Friday, December 19, 2025
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Ariana Grande and Justin Bieber’s Manager, Scooter Braun, Took A Songwriting Credit on Their Latest Hit

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It’s not like it’s a new thing. Songwriting credits have often been handed out to people who had no musical ability at all. Or at the least the ability to write a song. Case in point: Producer Jerry Wexler suggested the title “You Make Me Feel Like a Natural Woman” to Carole King and Gerry Goffin. They graciously offered a credit to Wexler. It’s pretty much the only Goffin-King song with a third collaborator’s name.

That may be the case again for Justin Bieber and Ariana Grande. Their new duet, “Stuck with U” has six songwriters’ names on it including their own. That alone suggested four writers plus Bieber and Grande so they could be paid publishing royalties. (Celine Dion was famous for that in her heyday.)

When “Stuck with U” first appeared on Wikipedia, it was just the half dozen. (You may wonder how six people could write a song. Is it like a factory line?)

Anyway, now the name of Scooter Braun has been added to the credits. That would make seven people who labored to write a very unoriginal piece of pop. (It sounds suspiciously like Rihanna’s “Love on the Run.”) Braun has only one other songwriting credit in the world– on the Bieber song, “Purpose.” On that one, he’s only one of six writers. Braun– whose real name is Scott Samuel Braun– simply doesn’t write songs. Or produce them.

It’s likely that he came up with the title, “Stuck with U,” since the duet is a contrivance for the pandemic. He does manage both artists. And there’s money to be gotten out of it. All the proceeds from “Stuck with U” are allegedly going to charity. But this does give him two songwriting credits. Let’s say three more and the Songwriters Hall of Fame will no doubt induct him.

Since Friday, by the way, “Stuck with You” has had just 20,000 paid downloads– not a lot– and another 69,000 worth of streams for a total of about 92K give or take. No word yet on whether Rihanna’s writers have given it a spin.

Liam Neeson’s New Movie Co-stars His Son Micheal That Veers Near Real Life: Mother-Wife Dies and They Must Bond

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Liam Neeson is taking a break from movies in which a fictional daughter is kidnapped and he must find her/avenge her death.

The Oscar nominated actor (“Schindler’s List”) will open in August in the non gay version of “Call Me By Your Name.” The film, “Made in Italy,” takes place in Tuscany. A father and his estranged son — played by Neeson’s son Micheal Richardson — must bond over renovating a beautiful home left to them by their wife/mother.

Of course, in real life, Neeson lost his wife, actress Natasha Richardson, and had to raise their sons, Micheal and Daniel, on his own. So the movie’s PR hews closely to the real life story even though it’s fiction. Micheal, who spells his name that way just to be difficult, has taken Natasha’s last name as a tribute to her, not because he doesn’t like Liam. His brother, Daniel, has kept the paternal nomenclature.

“Made in Italy” will be released according to its press release “will be released in theaters, on-demand and in drive-ins.” Yes, you read that correctly. Aren’t drive-ins for making out, and not for watching films? Well, they may be all we have even by August 7th. Actor James D’Arcy is making his directorial debut from his own screenplay.

This isn’t the first movie for father and son. In 2019 they starred in “Cold Pursuit” co-starring Laura Dern. Micheal has also shot “The Rising: 1916,” about Irish rebel leader Michael Collins. You’ll recall that Liam played the title character in “Michael Collins” back in 1996.

Micheal Richardson is the 5th generation of Redgraves on screen. He’s the grandson of Vanessa Redgrave, who was married to director Tony Richardson. Vanessa and Lynn Redgrave’s parents were British actors Michael Redgrave and Rachel Kempson. It’s family business, to say the least, and they know what they’re doing.

 

Jerry Stiller, Gifted Comedian, Actor, Who Made The World Laugh with Wife Anne Meara, Dies at 92

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Jerry Stiller has passed away at age 92. The gifted comedian and actor was also half of the genius married comedy duo of Stiller and Meara. I was very lucky to have known them in their later years and was in awe of both of them. Of course, they were also the parents of Ben Stiller, which is how they were known to some over the last couple of decades, and his sister, actress Amy Stiller.

But to me, and a lot of others, Stiller and Meara were right up there with Joan Rivers, Alan King, Freddie Roman and a host of acts that appeared on “The Ed Sullivan Show” in the 60s. That Jerry would go on to such an incredible success in the 90s on “Seinfeld” and “King of Queens” was just icing on the cake. Rest in peace, Jerry. Serenity now!

