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Eddie Redmayne, Not Russell Crowe, Could Be Oscar Contender from “Les Miz”

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The Oscar race tightened up this weekend with the screenings of “Zero Dark Thirty” and “Les Miserables.” You can now pretty much call it for ten films that should make the cut off plus a few others that could shake things up. Mind you, things will be much different for things like the Golden Globes and even the SAG Awards.

But here’s a list that should get people talking: “Argo,” “Silver Linings Playbook,” “Les Miserables,” “Lincoln,” “Zero Dark Thirty,” “Best Exotic Marigold Hotel,” “The Master,””Flight,” “The Life of Pi,” “Amour,” “The Sessions,” plus “The Intouchables,” “To Rome with Love,” and “Anna Karenina.” Still to be seen: “The Hobbit” and “Django Unchained.” For the Globes, I really like “This is 40.” Also, “The Guilt Trip” with Barbra Streisand and Seth Rogen is said to be hilarious. Count me in as a fan of “Cloud Atlas,” but I don’t get the sense that Warner Bros.– very busy with “Argo” and “The Hobbit”– is supporting it.

There are also so many documentaries to watch– from “Searching for Sugar Man” to “Central Park Five” — a surfeit of excellent choices. As far as actors go, Academy voters, and everyone else, should keep an eye on  some new names in the mix, from Scott McNairy in “Killing them Softly” to Jennifer Ehle in “Zero Dark Thirty” to John Hawkes in “The Sessions.”

And watch out for Eddie Redmayne in “Les Miserables” as Marius. He’s more likely to make Best Supporting Actor as Marius than Russell Crowe as Javert. Redmayne literally lights up the screen with this performance, and he can sing. Stay tuned…

More this week…

Review: Kathryn Bigelow “Zero Dark Thirty” Exposes Bin Laden Hunt and Kill

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If anyone worried that Kathryn Bigelow’s movie about the killing of Osama bin Laden would be a political statement promoting Barack Obama they can relax. Bigelow and Mark Boal have made a very focused and harrowing thriller that centers on the real life female CIA agent who was obsessed with catching and killing bin Laden. Jessica Chastain leads a huge cast, and puts herself right into competition with Jennifer Lawrence of “Silver Linings Playbook,” for Best Actress in a Drama. And even though it’s a military movie, “Zero Dark Thirty” really stars Chastain and Jennifer Ehle, with the men of the film–played by Mark Strong, Joel Edgerton, James Gandolfini, Kyle Chandler, Mark Duplass and Harold Perrineau– taking secondary but important roles.

The most interesting thing right off the bat is that “Zero Dark Thirty” is not political. President Obama makes a brief appearance seen off a TV and it’s not necessarily positive. While American intelligence is water boarding prisoners, Obama is seen saying he doesn’t believe in torture. The whole first fiften minutes of so is taken up with the waterboarding of a prisoner. Once you see it, you’ll be writing to your congressman to prevent it from happening again. But Obama disappears after that. And the CIA and the military take over.If Bigelow and Boal got secret access to the Situation Room from the time Osama bin Laden was killed, you don’t see it.

What you do see is the CIA doing something successful after many botches and tragedies in the war against terrorism. One scene that stands out is a meeting in Washington of the principle CIA players. Mark Strong, who’s great, comes in starts screaming at them there is no “secret” other group working on the problem. They’re it, and they’ve got to produce results.

Initially, with the torture scenes and the introduction of Chastain as Maya, the red haired take no prisoners agent, you do feel like you might be watching “Homeland: The Movie.” But Bigelow is a consummate filmmaker. Her movie grows and flourishes from that point on. Boal’s screenplay isn’t so much about backstory for the characters (there isn’t any) but making them interesting enough to follow through this crusade. It’s to his and Chastain’s credit that Maya gets richer and develops more layers as the film progresses, particularly once Ehle’s very brilliant agent exits the story. (I don’t wan to give too much away.)

