Sunday, December 21, 2025
Home Blog Page 699

Broadway Performer ID’d as Jan. 6th Oath Keeper, Arrested, Played Judas in “Jesus Christ Superstar,” Called Him a “Hero” in Interview

0

The Washington Post reports that an actor who calls himself James T. Justis is really James Beeks, and he was part of the January 6th insurrection. He’s been arrested. As a member of the Oath Keepers, Beeks stood out in pictures to law enforcement because he was wearing a Michael Jackson BAD jacket, a garment unusual for  insurrectionists.

To make this story even weirder, Justis has been on the national tour of “Jesus Christ Superstar” playing Judas. The last stop was San Francisco. He’s been on Broadway four times, most recently in “Kinky Boots,” but also in Elton John’s “Aida,” “Smokey Joe’s Cafe,” and “Ragtime.” And unlike most insurrectionists, Beeks is Black.

Charging documents from the US government spell out how Beeks/aka Justis was part of a group called Stack One. The complaint reads:

“Once inside the Capitol, Stack One entered the Rotunda and then split up. Half of Stack One, including Beeks, tried to push their way through a line of law enforcement officers Stack One that invaded the Capitol on January 6th. guarding a hallway that led to the Senate chamber. Law enforcement officers forcibly repelled their advance. The participants in this half of Stack One, including Beeks, regrouped in the Rotunda and then left the building, at approximately 3:04 p.m. The other half of Stack One headed towards the House of Representatives; according to at least one member, they were looking for
Speaker of the House Nancy Pelosi. They did not find Speaker Pelosi and ultimately left the building.”

Needless to say, this is one credit not in James T Justis’s Playbill bio.

And then there was his get-up:

“Unlike the camouflaged-combat attire of the individuals described above, Beeks was wearing a black jacket with the word “BAD” written in red on the left breast, a burgundy hooded sweatshirt, black pants, a black helmet,
black boots, yellow-tinted goggles, dark tan gloves, and a patterned tan and green neck gaiter  pulled up over his nose, and he was carrying what appears to be a black shield. He also wore on his neck what appears to be a commercially available body-worn camera.”

Beeks was hiding in plain sight. In an online interview published October 5th, Beeks/Justis said that he identified with Judas in “Jesus Christ Superstar” and called him a hero, not a villain. Here’s a part of the interview:

Andrews-Katz: You play the role of Judas in Jesus Christ Superstar. Would you say that Judas is a villain, hero, anti-hero, or something more?
Justis: I’d say, that in this production, Judas is more of a hero. Others say, “anti-hero”, but I think there is something more to Judas. He has a perspective on what his mission was to be. Tim Rice (lyricist of Jesus Christ Superstar) gave Judas a voice. He was a human, and he had to make choices. What were the conversations going on in Judas’ mind? This production leaves us with a question about his role. Personally, I started to study the character and the archetype of what he has become. I read the Bible, as well as the Gospel of Judas (removed from the Bible), and other books taken out of the Bible. Without Judas turning Jesus into the authorities, there is no ‘salvation’. Technically, Judas should be celebrated instead of booed. I fell in love with the character and feel he has been given a bad turn.

Andrews-Katz: Part of the story of Jesus is about rebellion against authority. Since a person of color almost always plays the role of Judas, has the current social unrest added any nuances to the way you portray the character?
Justis: That’s a good question. I don’t look at it as Judas being a bad guy. I think he is a hero. I am honored to be the archetype of Judas and to give him a voice. Myself, being a person of color, I cherish that. I think that we’ve been told we have to question society. I want people to look at Judas in a different light and from different perspectives. He wasn’t a bad guy, and was only doing what he had to do. However that is translated into today’s society, I hope it would be looked on as a good thing. Tim Rice asks, “What did Judas do in these times? What did Judas see?” Judas had a vision and a plan.

Seems he took Judas a little too seriously. Maybe that will be his defense.

“Saturday Night Live” Dropped by a Million Viewers with Simu Lui and Saweetie Combo Last Week

0

You could see this coming.

This last weekend, Saturday Night Live took a big big hit in the ratings. The 47 year old comedy show dropped by a million viewers after two weeks at 5.7 and 5.8 million respectively for shows featuring music superstars Ed Sheeran and Taylor Swift.

