Friday, December 19, 2025
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Alan Kirschenbaum, Creator of “Yes Dear,” Other TV Shows, Dies

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Very troubling news this afternoon about yet another outwardly successful looking person in Hollywood committing suicide. I’m thinking of the popular entertainment lawyer Peter Lopez, and director Tony Scott. Now it’s TV producer and writer Alan Kirschenbaum, creator of the amiable, clever “Yes Dear,” writer of dozens of TV shows including “Coach.” Kirschenbaum who was 51, and his partner had a midseason replacement series ready for CBS called “Friend Me.” He was incredibly successful, but from his Twitter account, you read the comments of a lonely, depressed person. One of the saddest elements here is that his father is beloved comedian and Friars Club president Freddie Roman. I just remember when Alan got “Yes Dear” on the air, and Freddie was so over the moon. What an inexplicable tragedy. Condolences to Kirschenbaum’s family and friends. Now on Twitter everyone from Phil Rosenthal “Everyone Loves Raymond” to Josh Gad to Michael Chiklis is logging on to register disbelief and grief. The thing is, you look at his imdb credits and you think, he was a great success. But Hollywood is a treacherous place for the soul. No amount of success ever seems like enough.

Read Phil Rosenthal’s post about his oldest, closest friend at http://tinyurl.com/9ptcp8y

“Cloud Atlas” Gets Shrugs at Box Office from Moviegoers

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The Wachowskis’ “Cloud Atlas” is getting mostly shrugs from fans and critics. It made only $3.5 million last night, and will do maybe $8 million for the weekend. The film cost well over $100 million– more like total costs around $150 million–but will finish second this weekend to hold over “Argo,” also a Warner Bros. release. It’s too bad. If “Cloud Atlas” had been released in 1977, more people would have seen it and no one would have released its box office numbers.

But this is a different time. If WB had given it an art house release, maybe that would have worked, because “Cloud Atlas” is the “Tree of Life” of 2012. It’s beautiful to look at and difficult to comprehend. It’s actually easier to deal with than “Tree of Life” since the six stories that cut back and forth at least make sense within themselves. They just don’t connect to each other in a meaningful way.

I still think that Tom Hanks, Halle Berry and Jim Broadbent– leading a big cast that also includes Susan Sarandon and Hugh Grant in more minor roles–shouldn’t be overlooked. Given the material, they’re sort of brilliant. And the look of the film–every production credit– is outstanding. “Cloud Atlas” is more frustrating than challenging, but worth it if you love film and don’t mind a non linear, un-formulaic approach to moviemaking.

Aretha Franklin Will Sing National Anthem at World Series on Monday

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Superstar performer and Detroit native has a good reason to root for the Tigers in the World Series this weekend. If–let’s say when–the Tigers get to Game 5 on Monday, Franklin will sing “The Star Spangled Banner” at Tigers Stadium. (Er, Comerica Park.) Franklin, who did not record for Motown but for Atlantic Records in its heyday, has stayed true to her Detroit roots all these years. She still lives in her hometown, and is active in her father’s old church where he preached. Franklin probably would have sung at Game 3 or 4 but she’s back east this weekend performing at a couple of private shows. She doesn’t fly; she travels by luxury touring bus. So it takes a couple of days to motor home to Motown. So pray for the Tigers and set your DVRs–we’re going to get a rare chance on Monday to hear the Queen of Soul give Francis Scott Key a whirl.

 

Taylor Swift “Red” Album Set for 1 Million Plus Debut

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Taylor Swift: does she need the Kennedys? Not really. Her “Red” album, a hodgepodge of her songs, Max Martin type production, and tabloid fodder is set to make a stunning debut on Monday. “Red” will be number 1, of course, but by a lot. I mean, a lot. “Red” will have sold between 1.1 mil and 1.25 million copies from this past Monday through Sunday night.

When the reporting comes in this Monday, “Red” will have sold more than the top 50 sells all together according to our friends at www.hitsdailydouble.com. And that’s with fans double-buying, in some cases, five of the songs that were already released as singles.

The mind boggles when you think of a generation that will grow up with “Red” as its “Tapestry” or “Blue” or “No Secrets.” But the world is supposed to end on December 21st, so maybe it won’t matter.

Here’s the real deal:

http://www.youtube.com/watch?v=Ux7HgO9QhAc

 

Beatles Famous Apple Logo Now Owned By Apple Computers

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Steve Jobs named Apple Computers for Apple Records, the Beatles’ company. Now from heaven he’s smiling and John Lennon is probably not happy. But the Apple Records trademark–that green apple–is now owned by Apple Computers. This is part of the 2007 settlement between the two Apples which paid the Beatles $500 million. That deal also paved the way for the Beatles exclusive download deal with iTunes. The website Patently Apple reported the story, which was picked up by my pals at hitsdailydouble.com and then handed to you by me. All things must pass, all things must pass away, indeed. Now if only Jeff Jones and Apple Records would release Hey Jude and Rarities on CD and for download before the people who bought them originally on LP are all dead.

Tarantino’s “Django” Sets Late Press Junket for December 15-16

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Quentin Tarantino may be riding to the rescue of the 2012 holiday film season, but it will be at the very last minute. Messages have just gone out from The Weinstein Company to hold December 15th and 16th for the junket days for “Django Unchained” with Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington and a cast of thousands. Waiting for word on what this means for awards voting by the New York Film Critics and some other groups from November 30th through about December 6th. Of course, this does give him time to show the film to the awards groups, then go back and tinker a bit before the press sees the movie. “Django” opens on Christmas Day, and can’t be soon enough as far his fans–including this writer–are concerned.