So for now: “Zero Dark Thirty” is a likely Best Picture nomination, with kudos to all involved. Chastain and Ehle are the standouts. And there will much discussion of this film as we come through the week…

Alicia Keys’ “Girl on Fire” Also a “Lonely Girl” from 1970

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Alicia Keys’ new hit “Girl on Fire” is catchy, catchy, catchy. But like a lot of Keys’s songs, it comes with ingredients from past hits. The credits do include a nod to “The Big Beat” by Billy Squiers, upon which the whole drumline is apparently based. There’s another sample that doesn’t seem to be credited anywhere unless I’ve totally missed it. In the middle of the song, Alicia sings a couplet or so from Eddie Holman’s 1970 classic “Hey There Lonely Girl.” The song was written by Leon Carr and Earl Shuman, who are both gone to rock and rock and roll heaven.

“Hey There” was first recorded by Ruby and the Romantics in 1963. But it was Holman’s wonderful recording that became a once in a lifetime hit. Keys only uses two seconds of the original, but it helps make her record. It’s not the same as when she remade The Main Ingredient’s “Let Me Prove My Love to You” into “You Don’t Know My Name,” but it’s still prominent for anyone who grew up during the classic era of R&B.

Do they teach this sampling stuff at Juilliard?

Hey There Lonely Girl:

http://www.youtube.com/watch?feature=player_embedded&v=3lscp1GCjUQ#!

Girl on Fire (“Hey There” at 2:26)

http://www.youtube.com/watch?v=J91ti_MpdHA

A list of some of Alicia Keys’s samples: http://www.whosampled.com/artist/Alicia%20Keys/

Michael Jackson: ABC Cut 30 Minutes from Spike Lee Doc, Including Sensual Dance with Sheryl Crow

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Ok, so no one bothered to send the actual full version of Spike Lee’s “Bad 25” documentary. The 90 minute version aired on ABC on Thanksgiving night. On Friday morning, the DVD of the complete movie arrived (thanks to the Critics Choice Awards). It clocks in at 123 minutes, at least 30 minutes longer than the ABC version.

And seeing it, I now understand what ABC did: they chopped this thing up and took out a lot of really great stuff. Among the missing items: all of the interviews with Stevie Wonder, including the legend at the piano and reminiscing about recording with Jackson; a very young Sheryl Crow in 1987 on tour with Michael, performing a sensual dance to “I Just Can’t Stop Loving You” and Sheryl’s racy recollection; attorney John Branca insisting that he and Michael did not steal the Beatles catalog out from under Paul McCartney; and many instances of Michael directing his videos or recordings. There’s also one interesting moment at 1:05 in which it’s clear that Michael is healing unselfish-consciously from facial surgery on his cheeks and nose.

Also missing from the ABC version but on the DVD is a fun stretch showcasing a bunch of celebrities who were filmed for Jackson’s “Liberian Girl” video.

Spike Lee also included one five second piece of video of Frank DiLeo right at the beginning of “Bad25,” but he never mentions him again as the guiding force behind “Bad” or the tour that followed. Too bad considering there are a number of people featured who didn’t even know Michael Jackson, including Justin Bieber (I have no idea what he’s doing or what he’s talking about) and someone named Joseph Vogel, who’s credited as author of a book that’s just come out and has sold has badly as the Randall Sullivan book. I would rather have seen Randy Taraborelli, who at least is an expert on this part of Michael’s life.

Also, plenty of people, like Quincy Jones, are only shown in footage from the “Bad” era and not now. The fact that DiLeo died in 2011 wouldn’t have precluded his being in the film. There’s a lot of archival interview footage.

Well, it’s too bad. Who cuts Stevie Wonder out of a documentary, anyway? ABC should have just shown “Bad25” in its entirety. They cheated Michael’s fans and the audience at large.

“Les Miz” Star Anne Hathaway: “I Can’t Sing Like Susan Boyle”

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by PAULA SCHWARTZ, Special to Showbiz411–Anne Hathaway’s haunting and raw take of “I Dreamed a Dream” as the tortured waif Fantine in “Les Miserables,” Tom Hooper’s follow-up to “The King’s Speech,” is not the version Susan Boyle sang to international stardom on English television.

