a total opening day of $6.8 million.

The Alejandro Innaritu-directed satire has been pasted in reviews, with a 52% on Rotten Tomatoes.

Last night, moviegoers saw it for the first time. Social media posts have been brutal.

“Digger” is actually worth seeing, much like Francis Ford Coppola’s “Megalopolis” or other big misses like “Amsterdam” or “Babylon.” You can see what could have been. The filmmaking is top notch, but the story choices are a mess.

As I said in my review, a movie with Cruise playing the Digger character as a supporting role was the way to go. If Tom had made one or two appearances in the film he would have gotten an Oscar. His Big Speech moment was enough. But Digger is a flavor in another movie, not the the main course.

Skydance Debuts as Parent Company of Warner and Paramount, Warner Bros Film Chiefs Are Out After Tough Year As “Digger” Bombs

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It’s all happening.

David Ellison has joined Twitter and debuted the new parent company of Warner Bros and Paramount. It’s Skydance! Jeff Sneider called it, yesterday.

Ellison has hired the head of Mattel to run the company. Don’t toy with us, David! Ellison is already letting go Warner Bros. chiefs Mike DeLuca and Pam Abdy, who had an amazing 2025 and a terrible 2026. DeLuca and Abdy will rise like phoenixes soon enough. They are incredibly talented.

All of this comes as Tom Cruise’s “Digger” is bombing. Last night’s box office numbers are about to hit.

This whole Skydance thing is going to end in tears. But for now, we will get the full experience, sort of like AOL and Time Warner.

Sting Turns 75 Today! (How is That Possible?) Happy Birthday to The Menschy, Eternally Young and Forever Chief of The Police

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Sting turns 75 today.

How did this happen? The eternally young chief of The Police was always the youngest of the rock stars, sort of caught in between the classic rock crowd and the new wavers.

Happy birthday to a true mensch, who brings the bass like Mingus or Ron Carter, with his butterscotch voice one of rock’s great gifts.

Not only is Sting a family man — husband of Trudie, father of six, grandfather of eight (at last count) — he’s also the thoughtful philanthropist and activist. Let’s face it, no one ever heard of the Rainforest before he and Trudie brought attention to it and its indigenous population.

Of course, Sting’s time with The Police is deeply ingrained in the canon of rock and roll. But how about an exciting endlessly successful 40 year solo career full of hits, towering achievements, and a model approach to a long lasting career? I can still remember standing in the mezzanine of the Ritz in 1985 when he premiered his solo album and thinking, ‘This is a rock star.’

Tonight, Sting appears on stage in London in the penultimate performance (for now) of his Broadway musical, “The Last Ship.” A few days later he hits the road again with Sting 3.0, his sold out rock tour. And this is always the beginning.

PS Let’s not forget Paul McCartney telling Jarvis Cocker in a live video interview that “Fields of Gold” was the one song he wished he’d written. You can’t do better than that.

Vanity Fair Splashes Erika Kirk, the Merry Widow of Charlie, In Desperate Attempt to Find MAGA Readers, With a Light Twist of the Knife

Vanity Fair isn’t sure what to do anymore.

With sinking readership will they go for the MAGA vote?

Or will they profile MAGA types with a little bit of an edge?

So they’ve chosen the second route in a new profile of Erika Kirk, the merry widow of assassinated right wing nut job Charlie Kirk.

In “The Widow’s Peak,” by Claire Molot, the magazine touts “unprecedented access” to Erika, her mother-in-law, and family.

There’s even a photo shoot showing Erika has mom of the year.

Welcome to the new Vanity Fair, where there are good people on both sides.

The profile is deceptive. It’s almost all a fluff piece, a big Valentine designed to con the MAGA reader who won’t finish reading the piece but will be satisfied Erika is now a celebrity.

Molot calls Charlie’s courtship of Erika “a MAGA rom-com.” Erika is seen as as a survivor and role model who stood steadfastly by her husband’s side. She’s also touted his successor at Turning Point. Molot quotes Charlie’s mother, as his perfect successor.

The fawning and praise go on endlessly until Molot gets way into the piece, farther than most Kirk fans who read aloud will go. There’s a short section deep into the article when she finally grills Erika about all the terrible , racist, misogynist things Charlie ever said. Now Erika gives moderating answers, not exactly backing off the most extreme ideas, but working her answers like a politician.

The answers to all of Molot’s questioning about things like Israel, whether Trump won or lost the 2020 election, abortion, even the Second Amendment — reminding Erika that a gun killed Charlie though he approved of them: “My brain bandwidth right now is honoring my husband, loving on my babies, and building Turning Point to be everything it could be. I really don’t have the bandwidth to go down the rabbit holes of all of it.”

