Thursday, December 18, 2025
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Prayers for Valerie Harper, Emmy winner, Tony Nominee and Great Lady

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It’s like a punch to the gut this morning: People magazine reports that Valerie Harper has terminal brain cancer. The multiple Emmy winner for “Rhoda,” Tony nominee for “Looped,” and great lady and friend to so many, seems too full of life to have it taken away. Still, her attitude in People is bright. Valerie has been a mover and shaker in the Screen Actors Guild, a tireless advocate for causes she believes in, and an all around champion. When she was fired from her own TV show, “Valerie,” by crazy producers, she fought back, sued them, and won. A versatile stage actress from Paul Sills’ “StoryTheater” in the late 60s, Valerie made the one of the most indelible impressions in cultural history as Rhoda Morgenstern. It’s a role she can’t shake, but who would want to? Rhoda was an iconic character that still–watch her now on DVD– steals the show. She tells like it is, just like Valerie. I know everyone will send prayers to Valerie, Tony, and their daughter Christina.

Regis Is Back! Daily Half Hour Show Starts August 19th on New Sports Network

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When Fox Sports 1 starts broadcasting on August 19th, Regis Philbin will have his own daily half hour show at 5pm. This is the best news ever. Regis, an avowed football fan, will be going nuts from Day 1. Plus, he told me tonight at the sensational Cafe Carlyle opening for Herb Alpert and Lani Hall, there will be celebrities.

“If Clooney’s on, we’ll talk about his favorite team. Then we’ll talk about his new projects.” So it’s be going to sports mixed with mainstream celebrity, Regis style, I asked? “That’s it!” Reege declared. “You’ve got it!”

I wish it were starting now. But Regis feels the sports season runs through the World Series up til the Super Bowl. So he’s just signed on for five months. And then? “We’ll see,” he said, although I think Joy–who looked beautiful as usual– will not let him work full time again.

Meantime, you must go see Herb Alpert and Lani Hall at the Carlyle. One of their guests tonight was famed jazz and pop producer, Tommy LiPuma. It was also press night, which meant the staff looked sort of horrified at what the cat dragged in. I felt like I was in “Downton Abbey.” But you know, Lani Hall’s voice is like butter even after all these years. (She’s only in her late 60s.) And Herb Alpert’s trumpet is worth the price of admission alone.

They’ve been married 39 years and tour all the time. They tell stories, and Herb plays his hits from “Rise” to “This Guy’s In Love with You” to “Spanish Flea.”  They play from a new album, too, including a dark and cool arrangement of one my all time favorite songs, “It’s All in the Game.”

You know that Herb Alpert was the A in A&M Records with Jerry Moss, too. He signed the Carpenters, Peter Frampton, The Police, Sting, Cat Stevens, made the deal with Lou Adler for Carole King from “Tapestry” on, and so on. He’s a living legend. Lani is sensational. Regis and Joy can’t be there every night, but there are always stars in the audience at Cafe Carlyle. A great night.

Exclusive: Family of Springsteen Band’s Clarence Clemons Pursuing Malpractice Claim Against Doctors

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EXCLUSIVE: When Clarence Clemons, the Big Man of Bruce Springsteen‘s E Street Band, died in June 2011, the word was it from complications from a stroke. But now I’ve learned that the situation may not be so cut and dried. Clemons’s family quietly filed a malpractice suit against Clarence’s doctors in 2012. Last month the case was approved to go ahead to a jury trial.

William Clemons–  Clarence’s brother and father of Jake Clemons, who now plays with the E Street Band– filed his case against the Palm Beach Cancer Center and three physicians. The allegation is that the medical team involved may have made a mistake by advising that Clarence off of blood thinners when he had surgery for carpal tunnel syndrome. By doing so, and not giving him intermediary blood thinners, they could have caused his stroke.

Victoria Clemons, Clarence’s widow, told Rolling Stone a month after her husband’s death: “Shortly before the stroke, Clarence lost sensation in his index finger and his thumb. He had carpal tunnel surgery performed. He was seriously concerned about the ability to play sax again.”

Over the years, Clarence, who was 71, suffered through a minor heart attack, spinal fusion surgery, retinal detachment and several joint replacements.

Even though the Clemons family wants a jury trial, which will be public, the case was sealed by a judge on May 25, 2012 in a Palm Beach court. Neither of the lawyers in the case has responded for comment. And the case has been so low key that even musicians Clarence played with didn’t know it had been filed.

But I’ve obtained the complaint which accuses Drs. Robert J. Jacobson, David W. Dodson and Keith Meyer– three specialists connected to the Palm Beach Cancer Center– of not administering Lovenox, a short term blood thinner, before or after the hand surgery. The hand surgeon is not a defendant– that surgery went fine. Clemons also did not have cancer in case you were wondering. But Victoria Clemons says that the day after the surgery she found Clarence “on the floor, beside the bed, confused and dysarthric [unable to speak properly].”