In a Q&A following the 7 p.m. screening Friday at Alice Tully Hall, Hathaway said, “Part of the reason why it’s not the song Susan Boyle sang is because I can’t sing like Susan Boyle.”

Hathaway, a shoo-in for a supporting Oscar nod, said the nicest thing she did for herself was that she didn’t listen to Patti LuPone’s version until she was finished filming. “And I’m so glad I didn’t because it would just have been too much. The bar for this song has been set so high by so many incredible vocalists that there’s just no way that I was going to be able to match it, so the only thing I could do was to do it differently and do it really real and really get inside of it.”

In a move that may not please “Les Miz” purists, the actress added that she thought it “was a really cool decision” by the director and the film’s writers to place the song after she’s had her first experience as a prostitute as opposed to after she’s lost her job, “because you can really get inside the pain and see the beginning of that rage she has and watch this woman shut her heart down. Victor Hugo described her as having a heart of stone with only one bit of light left at the bottom and she kept the light for her daughter, so to be able to get into the song from that perspective, I was excited about getting to do it like that.”

When asked how many takes it took to do the scene, Hathaway said 2 ½. At one point she had an earpiece problem. “I was hearing myself so loudly in this quiet space,” she said, and “everything was too close, so I just put them in so I couldn’t hear myself anymore and I let it rip, and I think that’s the one that’s in the movie.”

“Performances are often patchwork quilts of many different takes, whereas in the central songs all the songs,” Hooper said, “are one take.”

Also, if you were wondering, Hathaway’s hair–er, Fantine’s hair– was hacked off in real time.

Hooper said his experience of watching Hathaway’s hair coming off was a “slightly difference experience” from that of the actress. The make up man, an experienced and talented hair stylist, dressed as the crone, started working and Hooper said, “I watched before my eyes the most gorgeously crafted pixie cut appear,” he said, while “Annie was acting like it was a terrible trauma of her hair cut, and I was thinking this is just a creation of a lovely short haircut.” Hooper said he gave the hair guy a pep talk and told him to give Hathaway “a savage haircut. You have to make it ugly.”

Hathaway’s misery in that scene is real. “I put it up there with the most difficult things I’ve ever had to do, which I wasn’t expecting. I didn’t think I was that vain.”

During the 15-minute costume change she took a first look, where she was bald up front. “It was the worst moment ever actually, come to think of it,” she laughed, “and then it was done, and it was done, and I took a few beats and looked into the mirror and called my husband,” Hathaway said. “I said, ‘I honestly look like my gay brother.”

 

 

 

 

 

 

 

 

 

 

 

Larry Hagman, the One and Only J.R. Ewing, Dies at Age 81

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Larry Hagman has passed away at a Dallas hospital at age 81. The one and only J.R. Ewing, star of “Dallas,” looked like he wouldn’t make it much longer during the last few episods of the “Dallas” re boot. But she was still shooting new episodes until recently. I must confess to loving the original “Dallas” and Hagman especially. I was so happy to sit and talk with him and his wife Maj a few years ago in Malibu. I asked Maj about Larry’s famous tradition of staying silent one day a week. She said it drove her nuts. Larry was as charming as ever.

The son of Broadway star Mary Martin, Larry Hagman had his first hit on TV with “I Dream of Jeannie,” where he was underrated on the silly show for his physical comedy and stamina. He’s in almost every scene of the show. He appeared in various other shows and miscellaneous movies through the early 1970s, but it wasn’t until “Dallas” in 1977 that he became a household name. And then “Who Shot JR?” put him and the show on the map. My personal favorite scenes were Larry with Ken Kercheval as Cliff Barnes. JR took such delight in torturing Cliff, and Hagman was a genius at it.

