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Social Distancing Killing Showbiz? Cirque du Soleil Co-Creator Opens First Ever Drive-Thru Dazzling Light Show Extravaganza Outside Montreal

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Normand Latourelle was the co-creator of the Cirque du Soleil empire and took it to the top. He left to create Cavalia, a spectacular entertainment with horses, and a light show titled “Illumi” that was a huge hit last winter in Montreal. But that was before COVID.

When the pandemic hit last March, Latourelle– whose own mother dubbed him “The Merchant of Happiness” — wasn’t going to fold his tents. :Cavalia” on a hold. But “Illumi” is blazing. “Illumi” was a massive light show that people walked through — 500,000 of them, in fact. He tells me grossed $15 million. So he wasn’t going to let a virus get in his way. He says, “When I heard the restrictions last March, I said let’s be creative.”

On Wednesday night, an even bigger “Illumi” opens outside Montreal, with proper social distancing. The audience will come in cars. The show is already sold out. It plays from now through mid March with 17 different tableaux blazing millions of lights. Cars holding up to 4 or 5 people are coming every night, at $20 per person. You can order food that’s brought to the car. There are bathroom stops, of course. The whole ride through “Illumi” is supposed to take around an hour and 15 minutes.

“When someone tells me don’t do that, I use my imagination to push the limit,” Latourelle says.

Drive-thru entertainment may be the immediate solution to showbiz with social distance. Latourelle, as usual, is onto something. Instead of downsizing for the pandemic, he went big big bigger. Last year’s show covered 400,000 square feet. This year’s is on 1 million square feet of parking lots. He says there are 20 million lights and 30,000 installations. (If I lived up there, I’d rent a convertible for the evening.)

With movie theaters shut across the US, and Broadway dark in New York, Latourelle looks brilliant. I didn’t mention this to him in our conversation, but what about all the abandoned malls in America? They have huge empty parking lots just waiting for someone to lease them.

Meantime, how we do see “Illumi’? You can’t really fly into Montreal right now. But I guess we could all drive, at least from the Northeast. From the pictures and videos, “Illumi” looks like it has the production values of those amazing Cirque du Soleil shows. Of the 17 different tableaux, or light exhibits, by the way, three or four will keep changing through the winter to reflect the various holidays. So if you like it, you’ll have to go back again. Very clever, these Quebecois!

Drew Barrymore’s Talk Show Losing Steam Already, Drops Another 17%, While Ellen DeGeneres Holds Steady Despite Scandal

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The TV syndication ratings are in, and they show a tough world if you live by numbers.

Drew Barrymore’s talk show is certainly struggling in its third week. It dropped 17% from 600,000 to 500,000 viewers last week, down from a premiere week of 800,000. To make matters worse, while Drew is trying to keep her audience from drifting away, her main time frame competitor, “Live with Kelly and Ryan,” is booming. Their ratings are actually going up! “Live” went up 13% last week and jumped over “Dr. Phil” to be the number 1 talk show in syndication. “Drew” consequently fell to number 11.

Shoving Drew in at 9am against “Live” is not going to work, obviously. The best competition for “Live” was the counter programming of “Hot Bench.” That show is pulling in 1.6 million viewers each week.

“Drew,” by the way, featured “SNL” actor Chloe Fineman yesterday. Chloe is doing a parody of Drew on “SNL.” Of course, no one mentioned that Drew’s producer is Nancy Juvonen, talented wife of Jimmy Fallon, whose own late night talk show shares a an executive producer with “SNL”– uh, Lorne Michaels.

And what about Ellen DeGeneres? Well, she’s holding steady with 1.2 million viewers. There’s no big fall out from her scandal. We keep waiting. But it ain’t happening. If “The Ellen Show” lives through this season, number 17, she’ll probably make it to 20 seasons. Every week she gets into the season, the scandal recedes. Interesting, no?

Here’s the Drew interview with Chloe Fineman. Drew is all bubbly as usual. But if you notice, there’s not much of an “SNL” clip here. I’m not so sure she loved the parody that much after all.

Great Stage, Film Actress Conchata Ferrell Dead at Age 77 After Nearly a Year of Illness, Star of “Two and a Half Men”

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I am so sorry to hear of Conchata Ferrell’s passing at age 77. Apparently she had been suffering all year after a heart attack and associated medical problems.

Ferrell’s fame came with “Two and A Half Men,” the insipid TV comedy. But she was a powerhouse film and theater actress before that. I will never forget her in “Heartland” with Rip Torn, a great movie in which she was superb circa 1980.