With “Shang Chi” star Simu Liu hosting and Saweetie as musical guest, “SNL” came in with just 4.7 million viewers. That’s not overnight, the number includes delayed viewing.

Even though “Shang Chi” was a big hit with Marvel fans, I don’t think the general audience had any idea who he was. (And he was very good on the show, too.) Saweetie is just nominated for a Grammy for Best New Artist. She isn’t a draw yet despite being talented. So the combo, especially after Sheeran and Swift, was deadly for numbers.

“SNL” is off until December 11th when they return with Billie Eilish hosting and as musical guest. That’s a lot of Billie Eilish. The following week comes Paul Rudd, from “Ghostbusters,” a little late really although maybe Bill Murray and Dan Aykroyd will show up. The musical guest is Charlie XCX, who is very five years ago I think.

As for the show itself, everyone’s doing great work. Cecily Strong has really been the star of the show for weeks. James Austin Johnson is the hot newcomer with his impersonations. Isn’t Chris Redd a superstar? But when is Kate McKinnon returning? Enough already with “Joe Exotic.”

 

Watch Lady Gaga’s Full Off the Cuff, Throated, Gorgeous Rendition of “Anything Goes” on Colbert Show

0

Lady Gaga appeared on Colbert last night to promote “House of Gucci” but also her Tony Bennett special airing November 28th on CBS. It’s one of the best interviews ever for both Gaga and Colbert.

Of course the best part of it is Gaga singing “Anything Goes” with Jon Batiste’s band. It’s off the cuff, full throated, and gorgeous. She is such a great jazz singer.

Gaga was also celebrating 6 Grammy nominations for her and Tony with their “Love for Sale” album. I predict they will win all of them, including Album of the Year.

Beatlemania 50 Years Later: Paul McCartney Scores 2 Grammy Noms, Sells 50K Copies of $100 Memoir in 2 Weeks

0

The Beatles are having a moment. A big one.

Fifty one years after the group broke up, the Fab Four are everywhere. Tomorrow on Disney Plus begins the three part Peter Jackson documentary, “Get Back.” (I’ve reviewed Part 1, the Parts 2 and 3 are coming today and tomorrow.)

For Paul McCartney, 79, the moment is particularly sweet. Yesterday he was nominated for Best Rock Album and Best Rock Song, respectively, with “McCartney III” and “Find Your Way.” And it was much deserved.

I checked with NPD Book Scan this week. So far, McCartney’s two volume “The Lyrics” sold 50,000 copies in its first two weeks. The third week isn’t in yet, but it’s likely “The Lyrics” has sold 70,000 sets so far through today. That’s actually 140,000 books.

And none of this takes in the new “Let it Be” super deluxe box set or the “Get Back” book that is a must-have companion to the Jackson series.

Watching the Jackson series, you see the future McCartney already there. He’s already had much of the Beatles success and is struggling to figure out their future. Both John Lennon and George Harrison are struggling, too, with Paul’s vision, his mission, his laser focus on what he sees for “Let it Be” and for what will become “Abbey Road.”

And listen as he constructs “The Long and Winding Road” simultaneous to what will be his first solo hit, “Another Day.” The songs are just pouring out of him. It’s overwhelming as an outsider watching it now, 51 years later. Imagine being there in real time.

And here we are in 2021. In two months, on January 31, 2022, it’s possible McCartney will perform on the Grammys. And maybe even win one. I think if you’d asked Paul during the filming of “Let it Be” what he expected a half century later, this is exactly what he’d have predicted.

 

“General Hospital” Star Steve Burton Says He Was Fired from Show for Not Taking Vaccine–He’s Out, Already Removed from Credits

0

Steve Burton is out at “General Hospital.” He says he was fired by Disney ABC for not taking the vaccine. The company has a vaccine mandate for all employees regardless of star status, etc. Burton says in an Instagram video he applied for different exemptions and was rejected, properly. Burton has already been removed from the show’s opening credits.

Burton has been on and off the soap since 1990 playing Jason Morgan Quartermaine. He’s the second actor to be let go from the show for going against the Disney ABC vax mandate. The other was right winger Ingo Rademacher.