It’s a sign of Hagman’s influence on “Dallas” that even though the reboot was supposed to be about the new generation, it eventually came back to J.R. Hagman, looking gaunt, persevered, and made the new series delicious as ever. It’s the death of a real star, and a real loss. Condolences to his family and fans.

http://www.youtube.com/watch?v=luN5-O5WDAE&feature=related

 

First Review: “Les Miserables” Comes to Movies with Hugh Jackman, Russell Crowe, Anne Hathaway

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Cheers and a standing ovation this afternoon at the first screening of the film version of “Les Miserables.” Tom Hooper, Oscar winner for The King’s Speech, has made a thrilling, sensational epic of the legendary Broadway show. This now becomes the “Titanic” of this year’s awards season, the epic film to beat. Hugh Jackman is a triumph as Jean Valjean, Anne Hathaway sings the heck out of the film’s big numbers, and Samantha Barks just about steals the film. Russell Crowe makes for a solid Javert. And the many supporting players, especially Aaron Tveit, Eddie Redmayne and Amanda Seyfried, are top notch.

Universal Pictures with help from Peggy Siegal put on two blockbuster screenings this afternoon and this evening at Lincoln Center’s Alice Tully Hall. Anne Hathaway, husband Adam Schulman, and Anne’s parents Gerry and Kate sat right in front of me. It was the second time this week that Anne, who plays Fantine, sat down and watched the film all the way through. Hooper gives her the first of his many signature closeups as she sings “I Dreamed a Dream” and brings down the house. As Fantine, Hathaway breathes life into the tortured waif whose saga spurs Jean Valjean through the post-French Revolution years and student uprisings of he 1830s. She will be a Best Supporting Actress nominee. And with any luck she’ll sing on the Oscars.

Jackman and co-star Crowe were not present tonight, but Hathaway, Redmayne, Barks and director Hooper sat for a Q&A with Columbia film professor Annette Insdorf. We learned that there was no lipsynching–everything was sung live, and you can feel it. Barks and Tveit, however, are the Voices with a capital V in this film. There is no denying their accomplishment in this inordinately well cast film.

The other pair who stand out are Helena Bonham Carter and Sacha Baron Cohen, straight out of Tim Burton’s film of “Sweeney Todd.” (“Les Miz” diehards won’t like this, but much of this show is influenced, ahem, by “Sweeney Todd” and Stephen Sondheim.) HBC and SBC are absolutely hilarious and wily together. They also get to sing “Master of the House,” the comic number with loads of nods to “More Hot Pies” from the other musical. As Cossette’s guardians, and parents of Eponine (Barks), they are indelible fun.

And then there’s Hugh Jackman. He’ll be nominated for Best Actor and will likely win. The movie hangs on him, and he carries it from beginning to end. It’s his best work ever, the pinnacle for him as he combines his musical and dramatic talents. Hooper said in the Q&A he wouldn’t have made the movie if Jackman didn’t exist, and he’s right. This is the role of a lifetime, like Robert Goulet in “Camelot.” Wolverine may have to break out in song in his next film.

Tom Hooper steered this ship, and it’s a massive cruise liner. The thing Hooper does so well is bring history to life–whether it’s John Adams or Queen Elizabeth I or the stuttering King George. In the “John Adams” miniseries, there’s a great breakfast scene in which John and Abigail Adams, Thomas Jefferson, and Benjamin Franklin all get together in Paris. It’s as if we’re eavesdropping on these famous but inaccessible people. In “Les Miz,” Hooper pulls off just this trick. The canvas is broad but the characters are intimate and so well drawn that you feel you know them, and their French revolt, by the time the end comes.

I went to the 25th anniversday show of “Les Miz” at the O2 Arena in London a couple of years ago. People from around the world are devoted to this show. These armies of “Les Miz” fans will not be disappointed by this film. Something tells me they will see it three and four times.

http://www.showbiz411.com/2010/10/03/nick-jonas-unlikely-les-miz-star-at-25th-anniversary

 

Spike Lee Film on ABC Spikes Michael Jackson “Bad” Box Into Top 40

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UPDATE: The Spike Lee film on ABC last night has pushed the “Bad25” boxed set up to number 37 on amazon.com.