In theater, she was an original member of the Circle Repertory Theatre. For her appearance as Gertrude Blum in Edward J. Moore’s “The Sea Horse,” she received a Drama Desk Award, a Theatre World Award, and an Obie Award for Best Actress in 1974. Her role as April Green in Lanford Wilson’s “Hot L Baltimore” led her to Los Angeles and a starring role in the Norman Lear series of the same name. Other notable productions include “Battle of Angels” in 1974 by Tennessee Williams (later known as “Orpheus Descending”), and “Picnic” by William Inge at the Ahmanson Theater.

Ferrell’s movie work besides “Heartland” included “Network,” “Mystic Pizza,” “True Romance,” “Erin Brockovich,” and “Edward Scissorhands.” She was nominated for the Emmy Award three times, twice for “Two and a Half Men,” once for “L.A. Law.”

She’s survived by her husband of 34 years, Arnie Anderson, and a daughter and two step daughters. Please, don’t remember her for that TV show but for her amazing work everywhere else. Condolences to her family.

Coming to Amazon: Eddie Murphy’s “Coming to America” Sequel Moving from Paramount to Amazon Prime for a Reported $125 Mil

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Paramount needs money, and they can’t wait for theaters to open again.

The result is that Eddie Murphy’s much anticipated “Coming to America” sequel will move from Paramount to Amazon Prime, which will pay a reported $125 million so they can put it on their platform.

Paramount is an ailing studio, and the pandemic is killing it. They’ve postponed the Top Gun sequel to next year, and the 7th “Mission Impossible” movie is only now shooting, put it a year after that. They sold “The Trial of the Chicago 7” to Netflix, forfeiting their own shot at an Oscar campaign with some wins possible.

It’s got to be frustrating for Paramount and for the filmmakers. What remains a question is what to do with “A Quiet Place 2,” the really terrific sequel to John Krasinski’s first film of that name. We saw it in MARCH– do you hear me????– MARCH, and it’s never come out! My guess is now that Paramount will have to sell that one, too, because it needs to be seen and we don’t know when theaters will re-open.

You can’t blame any studio for going the VOD or streaming route, and of course everyone feels bad about the movie theater exhibitor business. Believe me, we want to be in theaters. I just hope they’ll be there when we’re ready. Hopefully, a Biden administration will bail out the exhibitors. But even January 21st is a long way off.

 

Bruce Springsteen’s New Documentary Features Marvel-Like Over-Credits Extra of the Boss Singing First Single Ever from 1966

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Bruce Springsteen’s Apple TV documentary, “Letter to You,” arrives next Friday along with a new album of original E Street Band recordings.

There’s a review embargo on the film until this Friday, but I can tell you one thing about it now: there’s a Marvel-like over-the-credits extra scene that will please all Springsteen fans– and shows what a good film Thom Zimny has made. (No, it doesn’t feature Samuel L. Jackson as Nick Fury!)

For the first time in a long while, Bruce performs an acoustic version of “Baby I,” the first single he ever had, with his group The Castiles. The Castiles are all gone now, so Bruce is accompanied by his cousin Frank, who appears in the film. Bruce credits Frank with teaching him how to play the guitar.

The Castiles record is little known, although it’s on YouTube in a couple of forms including as part of the soundtrack to Bruce’s book, “Chapter and Verse.”

Here it is, with a photo of the E Street Band forerunners.

 

Kanye West Still Running for President, Releases First Campaign Video Invoking Prayer, God, and Family

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Megalomania. It’s a thing.

By the way, where is that “Donda” album?

Madonna Confesses to Screenwriter on Instagram Video: “I never took anything. I didn’t drink or take drugs”

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Madonna is writing the screenplay to her autobiographical movie with Diablo Cody, and filming it for Instagram. She’s got a new video up with what looks like a finished screenplay. The subject of drug taking comes up, and Madonna tells Cody: “I never took anything. I didn’t drink or take drugs.” Madonna also sings out a bit, and it’s lovely.

 

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#research #Diablo

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Happy 85th Birthday to the Original, One and Only Soul Man, Sam Moore, R&B Legend, Pioneer Still Singing Great!

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Happy Birthday Sam Moore, 85 years young today, the prominent voice of Sam & Dave. Hit maker extraordinaire, performed for all living and recently deceased presidents, member of the RRHOF when it meant something. Grammy winner. Husband, father, brother, friend.

It’s quite wonderful and pretty damn lucky that Sam Moore is celebrating his 85th birthday today. In his 50s, some 30 years ago, he was a drug addict living in New York, past his days at the top of his charts with no clear way out of a mess. He’d been at the top of the heap, and then down to the bottom. But he pulled himself up with the help of wife Joyce Moore, to whom he’s been married since 1983. It’s a story of redemption.

And not only that, everyone loves Sam. His friends through the music business are legion. His 2006 album, “Overnight Sensational,” showed examples of that with Bruce Springsteen, Sting, Jon Bon Jovi, Wynonna Judd, Stevie Winwood, Paul Carrack, and so many more who recorded with him. Sam is still known for his duet with Conway Twitty in the 80s, and for his inspiring Dan Aykroyd and John Belushi to create the Blues Brothers.