What is wrong with these people? I don’t get it. The vaccine is totally safe and can only prevent COVID. Burton has already had COVID, which isn’t to say that he can’t get it again without the vaccine. According to Burton today or tomorrow will be his last day on the show. He hopes to return one day. But in the meantime, the word is ABC is recasting the role if they haven’t already.

Here’s the List of Top Grammy Nominees for 2022 In Pop, Country, Rock, R&B, Rap, Etc

0

Wow, Kacey Musgraves really got the shaft. She complained when her album was ruled ineligible for country and was moved to pop mainstream. And then got nothing.

ABBA, with a terrible song, got a nomination.

 

Record Of The Year
“I Still Have Faith In You” — ABBA
“Freedom” — Jon Batiste
“I Get A Kick Out Of You” — Tony Bennett & Lady Gaga
“Peaches” — Justin Bieber Featuring Daniel Caesar & Giveon
“Right On Time” — Brandi Carlile
“Kiss Me More” — Doja Cat Featuring SZA
“Happier Than Ever” — Billie Eilish
“Montero” (Call Me By Your Name) — Lil Nas X
“drivers license” — Olivia Rodrigo
“Leave The Door Open” — Silk Sonic

Album Of The Year:

We Are — Jon Batiste
Love For Sale — Tony Bennett & Lady Gaga
Justice (Triple Chucks Deluxe) — Justin Bieber
Planet Her (Deluxe) — Doja Cat
Happier Than Ever — Billie Eilish
Back Of My Mind — H.E.R.
Montero — Lil Nas X
Sour — Olivia Rodrigo
Evermore — Taylor Swift
Donda — Kanye West

Song Of The Year

“Bad Habits” — Fred Gibson, Johnny McDaid & Ed Sheeran, songwriters (Ed Sheeran)
“A Beautiful Noise” — Ruby Amanfu, Brandi Carlile, Brandy Clark, Alicia Keys, Hillary Lindsey, Lori McKenna, Linda Perry & Hailey Whitters, songwriters (Alicia Keys And Brandi Carlile)
“drivers license” — Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
“Fight For You” — Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)
“Happier Than Ever” — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
“Kiss Me More” — Rogét Chahayed, Amala Zandile Dlamini, Lukasz Gottwald, Carter Lang, Gerard A. Powell II, Solána Rowe & David Sprecher, songwriters (Doja Cat Featuring SZA)
“Leave The Door Open” — Brandon Anderson, Christopher Brody Brown, Dernst Emile II & Bruno Mars, songwriters (Silk Sonic)
“Montero (Call Me By Your Name)” — Denzel Baptiste, David Biral, Omer Fedi, Montero Hill & Roy Lenzo, songwriters (Lil Nas X)
“Peaches” — Louis Bell, Justin Bieber, Giveon Dezmann Evans, Bernard Harvey, Felisha “Fury” King, Matthew Sean Leon, Luis Manual Martinez Jr., Aaron Simmonds, Ashton Simmonds, Andrew Wotman & Keavan Yazdani, songwriters (Justin Bieber Featuring Daniel Caesar & Giveon)
“Right On Time” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)

Best New Artist
Arooj Aftab
Jimmie Allen
Baby Keem
FINNEAS
Glass Animals
Japanese Breakfast
The Kid Laroi
Arlo Parks
Olivia Rodrigo
Saweetie

Best Pop Vocal Album
Justice (Triple Chucks Deluxe) — Justin Bieber
Planet Her (Deluxe) — Doja Cat
Happier Than Ever — Billie Eilish
Positions — Ariana Grande
Sour — Olivia Rodrigo

Best Dance/Electronic Recording
“Hero” — Afrojack & David Guetta
“Loom” — Ólafur Arnalds Featuring Bonobo
“Before” — James Blake
“Heartbreak” — Bonobo & Totally Enormous Extinct Dinosaurs
“You Can Do It” — Caribou
“Alive” — Rüfüs Du Sol
“The Business” — Tiësto