Exclusive: Billionaire Ron Burkle Doubles Down on Hollywood, Will Make “Significant” Investments Over Next 90 Days Despite Layoffs, Cutbacks Around Town

The Kingdom of Saudi Arabia is investing in Hollywood as it’s falling apart. They’ve put a chunk of money–$500 million– into Live Nation and they’re on the move.

But the Saudis are not alone having enthusiastic dreams for .

Sources say that American billionaire Ron Burkle is looking to increase his holdings, and soon. Like right now. I am told that Burkle, already a key player in many Hollywood situations– including LBI, Rick Yorn’s management company with clients like Martin Scorsese and Leonardo DiCaprio– is on the cusp of taking his Yucaipa Companies on a shopping expedition.

This is timely news since today, Monday, Ari Emanuel’s WME is laying off 20% of its staff. After a failed IPO last year, WME is carrying a huge debt.

Burkle, however, has no debt. Anywhere. He is debt-free and well capitalized. And he has the advantage of being a blue blooded American. Said one insider, “Do you really want to be in bed with the Saudis?”

Burkle is looking for talent agencies, management companies, anything that would be a good fit. Even in the current social distancing environment, he believes in the live performance. He already has stakes in live event companies, like Danny Wimmer Presents, and Artist Group International, which books tours for the likes of Rod Stewart, Elvis Costello, and Billy Joel, among others.

A few months ago, the Hollywood Reporter claimed that Yorn was unhappy with his Burkle deal because he worried LBI was going to be combined with other entities Burkle had invested in or was courting. I asked Burkle’s major domo, Frankie Quintero, about. “Nothing could be further from the truth,” he said.

Yucaipa’s entertainment holdings are highly liquid and debt free, says Quintero. But this is not going to be supermarket sweep. (Burkle’s fortune started with the supermarket business, where he’s been wildly successful not only staying in, but getting out of, certain relationships.) “We have a big checkbook,” says Quintero, “but there’s more of an art to it.” Burkle has certainly shown that artfulness in the way he’s handled the Soho House chain of private clubs. He’s been incredibly adroit as the major investor in the business created by Nick Jones.

Quintero indicated to me that Burkle will make moves over the next 90 days that will result in strategic investments.

In addition to LBI and Wimmer, Burkle has stakes in European outfits like Xray Touring through a partnership with Sam Goes’s Paradigm Talent, also through Paradigm with London-based CODA Agency. The crown jewel of Yucaipa’s European efforts would have to be Duncan Heath’s five star British talent agency Independent Talent Group. ITG is considered the largest talent and literary agency in Europe. Over 50 agents represent 3,100 actors, directors, producers and writers. Key clients include: Daniel Craig, Colin Firth, Orlando Bloom, Felicity Jones, Danny Boyle, Claire Foy, Peter Morgan (creator of The Crown), Phoebe Waller-Bridge (creator of Fleabag and Killing Eve).

All of this news comes as WME (William Morris Endeavor) saw its S&P Global Ratings slashed on April 14th. WME, which has $4.6 billion in debt, has been reduced to the middle of the junk bond range. According to reports, they’re trying to raise $250 million by June in order to fund daily operational duties like paying rent and payroll. Other agencies are in similar trouble.

The lingering financial problems have been crystallized by a halt in all Hollywood production for the last 2 months. No deals are being made, no movies or TV shows are shooting, and no one seems to know when they will start again. UTA, United Talent Agency, just last Monday invoked painful furloughs, layoffs, and salary cuts.

 

Bono Posts 60 Songs That “Saved” His Life to Celebrate 60th Birthday, Starting with Own Pavarotti Duet

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Bono has posted an eclectic list of songs that “saved his life” for his 60th birthday. His favorite song that saved his life his own recording ofg “Miserere” with Pavarotti and Zucchero. He also liked his duet with Sinatra, and a record he and U2 did with Kendrick Lamar. Not one song by a classic soul artist, just one from the Beatles, none from them individually, one early Stones single. Well, these lists tend to be subjective and immediate. Next year it could all be different. Happy Birthday, Paul Hewson!

