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“Beast” Premiere: After Slap, Will Packer Says He’ll “Never” Produce the Oscars Again, It’s for “the End of a Career”

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“Beast” is coming from Universal next Friday, August 19th with a big roar. Last night the studio threw a big time splashy premiere screening the movie at the Museum of Modern Art and then a swinging dinner at Nobu 57 complete with a deejay and dancing. It was almost like old times.

“Beast” is kind of a horror thriller set in South Africa directed by Baltasar Kormákur with pulse-racing CGI lions, Idris Elba showing off his talents as a major leading man, Sharlto Copley turning in his best performance since “District Nine,” and phenomenal cinematography from Philippe Rousselot, and a screenplay by Ryan Engle that brings depth and humor to what could have been a simple set up. Universal has a hit, I think: the audience loved it with a capital L.

Most interesting person at Nobu goes to Will Packer, who produced — or survived — this year’s Oscars including the three hosts and the world-shattering Will Smith slap of Chris Rock. Packer is already a popular Hollywood figure. He emceed last night’s party and proved to be a gregarious host. And no one slapped him!

Would he produce the Oscars again, I asked? “Never!” he cried. “It’s really a job for someone at the end of their career, who’s not busy with a regular schedule. It takes so much work!”

“Beast,” about a rogue lion who’s lost his mind– yes, there is such a thing, at least in this movie — comes from an idea from writer and producer Jamie Primack Sullivan. She pitched it, and before you could say Simba the idea was green-lit. Among her next films? “I have a Judd Apatow project. I can’t discuss it yet, but it’s female-led.” So stay tuned…

Diana Ross Remembers Lamont Dozier, 81, Co-Writer of Motown Hits with the Holland Brothers for the Four Tops, Supremes, More

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Lamont Dozier has passed away at age 81. He and brothers Eddie and Brian Holland wrote literally all of the hits for the Four Tops, the Supremes, many other Motown acts. The trio was called HDH. They left Motown at the end of the 60s and sued Berry Gordy for millions. HDH started Invictus Records and had a new slew of hits with Freda Payne, the Honey Cone, and other groups. I knew Lamont, and he was just a lovely, sweet, sweet guy. He had his own recording career as well, releasing a couple of albums and several singles including a minor hit called “Fish Ain’t Bitin’.”


But really, without Holland-Dozier-Holland we would be missing a sizeable chunk of the soundtrack to not just the 60s but our lives. Everything from “Bernadette” and “Reach Out I’ll Be There” to “Where Did Our Love Go” and so on.

Valerie Simpson, of Ashford and Simpson, the other main Motown hit songwriting team, told me today. “Lamont was such a delightful guy. And he was a good singer himself. We were all just blessed to be in tune with the times.” Simpson also credited Berry Gordy for all their successes. “He really created the atmosphere for all those hits.”

Mary Wilson told writer Harvey Kubernick in a 2002 interview: “Just to talk about H-D-H was such a wonderful experience for our growth and journey. They took us through the times that was going on in the world. Each time they would bring us to another level. The records show this. We did ‘You Can’t Hurry Love’ and ‘You Keep Me Hanging On.’ Those were great albums. That’s why we had wanted them in the beginning. We had to grow into that.”

Maybe as a tribute to Lamont and HDH today, the hottest day of the year in NYC, we should listen to one of their greatest compositions, “(Love is Like a) Heat Wave.”

Here’s his full bio from The New York Times.

RIP Great 70s Singer, Pop Star, Movie Star Olivia Newton John, Dies at 73 from Cancer After Long Struggle

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Olivia Newton John’s long battle with cancer is over. She died this morning at age 73 in California.

Olivia struggled through several bouts, never flagging, always putting up a battle. She’s survived by her daughter, Chloe.

The English singer made a name for herself in the 70s with a string of hits including “Have You Never Been Mellow” and the dance hit, “Physical.” But she also turned out to be a movie star, featured with John Travolta memorably in the film version of “Grease.” The latter cemented her place in pop culture, producing even more hits.

There wasn’t a radio station anywhere that wasn’t playing Newton John’s hits for twenty years. Even when her heyday passed, the “Grease” fans kept her on the front burner.

She won four Grammys and was nominated for 8 others.

Condolences to her family and friends. Olivia Newton John she will be sorely missed.