Best Alternative Music Album
Shore — Fleet Foxes
If I Can’t Have Love, I Want Power — Halsey
Jubilee — Japanese Breakfast
Collapsed In Sunbeams — Arlo Parks
Daddy’s Home — St. Vincent

Best R&B Performance
“Lost You” — Snoh Aalegra
“Peaches” — Justin Bieber Featuring Daniel Caesar & Giveon
“Damage” — H.E.R.
“Leave The Door Open” — Silk Sonic
“Pick Up Your Feelings” — Jazmine Sullivan

Best Progressive R&B Album

New Light — Eric Bellinger
Something To Say — Cory Henry
Mood Valiant — Hiatus Kaiyote
Table For Two — Lucky Daye
Dinner Party: Dessert — Terrace Martin, Robert Glasper, 9th Wonder & Kamasi Washington
Studying Abroad: Extended Stay — Masego

Best Rap Performance
“Family Ties” — Baby Keem Featuring Kendrick Lamar
“Up” — Cardi B
“m y . l i f e” — J. Cole Featuring 21 Savage & Morray
“Way 2 Sexy” — Drake Featuring Future & Young Thug
“Thot S***” — Megan Thee Stallion

Best Rap Album
The Off-Season — J. Cole
Certified Lover Boy — Drake
King’s Disease II — Nas
Call Me If You Get Lost — Tyler, The Creator
Donda — Kanye West

Best Country Album
For albums containing at least 51% playing time of new country recordings.

  • Skeletons
    Brothers Osborne
  • Remember Her Name
    Mickey Guyton
  • The Marfa Tapes
    Miranda Lambert, Jon Randall & Jack Ingram
  • The Ballad Of Dood & Juanita
    Sturgill Simpson
  • Starting Over
    Chris Stapleton

Best Country Song
“Better Than We Found It” — Jessie Jo Dillon, Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris)
“camera roll” — Ian Fitchuk, Kacey Musgraves & Daniel Tashian, songwriters (Kacey Musgraves)
“Cold” — Dave Cobb, J.T. Cure, Derek Mixon & Chris Stapleton, songwriters (Chris Stapleton)
“Country Again” — Zach Crowell, Ashley Gorley & Thomas Rhett, songwriters (Thomas Rhett)
“Fancy Like” — Cameron Bartolini, Walker Hayes, Josh Jenkins & Shane Stevens, songwriters (Walker Hayes)
“Remember Her Name” — Mickey Guyton, Blake Hubbard, Jarrod Ingram &Parker Welling, songwriters (Mickey Guyton)

Best Jazz Vocal Album
Generations — The Baylor Project
SuperBlue — Kurt Elling & Charlie Hunter
Time Traveler — Nnenna Freelon
Flor — Gretchen Parlato
Songwrights Apothecary Lab — Esperanza Spalding

Best Gospel Album
Changing Your Story — Jekalyn Carr
Royalty: Live At The Ryman — Tasha Cobbs Leonard
Jubilee: Juneteenth Edition — Maverick City Music
Jonny x Mali: Live In LA — Jonathan McReynolds & Mali Music
Believe For It — CeCe Winans

Best Latin Pop Album

Vértigo — Pablo Alborán
Mis Amores — Paula Arenas
Hecho A La Antigua — Ricardo Arjona
Mis Manos — Camilo
Mendó — Alex Cuba
Revelación — Selena Gomez

Best Música Urbana Album
Afrodisíaco — Rauw Alejandro
El Último Tour Del Mundo — Bad Bunny
Jose — J Balvin
KG0516 — KAROL G
Sin Miedo (Del Amor Y Otros Demonios) 8 — Kali Uchis

Best Global Music Performance
“Mohabbat” — Arooj Aftab
“Do Yourself” — Angelique Kidjo & Burna Boy
“Pà Pá Pà” — Femi Kuti
“Blewu” — Yo-Yo Ma & Angelique Kidjo
“Essence” — WizKid Featuring Tems

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
Aftermath — LeVar Burton
Carry On: Reflections For A New Generation From John Lewis — Don Cheadle
Catching Dreams: Live At Fort Knox Chicago — J. Ivy
8:46 — Dave Chappelle & Amir Sulaiman
A Promised Land — Barack Obama