Earlier: The Spike Lee documentary on Michael Jackson, “Bad 25,” aired Thursday night on ABC. For some reason, I could never get anyone to send me a review DVD, so I waited and DVR’d it in real time. “Bad25” the doc is pretty much a sales vehicle for the “Bad25” boxed set of four discs–the original album, the outtake demos, a Wembley Arena concert–that is worth buying as one package.

Indeed, last night’s showing sent “Bad25” the boxed set up to number 189 on Amazon.com, so it was a success. Spike Lee makes excellent documentaries, so it’s no surprise that he’s turned the making of “Bad,” Michael’s followup album to “Thriller,” into a good yarn. He weaves in some amazing clips of Michael performing on the “Bad” tour, and we get to see the real unfettered genius — dancing, singing, composing–that was Michael before the 90s began and his life fell apart in an almost non stop fast forward of catastrophes.

No effort is made to examine what happened after “Bad” and its tour. One thing that happened was Michael’s capricious dismissal of Frank DiLeo, the manager who steered him through the 80s and his great successes. DiLeo was starting to voice disagreement with Jackson about the direction of his life, and Michael–who in Spike Lee’s movie comes off as an enchanted child–showed off his willfulness and fired him. Almost no mention of DiLeo is made in the Spike Lee film, although he gets a nice thank you on the boxed set. If, if, if…If DiLeo had remained, maybe Michael would not have spent money wildly and indulged fantasies that became his undoing. We’ll never know. But after that, no ever said ‘no’ again, and if they did, they were gone.

A lot of other people are noticeably absent from the Lee film, but Spike keeps it on the music. And in that it’s only good. Just the full length clips of Michael, live, performing “Man in the Mirror” (which he didn’t write) and “Another Part of Me,” are worth the whole movie. Also, Spike does reference the various influences Jackson had from Fred Astaire and old black and white movies. Like Madonna, Michael Jackson was proficient in processing what came before him and re-imagining it for a new generation.

Some things are said in this movie and left unexamined, including observations about Michael’s image with women needing change, his insistence on using a high little boy’s voice instead of his own deep register, and his being “too shy” to kiss the hot girl at the end of a video. These things just hang in the air. There were a few other things I found odd, or funny, but they’re irrelevant right now. The main purpose of “Bad25,” besides generating income, is to appreciate Michael Jackson’s art. Judged just for that, Spike Lee did a great job.

 

“Red Dawn” Remake Sneaks Into Theaters, a Disaster

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“Red Dawn,” the remake of John Milius’s 1984 classic, sneaks into theaters tomorrow with as little fanfare as possible. It’s one of the worst received films of this year or any other, with an 11% at rottentomatoes.com. If there was press for “Red Dawn,” it must have been somewhere else. The only premiere I know of was on a military base in California–no Hollywood or New York unveiling.

“Red Dawn” was ready for a release a year ago, but no one knew what to do with it. Now it comes on the same weekend as “Life of Pi” and the widening release of “Silver Linings Playbook,” with “Lincoln” and “Skyfall” doing great, and “Rise of the Guardians” taking over the animated field. Plus, “Twilight: The Trilogy Finally Ends, Pt. 2” is setting records.

“Red Dawn” signals the career debut of Tom Cruise and Nicole Kidman’s high school age, deejaying son Connor. But that p.r. twist isn’t going to mean much as the sun will set on this dawn long before many get to see him do any acting. MGM knows this: the “Red Dawn” DVD is already set for release on February 26, 2013– exactly 90 days from today, the bare minimum time from which a disc can be launched after a theatrical release, and two days after the Oscars–for which this film will not be a factor.

 

 

 

Kelly Preston Uses Convicted Pharmacist with Suspended License As “Expert” on TV Show “The Doctors”

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Exclusive: On the November 21st episode of the syndicated TV show “The Doctors,” spooky Scientologist Kelly Preston shilled for her fellow sect member Kirstie Alley’s Organic Liaison diet program. As part of the show, Preston presented a taped piece in which she visited a place called Alternative Laboratories, which makes supplements for Alley’s company. What Preston didn’t say is that the “expert” in the Alternative Laboratories segment had his pharmacy license suspended in 2004 for ten years after pleading guilty to a host of charges of fraud and for failing a personal drug test.

