Thursday, May 21, 2026

Movie Moves as “Dune” Won’t Be So Soon, “Sopranos” Prequel Waits a Week, Clint Eastwood Speeds Up

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Warner Bros has really moved around its fall schedule.

Originally, the remake of “Dune” was coming on October 1st. Now that’s been changed to October 22nd. This doesn’t affect its premiere at the Toronto Film Festival, but could upset Anna Wintour. She was planning to go all “Dune” for her Met Ball, putting the spotlight on star Timothee Chalamet on September 13th.

Whoops!

Then, David Chase’s “Many Saints of Newark” — in which I’m hearing great things Alessandro Nivola as Dickie Molisante — takes the October 1st slot, a week later than planned.

And into the mix comes Clint Eastwood’s “Cry Macho,” which will move up by three weeks to September 17th. The 91 year old director is a phenom, that’s for sure. I’m sure he’s planning his next project. When you look at him from the 1950s on TV through now, it’s mind blowing. What a career!

In the end, all three films sound like they have strong potential, so we’ll assume WB knows why all the dates keep changing, and it doesn’t matter.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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