Friday, December 19, 2025
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UPDATING Daytime Emmys Go To Kelly Clarkson, Jada Pinkett Smith, Max Gail, Marla Adams, “General Hospital”

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UPDATING

Kelly Clarkson has won Best Talk Show and Best Talk Show host.

Jada Pinkett Smith’s “Red Table Talk” won Best Informational Show, which is ridiculous because it’s on Facebook.  Tamron Hall was robbed.

Veteran actors Max Gail and Marla Adams each won Supporting Actor awards for respectively “General Hospital” and “The Young and the Restless.” They each played seniors who suffered from Alzheimer’s Disease, and eventually died. They also deserved their awards. Adams has been on CBS soaps for 30 or 40 years. Gail was famous from “Barney Miller.”

Cady McClain won Best Guest Performer on “Days of Our Lives.” This is her third Daytime Emmy Award. She replaced Melissa Reeves, who’d played part on and off for 35 years.

“General Hospital” won Best Directing for a soap.

“Jeopardy” won Best Game Show.

“The People’s Court” won Best Court show.

Kathie Lee Gifford gave a lovely tribute to Regis Philbin.

Justin Trudeau, PM of Canada no less, toasted Alex Trebek. So did First Lady Dr. Jill Biden.

Martha Stewart did the tribute to Larry King

Box Office: “In the Heights” Took Another Pounding This Week, Making Just $569K Per Day

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The week was hard on Jon M. Chu’s musical, “In the Heights.”

Numbers released for the week indicate the adapted Lin Manuel Miranda moviea averaged just $569,000 a day Monday through Thursday.

The total take for four days was $2.2 million. For the whole week, from last Friday through yesterday, “In the Heights” came in 5th place, with just over $6 million.

The domestic box office stands at just a notch under $22 million. This weekend will show a drop in the theater count as Warner Bros. clears the way for new releases. “In the Heights” may not finish on Sunday with $25 million after three weeks.

Lesson learned: don’t apologize for your movie. And if it’s a musical, make sure it has a single that can be played on the radio. The “In the Heights” soundtrack, which started strong, has fallen off the top 50 on Hitsdailydouble.com and Buzz Angle. It’s tracking at number 19 right now on iTunes.

“Marvelous Mrs. Maisel” Shooting Season Finale at Carnegie Hall, But It’s “Not” The Series Finale

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If Midge Maisel is playing Carnegie Hall, you’d think that would be the pinnacle of her career– and the end of her TV series.

But I am assured that when “The Marvelous Mrs. Maisel” shoots for three days this week and next at the famed venue, it will be a cliffhanger, not an ending.

“Mrs. Maisel” will wrap its fourth, and much delayed season, with Midge on the great stage, hopefully rolling the audience in the aisles.

But the word is “Mrs. Maisel” will return for at least a fifth season. Will it still be 1961? The Maisels and the Weissmans are frozen in time. But that’s where we like them. For the show to go on beyond, say, 1964, seems like a mistake.

Spies say no particular guest stars are on the bill with Midge, played by Rachel Brosnahan, on the Carnegie stage, although it’s already been reported that Milo Ventimiglia of “This is Us” is appearing in a recurring role.

Carly Simon: Happy 76th Birthday to the “Other” Major Female Singer Songwriter Who Influenced Generations

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Yes, we’ve spent all week talking about Joni Mitchell and her album, “Blue.” It’s great, she’s great, we love her.

But before “Blue,” earlier in 1971, Carly Simon appeared on the radio and for all spring and summer singing the ethereal “That’s the Way I’ve Always Heard It Should Be.” No one had a heard a song like this before on pop radio. We were like Yikes, this girl is telling her story.

This girl celebrates her 76th birthday today, 50 years later, looking a million bucks and living her best life on Martha’s Vineyard.

Of course, “That’s the Way” was just the beginning. Later in 1971 came the breakthrough album and single, both big hits, “Anticipation.” That album, confessional and tuneful, is filled with hits and memorable, catchy songs like “Legend in Your Own Time.”

