Friday, December 19, 2025
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Ratings: Ellen DeGeneres Drives Numbers Up 20% with Giveaway Days as Summer Scandal Recedes

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Ellen DeGeneres is starting to show signs that her summer scandal is receding.

Ellen’s talk show was up 18% in total numbers and 20% in the key demo for the week of November 29th. “The Ellen Show” is paddling away from all the talk of toxic backstage behavior moving up to 1.3 million. That’s still 35% below its ratings a year ago, but at least things are improving. What’s helping? “12 Days Of Giveaways” seems to hit the spot. When you’re giving gifts to the audience, toxicity disappears!

Meanwhile, “Live with Kelly and Ryan” continues to be the number 1 talk show in syndication, beating “Dr. Phil.” Their pull is 1.9 million.

Drew Barrymore’s show, meantime, continues to scrape along with 500,000 average viewers a week.

And what are the real hits? “Judge Judy” is number 1 in the whole syndication market with 6 million daily viewers. And Judy’s spin off “Hot Bench” grows and grows with 1.8 million.

REVIEW: George Clooney Space Saga “The Midnight Sky” Has None of the “Gravity” of His Past Flights

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What the heck is George Clooney doing in space again? He made a splashy, memorable cameo in Alfonso Cuaron’s “Gravity,” a perfect trip through cosmos, and should have left well enough alone.

But he’s gone back. In “The Midnight Sky,” Clooney directs and stars in a space opera with two careening stories. In his, George– looking like Grizzly Adams– is Augustine. the last man on a weather station in the Arctic. Something’s gone wrong on Earth, everyone at the station is headed back to the world and oblivion. Clooney stays behind, and discovers a little girl has, too. She doesn’t speak, but she’s very well behaved and follows him around.

Meantime, in deep space, a group of astronauts is trying to get home. Their big, fancy space station ship is falling apart, and so are they. David Oyelowo and Felicity Jones have been up there so long they’re expecting a baby. Damien Bachir and Kyle Chandler are the main guys. and there’s a young black woman scientist played by an actress you’ve never seen before. Guess who’s not going to make it to the end? My sympathies to Tiffany Boone.

There’s also a bunch of people involved in a flashback business, with Ethan Peck playing Young Augustine. Somehow these sepia tinged scenes are supposed to relate to the present story.

Serious space movies really don’t work. “The Martian” was a rare exception. After “Ad Astra,” everyone should have just stopped. Clooney is a smart guy who’s acted in and directed many fine films. I was watching him in “The Descendants” this past weekend, just loving his subtle performance. Ditto “Up in the Air,” “Michael Clayton,” “Syriana,” “Burn After Reading,” “The American,” and “O Brother Where Art Thou?”

But recent projects have yielded trouble. “Money Monster,” ouch. Ditto “Tomorrowland,” and “Monuments Men,” which just implodes on touch. We could explain this looking at his resume: the focus is gone. He’s lost in Nespresso commercials and the sale of a Tequila company. He got married, had kids, made boat loads of money. He’s lost the beat.

In “Midnight Sky,” we’ve got excellent production, it looks gorgeous. I was sad not to be seeing it on a big screen. But we’ve been in this space before, with these same people. It’s not interesting. Also, Clooney’s big weather production with the little girl (the very plucky Caoilinn Springall) is a continuity wreck. It makes so little sense that just have to ignore the realities to keep going.

“Midnight Sky” begins playing on Netflix this weekend. No one will mind it. But really, when you get to the end credits, I don’t know what to say. The movie doesn’t so much end as it just drifts away. The credits just start rolling, rather arbitrarily, but some of the actors refuse to leave the screen. There’s a reason old movies ended with the words The End.

 

 

Best Seller Machine James L. Patterson Takes Full Page Ad in NY Times Announcing No News John Lennon Cash-In Book

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UPDATE MONDAY 2/8/21 10:27PM This book was a bust. It’s currently number 3.,087 on amazon.

 

DECEMBER 9 2020 James L. Patterson is a best selling book machine. He has teams that write them, and they’re marketed like soup or Tide to gullible consumers. The books aren’t written so much as typed.

Today, Patterson– a former advertising man– has taken a full page ad out in the New York Times to announce a new “book” about John Lennon. It’s like Geraldo Rivera revealing Al Capone’s vault. Turns out Patterson knows the name of the killer and how he did it! Surprise!

