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Kanye Snapped Wearing a Full Head-Covering Mask and Nike’s Despite Rich Sneaker Deal with Adidas

A Kanye West Twitter account posted this picture of the mostly AWOL MIA rapper designer today. He’s wearing full mask and hood covering his face and it looks suffocatingly hot.

He’s also wearing a pair of black Nikes with a white swoosh– despite his rich rich deal with Adidas to produce expensive, uncomfortable Yeezy sneakers. And he’s wearing a puffer jacket in Los Angeles on a summer day.

But the Nike’s– Adidas might object, but Nike will be happy. God knows the Yeezy’s look unwearable. They’re collectible, certainly. But if you want support, New Balance is the only way to go. (Yes, I know, the politics, but feet come first.)

Taylor Swift Sandbags Olivia Rodrigo with Record Breaking Vinyl Release and Retakes Number 1 with “Evermore”

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Quoth the Swifties: “Evermore.”

Taylor Swift released the vinyl edition of her album, “Evermore,” rode a wave back to number 1 this week.

Out of the blue, “Evermore” sold more than 100,000 LPs — records, the kind you turn over– and blew past Olivia Rodrigo to the top of the album charts.

“Evermore” broke the record, excuse the pun, for LPs sold in a single week since SoundScan, Buzz Angle, and modern measurement took over from hiding cartons of albums in your A&R guy’s garage.

Swift sold 187,000 copies of “Evermore”– which wasn’t even in the top 50 last week — vs. Rodrigo selling 184,000 units of “Sour.”

The irony here is that Rodrigo has a song on her album credited to Swift and producer Jack Antonoff. I’m told it’s not because she wanted to cover it. It’s because she recorded it and realized she’d lifted it. Arrangements were made among the parties for Swift and Antonoff to get the proceeds.

Even with that mistake, Olivia has made a pretty good album with “Sour,” largely thanks to producer Dan Nigro.

Swift’s merchandise machine and fan club, meanwhile, pushed that vinyl edition of “Evermore,” which sells for $22.98. (When us old folks bought records, they cost $5.98 tops.) So she’s found a second life for “Evermore” and a new revenue stream.

Now Swift is also busy being part of David O. Russell’s film, tentatively titled “Canterbury Glass,” and maybe writing and singing a theme song for it. And it’s only June. The betting is good that Taylor has an album of new material ready this fall, maybe even before September 30th Grammy deadline. And Adele? She’s at home trying to make it six years in November since her last album.

Ratings: Chris Meloni’s “Law & Order: Organized Crime” Season Finale Craters as Story Arc Fizzles

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“Law & Order Organized Crime” ended with a disorganized finale and its lowest ratings yet.

Chris Meloni is great as Stabler, but the fans of the “L&O” franchise don’t care for his setting. Last night’s show dropped to 3.89 million.

Forget the big 7.8 million premiere. From the second episode, the show has ratcheted down 1 million more viewers ending up here. And here is no good. “OG” is getting lower ratings that the OG “SVU” that precedes it despite Mariska Hargitay appearing in all of the episodes.

Everyone loves that Meloni is back as Stabler. But chasing Dylan McDermott every week like Coyote and Roadrunner has worn itself out. McDermott is a fine actor but let’s wrap this up. New York’s organized crime has more than one antagonist. The story of Richard Wheatley and his family is over.

EP Fred Berner has already said that next season there will be three 8 episode arcs. Let’s hope the show opens up into more characters and stories and it isn’t just Stabler being unstable. The audience just isn’t there. They want to see Stabler as a hero, not an anti-hero. The proof is, they left. It’s a Law & Order Show but we’re not seeing any Order. Enough already with Benson and Stabler’s “romance” and long looks. They’re 50 years old for gosh sakes.

Kudos to “SVU” which was great all season, knows how to weave in the soap opera stuff, and keeps it real. The result is strong, steady ratings holding their own against other weary vet, “Grey’s Anatomy.” Mariska deserves an Emmy nod this year. NBC, do something.

Broadway’s Back But the Audience is Tentative: Except for “Music Man” Ticket Sales Are Slow So Far, Even for “Hamilton”

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It used to be you could not get a ticket to “Hamilton” to save your life.

Then the pandemic hit. And the filmed version of the award winning musical on Disney Plus.

Now, when “Hamilton” returns in the fall, you’ve pretty much got your choice of dates and prices. The first few weeks beginning September 29th are backed up with old orders. But as the calendar pages fly through October, November and hit December 1st, a chance to be “in the room” with Alexander H and all his friends is wide open.