It’s hard to believe but Sam is the last of the Atlantic Records great soul stars. Wilson Pickett, Otis Redding, Aretha Franklin, and so on and on. He’s the only name remaining from the shout outs on “Sweet Soul Music” by Arthur Conley. But he doesn’t look back, he looks forward, and we look forward to more sensational music from Sam Moore. Happy Birthday!

Review: Sofia Coppola’s “On the Rocks” Makes the Most of Bill Murray and Rashida Jones But Can’t Get Started in Any Direction

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As I’ve just finished watching Sofia Coppola’s “On the Rocks,” I must say I’m surprised it has an 89 on Rotten Tomatoes. Did I watch the same movie? And yet, on further investigation, I guess I did see the film viewed by a few, discreet reviewers.

Sofia Coppola is one of my favorite directors, I’ve really enjoyed her films. That’s why I’m more than disappointed by “On the Rocks.” It’s billed as a comedy, which it isn’t unless I’ve forgotten what that’s supposed to mean. “On the Rocks” might have a chuckle here or there, but it’s more of a Lifetime movie built on the ashes of a Woody Allen left over. It’s very melancholy.

The actors are terrific, and you know, really, Rashida Jones and Bill Murray as daughter and father Laura and Felix. Who’s more charming than those two? But she thinks her husband, Dean (Marlon Wayans, who really used to be funny) is having an affair. So her wealthy dad (NY art dealer, car and driver, etc) has Dean followed around to New York hot spots. Then Felix convinces him daughter they should lie to everyone, leave her kids, and follow Dean to Mexico where he’s going to attend a conference and bring with him his leggy assistant with whom they think he’s sleeping.

Yes, that’s the story. Well, there’s more story but no one tells it. And the whole thing is set in New York’s very 1 percent stratosphere of giant loft apartments in Tribeca, and moneymoneymoney and no traffic anywhere so you can drive, and park. and no one gets in your way. There’s one nice sequence of Bill and Rashida racing a little red sports car around and being stopped by a cop whose Dad, of course, Bill knows. And who can beat Bill Murray sweetly singing “Mexicali” to tourists a Mexican resort?

But what is going on here? Father and daughter bonding? It’s all very vague. And creepy, since Murray and Jones act more like a couple than she does with Wayans. Yes the parents broke up when Laura was little, but who cares? Rashida’s character is a famous writer now living a great life. Yet she acts like a naif from Omaha in the 1950s. None of it quite makes any sense, particularly when they get into the mechanics of Bill and Rashida following Marlon, the husband, to Mexico. There are very wide plot holes here. Suspension of disbelief is fully required.

And the Woody Allen thing is pretty blatant. By the time Bill and Rashida stop for a drink for no one reason in Bemelman’s Bar at the Carlyle, just to be there for no reason, that’s the capper. References to Soho House, the 21 Club, and other snazzy locations might have had more zing for me before the pandemic, but they seem a little odd right now.

So it’s a pass on “On the Rocks,” which looks good but doesn’t get to anything. I’ve seen Sofia Coppola work wonders. She will again.

“Cleopatra,” The Movie That Almost Sank A Studio with Elizabeth Taylor and Richard Burton, Will Be Made Again– by the Wonder Woman Team

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You’re too young to remember “Cleopatra,” the 1963 movie that cost so much and lost so much that it literally almost destroyed 20th Century Fox. Of course, last year Fox was sold to Disney and doesn’t exist anymore. But “Cleopatra,” you could say, is where it all began.

The film starred the hottest movie stars of the day, Richard Burton and Elizabeth Taylor, who became a couple and the top tabloid subjects of all time when they left their spouses for each other. Meantime, Fox — which almost went bankrupt– sold most of their property, thus creating Century City in West Los Angeles. That’s how bad things were. (I miss the old Century City mall.)

So why not make it again? Paramount, ironically run by Jim Giannopolous, a former head of 20th (more recently, not in 1963) has won an auction to take a new crack at Cleo with the “Wonder Woman” team. Patty Jenkins will direct her Wonder Woman, Gal Gadot, as Queen of the Nile. Who will play Mark Antony? Chris Pine? I don’t think so, but you never know these days.

In the original, Julius Caesar was inhabited by Rex Harrison, who was then only 55. Is it time for Daniel Day Lewis to come out of retirement? Stephen Dillane sound good? Can Mark Rylance play every part in the movie? Time will tell.

It should be meaningful that the auction went to Paramount, and not to Warner Bros. where Jenkins and Gadot have had their successes. Also, Disney, which owns Fox, won’t be revisiting their good old days.

Now this is something to look forward to!