The PR line is “The greatest true-crime story in music history, as only James Patterson can tell it.” But “The Last Days of John Lennon” is really by two guys from the Patterson workshop, Casey Sherman and Dave Wedge. What it appears to be from a look at its Amazon entry is a clip job about the history of the Beatles.  No news here.

“The Last Days of Lennon” is a must avoid. But the full page ad? Now that’s worth reading. It’s all about Patterson: he was nearby when Lennon was killed by Mark David Chapman, he was in the “grieving crowd” in front of the Dakota afterwards. He lives now in a house that’s connected by a bridge to a house John and Yoko once looked at.

He was also at Woodstock, I’m sure. And with Brian Williams in all those adventures. He also went to a Paul McCartney concert.

“Theirs was a great love story that hasn’t really been told.” Oh, no? Please.

Ka ching! I used to do my laundry in Boston at a place where John and Yoko once did theirs. There was a plaque on the wall that said so. And this was before Lennon died. I’m writing a book, too!

Save your money, kids.

The Next “Spider Man” Movie Sounds Like a Web Convention with Holland, Maguire, Garfield, Plus Alfred Molina, Kirsten Dunst, More

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It sounds like the next “Spider Man” movie will be a crowded affair.

Tom Holland returns as Peter Parker and Marisa Tomei, of course, as Aunt May. But now the word is that past Peters Tobey Maguire and Andrew Garfield will appear as well. How about Sally Field and Rosemary Harris? Why not?

Announced today definitely is the return of the great Alfred Molina as Otto Octavius a.k.a Doctor Octopus. Jamie Foxx is returning as Electro from Andrew Garfield’s “The Amazing Spider-Man 2.” Zendaya, Jacob Batalon, and Tony Revolori are coming back from the Holland movies as well. There’s also supposed to be an appearance by Bendedict Cumberbatch as Doctor Strange from the Marvel Universe.

How will director Jon Watts make sense of all this? Leave it to producer Amy Pascal. She will pull the whole thing off with ease. She has the real Spidey powers!

Oscars Choose Steven Soderbergh, Stacey Sher, Jesse Collins to Produce 93rd Academy Awards Show Next Spring

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Well, there’s going to be an Academy Awards show next April of some kind.

The Motion Picture Academy has announced a trio of producers tasked with this formidable job. This is a thankless situation so they had to come up with some real pro’s and they got them: two time Oscar winner Steven Soderbergh, all star producer Stacey Sher, and TV and music producer Jesse Collins.

You can’t do better in Hollywood than Sher, who’s got a list of producing credits anyone would die for including most of Quentin Tarantino’s movies. Soderbergh could be up for an Oscar this year with his “Let Them All Talk,” starring Meryl Streep, Dianne Wiest, and Candice Bergen if HBO Max really kicks up the volume. Collins comes with a resume for producing music specials at BET and work on the Grammys.

The Oscars are supposed to take place on April 25th and they will, but how and in what form will be this trio’s decision along with the show’s director and the production team. Will there be an audience in the Dolby Theater? All the frills? Nominees luncheon? It’s really still up in the air depending on the pandemic and the state of things in Los Angeles.

Meantime, I love this picture of the three producers sent out by the Academy. Soderbergh is quite the joker.

 

(Watch Trailer) Can Nate Parker Overcome His 2016 Scandal with Controversial New Film “American Skin”?

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I’ll say one thing for Nate Parker.  He doesn’t shy away from trouble. His new film, “American Skin,” looks violent and incendiary. He’s gotten Spike Lee to “present” it, and he’s found Vertical Entertainment– not exactly Sony Pictures Classics — to release it.

Parker’s very good, Oscar bound “Birth of a Nation” was run aground in 2016 when the story of his college rape trial was revealed. Parker was acquitted and the subject didn’t come up for years. But when “Birth of a Nation” looked like it might be a big awards contender, the whole saga was revived. It turned out the rape victim had subsequently committed suicide years later. Parker didn’t seem contrite or apologetic. “Birth of a Nation” collapsed, disappeared, and so did Parker.

So now what? Now “American Skin,” for better or worse, a revenge movie about a Marine veteran who’s out to punish the bad white cops who killed his 14 year old kid.

Can Parker overcome his 2016 scandal? Is this the way to do it? Time will tell.

 

Remembering John Lennon: Tweets and Posts from Yoko Ono, Julian Lennon, Paul McCartney, Ringo Starr, Sean Lennon

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Following Ringo’s lead, sing a long to “Strawberry Fields Forever” below.