But it would be a year later, at the end of 1972, when Simon would have her smash to end all smashes, “You’re So Vain,” produced majestically by Richard Perry for the album “No Secrets,” a forever classic. That album sported “The Right Thing to Do” and “Night Owl” featuring Paul and Linda McCartney. Mick Jagger sang on “You’re So Vain,” a song we all know is about youknowwho.

The hits just kept on coming with the follow up album, “Hot Cakes,” a hit duet on “Mockingbird” with husband James Taylor, and so on. Then comes the James Bond smash hit, “Nobody Does it Better” and on through 1989’s Oscar winning “Let the River Run.”

Carly is still writing and recording as new young women follow her as a trailblazer. I was recently tipped to a new song she’s been working on that sounded like a four star hit. I hope it’s released soon.

And director Simon Curtis is working on a screenplay adapting Carly’s best selling memoir, “Boys in the Trees.”

And she’s a grandmother!

Happy Birthday, Carly! There’s nothing better than that voice, sensual and throaty, leading the band through those zingy hooks and golden lyrics. And she’s still not in the Rock Hall of Fame.

Here’s one of her best:

Movie Moves as “Dune” Won’t Be So Soon, “Sopranos” Prequel Waits a Week, Clint Eastwood Speeds Up

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Warner Bros has really moved around its fall schedule.

Originally, the remake of “Dune” was coming on October 1st. Now that’s been changed to October 22nd. This doesn’t affect its premiere at the Toronto Film Festival, but could upset Anna Wintour. She was planning to go all “Dune” for her Met Ball, putting the spotlight on star Timothee Chalamet on September 13th.

Whoops!

Then, David Chase’s “Many Saints of Newark” — in which I’m hearing great things Alessandro Nivola as Dickie Molisante — takes the October 1st slot, a week later than planned.

And into the mix comes Clint Eastwood’s “Cry Macho,” which will move up by three weeks to September 17th. The 91 year old director is a phenom, that’s for sure. I’m sure he’s planning his next project. When you look at him from the 1950s on TV through now, it’s mind blowing. What a career!

In the end, all three films sound like they have strong potential, so we’ll assume WB knows why all the dates keep changing, and it doesn’t matter.

Bye Bye American Pie: The Tragic Demise of Folk Pop Singer Don McLean’s Reputation As Daughter Joins Ex Wife with Accusations of Mental Abuse

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It’s pretty much over at this point for pop folk singer Don McLean, famous for the hits “American Pie” and “Vincent.”

In 2016, his wife of 27 years, Patrisha, obtained an order of protection against him today after a domestic dispute turned into an arrest. She divorced him and got a ten year order of protection.

In her complaint, Patrisha wrote that Don has access to firearms, had a gun, knives, and a baseball bat in his car. She said he told her, “If I have a stroke (over my leaving) I will get my gun and kill you.” She also said that she is Jewish, and that he called her a “Hebe.” She claimed on one night he terrorized her four hours until she called 911.

McLean denied everything but at the same time, five years ago, he had a 20 year old girlfriend named Paris Dylan, an Instagram blow up doll who advertised their relationship and 50 year age difference.

Now McLean’s daughter, Jackie, also a folk singer, age 31, has told all to Rolling Stone, confirming her mother’s allegations and adding her own. Left out of writer Althea Legaspi’s excellent story is Jackie’s brother, Wyatt, and the aforementioned Paris Dylan, whose current Instagram account is a throwback to the era of Bette Page type pin ups. (You could say she’s kept abreast of the situation.)

Two months after the 2016 arrest, McLean, now 75, Tweeted this response to his family implosion: “My wife has chosen divorce. She has chosen to characterize our 30 year relationship in a completely distorted and untrue manner. We raised two gentle highly educated children in an environment of laughter, music and literature.”

Since that time, Patrisha McLean has gone to speak to groups about marriage and abuse.

Jackie’s new allegations and revelations in Rolling Stone aren’t completely new. In June 2016, she posted a blog that read, in part: “My father was afraid to let us leave the house. He always told us that it was dangerous outside. Friends were not allowed to come over.”