Read this: http://www.doh.state.fl.us/mqa/FinalOrders/05-01-14/DOH-04-1589-ESO.pdf

Arriving in the Naples, Florida offices of Alternative Laboratories, Preston called a man in a lab coat “Dr. Ryan.” But Ryan Margot is not a medical doctor, which was the implication. Margot is the Research and Development Director of Alternative Laboratories. In fact, he was once a pharmacist. But Ryan Margot’s pharmacy license was suspended in 2004. He pleaded guilty to 39 counts of obtaining drugs like Hydrocodone through fraud. The emergency suspension reads: “Upon questioning, Mr. Margot admitted to diverting 46 prescriptions, totaling 4,830 pills…Margot was arrested on August 21, 2001.” He was charged with grand theft.

Here’s Margo’s rap sheet and mug shot: http://florida.arrests.org/Arrests/Ryan_Margot_2029513/

There’s more, and it’s all bad. Margot pleaded guilty to 39 counts of “obtaining or attempting to obtain, or possession of controlled substance by misrepresentation, fraud, forgery, deception, or subterfuge.” He got ten years in a Florida State Prison, suspended sentence, and 60 months of drug probation.

You’d think that was bad enough. But in July 2004 Margot failed a urine test for Bultalbital, Hydrocodone, and Hydromorphone. He was re-arrested for violation of probation. That was when his license as a pharmacist was finally suspended.

For the last two years, Margot has worked for Alternative Labs, identified in Preston’s piece as the place Kirstie Alley uses to prepare foods and diet supplements. He gave Preston a short lecture on the value of “organic foods” and was identified as an expert on the subject. “The Doctors” apparently just took the taped segment from Preston without questioning it.

Kevin Thomas, who owns Alternative Labs, told me tonight by phone that he did not know Margot’s history. But he also doesn’t care. He said that Margot was a great guy whose problems were behind him. He said Margot had told him he’d had some personal problems with drugs. Thomas was unaware of Margot’s ten year suspension. He also said, “We don’t have those kinds of drugs around here.” Thomas also told me he is not a Scientologist.

I wrote three years ago that Organic Liaison was just another front for Scientology. Alley denounced me on the Today show. But the story stands. Since I wrote it, Alley has added another top Scientologist, Brit Andrew Banks, to the advisory board.

http://www.showbiz411.com/2010/03/15/20100315kirstie-alley-diet-scheme-scientology-front

http://www.showbiz411.com/2010/03/16/20100316kirstie-alley-wrong-on-the-today-show-about-scientology-connection

Preston was allowed by “The Doctors’ to promote Organic Liaison without question. She also made wild claims on the show which the so-called “doctors” did not dispute. Among them that her late son Jett’s autism “was going away” when he died. Autism does not “go away.”

For years, Preston and John Travolta insisted that Jett was not autistic. They claimed that Jett had Kawasaki Syndrome, and stuck to it even after Jett died. It was only in the police report from the Bahamas, after Jett died, that Travolta admitted to the authorities that Jett was autistic. Nevertheless, it’s pretty clear Jett was never treated for autism. His “nanny” was a man named Jeff Kathrein, who was not a nurse but a wedding photographer from Tampa. No one has ever adequately explained why Jett was in Kathrein’s care.

Kathrein can be seen in a YouTube video taken in Paris of Travolta, Preston, Jett and daughter Ella Blue. Jett is clearly not “with it” in the video. He is so oblivious to what’s going on around him that he can’t even move over in as SUV to let Travolta sit down. The father has to climb over the son to get in. The look on Travolta’s face says it all. He’s in pain, concerned about his son because he knows he’s vulnerable.  It’s actually kind of heartbreaking.

http://www.youtube.com/watch?feature=player_embedded&v=8Iz7dopJrtE