Rock Star David Crosby, of CSN and The Byrds Also Selling Publishing Rights: “I can’t work and streaming stole my money”

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The news that Bob Dylan, and before him Stevie Nicks, has sold his publishing to his song catalog, has prompted a deluge of conversation on Twitter.

And thus comes the news from David Crosby, veteran rock star of Crosby, Stills & Nash and The Byrds, that he’s selling his rights, too.

He wrote: “I am selling mine also …I can’t work …and streaming stole my record money …I have a family and a mortgage and I have to take care of them so it’s my only option ..I’m sure the others feel the same”

Crosby, who is always outspoken, says in other tweets on the subject that he’s the same age as Dylan, which is 79, and needs money.

Crosby wrote to a fan: “Streaming does not pay us for records an COVID has shut down all work live ….is that clear enough for you ?” In another Tweet he said: “If we could get paid for records and play Live we would not be doing it. None of us.”

It’s not like Crosby has voluntarily retired. He writes: “Writing still …recording too but seems like I’ve been forcibly retired.”

His comments proved a surprise to his Twitter followers, who imagine Crosby is a billionaire living behind a golden gate in a Neverland like compound.

But fans don’t realize many realities of being a singer in a rock and roll band. For one thing, Crosby was never a prolific songwriter. His “catalog” comprises a few older, beloved songs  that were never top 40 hits. Unlike Stephen Stills (“Love the One You’re With”), Graham Nash (“Our House”), or Neil Young (“Heart of Gold”), Crosby doesn’t have a laundry list of pop evergreens that are played over and over on oldies radio. Crosby’s songs include favorites like “Wooden Ships,” “Long Time Gone,” and “Guinnevere,” from early CSN.

This doesn’t mitigate Crosby’s essential voice and the many well-received records he’s made. But his biggest income as a musician would have come from those Crosby, Stills & Nash tours that sold out arenas for decades. A CSN reunion tour was probably more important to him economically than to Stills or Nash, and definitely Neil Young. But with COVID knocking out touring for 2020, 2021, and who knows how much longer, Crosby is in a jam.

Crosby isn’t alone in the big world of rock and roll. For years, recording artists who were known for their voices and hits but didn’t write their songs have lobbied for a performance royalty on radio. When Crosby turns on the radio and hears “Marrakesh Express” or “Teach Your Children” or a Byrds record like “Mr. Tambourine Man,” he gets zip, zero zilch. Only the writers of those songs are paid. Crosby contemporaries like Judy Collins and Sam Moore have testified many times in front of Congress to get legislation.

But radio stations have mounted huge resistance to the idea. Why should they pay for the music when they get it for free? Meantime, performers suffer, especially when there can be no live performances.

 

 

 

Bob Dylan Leaves Sony Music Publishing, Sells Song Catalog to Universal Music Publishing for $300 Million

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Bob Dylan has cashed out.

The Nobel winning song laureate has sold the rights to all songs (and one more) to Universal Music Publishing. The price was $300 million.

It’s a big win for Universal and a major blow to Sony Music Publishing, where Dylan’s songs have been parked for decades.

The $300 million is for the publishing of songs like “Blowin’ in the Wind,” “Make You Feel My Love,” “Like a Rolling Stone,” “Lay Lady Lay,” and “Forever Young” among the 600 plus titles Dylan has written over the last nearly 60 years. But Dylan’s records– his catalog of albums and singles– remains at Sony Music, which continues to repackage them over and over under its Legacy Records.

For Dylan, this seems like a bid to settle up his financial future as he approaches age 80 next June. His heirs include at least 8 children (the exact number is unknown publicly) and several grandchildren. It would make sense that Dylan would want to organize his affairs even if he’s in great health and prepares for a new decade of recording and touring. His recent album, “Rough and Rowdy,” is part of this deal. But any songs he writes from now on are his own.

The most interesting tidbit from the Universal deal actually isn’t about any of Dylan’s songs. It turns out that for some reason he owns the biggest hit from The Band, “The Weight,” written by Robbie Robertson. That news was a bit of a surprise. That song goes with the others to Universal until Robertson dies, when his own heirs can try and reclaim the copyright.

Dylan had a good deal with Sony Music, where I wrote — in 2013— that he was generating $4 million a year in royalties. Sony then was advancing him more than that every December. But it seems like Dylan needed more cash, and he got it.