1. Luciano Pavarotti, Bono & Zucchero – Miserere
2. Sex Pistols – Anarchy in the UK
3. Kanye West – Black Skinhead
4. Billie Eilish – Everything I Wanted
5. David Bowie – Life on Mars?
6. The Beatles – I Want to Hold Your Hand
7. Ramones – Swallow My Pride
8. The Clash – Safe European Home
9. Public Enemy – Fight the Power
10. Patti Smith – People Have the Power
11. John Lennon – Mother
12. The Rolling Stones – Ruby Tuesday
13. Elton John – Daniel
14. Andrea Bocelli – Con Te Partiro
15. Elvis Presley – Heartbreak Hotel
16. Johnny Cash – Hurt
17. This Mortal Coil – Song to the Siren
18. Kraftwerk – Neon Lights
19. The Fugees – Killing Me Softly With His Song
20. Prince – When Doves Cry
21. Daft Punk featuring Pharrell Williams & Nile Rodgers – Get Lucky
22. Madonna – Ray of Light
23. JAY-Z featuring Alicia Keys – Empire State of Mind
24. Talking Heads – Love Goes to Building on Fire
25. Lou Reed – Satellite of Love
26. The Verve – Bitter Sweet Symphony
27. Joy Division – Love Will Tear Us Apart
28. New Order – True Faith
29. R.E.M. – Nightswimming
30. Adele – Chasing Pavements
31. Arcade Fire – Wake Up
32. Pixies – Monkey Gone to Heaven
33. Oasis – Live Forever
34. Iggy Pop – Lust for Life
35. Gavin Friday – Angel
36. Massive Attack – Safe from Harm
37. Kendrick Lamar featuring U2 – XXX
38. Bob Marley & The Wailers – Redemption Song
39. Echo and the Bunnymen – Rescue
40. Nirvana – Smells Like Teen Spirit
41. Pearl Jam – Jeremy
42. Bob Dylan – Most of the Time
43. Beyoncé featuring Kendrick Lamar – Freedom
44. Depeche Mode – Walking In My Shoes
45. Nick Cave & the Bad Seeds – Into My Arms
46. Simon & Garfunkel – The Sounds of Silence
47. Coldplay – Clocks
48. INXS – Never Tear Us Apart
49. New Radicals – You Get What You Give
50. Angélique Kidjo – Agolo
51. Lady Gaga – Born This Way
52. Frank Sinatra & Bono – Under My Skin
53. David Bowie – Heroes
54. Simple Minds – New Gold Dream (81/82/83/84)
55. Sinéad O’Connor – You Made Me the Thief of Your Heart
56. Van Morrison – A Sense of Wonder
57. Bruce Springsteen – There Goes My Miracle
58. Daniel Lanois – The Maker
59. Peter Frampton – Show Me the Way
60. Bee Gees – Immortality – Demo Version

Listen to Kenny “Babyface” Edmonds’ Touching Song Written for His Late Friend, Andre Harrell

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Kenny Edmonds, aka “Babyface,” is cancelling his Waiting to Exhale special that was set for tomorrow. He’s mourning the loss of Andre Harrell, who died suddenly Friday night at age 59. I don’t blame him. Harrell’s friends and artists, not to mention his family, are in shock. Babyface wrote a song for Andre, too. Listen.

Soul Star Betty Wright, 66, Was More than Just Her “Clean Up Woman” Hit, She Co-Wrote and Produced Joss Stone’s Breakout Album

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Betty Wright, the great soul singer, writer, and producer has died at age 66. She was a star of Jerry Wexler and Tom Dowd’s Atlantic Records, hitting it big in 1971 with “Clean Up Woman.” She won a Grammy three years later for Best R&B song for “Where is the Love.” Her “Secretary” takes dictation on a regular rotation on Sirius XM’s Soul Town.

Born Bessie Regina Norris in December 1953, she was a star at 18. When I met her in the 90s, I was astonished to see how young she was– a decade or more younger than Aretha, Sam Moore, etc. She was a smiler, too. She had a big, wide smile and was a kind of positive person who loved music and all the people around her. It was infectious because when Wexler, who produced her big hits talked about her he always smiled, too.

Sam Moore wrote on Facebook: “Loved her ever since she was a little girl standing on a soda pop crate telling me “When I grow up I want to sing like you Uncle Bubba” and sing she could and sing she did!”

Betty was from Miami, where she discovered the great George McRae (“Rock Your Baby”) and his then wife Gwen (“Rocking Chair”). She was closely associated with Henry Stone’s famous TK Records, where she worked with Harry Wayne Casey and Richard Finch, aka KC and the Sunshine Band.