Stevie Wonder, Goo Goo Dolls Create Songs for Obama

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On Wednesday night at the UN, Stevie Wonder and I were talking backstage. He said, “You have to hear the song!” We promptly got into a conversation about six other things. Now this afternoon on YouTube, Stevie has released a new song he wrote for President Obama. It’s called “Keep Moving Forward.” Here’s the link: http://www.youtube.com/watch?feature=player_embedded&v=qCbiHSOf9nc&noredirect=1

At the same time, a group of musicians including the Goo Goo Dolls have posted their own song called “Forward” at www.forwardsong.com. Here’s the link to that one: http://www.showbiz411.com/wp-admin/post-new.php Featured are Natasha Bedingfield, Herbie Hancock, NeYo, the group Delta Rae and Johnny Rzeznick of the Goo Goo Dolls.

Roman Polanski Documentary Still Searching for a US Distributor

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When director Roman Polanski was being held under house arrest in Switzerland, he made good use of his time. He and long time friend Andrew Braunsberg, who is also a film producer, set out to make their own “My Dinner with Andre.” They filmed an ongoing conversation about Polanski’s life from his harrowing childhood in the Holocaust, to the murder of his wife Sharon Tate and their unborn baby (as well as their friends) to the scandal involving Polanski sleeping with a 13 year old girl in 1977.

The result is “Roman Polanski: A Memoir.” Shown in Cannes last May, the riveting film has been sold in most markets around the world. But it still has no American distributor. Most of the independent film companies, as well as HBO, I’m told simply found Polanski too problematic a subject — especially in an election year.

This is really too bad and extremely disappointing. “Memoir” is fascinating. It does nothing to whitewash Polanski’s legal problems. Rather, they are addressed head on. And though many people like to recall their own version of his story, Polanski did serve time in prison — 42 days. He did plead guilty to sex with a minor. Court psychologists determined that he was not a pedophile but had made one single poor choice. A deal was in place with the court in Los Angeles. But a corrupt system let the judge begin fiddling with the agreement. Polanski was suddenly at the judge’s mercy with no concrete agreement on which he could rely. He left the United States not as a fugitive but a man in legal limbo.

There’s a lot more to the film. Particularly riveting is Polanski’s memory of the Holocaust in Krakau, Poland. His mother, who was pregnant, was taken by the Nazis and killed immediately. His father was taken away but returned. His sister somehow made it to Paris. Polanski, 12, went to live with a non Jewish family, then bounced around from place to place. Braunsberg juxtaposes Polanski’s story telling with archival footage and scenes from the director’s watershed film “The Pianist.” It’s quite remarkable.

Polanski also discusses the “Helter Skelter” murders by Charles Manson and his cult followers of his wife, Sharon Tate, and their friends. It’s the first time I can think that Polanski has really sat for an indepth interview since one with Diane Sawyer in the early 90s.

Of course, eventually Polanki’s house arrest was lifted. He is no longer in danger of extadition by the US government. The many lies and distortions in his case, perpetrated by the court  in Los Angeles, were revealed in another documentary, “Roman Polanski: Wanted and Desired.” That this situation persists, considering that the 13 year old girl, Samantha Geimer, is now almost 50 and has long since absolved Polanski, is a tragedy.

The best thing Braunsberg can do is make a video on demand deal for “Memoir” so that anyone who has formed a preconceived notion about Polanski can see– right in their own living rooms, or at their computers–what really happened and what this important director has lived through.

Rolling Stones Set List from Surprise Paris Show

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The Rolling Stones played a surprise 75 minute show in a north Paris club last night. Tickets were just $20, now making the average price of a ticket for this mini tour $4 million. Anyway, here’s the set list. And this probably means there will be more of these pop up club dates between now and November 25th when they hit the O2 Arena. And some here in December.

Route 66

It’s Only Rock and Roll

Shattered

When The Whip Comes Down

Champagne and Reefer

Doom and Gloom

Miss You

Tumbling Dice

Start Me Up

Midnight Rambler

Jumping Jack Flash

Brown Sugar

“Skyfall” Opens In UK, Bond 24 Set for 2014 But Likely Without Judi Dench

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James Bond 23 opens today in the United Kingdom. Expect a windfall for “Skyfall” as for once in a long time everything is right with the fabled spy action series. “Skyfall” ends with a notice, like all the other films in the series, that “James Bond will Return.” My colleague at the Daily Mail in London, Baz Bamigboye, reports today that Bond 24 is already in pre-production, John Logan is writing the script (as he did for “Skyfall”) and that Daniel Craig will be back in his tux by the end of 2014 if not sooner.

Also expect that Ralph Fiennes will succeed Judi Dench as M. Dench has a full plate of movies and theater, but running around a field with a semi automatic weapon isn’t “optimal” even at her most youthful demeanor. Dench gets a lot of airtime in “Skyfall,” capping a brilliant run as M starting back in 1994. She’s the longest running actor in the James Bond series. And she’s probably getting an Oscar nod this year for “Best Exotic Mariold Hotel.” Dame Judi is just starting a new Stephen Frears movie with Steve Coogan that sounds like a winner.

Who will direct Bond 24? They’d be smart to stick with Sam Mendes. But the producers are said to be considering Christopher Nolan, among others. And who should be next to write and sing the Bond theme song? Since Adele filled the ladies’ slot this time ’round, my vote is for Sting. I always thought his “Tomorrow We’ll See” was a James Bond song! http://www.youtube.com/watch?v=576vw_qbqLs