On the Eve of the 40th Anniversary of John Lennon’s Murder: Could A Gun Safety Law Have Saved the Beatle’s Life?

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Tuesday, December 8 is the 40th anniversary of John Lennon’s murder by a gunman.

On Monday, December 7th, The Brady Campaign to Prevent Gun Violence’s “Red, Blue and Brady” podcast will air a discussion about new gun violence prevention temporary protection order laws and how such a law could have saved John Lennon’s life.

The podcast was initiated by and featuring Safer Country’s Executive Director Paul Friedman. It will be broadcast on Monday night, December 7th. That night, it can also be found by going to the Brady Campaign website, http://bradyunited.org/podcast

Imagine: A gun safety law could have saved John Lennon’s life.

By Paul Friedman

Tuesday, December 8, marks the 40th anniversary of the murder of music legend and
peace activist John Lennon. It’s a crime that might have been prevented.

In 2018, the wife of Lennon’s killer revealed that her husband told her two months
before he fired the fatal shots that he intended to kill Lennon–and actually showed her
his gun and bullets, which he later transported illegally to New York from their home
state of Hawaii.

She could have tried to prevent this tragedy, yet she didn’t report what he told her to the
police or mental health services. Even if she had though, it’s unlikely that this would
have stopped him as there was no law that could have enabled the necessary
intervention.

Thankfully, that’s no longer the case. In 1999, a new law was created in Connecticut
that enables law enforcement to intervene prior to a crime being committed and remove
a gun or guns temporarily to prevent suicides and homicides–but only when a court
determines that someone is a serious danger to themselves or others. To establish its
constitutionality, the right to a hearing within two weeks is built into every version. A
version of it is now in 19 states, including Hawaii, plus the District of Columbia.

Originally called a risk warrant by its creator, Connecticut’s House Judiciary Chair
Michael Lawlor, it quickly became known as a red flag law. Yet, that has fallen out of
favor due to concerns raised by the mental health community. Thus, groups such as
Everytown for Gun Safety and the Brady Campaign to Prevent Gun Violence have been
calling them extreme risk laws. Meanwhile, states have been using terms such as
extreme risk protection order, or ERPO, substantial risk protection order, or SRPO, gun
violence restraining order, or GVRO, and firearms restraining order, or FRO. In the long
run, we need one name for clarity and ease of communication.

Why is this law so needed?

According to U.S. Centers for Disease Control and Prevention (CDC), “There were
39,740 deaths from firearms in the U.S. in 2018. Sixty-one percent of deaths from
firearms in the U.S. are suicides. In 2018, 24,432 people in the U.S. died by firearm
suicide. Firearms are the means in approximately half of suicides nationwide.” Even
worse, a 2017 study by the CDC found that nearly half of all female homicide victims
are killed by a current or former dating partner.

It doesn’t have to be this way. Broad use of this type of law can reduce these numbers.
Recently, Michael Lawlor observed that over the past 20 years the law has had “a huge
impact” in Connecticut, and beyond. Citing studies by researchers at Yale, Duke and
the University of Connecticut, he said the law has helped prevent scores of gun-related
deaths, particularly suicides, since its adoption. “Our law allows just one additional
option if all else fails where they’ve got the evidence that someone is in imminent
danger.”

Safer Country’s hope is that the power of John Lennon’s story will raise awareness and
save lives. Our message is simple. If only this law had been in place in 1980, John
Lennon might still be with us today. Imagine.

Beyond enacting and using the law, there is another way we can all make a difference.
After Lennon’s death, the people of Prague in the Czech Republic spontaneously found
a wall and began posting notes on it about their feelings of loss and opposition to gun
violence. It quickly became known as the Lennon Wall and it’s become a prominent
space to advance non-violence and peaceful co-existence. More recently, Lennon Walls
in Hong Kong have emerged as a place for voices supporting democracy.

It’s time for us to follow suit. Find a big wall in your community where notes and artwork
about this would be welcomed and express your grief, pain and outrage over the gunfire
that causes suicides, homicides and life-changing injuries. Together, let’s use both
these laws and Lennon Walls to create the safer country we both need and deserve.

Paul A. Friedman, Esq. is the founder and executive director of Safer Country,
safercountry.org, an Alexandria, VA-based gun violence prevention non-profit with a
mission to keep guns out of unsafe hands.