Old shows that are selling tickets are having a tough time. But new shows are finding it even more difficult. So far tickets for “MJ: The Michael Jackson Musical” are stagnant. Even “Company,” the most anticipated holdover from the 2020 season, shows seas of blue — meaning open seats for sale — on telecharge.com. Same for “Diana: The Musical.” And the brilliant “Girl from the North Country.”

The only show with sold out dates? “The Music Man” with Hugh Jackman and Sutton Foster. But you know, of course. “The Music Man” with those stars is beyond reviews, pandemics, tornadoes.

Want to see “The Lion King” on September 30th at 8pm? It’s yours, the whole house. Or how about “Wicked”, same night? Same thing.

So what’s going on? Prices are high, and obviously people are wary about returning to the tight seating of a Broadway theater. But if they’re vaccinated there should be no issue, and you can always wear a mask if you’re concerned.

But Broadway will need momentum and a shot of Adrenalin to get re-started. It will take more than a two hour special on CBS on September 26th. All summer the shows will have to be promoting themselves on TV, radio, and social media, priming interest in a return to the glories of Broadway.

Meantime, this is the moment, that very moment, to take advantage of ticket availability. This temporary lull in buying won’t last. The early bird will get that worm.

Broadway’s New “Lehman Trilogy” Adds Great British Actor Adrian Lester, Subtracts Ousted Producer Scott Rudin

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The great British actor Adrian Lester, who is Black, will now play Jewish banker Ernest Lehman in the returning “Lehman Trilogy” when the play returns to Broadway this fall. It’s the new reality of Broadway: color blind casting. Very cool. (If it was good for Hamilton it will be good for Lehman!)

Lester replaces actor Ben Miles, who’s been playing one of the Lehman brothers since its first English production at the National Theater in 2018. Miles went with the production to the Armory in New York, and then at the Piccadilly Theater in London. He’s also in the filmed version.

Lester is making his Broadway debut after a huge TV, film and theater career. In 2012, Lester was stunning as Ira Aldridge, the first Black actor to play Shakespearean roles, in the play “Red Velvet” imported here to off off Broadway by the Tricycle Theater. Aldridge was a trailblazer, as is Lester.

(I feel bad for Ben Miles. He was also yanked from “Mare of Easttown” at the last minute and replaced by Guy Pearce. Both times the given reason was “scheduling conflict.”)

Director Sam Mendes says that when he directed the National Theater production, Lester was the first actor he talked to. They’d worked together 25 years ago in “Company.” He said, “It couldn’t be more perfect that Adrian Lester will be joining our production of “The Lehman Trilogy” on Broadway. He was the first person I offered the role to, way back when we first mounted the production in London at the National Theatre, so on some level it feels like destiny.”

The changing of actors for Emanuel Lehman in the five hour multi-generational play isn’t the only difference in the returning production. Producer Scott Rudin is gone, too, along with partners Barry Diller and David Geffen. “The Lehman Trilogy” now lists no actual New York producer. Like all of Rudin’s shows, including “The Book of Mormon,” “West Side Story,” “The Music Man,” and “To Kill a Mockingbird,” it’s a mystery as to who will actually be the producer. “Lehman” is the first to resume selling tickets.

Following a 14-week run on Broadway beginning October 14th, The Lehman Trilogy will visit Center Theatre Group’s Ahmanson Theatre in Los Angeles (3 March – 10 April 2022) and American Conservatory Theater’s Geary Theater in San Francisco (20 April – 22 May 2022), with casting to be announced.

 

NCIS Los Angeles: Gerald McRaney’s Promotion Suggests Linda Hunt May Be Stepping Down or Cutting Back Next Season

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“NCIS Los Angeles” is going through some changes.

Gerald McRaney, TV veteran and Emmy winner, was just promoted from recurring to regular for next season. McRay, who’s 73, plays retired Adm. Hollis Kilbride, who advises and counsels the Los Angeles division of the NCIS Special Projects unit during their undercover operations.

But why need McRaney full time when Linda Hunt, who’s been playing Hetty since 2009, runs that NCIS? Hetty is beloved, and the audience tunes in for her.

But Hunt, who’s 76, didn’t really participate this season because of COVID. She appeared just in the last episode, fully vaccinated, and sparkling as usual. But at 76, the much awarded actress has had a phenomenal career and may not want to have a grueling schedule.

McRaney’s promotion suggests that he will be running NCIS Los Angeles in the next season, with Hetty semi-retired. Hunt could make occasional appearances. McRaney certainly isn’t replacing the two younger actors who just got written out of the show. He and Hunt would be the same demographic.