After her big run in the 70s, Betty also turned to writing and producing. She discovered lots of other R&B artists. But her best known extra-curricular work was with UK blue eyed soul star Joss Stone. She was nominated for a 2005 Grammy Award in the “Best Pop Album” category for producing Joss Stone’s album “Mind Body & Soul.” She co-wrote quite a bit of the album. It led her to own comeback album in 2011, “Betty Wright: The Movie.”

Steve Greenberg of SCurve Records, who worked with her on Joss Stone and her own music, Tweeted: “I am devastated by the loss of the great Betty Wright to cancer. She was such an important person in my life, as a collaborator, a mentor and a friend. She was one of a kind.”

Betty’s death at 66 from cancer is really tragic. She would have done so much more. She will really be missed by her fans and friends. Condolences to her family.

PS Trivia: Jerry Wexler told us once that the instrumental break in “Clean Up Woman” (which wasn’t written by Betty) was lifted from “Soul Man.” “We didn’t have a middle and we needed something,” Jerry said. These days it would be called an “interpolation.” (Isaac Hayes, he said, approved.)

 

 

“SNL” Finishes Shortened Season “At Home” with Top Notch Show, Subversive “Let Kids Drink” Recalls Old Show

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Last night’s “Saturday Night Live at Home” finished a shortened season with some subversive and off the wall material. Kristen Wiig hosted, she was sort of brilliant. BoyzIIMen performed, which was notable since they’re a “legacy” group and not contemporary. “SNL” musical acts are generally younger. Good for them. Tina Fey also showed up during Weekend Update.

All the pieces are taped, obviously, so credit to the editors, who did a superb job. The whole show had an edge. Loved Cecily Strong’s Jeannine Pirro. The cold open was also excellent. But the best piece was “Let Kids Drink,” which was so Soupy Sales-ish that he must have been chortling in heaven. It was incredibly funny, not PC, and completely off the wall. Loved it.

Paul McCartney on Little Richard, A Huge Influence for Him: “I owe a lot of what I do to Little Richard and his style, and he knew it”

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Paul McCartney has posted his tribute to Little Richard this morning. The Beatles opened for Richard in Hamburg in 1962. Billy Preston was a teenager who came with Richard in his band. That’s how Billy met the Fab Four. Seven years later he’d be on a rooftop in London with them making history. In the interim, the Beatles immediately recorded “Long Tall Sally.” So many of John and Paul’s vocal stylings were influenced by Richard’s shrieks and woops.

Paul writes:
‘From ‘Tutti Frutti’ to ‘Long Tall Sally’ to ‘Good Golly, Miss Molly’ to ‘Lucille’, Little Richard came screaming into my life when I was a teenager. I owe a lot of what I do to Little Richard and his style; and he knew it. He would say, “I taught Paul everything he knows”. I had to admit he was right. In the early days of The Beatles we played with Richard in Hamburg and got to know him. He would let us hang out in his dressing room and we were witness to his pre-show rituals, with his head under a towel over a bowl of steaming hot water he would suddenly lift his head up to the mirror and say, “I can’t help it cos I’m so beautiful”. And he was. A great man with a lovely sense of humour and someone who will be missed by the rock and roll community and many more. I thank him for all he taught me and the kindness he showed by letting me be his friend. Goodbye Richard and a-wop-bop-a-loo-bop.’

Elton John on the Passing of Little Richard: “Without a doubt– musically, vocally and visually’–he was my biggest influence”

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Elton John’s Twitter tribute to Little Richard is especially poignant because clearly Elton’s piano style, a lot of which came from Leon Russell, originally was influenced by Little Richard. Not only that. Elton’s landmark costumes and flamboyant stage routines are part Liberace, part Little Richard. Elton’s tribute is typically gracious and moving:

“Without a doubt – musically, vocally and visually – he was my biggest influence. Seeing him live in my teens was the most exciting event in my life at that point. Goosebumps, electricity and joy came from every pore.

“His records still sound fresh and the opening few seconds of “Tutti Frutti” are the most explosive in music history. I was lucky enough to work with him for my “Duets” album in 1993. He was shy and funny and I was SO nervous.

“The track we recorded “The Power” is a favourite in my catalogue. We also played live at the Beverly Hilton and I felt like I’d died and gone to heaven. He influenced so many and is irreplaceable. A true legend, icon and a force of nature. #RIP Little Richard Love, Elton x”