She continued: “My father could never forgive us for growing up. He wanted to keep us, his lost children, in a Peter Pan fantasy. Every sign of growth caused an outburst, a strain on the bubble that contained us. As I got older, I took to hiding in my room more and more. My very appearance was evidence of my failure to stay the way he wanted me to. Every day he talked wistfully about the good times when we were immobile, mute, helpless against any influence. “I remember when you were first born,” he’d say, “you were the first thing that was ever completely mine.”

That blog post is gone now. In Rolling Stone, Jackie says Don begged, threatened and bribed to get it taken down. There was a short period of rapprochement between  them before McLean reverted to his abusive ways. There’s no mention of Wyatt in the RS piece, although you can find him online. He’s a talented singer-songwriter, but no doubt done in by the public airing of his family’s problems. You can only feel sympathy for him, Jackie and Patrisha.

So it’s not that Don McLean is “cancelled.” He’s cancelled himself. We can listen to his early records from the 70s and feel nostalgic about them. They stand the test of time. But this Don McLean, now that we know what he’s done, is not to be celebrated. He’s made approximately $125 million in life. That’s enough. To give him one more penny is to condone what he’s done to his family. There’s no excuse for that.

Here Comes a Movie Theater Hit: “F9: Fast and Furious” Collects $7.1 Mil in Previews

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This morning, my friend Mark Simone asked me on WOR Radio if people would come back to the movie theaters.

The answer, last night, was a resounding Yes!

“F9: The Fast and Furious Saga,” made $7.1 million in previews. In previews. No studios, especially Universal, hands out numbers for previews like that. “F9” could easily make $100 million by Sunday  night.

Is it good? In what sense? It’s the 9th (or maybe 10th) installment of this long popular series starring Vin Diesel, Michelle Rodriguez, The Rock and formerly, Paul Walker. And a lot of cars, crashing. This installment also includes, weirdly, two Oscar winners, Helen Mirren and Charlize Theron. And just for fun, rapper Cardi B.

Mind you, “F9” Has already made $293 million internationally including $200 million in China. So that’s a total of $300 million to date.

So, yes, people will go to the theaters if there’s a movie they want to see, and one that looks like it must be on a big screen. And F9? It doesn’t mean delete, thank goodness. It’s a control key on your computer. And these days, director Justin Lin is in total control!

Cher’s Shocking Vegas Revelation About Britney: “Everyone on the Strip Heard About Her Father Giving Her Drugs”

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Cher knows everything about show business, especially Las Vegas.

Like everyone this week, Cher is shocked by the news of Britney Spears’s conservatorship, and how she’s been “turned out” as they used to say to make money for others but have no independence.

Now Cher’s made a shocking but no doubt true claim about Britney on Twitter. Listen to Cher. She knows of what she speaks.

“OK LETS TALK ABOUT
BRITNEY & THOSE PEOPLE (Face with symbols over mouth.)
I SAID LONG AGO,
EVERYONE ON THE STRIP
HEARD ABOUT HER FATHER (Didn’t Know
About Her Conservator Acting In Concert With Her Dad)GIVING HER DRUGS SO SHE COULD PERFORM,BUT MADE SURE SHE COULDNT HAVE A LIFE,BUT NO ONE COULD GET 2 HER”

She continues:
“SAW THE ABSOLUTE POWER A CONSEVATOR HAS OVER PERSON THEY WERE MEANT 2 PROTECT. IT WAS ONE OF THE MOST EXCRUCIATING, HEARTBREAKING,
EPISODES IVE BEEN A PART OF.DONT BE FOOLED BY THE WORD “CONSERVATOR” (Double exclamation mark) LOOK INTO WAYS THEY CAN B PAID.BRITNEY WAS A PRISONER, (Money bagOx),& TOTALLY LUCID”

Cher finishes up:

“I HAVE ONE QUESTION.IVE PERFORMED SINCE I WAS NINETEEN,& DOING THE KIND OF SHOWS BRITNEY & I DO IS HARD FKNG WORK (Double exclamation mark) WHAT DRUG COCKTAIL DID THEY GIVE HER 2 FORCE HER PERFORM,BUT KEEP HER FROM HAVING A LIFE (Exclamation question mark) A FEW TIMES I HEARD SHE WAS ZOMBIE LIKE.SHE MUST HAVE BEEN IN A
LIVING ”

Music: Ed Sheeran Channels the 80s in “Bad Habits,” Adam Driver & Marion Cotillard Squeeze Out Sparks from “Annette”

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The two big releases of note this morning are each pretty fascinating in their own way.