The allegations may explain at least in part what happened to the world renown sax player who was beloved by everyone. His death rocked the rock world and Bruce Springsteen’s E Street Band when it happened.  William Clemons, according to sources, has not yet accepted his brother’s death. “They were best friends,” says a source.

Taylor Swift and The Kennedy Compound House: The Whole Original Story

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Remember last summer when everyone was obsessed with Taylor Swift and the Kennedy compound house in Hyannisport? Taylor was dating five years younger Conor Kennedy and hanging out with grandma Ethel. Then the word went out that Taylor had bought–for a song– the only non Kennedy house in the famous Hyannisport neighborhood.

Now Nancy Jo Sales writes in Vanity Fair (www.vanityfair.com) that Swift did buy the house after all. Well, we know she did because it was reported in the Cape Cod Times back in November by Robert Gold. Gold uncovered the Ocean Drive LLC  that Sales mentions in her piece. So she did buy the place. http://www.capecodonline.com/apps/pbcs.dll/article?AID=/20121107/NEWS/211070350

Sales suggests that the house was flipped right after that. Swift didn’t keep it. But read my explanation from last summer of what may have happened.

http://www.showbiz411.com/2012/08/15/taylor-swift-and-the-kennedys-a-weird-yet-plausible-explanation

Exclusive: Sarah Jessica Parker Looking at Off Broadway Return This Fall

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EXCLUSIVE It’s been a long time since Sarah Jessica Parker has been on stage. But the “Sex and the City” star is getting ready to shed Carrie Bradshaw, from what I hear, and join hubby Matthew Broderick treading the boards. Right now Broderick is on Broadway in “Nice Work if You Can Get It” with Blythe Danner in a featured role.

But come the fall, Danner is said to be switching allegiances and joining Parker off Broadway. The play in question is said to be written by actress Amanda Peet. Parker and Danner told our REGINA WEINREICH last night at the East Hampton Guild Hall awards that the deal isn’t completely done, but it looks good. Parker’s last appearance off Broadway was in A. R. Gurney’s “Sylvia.”

EXCLUSIVE UPDATE: Yes, this play–called The Commons of Pensacola– will be at Lynne Meadow’s Manhattan Theater Club. I always enjoy MTC opening nights because Lynne has a town hall chat welcoming the audience.

Broderick and Parker were there to cheer on pal Nathan Lane, who won an award for performing arts. Walter Isaacson got the literary award for his Steve Jobs book. Dan Aykroyd and Lorne Michaels were among the presenters. Guild Hall is the cultural center of the Hamptons, maintained beautifully partially because of the money raised at this annual event.

Broderick, meanwhile, has my everlasting support after speaking out so vehemently against New York University’s continuing plans to destroy Greenwich Village.  Every effort must be made to thwart NYU in its efforts to devour one of New York’s most important historic neighborhoods. Kudos to Broderick for using his name to help stop them.

Rob Reiner Will Reunite with “American President” Star Michael Douglas in Close-to-Real-Life Comedy

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Exclusive: PJ Hogan is out, and Rob Reiner is in. Reiner is now the director of “And So It Goes,” starring Michael Douglas and Diane Keaton. For Douglas, the story is a little true-to-life: the character’s son goes to jail. The twist is that he leaves Michael and Diane with a black granddaughter they didn’t know about. Reiner’s Castle Rock was always the producer, but Hogan was long attached to direct the comedy.

It’s a toss up to say which of them, Reiner or Hogan, has had a recent hit. Each of them has been stale for some time. Hogan’s hits were in the 90s–“My Best Friend’s Wedding” and “Muriel’s Weddding.” Reiner sued to be Mr. Smart and Funny. Think of “Spinal Tap,” “Stand by Me,” etc. Somewhere in the late 90s he lost it completely. He’s produced a string of awful films starting with “The Ghosts of Mississippi” and “The Story of Us.” His last two films, “Magic of Belle Isle”and “Flipped” were barely released and made no money at all– $102,000 and $1.7 million respectively. And the first one starred Morgan Freeman.

“And So it Goes” reunites Reiner with Douglas. They made a great movie together with “The American President” twenty years ago. Here’s hoping lightning strikes twice.

Only in NY: Professional Party Crasher Expresses Outrage Over Being Pointed Out–In Front of Police Commish

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You know, New Yorkers have the most chutzpah of anyone in the world. And so it is that at all Broadway openings and many movie premieres, there are professional crashers. They are not invited to the event, know no one, are not press, media, guests, relatives of guests, or have any association with anyone on the premises.