Elton John’s “Tiny Dancer” Remix with Britney Spears Has New Title: “Hold Me Closer” This Friday

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The promised duet between Elton John and Britney Spears is coming on Thursday night.

The remix of “Tiny Dancer” is called “Hold Me Closer.” It’s unclear what other Elton and Bernie song will be folded in, a la “Cold Heart.” with Dua Lipa, which had several.

Spears is not a great singer, but the PR value should be enormous and create a lot of interest.

Controversial Danish Filmmaker Lars von Trier Diagnosed with Parkinson’s Disease at Age 66

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Lars von Tier, whose name in Danish must mean “controversial,” has had a terrible health diagnosis. According to reports, he’s learned he has Parkinson’s Disease.

Much as von Trier in more recent years has made incomprehensibly negative films — and public statements, this is really terrible.

von Trier was banned from Cannes in 2011 after he declared, “I am a Nazi!” at the press conference for his excellent film, “Melancholia.” It was at that press conference that he said on stage that he’s like to make a “porno” with his actresses, Kirsten Dunst and Charlotte Gainsbourg.

At the premiere of his most shocking and disagreeable film, “Anti-Christ,” one critic stood up and demanded to know why he made it, and to justify its existence.

But von Trier has made a lot of edgy, unusual, and provocative films of artistic integrity including “Melancholia,” “Dogville,” “Breaking the Waves,” and “Dancer in the Dark.”

Because of the diagnosis, von Trier will skip promotional activities at the Venice Film Festival for his latest Danish TV series.

Bert Fields, Hollywood Lawyer Who Bulldozed Journalists, Enabled Pellicano, Dies at 93

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I know it’s considered bad form to speak ill of the dead. But Bert Fields hated journalists, and bulldozed us if we had anything negative to write about his clients. He also enabled private detective Anthony Pellicano, who went to jail for spying on Field’s enemies (although Fields himself was not formally accused of anything). So forgive me if I’m not sobbing about Fields’s death at 93.

I’m sure Bert Field’s celebrity clients will miss him and leave tributes. Tom Cruise, especially, has thrived for decades with Fields at his side. You can read some of that here.

As for Pellicano, my late friend, journalist John Connolly, covered Pellicano and Fields to a farethewell. I was in court for a lot of the Pellicano machinations. There are endless stories about Fields manipulating and terrorizing just about everyone in Hollywood. He worked for everyone and no one was safe from him.

So RIP, I guess. He goes to his grave with a lot of secrets. But a lot of people still know some of them, too. Anyone with a good Fields story, drop me a line at showbiz411@gmail.com.

Here’s a column I wrote back in 2008:

Hollywood Heavies Walk On Pellicano?

Late on Friday, the government issued its trial memo in Hollywood’s Anthony Pellicano case, and it was pretty interesting.

Missing almost entirely from the government’s planned attack on Pellicano is the sexy stuff we were tantalized with, seemingly, for years.

Hollywood heavies may take a walk on Pellicano, as it turns out, at least for now.

Instead, the U.S. attorney, perhaps aware of the circus-like negative effect celebrities have on California cases (O.J., Jacko, Robert Blake, etc.), is concentrating on four non-stars to support their assertion of Pellicano’s wrongdoings in the U.S. vs. Anthony Pellicano and four other defendants.

The four key witnesses in this case (there will be a separate trial after this one, with defendant Terry Christensen, a famed Hollywood attorney, added) will be: Adam Sender, Sandra Will Carradine, Alec Gores and Susan Reddan Maguire. Their cases, the government feels, distill the case to its essence without distracting a jury by dragging in celebrities who would simply entertain and not enlighten.

So even though I shared with you an early list of potential witnesses last week, it’s unclear if 75 percent of them will be brought to the stand.

Barely mentioned in the memo are the Pellicano big fish: attorney Bert Fields, studio exec Brad Grey or any of the stars whose paths crossed Pellicano and Fields like Sylvester Stallone or Chris Rock.

Ricardo Cestero, the former Pellicano employee who went to law school so he could join Fields and work just on cases for Tom Cruise, is also not mentioned once.

The only truly juicy section of the 129-page memo is on page 96, where former super agent Michael Ovitz makes an appearance. There, the details get interesting. In 2002, the trial memo states, Ovitz paid Pellicano $25,000 to investigate sports promoter Arthur Bernier and sports agent James Casey. Ovitz was suing each of them.