Best Opera Recording Album
Bartók: Bluebeard’s Castle — Helsinki Philharmonic Orchestra
Glass: Akhnaten — The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus
Janáček: Cunning Little Vixen — London Symphony Orchestra; London Symphony Chorus & LSO Discovery Voices
Little: Soldier Songs — The Opera Philadelphia Orchestra
Poulenc: Dialogues Des Carmélites — The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus

Best Music Video
“Shot In The Dark” — AC/DC
“Freedom” — Jon Batiste
“I Get A Kick Out Of You” — Tony Bennett & Lady Gaga
“Peaches” — Justin Bieber Featuring Daniel Caesar & Giveon
“Happier Than Ever” — Billie Eilish
“Montero (Call Me By Your Name)” — Lil Nas X
“Good 4 U” — Olivia Rodrigo

Best Music Film:

Inside — Bo Burnham
David Byrne’s American Utopia — David Byrne
Happier Than Ever: A Love Letter To Los Angeles — Billie Eilish
Music, Money, Madness…Jimi Hendrix In Maui — Jimi Hendrix
Summer Of Soul — Various Artists

2022 Grammy Awards Nominees: Snubs for Drake, Lana Del Rey, Bruce Springsteen, Bo Burnham, Kacey Musgraves– No Country In Album of the Year!

0

UPDATE There no country albums in the general Album of the Year category! Kacey Musgraves, who won Album of the Year a couple of years ago in 2019 for “Golden Hour,” didn’t make it for “StarCrossed.” Neither did Chris Stapleton or Sturgill Simpson! Kacey complained to the Recording Academy that “Star Crossed” wasn’t let into the country category. And now it’s been eliminated from the mainstream, too.

Earlier:

The 2022 Grammy nominations are a little different than in past years. This is the first time in 3 decades that the entire Recording Academy voted for the nominees. The special committees are gone.

But somehow Lana Del Rey’s “Chemtrails Over the Country Club,” which was highly praised and a hot seller got nothing.

Bruce Springsteen’s “Letter to You,” released in October 2020, was totally forgotten.

On the plus side, Paul McCartney, age 79, got Best Rock Song and Rock Album nominations for “Find Your Way” and “McCartney III.”

Kanye West scooped several nods for Album of the Year for “Donda” and Best Rap Melodic Song for “Hurricane.” His songs, however, were not in the general categories.

Drake had R&B nominations but his album, “Certified Lover Boy” was not nominated for Album of the Year.

Bo Burnham’s “Inside Bo Burnham” got a Comedy Album nod. But it also didn’t make the general Album of the Year category. None of its songs were nominated either despite being a bestseller.

Full list to come…

Rock Hall Show Scores Half Million Viewers, American Music Awards Same as 2020 Low

0

What will make the January 30th Grammys show a hit? One word: Adele. At least, if Adele and Taylor Swift perform, and they will, the rating should be healthy.
7.4
They weren’t healthy for the Rock and Roll Hall of Fame show on HBO Saturday night. A total of 518,000 people watched. Of that 100,000 were in the key age demo 18 to 49. It’s no surprise. The RRHOF is for older people. When you have legends like Tina Turner, Carole King et al and Paul McCartney leading the finale, of course the viewership would skew older.

On Sunday night, the American Music Awards, the B list Grammys, had about 4 million viewers. That’s the same as last year which was an all time low for the AMAs. It’s cheesy show, so this also nothing new. And no big artists performed because they save it for the Grammys. But on the plus side, at least the ratings didn’t drop any lower!

On Sunday the big hit again was “Yellowstone” on cable’s Paramount Network, with 7.4 million viewers. If Viacom would allow CBS to have to have a “Yellowstone” special of some kind on the main network, then a parade would go up West 57th St. “Yellowstone” itself on CBS would be getting 12 million viewers a week.

UPDATING Live Watch Grammy Nominations Here 12 Noon: Snubs and Surprises

0

The 2022 Grammy nominations will be live streamed at noon. Watch them here to see the snubs and surprises. Don’t worry, there should be plenty of each!

The Grammys are on CBS in two months, on January 30th.