There is a group, and they are known, although not by name except for a couple–Shaggy, a like able guy who looks like Big Bird and manages to get into places. And Doreen, an elderly lady, well dressed, with short gray hair. She carries a cane. The others include a tall, older, scary looking dude with a rock star gray shag hair cut, lanky– I call him Lurch. He wears mostly black clothes and runs like a panther on the African plain if anyone tries to photograph him.

There’s a cherubic lady, also with a cane, and blonde hair, heavy set. There’s a light skinned black man who looks like he’s trying out to the be the older version of the Will Smith character in “Six Degrees of Separation.” He wears a suit and usually has some kind of scarf tied around his neck. There’s another guy, white, who also wears a suit, and a hat or bandana, and sneakers. There’s a younger guy who looks like the son of Professor Irwin Corey. He has a bony head and wild flying, stringy hair. And oh yes–two guys who travel together. One looks like a walrus, heavy set. The other reminds me of a character actor or cartoon character from TV– sort of a comic face.

And so our story from Sunday night’s premiere of “Cinderella” concerns Doreen, who made it into the show and then into the party at Gotham Hall. How does she do it? How do they do all do it? They stand outside and ask everyone who comes by if they have an extra ticket. It’s like a game. Someone always takes pity on them. There’s always one in a hundred whose friend got sick, couldn’t make it, missed a train, something. The comic faced guy also got into “Cinderella” and held up his ticket. It’s a game show called “Survivor: Crashing NYC.”

I spotted Doreen in the Gotham and pointed her out to a major Broadway producer. We were admiring her tenacity. Seated at table by us, mind you, was Polie Commissioner Ray Kelly and his wife. This didn’t stop Doreen. Seeing that we were talking about her, she was not ashamed or embarrassed. Or feeling guilty. Quite the contrary. Doreen came right up to us. “How dare you single me out,” she said loudly.

My producer friend, whose parents were landlords to thousands of nutty New Yorkers over the years, was bemused. “We were complimenting you,” she said to Doreen. The old lady wouldn’t have it. “I have every right to be here!” she said. “What’s it to you?”

I said, “This is something. You’re doing this in front of the police commissioner.”

She tilted her head and looked over. She didn’t care. So we are not at the point that the crashers are indignant about being pointed out.

Hey: it’s a career.

Disney’s $300 Million Gamble on “Oz” Will Pay Off–Whew!

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The folks at Disney are sleeping soundly I think. “Oz: the Great and Powerful” lives up to its $300 million price tag. There will be no repeat of past hellacious failures like “John Carter” or Warner’s current “Jack the Giant Slayer.” Everyone who kept calling me up saying “James Franco is miscast” or “It’s terrible” will be eating their words on Saturday morning when the first box office returns come in. Snarky buzz is not going to carry the day. Sam Raimi’s made a hugely entertaining, very involving tribute to “The Wizard of Oz.” Especially effective, besides the actors, is the knockout 3D and gorgeous set design.

So Franco plays Oz, the would be Wizard, who comes in a hot air balloon from Kansas carried by a tornado. And there is the first grand touch: the Kansas scenes are in black and white. It’s not until Oz (that’s his name) lands in this fairy tale land, that the movie bursts into palettes of color. Nice. And of course, many of the people he meets in Oz are played by actors who also appeared in the Kansas scenes–it’s very much a parallel to the original film. One neat plot point is that Oz the magician has had some kind of fleeting romance with the woman who will be — in years to come–Dorothy Gale’s mother. Again, nice.

Raimi brings us a lot of familiar touch points– flying monkeys, the Yellow Brick Road, wicked witches, a nod to lions and scarecrows, the poppy field, and the munchkins. Audiences will feel very much at home as the story of how the Wicked Witches of East and West grew to hate Glinda the Good Witch and the Wizard. Oz is a frisky fellow, so we can just about attribute the inception of the Wicked Witch of the West to her being a scorned ex- of the Wiz. Think about that.

Franco heads a very attractive and highly capable cast, starting with Michelle Williams as Glinda, Rachel Weisz as the Witch of the East, and Mila Kunis as the Witch of the West. The women are shot beautifully and well drawn by David Lindsay-Abaire and Mitchell Kapner. Oz certainly has his hands full with all of them. Williams stunningly recalls the original Glinda, Billie Burke. There’s also some nice work by Zach Braff as Oz the magician’s right hand man in Kansas and the voice of Oz’s charming monkey assistant. Bill Cobbs and Tony Cox are the most notable of the character types, although everyone is well cast.

The one character I didn’t quite get is a miniature animated China doll–I guess she’s Disney’s marketing tool. We’ll look for her on store shelves soon. Remember– this is a Disney movie. We are not in Kansas anymore.