The memo states:

“In addition to the specific matters for which PIA was retained, Pellicano and Ovitz discussed individuals within the entertainment community who were the source of bad press against Ovitz. During these conversations, Ovitz and Pellicano discussed Ovitz’s belief that New York Times writer Bernard Weinraub had been recycling negative stories about him and that, on occasion, he was assisted by Los Angeles Times writer Anita Busch.”

What followed, the government charges, was the illegal wiretapping of Busch’s phones and illegal investigations of her life. Pellicano’s interest in Busch is what eventually put him in prison for possession of illegal firearms.

Another name that comes up less than expected is that of Brad Grey, now the head of Paramount Pictures. His name appears just five times, all on page 88, and all in relation to a long-running lawsuit we’ve explored in this column between him and movie producer Bo Zenga over the 2000 film “Scary Movie.” Grey hired attorney Bert Fields to represent him, and Fields hired Pellicano.

From the memo: “During the course of the subsequent investigation, confidential information regarding multiple investigative targets was acquired through, among other means, protected law enforcement database inquiries and illegal wiretaps. For these services, Grey’s attorneys paid Pellicano $25,000, which cost was then passed on to Grey as part of the firm’s monthly bill for litigation costs. Again, Pellicano, at the outset of the investigation, tasked Arneson with obtaining criminal history information on the investigative targets.”

Look back to the middle of that paragraph. The government carefully does not identify “Grey’s attorneys.” But they are attorneys who work for — if not the man himself — Bert Fields. The omission is intentional.

And what of Bert Fields? His mentions in the trial memo are limited to two, both on page 91, as attorney for Adam Sender. Sender, a hedge fund manager, was suing Aaron Russo (now deceased, Bette Midler’s one-time infamous manager) over a movie company deal that didn’t pan out.

The trial memo states: “On Fields’ recommendation, Sender retained PIA in March of 2001. During the course of the subsequent investigation, confidential information regarding multiple investigative targets was acquired through, among other means, protected law enforcement database inquiries and illegal wiretaps. For these services, Sender paid PIA $500,000.”

Pellicano allegedly commenced the extensive illegal wiretapping of Russo and his family. The memo states: “… two PIA employees will testify about how this wiretap was used to serve legal process on Russo outside of the Giuseppe Franco Salon in Beverly Hills on April 21, 2001. After learning that Russo would be at this location from the wiretap, the employees traveled to the salon, where they subsequently chased Russo through several buildings before effecting service on him.”

There are two big questions that come out of this: Will the government tie Fields to the Pellicano investigation of the Russo’s? And will they want to?

More importantly, if the government’s case with just the four witnesses is very tight, will it force Pellicano to roll over on his famous friends in exchange for leniency?

Tragic Jinx: Both Anne Heche and Actress Who Followed Her in Soap Role Have Had Tragic, Drunken Car Accidents

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A sharp eyed fan pointed this out to me.

This could only otherwise have happened on an actual soap opera.

There’s a tragic link between Anne Heche, who had a terrible, drunken car accident this past weekend, and another actress.

Heche played the role of Marley and Vicky Love (twins) on the NBC soap, “Another World,” in the late 1980s. She won a Daytime Emmy award and left for greener pastures.

Her successor was actress Jensen Buchanan, who took over the roles in 1991 and played them until the 35 year old soap ended in 1999.

Heche now is in ICU in a Los Angeles hospital after plowing her car into a Los Angeles home on Friday. Her car, a Mini Cooper, is burnt to a crisp. According to reports, the home was destroyed. Friends and neighbors of the owner have started a GoFundMe campaign for the now homeless woman. There are pictures of a possible vodka bottle in Heche’s car taken right before the accident.

Strangely enough, Buchanan has a similar, slightly more awful but parallel story. In 2016, she was arrested for a DUI that resulted in the near death of the person she hit. (He was severely injured, according to reports.) Buchanan had a blood alcohol content level of 0.34 when she reportedly veered onto the wrong side of Highway 154 and into the path of an Arizona driver, nearly killing him. 

The former soap star, who’d been married for 10 years to top Hollywood talent agency owner Sam Gores, was sentenced to one year in County Jail and five years probation. And here’s the kicker: she was released from jail subsequently, having served about a month and a half of custody time. But in 2018 she was remanded back to prison for allegedly violating the probation. She was cleared, however, after a hearing.