Peter Jackson’s Beatles “Get Back” Is a Mind-Blower: In Part 1, Yoko and Linda Bond, “Get Back” is a Protest Song, George Finds His Voice

0

The first part of Peter Jackson’s “Get Back” airs on Disney Plus Thanksgiving Day. It’s two hours and thirty seven minutes. I just finished it and I am reeling. It’s like going back and watching Shakespeare write “Hamlet” and “Macbeth.”

This takes place in 1969. The Beatles are disenchanted after “The White Album” and “Hey Jude.” They’ve also made “Sgt Pepper” and “Revolver” and “Rubber Soul” and all the early stuff like Help!, Hard Day’s Night and Yesterday.

Like what now? Don’t forget, when this is over they record their masterpiece, “Abbey Road,” and release it before any of this stuff. (Yes, when they made “Abbey Road,” the “Let it Be” songs were sitting in a vault.)

They decide to perform live on TV for the first time in three years. It will be a documentary shot by Michael Lindsay Hogg, who is the son of actress Geraldine Fitzgerald and, allegedly, Orson Welles. He’s taken his stepfather’s surname. But if you look at him, he looks just like Welles and has grandiose plans for this film.

click here to read the review of “Get Back” Part 2

The Beatles meet at Twickenham Studios to write 14 songs in 14 days. Seriously. The songs include Let it Be, Get Back, The Long and Winding Road, two pieces by George– I Me Mine and For You Blue. There are also I’ve Got a Feeling and Two of Us. John, who is attached to Yoko with Velcro and seems checked out emotionally, brings back “Across the Universe,” which he wrote and recorded the year before.

At the start of Part 1, Paul and George have a famous tiff. Paul is already a superstar writer. George is just coming into his own. They don’t know it yet, but in two years he will release his triple album of hits including “My Sweet Lord” followed by “The Concert for Bangla Desh,” and take his place as a superstar. But now, his frustrations are simmering, and about to boil over. George also introduces “All Things Must Pass,” which will a become a masterpiece. He’s on the verge of something thrilling. (And when you see them hiss at each other, remember– it was Paul who sat at George’s beside as he died 30 years later.)

If you’re a Beatles fan, you can’t miss this film. Really, it is mind blowing. For a while Yoko Ono seems very annoying. She sticks herself in with the band while they’re writing. Or John is using her as a security pet. She reads a newspaper while the band composes “Don’t Let Me Down.” You want to scream. But later when Paul is writing “Let it Be” in real time, Yoko and Linda Eastman sit and animatedly gossip, Yoko smiles and laughs in ways you’ve never seen before. She and Linda are yak yak yak. What are they talking about? Well, they each grew up in Scarsdale, New York. This may be when they figured it out. It’s like finding the Holy Grail. We always assumed they were enemies. Not after seeing this.

We watch famous songs being written out of thin air. Long and Winding Road, Another Day, She Came in Through the Bathroom Window. Paul says of that one, This really happened. (Did a girl really sneak through his window?) We learn that “Get Back” had all different lyrics, it was supposed to be against the anti-immigration movement sweeping the UK courtesy of evil Enoch Powell. What? Sweet Loretta Martin came later.

Lindsay Hogg suggests that this live show– which will end up being the famous rooftop concert– should be for a charity. Now, this is really funny. George poo-poos that. He says, “Charity begins at home.” Two years later George will lead the enormous fundraiser for Bangla Desh, start his Living in the Material World Foundation, and become heavily associated with charity. His life completely changed. Crazy.

There’s a lot of tension in Part 1. But then there’s John and Yoko waltzing around while “I Me Mine” is being written.  And then Ringo says to someone, as Paul plays what the future “Let it Be” on the piano, “I could watch that all day” or something to that effect. He has a beatific look on his face. It’s a startling moment of sweetness.

There’s so much more, and I still have five hours to watch, I think. So after all, this is not just “Let it Be.” This is an extraordinary, unprecedented look into this, the most important popular music group of our lives. And I do think Lindsay-Hogg thought he was making his “Citizen McCartney,” which I’ll talk about later. But if you listen carefully to what’s being said, there are revelations upon revelations.

Really, Part 1 comes Thursday night. Don’t eat too much. You want to stay alert for “Get Back.”