Ed Sheeran is back, channeling the 80s with a synth pop throwback called “Bad Habits.” This single sounds like something Phil Collins forgot to put out around 1988. Ed, known for making music that sounds like something you’re already heard, really accomplishes that here. Sheeran will not be remembered for innovation, that’s for sure. But if you’re longing for mid 80s MTV, this is it all over again. “Bad Habits” is already number 1 on iTunes.

The other release of note today is from the upcoming movie “Annette.” The stars, Adam Driver and Marion Cotillard, sing a catchy choral repetition called “We Love Each Other So Much.” The song is written and produced by Sparks, the cult 70s art pop duo currently having a revival thanks to Edgar Wright’s documentary. The song is light on actual lyrics but it has a haunting hook.

Dionne Warwick, Sam Moore, Ken Casey of Dropkick Murphys Introduce Bill for Performers Radio Royalties on Capitol Hill

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I’m reprinting a report I received today from Washington. The Music Fairness Act is the latest effort to get a performance royalty from radio stations for performers. It must be passed.

Rep. Ted Deutch (D-FL) and Rep. Darrell Issa (R-CA) were joined at the U.S. Capitol by artists and musicians — including music legends Dionne Warwick, Sam Moore and Dropkick Murphys’ Ken Casey — to introduce the American Music Fairness Act. Below are highlights from the event.

Rep. Ted Deutch (D-FL)

“It doesn’t matter and shouldn’t matter, whether you’re a musician, hair stylist, accountant, or cook, waiter. We all deserve to get paid for work we do. But this fundamental principle in our country hasn’t applied to recording artists when their song plays on radio and that’s why we’re here today.”

“Under the AMFA for the first time, artists will see a small piece of the massive profits made on the backs of their creative works. It is time for Congress finally to tell musicians that we will end this unfair deal that has been forced upon them.”

Rep. Darrell Issa (R-CA)

“We finally made right the 1972 clause that denied Sam Moore, Dionne Warwick, Mike Love, and so many more the ability to be reimbursed properly for what they already had done or sold before 1972. When it was signed at the White House, we all took a bow and said now we just have one more thing to do. Now is our time.”

“We have said for years, that one penny [for artists] unleashes vast amounts of money around the world that’s not coming to these artists because we pay nothing. The fact is, in almost every developed country they do pay, but they don’t have to pay our artists because we don’t pay their artists. Even if it is one penny, it would put all of these artists in a different situation.”

Dionne Warwick

“It’s been a pleasure to tell those that didn’t know that we don’t get paid for recordings that are played on the radio. I’ve been asked that question and when I say ‘No, we don’t,’ they’d look at me like I had two heads. But they do know now what is the truth: that we are not paid.”

“What about the legacies of those who couldn’t afford to live and made their transition. their families could surely benefit from this.”

Sam Moore

“We’re talking about fairness and justice. You’re talking about radio that says, ‘Well, they should be appreciative that we play them.’ Well, then you remaster our music and put it on the air you don’t give us any money? But you got people you have to pay like the bathroom attendant, the garbage man, food people, but you don’t wanna pay Dionne Warwick, Sam Moore and the rest of my peers? That’s not fair.”

“You’re gonna tell us you can’t pay us? That they’re going to go out of business when they make billions? That’s not fair.”

“The introduction [of the AMFA] is wonderful. I’m very happy about it. But we gotta keep going to the next step. Radio: Come on, guys. Be nice. Be nice and be fair, because this isn’t right what you’re doing.”

Ken Casey, lead singer of Dropkick Murphys

“When others are making millions and billions, the trickle down should be a little more equitable.”

“I know for myself and the people we know, we pay the people that work for us very, very fair wages. So it’d be nice if the people above us would pay us fairly.”