Heche, of course, won’t be charged with anything until she’s back to health and what actually happened has been determined. Her accident was just that, an accident. But the connection between the two actresses is stranger than fiction.

See Kanye West’s “Gracious” Response to Kim Kardashian-Pete Davidson Breakup: Death Notice

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You didn’t expect Kanye West to remain silent about the big break up, did you?

Nasty and sometimes funny, Kanye posted a death notice for Pete Davidson on his Instagram this morning. “Skete Davidson Dead at 28” is the massive headline on the cover of Kanye’s New York Times.

Down below the headline reads: “Kid Cudi meant to play funeral but was fearful of bottle throwers.”

Kanye has a love-hate relationship with Cudi, who he records with but is also in some kind of feud.

Through Davidson’s nine month relationship with Kanye’s ex wife, Kim Kardashian, the Trumper, rapper, and sneaker entrepreneur threatened the SNL comic’s life, carried on like a child, and accused him of all kinds of things including drug abuse. Pete is well finished with all these low-lifes.

Train in Vain: Brad Pitt’s $30 Mil Weekend Excursion Looking for Love Abroad, “Easter” Egged

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Tough going over the weekend.

Brad Pitt’s “Bullet Train” left the station but didn’t go far. It was, as the Clash once titled, a “train in vain.” The total for the weekend was $30 mil. The movie cost $90 mil. Abroad, another $30 mil came in, getting us closer but not close enough. August is a long month, it’s possible other passengers will come onboard both here and in other locales.

Universal– which is getting ready to release a hot horror film in “Beast” with Idris Elba — had less luck with “Easter Sunday.” Jo Koy’s Filipino comedy got stuck in a Manila envelope that no one could unclasp. The result was just $5.25 million. Better to flip over to streaming ASAP. “Beast” will come roaring in, I think, and terrify August audiences. We’ll see it tomorrow night.

Whoever put money into Lena Dunham’s “Sharp Stick” is not getting it back. Two weeks in very limited release have brought in $42,000. The movie doesn’t look like it cost very much, but whatever it was, it’s gone. Terrible film that won’t find a home on mainstream streaming. Goodnight and good luck.

“Top Gun Maverick” is still in theaters and made $7 million this weekend. What? Maybe Scientologists are hypnotizing each other into going for a fifth time. Good film, but not this good. Not a film for the ages. But it stays aloft.

Britney Spears Declares “I’m only human!” Doesn’t Understand Why Posing Nude On Social Media Is Problem for Teen Sons

Britney Spears is sad. She doesn’t understand why posing nude on Instagram is a problem for her teenage sons.

Her ex, and father of those sons, Kevin Federline, has told the Daily Mail that he and his wife keep the boys away from Britney for that reason. The boys are Sean Preston, 16, and 15-year-old Jayden.

Federline says in an ITV interview leaked to the Mail: “I try to explain to them, ‘Look, maybe that’s just another way she tries to express herself.’ But that doesn’t take away from the fact of what it does to them. It’s tough.’ He adds: ‘I can’t imagine how it feels to be a teenager having to go to high school.”

I can’t even reprint Britney’s many poses here because Google censors them as sexual material and won’t serve ads on the pages. But you can go to her Instagram to see her variety of scantily clad and nearly naked pictures.

Federline says “If there was a way – any way – I could possibly say something to just open [Britney’s] eyes – but I haven’t found that yet. I feel like, if I found that, I’d be on the phone trying to tell her.”

But if you read Britney’s responses below, you can see his frustration. Spears is 40 years old, yet she’s a simpleton. She doesn’t get it. Without an education, and obviously suffering from some mental health issues, this is how she chooses to express herself. She writes, as an explanation: “I would like the Federline’s to watch the BIG BOOTY VIDEO!!! Others have made much worse when their children were extremely young!!!”

Britney doesn’t have a point. The video she refers to is from Megan Thee Stallion and Gucci Mane, not exactly high art. And her children aren’t “extremely young.” They’re in the sweet spot of being teens. She seems to have no regard for them. She whines that her conservatorship “has only been over for 8 months” and that it’s all about “having cash from the outside world.” She sounds like a spoiled 16 year old herself.

This is the result of the whole #FreeBritney movement, I’m afraid.