Linda Hunt should get a special Emmy or something this fall. She was Oscar nominated years ago for “The Year of Living Dangerously.” She’s a gem in Hollywood.

“Jeopardy!” Gets No Buzz from Buzzy Cohen as Tournament of Champions Sends Show Down Again in the Ratings

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“Jeopardy!” fell back to 5.1 million viewers with Buzzy Cohen at the helm.

Cohen hosted two weeks of the “Tournament of Champions” during sweeps, which was supposed to boost the audience.

But Buzzy had no Buzz. His ratings fell 2% from Bill Whitaker’s final week, to 5.1 million. “Jeopardy” has lost 1 million viewers since the beginning of the year.

So far the endless parade of guest hosts since Ken Jennings’ six week run has been abysmal. The farther away we get from Jennings, the lower the ratings go. Why not test it out and bring Ken back for a week in July? It’s too late. “Jeopardy!” went with this plan, and there was no turning back.

This mess will go on until the week of August 13th with sportscaster Joe Buck. Before that we get George Stephanopolous, Robin Roberts, Savannah Guthrie, Sanjay Guptah, CNBC’s David Faber, and so on. The only guest host of any interest will be LeVar Burton, July 26-30th, last week of sweeps. Burton is Jennings’ only competitor for permanent host.

The show will return after Labor Day with a permanent host. By then, the rating should be scraping 4 million or lower.

Meantime, beloved long time host Alex Trebek will be honored posthumously at the Daytime Emmys and Critics Choice Reality TV awards.

 

Scooter Braun Isn’t Worried About $50 Mil Lawsuit from Ex-Goldman Sachs Exec: “Got to love a good opportunist”

Scooter Braun. superstar manager of Justin Bieber and Ariana Grade, Tweets this afternoon: “One day I woke up to find out that a guy who took $5 million from us years ago with zero results has now read a headline of our success and has shown up out of the blue to ask for more money. Got to love a good opportunist. Unfortunately we don’t scare easy. Wish him well.”

He adds: “Now back to reality.”

Braun is having a good day, bad day. He signed Kid LaRoi, who’s had a big hit with Miley Cyrus all spring.

On the downside, he’s being sued for $50 million by a former Goldman Sachs exec who alleges Scooter swindled him. Peter Comisar, former vice chairman at Guggenheim Securities, says Braun lured him over to his Ithaca Holdings to a start-up that would tap his network for hundreds of millions of dollars. Meanwhile, Braun says Comisar is suing him because of the impending $1.05 billion sale of Braun’s holding company, Ithaca to BTS’s Korean company.

Comisar says Braun promised that he’d raise $200 million from high rollers like David Geffen. But it never happened, and Comisar was tagged out between 1st and 2nd. Now Scooter says Comisar waltzed off with $5 million. Who’s telling the truth? We’ll know, sooner or later.

A Country Star is Born: Social Media Hit Kaleb Austin Goes Straight to Number 1 on iTunes with “Sun Goes Down”

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Yikes.

Who is Kaleb Austin? He’s some kid with a guitar. And right now his song, “Sun Goes Down” has debuted on iTunes at number 1.

He has no album, no label, nothing. Just a massive following on social media. He’s all over Tik Tok and Facebook, etc. His website says he’s a very young father, he’s married, etc. He’s unknown. Until now.

In January he had a #1 single on the iTunes country chart with “Sound of the South.” But “Sun Goes Down” is at the top of the main chart. And it’s excellent.

So forget “American Idol” and “The Voice.” Wanna be a star? Just go out do it, and build a constituency.

Post Oscar Winning “Parasite”: Cannes 2021 Line Up Excludes South Korea Films in Competition for First Time in Five Years

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Cannes 2021 has unleashed its line up, and South Korea filmmakers must be perplexed.

Two years ago, at the last Cannes, “Parasite” took the festival by storm. Bong Joon-ho’s social satire won the Palme D’Or and went on to win the Academy Award.

“Parasite” marked the fifth year in a row that South Korean films were in the main competition at Cannes.

They included: Park Chan-wook’s “The Handmaiden” in 2016, Bong Joon-ho’s “Okja” (2017), Hong’s “The Day After” (2017), and Lee Chang-dong’s “Burning.”

So it was expected the streak would continue. But no South Korean film is in the mix this year.

“Emergency Declaration,” directed by Han Jae-rim, and “In Front of Your Face” by Hong Sang-soo were invited to this year’s Cannes Film Festival. But out of competition, in side showings. There is no chance of a Palme D’Or even if they receive ecstatic receptions.

And that’s the way the Croisette crumbles!