In the end, you could skip over the one problematic section and come away with these conclusions: Charlie Kirk was a political savant, and Erika is sympathetic widow.

Erika is going to tactfully smooth over anything objectionable left behind by Charlie, and Molot is going to let her.

Molot writes: Erika, however, demurs when I ask if she thinks the 2020 election was stolen from Trump.
“My husband’s the type of person, and I am the same way, that when something is decided, no matter—even in a sports game, no matter if you win or you lose—you have to play the next game,” she tells me. “So are you going to sit and just think about that past game, or are you going to go back out on the field and start practicing for the next game? How we are wired is you go back out on the field and you start practicing.”

Are we far from that Melania cover story? I don’t think so. The pandering started with the magazine’s portrait of White House staff earlier this year. Also, with a photo shoot. Will any of this help raise circulation? It should be noted that the head of Conde Nast, Roger Lynch, announced his exit from the job after seven years on the day this story appeared.

Listen: John Lennon’s Lost “Rubber Soul” Demo,”Little Girl,” is Just One of the Pleasures of the New Super Deluxe Box Set

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I told you on Wednesday about the Beatles’ “Rubber Soul Super Deluxe” box set.

With remasters, remixes, demos, and outtakes, this “Rubber Soul” showcases the group’s earth shattering move from top 40 into the genius of their later music.

We will never be able to figure out what happened. I don’t think Paul McCartney can either at this point. It’s just seven or eight years of genius.

Included in the box set is a recently discovered John Lennon demo called “Little Girl.” What a treat! Is that it? Or is there more? We may have gotten to the bottom of unknown Beatles material. So let’s celebrate it.

Elvis Costello Drops 52 Unreleased Tracks with “My Aim is True” 49th Anniversary Box Set Including a Gem Called “I Hear a Melody”

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When we first heard Elvis Costello it was 1977 and the radio station was WBCN in Boston.

With the crazy name and Buddy Holly retro look, Costello was an outlier. His debut album, “MY Aim is True,” had provocative lyrics, abrupt new wave music, and right away he made a name for himself with songs like “Blame it on Cain” and “Watching the Detectives.”

Of course, there was disconcerting hit ballad, “Alison,” that sounded threatening — a total change for FM Radio especially after the era of James Taylor and Jackson Browne. What was this guy implying in these songs? WTF was going on? It was so cool, you just wanted more.

That album, and the many singles and albums that followed over the first five years of Costello’s now 49 year career, meant so much to me, as they did to others. I used to hang around at Bleecker Bob’s waiting for the next single, or outtake, or demo, or live single. It was a dizzying time because he just got better and better.

So now comes a box set for the album’s 49th anniversary — you knew Elvis wouldn’t succumb to “50th anniversary” syndrome. The 5 CD set features 52 unreleased tracks including a whole disc of gems from Costello’s recordings at Pathway Studios. These songs wouldn’t have fit into the very curated “My Aim is True,” that became famous. But now they are gifts to loyal fans.

I already wrote about a song called “I Turn Around.” But now there’s “I Hear a Melody,” which would never have mixed in with “Sneaky People” and “The Angels Wanna Wear My Red Shoes.” But we didn’t know in 1977 that Costello’s dad was a jazz musician, that Elvis (real name Declan McManus) loved R&B, country, and jazz or that he could write or cover anything.

“I Hear a Melody” is no surprise given what we know now, but back in ’77 we might have been shocked by the gorgeous Burt Bacharach type melody juxtaposed with the singer’s biting lyrics. Some of the other songs on the box set we got to know eventually — like my favorite, “Radio Sweetheart,” and the country song “Stranger in the House,” which his 16 year old Stiff Records labelmate Rachel Sweet turned into a hit.

Some box sets of expanded albums are not that interesting, or useful. But “My Aim is True” turns out to be of canonical importance. It’s not just those 52 songs, or the demos, remixes, remasters, etc. There’s also an abundance of paperwork — lyrics, notes, essays by people like Elvis’s longtime collaborator, Nick Lowe. I will be awash in this stuff for months to come. So nice that my investment with an artist from age 20 has turned out to be a goldmine.

PS Nice to see included “Crawling to the USA,” from a movie no one ever saw, which I’ve been humming for 49 years. And the original speeded up “Losing You,” which no less than Dusty Springfield covered later. Also, the unexpected and delightful cover of Bacharach and David’s Dionne Warwick hit “I Just Don’t Know What to Do with Myself.” The latter came on a live Stiff Records album, and was like a lightning strike at the time because who knew Elvis’s career would head in this direction.

Here’s the whole dang thing, after “I Hear a Memory”: