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Review: Sting, Author of Spiritual Pop, Brings Vivid Characters to Life in Beautiful New Album, “The Bridge”

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We first met Sting, all of us, circa late 1978 with “Roxanne,” the story of a call girl the narrator was trying to rescue from her vocation. Roxanne, who could walk the street for money, she didn’t care if it was wrong or right. “Roxanne” was the first captivating fictional character in a long line of them now extending over 40 years in songs by Gordon Matthew Sumner.

Along the way, Sting wrote a poignant memoir, “Broken Music,” and a Broadway musical about his life growing up in Newcastle called “The Last Ship.”

What sustains all those songs though is that they are not just love songs, or musings on fame. Unlike the songwriters of today, Sting constructed plots and stories, characters with names and emotions and aspirations. It’s why we go back to them over and over. From Roxanne to the King of Pain to the romantics in those fields of gold, Sting paints an aural picture in every song and draws us in.

So, too, in his beautiful new layered album, “The Bridge.” He’s smart: the first three or four tracks are the singles, all very catchy, especially “If It’s Love,” which is deceptive the way “Every Breath You Take” was, but hidden depths. Listen to it a couple of times. It’s top 40 with a bite.

I’ve already expressed my love for “Rushing Water,” which kicks off the album. Also a “hit” in the old sense that has a haunting undercurrent:

This is the sound of atmospheres
Three metric tonnes of pressure
This is the sum of all my fears
Something I just can’t measure

“Rushing Water” ties directly to the title track, “The Bridge,” the sneaky elegy for the songs that come in between. There are plenty of Roxanne like characters, from “Captain Bateman” (which has disarming harmonics) and the people who long to leave the violence on “Harmony Road.” “The Bridge” album is a collection of short stories.

There’s actually a whole movie in “The Bells of St. Thomas” with the main character waking up in Antwerp in the bed of a rich woman who thinks he’s dead. (This song deserves a Grammy and an Oscar.)

Don’t know how I got here
Or if I was led
But I know it’s a Sunday
For the bells in my head
And when you get to the actual “Bridge,” it’s a spiritual crossing:
We are but bags of blood and bone, yet we carry the weight of our sons and our daughters
And now the fields are all but drowned, and we climb up to the ridge
Some will seek the higher ground
Some of us the bridge

A friend of mine in music publishing who has nothing to do with Sting said to me today, “He’s done something very unusual with this album, very different and important.” We take our rock superstars for granted a lot because we’ve already had the hits, the legacy.

But my friend is right. “The Bridge” is a moment, and after 15 solo albums (plus all of the Police) it’s a remarkable achievement. It hearkens back to “The Soul Cages.” And still is very accessible. The compositions are so rich and textured, put on real headphones if you can and listen to Branford Marsalis and Dominic Miller and all the other players. “The Bridge” is a treat.

Yet Another Bruce Willis Straight to Video, He’s Second Lead to Jesse Metcalfe, Shannon Doherty Gets No Billing Upfront

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The Bruce Willis story just gets sadder and sadder. Here’s yet another straight to video schlock fest called “Fortress.” In this one Bruce is second billed to Jesse Metcalfe, a nice D list TV soap guy. Chad Michael Murray is in it, too. So is Shannen Doherty, who couldn’t even get upfront billing (yet she’s featured in the trailer).

Poor Bruce: he worked two days at most, sits in most scenes, never says more than three or four words, and his voice sounds like it dropped, or it’s deeper, or he’s ADR’d. Does he know where he is? Or who these people are? He’s done about a dozen of these things, they are all the same, and frighteningly bad.

Rumer, Scott, Tallullah– put a stop to this, already.

Counterbalance: “Downton Abbey’s” Cousin Rose Stars as Pam Anderson in Satire About Tommy Lee Sex Tape with Sebastian Stan

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So: Lily James got her career break playing Cousin Rose on “Downton Abbey.” She was meant to fill in for Sybil, who died in childbirth after the actress left the show and Julian Fellows killed the character. Remember?

Cousin Rose was married off to a nice Jewish guy and they went to America, where Lily James has never stopped working. Now she’s playing Pamela Anderson in a satire about the making of Pam and Tommy Lee’s sex tape. It’s a white trash fest, quite the opposite of “Downton Abbey.”

The aptly named “Pam & Tommy” will be on Hulu February 2nd. Sebastian Stan plays Tommy. Seth Rogen and Nick Offerman are the videographers. No scones will be served. And this is why Lily James can’t be in “Downton Abbey” sequels. (She’s very good in “The Pursuit of Love” on Amazon Prime.)

Downton Abbey Shockers: Branson Marries, Everyone Goes to the South of France, Mary Can’t Keep a Husband

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“Downton Abbey: A New Era” is the second installment of the movie version of our beloved TV series. The trailer has dropped in New Zealand and we have it below.

What happens? A lot! Branson marries that girl who was the illegit daughter of the Granthams’ cousin, and inherits the whole estate. We knew that was coming.

Violet, the Dowager Countess, informs the family that instead of dying of cancer she’s inherited a villa in the South of France. As you do! So off the goes the whole gang on an adventure.

In the trailer there’s no sign of Matthew Goode, who plays Mary’s race car driver husband. Is he dead? Has she lost a second husband, and to a car crash? Poor Mary. Do all her husbands have contractual issues?

Meantime, all the kids have suddenly grown up. Little Sybil looks like she’s 12. Will someone tell her that Jessica Brown-Findlay, who played her mother, made the worst career decision of all time by leaving the show after 3 seasons? Ditto for Mary’s son, George, regarding Matthew (Dan Stevens).

Hugh Bonneville looks a little different in the video. Maybe he went on the Keto diet.

The Crawley family comes crawlin’ back next March. Julian Fellows, as usual, looks like he’s done a fine job. And there’s even a Black jazz singer featured in the clip. (The only Black people the Crawleys have ever met are jazz singers, you know.)

Broadway: “Diana” Musical Opens to Scathing Reviews, Teeters on Closing Almost Immediately

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At long last, “Diana: The Musical” has opened on Broadway like a meteor set to destroy the Earth.

The reviews are scathing. The New York Times calls it “exploitative.” Deadline.com, which likes everything, labels it “a royal mess.” Broadwaynews.com says it’s so bad “it must be seen.”  Washington Post drama critic: “As with the car crash that took her life, the most appropriate response to “Diana” the musical is to look away.”

And so on.

These were not the first negative reviews. Last Friday, a man sitting in the orchestra reportedly yelled “F— you!” at the actor playing Prince Charles.

And this after a disastrous filming and showing on Netflix panned by everyone who came near it. On Rotten Tomatoes, the filmed version has a lowly 12%.

Indeed, the reaction to “Diana” is like watching Max Bialystock and Leo Bloom read the reviews for “Springtime for Hitler,” before the plot twist. “Diana” may gone down in history as worse than the previous record holder for a disaster, “The Moose Murders.”

Who is responsible for this catastrophe? The book writer Joe DiPietro, The musical’s songwriters, David Bryan and DiPietro, the actors who are one after another hideously bad, the producers who persisted in this even when the pandemic might have set them free from actually opening.

Can “Diana” remain open until tomorrow? Or will this wretch of a musical that famously rhymed “the thrilla in Manila” with “Camilla” close tonight? There is no advance sale to speak of. According to the Telecharge maps, Saturday night this week is fairly empty. And then it gets worse. Next Saturday, during the Thanksgiving weekend, you could sail paper airplanes through the Longacre Theater during the performance and not bother a patron.

Maybe the Netflix sale, so unusual, helped keep things going. The budget, however, is well into the millions already, even if Netflix helped offset it. That money is gone. The party at the Palace (Buckingham) is almost over. If the announcement doesn’t come tonight or tomorrow, by the weekend it will surely arrive.

 

 

Rock Superstar Sting Said to Be Shopping Song Catalog Buyout for $250 Million (Probably Worth More)

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Word is spreading fast that Sting is joining the ranks of other top rock stars and composers. He’s said to be shopping his catalog of songs for at least $250 million.

Right now, Sting’s songs are parked at Sony Music Publishing. Universal Music Publishing is said to be in hot pursuit.

The catalog includes “Every Breath You Take,” “Fields of Gold,” “Fragile.” “Roxanne,” and a plethora of other hits that can be monetized easily. Dozens of Sting written songs can be covered by other artists or used in movies or commercials.

I reported a couple of years ago when Paul McCartney cited “Fields of Gold” as the song he wished he’d written. He probably said that because “Fields of Gold” is a gold mine for any publisher.

Of course, “Every Breath You Take” was awarded most played song ever by BMI last year.

There are a couple dozen more hit songs Sting wrote for The Police including “Every Little Thing She Does is Magic” and “Don’t Stand So Close to Me.” Then are the solo hits, including a number of lesser known songs just from the last five years that are ripe for the picking. The sale would include the songs from Sting’s Broadway show, “The Last Ship.”

Sting has a sensational new album coming out tomorrow night called “The Bridge.” He’s “only ” 70 and clearly not going to stop working any time soon. So the catalog’s value just increases more and more.

Stay tuned on this one…

 

Sony Pictures Faces Being Slimed with New “Ghostbusters” Eyeing Underwhelming Opening Weekend

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Sony Pictures may get slimed this weekend with the new “Ghostbusters.”

Directed by Jason Reitman, son of original director Ivan Reitman, the new “Ghostbusters” is sitting at 67% favorability on Rotten Tomatoes.

Variety is now saying “Ghostbusters” will open to $30 million. This isn’t good since the 2016 version with a mostly female cast had a $46 million opening weekend.

The new version stars Paul Rudd and some good young actors. It’s not until the end that Dan Aykroyd, Bill Murray, Sigourney Weaver, Ernie Hudson, and Annie Potts turn up. This has not been conveyed in the previews.

I have no idea what has gone wrong here. When they first showed the new movie at Cinema Con, everyone was excited. But I never heard another word about it after that.

Previews begin Thursday night.

Paul McCartney’s “Lyrics” Earned the Beatle Approximately $3.7 Mil in First Four Days of Publication

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EXCLUSIVE Paul McCartney is literally printing money right now.

On Tuesday, November 2, his two volume “The Lyrics” was released. When NPD BookScan counted the sales, “The Lyrics” had sold 36,950 copies for the weekend ending November 6th.

That’s $3,695,000 just in the US in four days.

“The Lyrics” is number 1 this week on the New York Times non fiction hardcover bestseller list, and the combined hardcover and e book sales.

At NPD BookScan, “The Lyrics” is currently number 8 on the overall bestseller list, and number 3 on hardcover non fiction.

It’s quite possible “The Lyrics” has sold 100,000 copies in the US since November 2nd, which would be the equivalent of 200,000 books. We’ll know more on Friday.

Beatles and McCartney fans are scooping up the two volume set mostly at $100.000. (It was briefly discounted by Amazon to $60.) Any why not? This is now the permanent record, the last word so to speak by McCartney on 154 songs. Some of them are tossaways, but least 125 are of major interest. In the volumes he names “Here, There and Everywhere” as the favorite of all the songs he’s composed.

Well, Lennon-McCartney, McCartney-Lennon, McCartney on his own or with anyone else is an extraordinary catalog, the Bach or Beethoven of our lifetime. I hope next year he offers a Volume 3 with songs he left out. But for now, this should keep everyone busy.

(PS If only Adele had tried one of those songs!!

Adele Introduces New Song “To Be Loved” (Not Jackie Wilson) And Sings Along in Video

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Here’s Adele, singing her new “To Be Loved.” This is not the Jackie Wilson hit. But it is over 6 minutes long. I’m getting a pillow. This is called ‘shreying’ in Yiddish. This woman is wasting her voice carrying on, screaming a song with no melody, hook, or chorus. What the hell is happening here? The Adele I loved, as I wrote about yesterday, is not in these diatribe like epistles. Where is “Chasing Pavements”? “Rolling in the Deep”? We are rolling in the weep. Please, Adele, lighten up. Half the world has been divorced, some more than once!

Below the Adele song, please listen to Jackie Wilson’s “To Be Loved.”

“General Hospital” Star Steve Burton Out Over Vaccine? Charging $10,000 on Cameo for Business Greetings

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This is pretty funny.

Steve Burton, long time actor on “General Hospital,” may be checking out of the show soon over his refusal to get vaccinated. Burton, who’s already had COVID, is said to be in defiance of ABC-Disney’s vaccine mandate and will soon find his character either dead or recast, maybe as early as next week.

If Burton loses his “General Hospital” paycheck, he’s already hoping to boost his income with new sources. Like a lot of other low level celebrities looking to pick up extra cash, he’s joined Cameo.

Cameo, if you don’t know, is where minor characters can get some bucks by recording personalized videos for fans. The entertainers on there are Mr. T, Don Johnson, Lindsay Lohan, and so on. Most charge around $150 for birthday or anniversary greetings, that sort of thing.

But some of the celebs charge a lot more for “business” or corporate inspirational spots. Those seem to average $2,500, not much more. A few people charge $5,000. But Burton, who is no Susan Lucci or Eric Braeden, is asking $10,000 for his business greeting. Yes, ten thousand dollars. It’s unclear if there are any bites yet. The good thing is, they’re all done by video. So it won’t matter if he’s vaccinated or not.

If Burton is out at the soap opera, what will his inspirational message be for $10,000? “Hi, this is Steve Burton, former soap star. I left my high paying job at Disney-ABC because I refused to get a perfectly safe vaccine. Those corporate monsters can’t tell me what to do!”

Just a note: if you have $10,000 and need such a corporate video, Smokey Robinson, one of the greatest people ever, is on there and charging the same amount. And he might even sing to you!