So what about James Franco? Oz is a carnival magician and con man, as he readily admits to Glinda. Before he comes to the Land of Oz, he’s always just getting away with something. As we know from Dorothy’s later story, he doesn’t change that much. Franco really grasps Oz’s charms–he’s got a twinkle in his eye as he pulls his little tricks. He’s got the character down, and I expect he will lead this whole group to one or two sequels. I had my doubts, but “Oz” is a winner.

FBI Releases Whitney Houston Files– Including Stalker and Possible Extortion by Ex Employees

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Before anyone gets too excited: the FBI released files they had on Whitney Houston today. The biggest news is that she had a stalker or crazed fan in 1988. And then in 1992, there was some attempt to extort money from her by former employees. It’s not clear whether they were the same people who Houston was sued for discrimination by 12 years later in 2004. Silvia Bejar and Rose Hunt threatened to go public with private information about Houston. Her lawyers sued them in advance. http://vault.fbi.gov/whitney-houston/whitney-houston-part-01-of-01/view

Here’s that story the Daily Record in Bergen county by Peggy Wright:

Ex-employees sue Houston, Brown for discrimination

Date: February 7, 2004

Two women who worked for Mendham Township superstar Whitney Houston have filed discrimination lawsuits against the pop diva and her husband, former pop star Bobby Brown, with one of the ex-employees alleging that Brown made unwelcome sexual advances.

Silvia Vejar of Fort Lee, a former personal assistant to Houston, and Rose Hunt of East Orange, an assistant and dressmaker for Houston, filed suit on Friday in Superior Court, Morristown. The complaints, filed by Morristown attorney William Koy, demand compensatory and punitive damages from Houston, Brown and Houston’s corporation, Nippy Inc., based in Newark.

Aware that the lawsuits were imminent, Houston’s attorneys, Jed Marcus and Ivan Novich, two weeks ago attempted to launch a pre-emptive strike designed to stop the ex-employees from publicly airing their grievances against the celebrity couple.

They sued Vejar and Hunt to block them from disclosing information about Houston and Brown, saying that the women, both fired in the spring, violated employment confidentiality agreements.

But Houston’s suit was filed using fictitious, generic names and initials. Superior Court Judge Kenneth MacKenzie, sitting in Morristown, refused to seal the singer’s request for an injunction against her two former employees and ordered that the document be filed with true identities disclosed. Marcus and Novich said they would appeal, but some of the information that Houston apparently sought to keep confidential now has been made public in the lawsuits filed by Vejar and Hunt.

Neither Marcus nor Novich could be reached for comment on Friday. Koy also said he had no further comment.

In her lawsuit, Vejar said she worked for Nippy Inc. for 17 years, most recently as a personal assistant to Houston at the singer’s home in Mendham Township. Vejar alleged that, beginning in 1997 and ending with her termination in May 2003, Brown engaged in a pattern of conduct that “included unwelcome sexual advances and verbal and physical conduct of an offensive nature.”

Brown’s conduct created a hostile working environment that interfered with Vejar’s job performance, the lawsuit said.

Vejar reported Brown’s conduct to Houston and unidentified others, but his alleged harassment did not end, the lawsuit said, adding that Vejar believes her firing was a direct result of rejecting Brown’s advances and reporting them to Houston.

Hunt, a 14-year employee who most recently worked as an assistant and dressmaker to Houston until she was fired in March, corroborated Vejar’s claims in her own lawsuit.

Hunt’s complaint also cites the New Jersey Law Against Discrimination — which protects employees against sexual harassment, discrimination and retaliation — and said she believes that her dismissal was a consequence of reporting Brown’s harassment of her co-worker.

Both women allege that they were punished for speaking out about Brown’s behavior, and that they have suffered emotional and psychological distress, anguish and anxiety, and damage to their reputations and careers.

Lawyers for Houston have been in Superior Court, Morristown, numerous times over the last decade, usually seeking restraining orders against alleged stalkers or people falsely representing themselves as related to or connected to Houston.

Brown, who also has had numerous run-ins with the law.

Watch 20 Minutes of Deleted Material from “The Master”: They May Explain the Movie

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Here are twenty minutes of deleted scenes from Paul Thomas Anderson’s “The Master.” Some of it explains more about the characters. We even get to see a little more of Laura Dern. When you’re editing a film you never know if you’ve cut something important. But there will be a big argument that some of this would have helped explain this enigmatic, brilliant film. The last couple of minutes is an actual outtake, and very funny. But I should make it clear that this movie was under PTA’s control. He showed it to Scientology advocate Tom Cruise early on. Was this material that Cruise was uncomfortable with? Maybe.