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Box Office: Big Budget Google Movie “The Internship” Trounced by Low Budget $3Mil Horror Thriller

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The movie going audience didn’t want to see “Wedding Crashers II” set on the Google campus. Last night’s box office shows that “The Internship” with Vince Vaughn and Owen Wilson is a huge misfire. The poorly reviewed comedy finished second, taking in $6.5 million. The two big stars weren’t a draw. Neither was the premise of two older guys working at Google.

Even though the movie was shot on the Google campus, people weren’t as interested as you might have thought. And there was the topical news hook of government internet spying this week. Still, it didn’t work. Maybe they shouldn’t have cut Eric Schmidt’s cameo.

The big news is that the #1 movie last night was a horror thriller from Universal called “The Purge.” It is not about vomiting or extreme dieting.

The director, James DeMonaco, has only one other movie credit and some TV credits. Ethan Hawke and Lena Heady star. “The Purge” caused an urge and took in over $16.7 million last night. And get this: it only cost between $3 and $5 million to make! Among the producers is our old pal Jason Blum, who also makes the “Paranormal Activity” films. He knows how to make these very low budget, high grossing phenoms. “The Purge” has also made well over $2 million in the United Kingdom.

Falling to sixth place last night was “After Earth.” But heading toward the $200 mil mark domestically is the fun and well made “Star Trek: Into Darkness.”

May Finally Ends: Coming Back After Cannes, World War Z, Mel Brooks and More

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I am finally back in New York, and home. May was a long, long month that began on the 10th, when I left for Cannes. Since then I’ve been in Paris, London, and Los Angeles. I went to the “World War Z” premiere in London and then to Hollywood for the AFI tribute to Mel Brooks. Tonight, with Cindy Crawford sitting in first class, my American Airlines flight had to circle JFK for an hour in driving rain and couldn’t land on the first try. We had to shut off all the iPads and “other electronic devices.” I watched, without audio, an idiotic TV show in which some man from Los Angeles wanted to pay his plastic surgeon with Lichtenstein print. That’s L.A. I am so glad to be home.

What went on in May? It was like a blur. I am still thinking about the finale of “The Office,” which so well written and produced that it should be in the TV Hall of Fame. It was everything most series finales are not. “The Office” was often underrated. But it really was a sly gift.

My favorite movie of the month was Noah Baumbach’s “Frances Ha.” Greta Gerwig is so effortlessly charming in it. And Mickey Sumner makes an important debut as her best friend. This is Baumbach’s “Annie Hall,” a real treat, and not to be missed.

Mickey’s dad, Sting, put on a workshop performance of his soon to be musical “The Last Ship.” I was asked not to write about it. Then Michael Riedel bared his fangs and got it all wrong. The music was breathtaking. The book is still being tweaked. A year from now, “The Last Ship” will be in the Tony mix. In September Sting will release an album with some of the songs. I’ve heard he’s also performing them at the Public Theater, but it’s confirmed.

I was surprised “The Sapphires” just sort of died on the vine. What a wonderful film. It’s made a little over $2 million just on word of mouth. But it could have done so much more. I hope people will see it on DVD.

What’s happened to Paris Jackson is the worst thing of all. I’m sure she will be all right. But this smart, savvy, verbal teenager — who only a year ago saved her grandmother by being a courageous communicator– proved to be human. I hesitate to report on her because she’s still a kid. But she’s on the right path now.

We brace ourselves for Sunday’s Tony Awards. I’d love to see these winners: Tom Hanks, Kristine Nielsen, Keala Settle, Billy Porter, and “Kinky Boots.” Cyndi Lauper must win Best Original Score. But who knows? All we know is it will be a terrific show, and back at Radio City Music Hall!

Some more notes later…and oh yes, Mel Brooks and Carl Reiner– you must watch the AFI show on June 15th on TNT. A great night.

 

Will Smith: “After Earth” Bad News Keeps Getting Worse

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“After Earth” is quickly losing its orbit. The Will Smith movie, directed by M. Night Shyamalan, was a dud upon release last Friday. But yesterday– Thursday– the box office bottom dropped out. “After Earth” took a sudden dip to fifth place, rapidly losing steam on “date night” as movie goers finally rejected it completely. “After Earth” actually lost ground to Fox’s animated “Epic,” which picked up 25% more ticket goers from Wednesday and jumped into third place. “After Earth” is likely to drop substantially tonight, with figures this weekend that should just about kill it domestically. So far “After Earth”– which carries a price tag of $150 million approximately– has $36 million in the till. Its only foreign release so far is South Korea. Stay tuned for the final numbers on Sunday and what they mean…

Mel Brooks: Working on “Blazing Saddles” Musical for Broadway, and “Young Frankenstein” to London

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The great Mel Brooks told me last night at his AFI tribute that he still has lots of plans for stage shows. Brooks said first of all that “Blazing Saddles” may yet make it to Broadway.

It’s not quite a linear movie like “The Producers” or “Young Frankenstein,” so it’s taking a bit longer to figure out. But my guess is we’ll see “Blazing Saddles” by 2015 at the latest, and probably earlier.

And Mel is hoping to bring “Young Frankenstein” to the West End in London. He’s in talks now. I loved “Young Frankenstein” as a musical. It got mixed reviews in New York — mostly because everyone wanted “The Producers” part two.

Brooks is very busy, very funny and still on top of his game. Also, his son Max wrote the book upon which “World War Z” is based. Really, Mel should be making a parody of “‘WWZ” after the blockbuster runs its course this summer. Cloris Leachman as a zombie leader? Absolutely!

Paris Jackson May Stay in Hospital “A Couple of Weeks”

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Sources tell me that Paris Jackson may stay in the hospital a bit longer than the required 72 hours. It sounds now like she will be there for at least a couple of weeks, I am told, maybe longer. She’s not crazy and she’s not suicidal. But she does need help and therapy and a plan for moving forward.

There are a lot of crazy things being written right now about Paris. Don’t believe most of it. For one thing, Debbie Rowe and Katherine Jackson are on the same page when it comes to the kids. I’ve heard this consistently from everyone. Katherine had already agreed to let Paris stay with Debbie this summer. Debbie, sources say, has been trying to work on Paris’s various issues.

It is true that TJ Jackson, the kids’ co-guardian, no  longer lives near the Calabasas house. He is about 80 miles away and is not seen at the house on a regular basis. That doesn’t mean there will be a change in guardianship of Prince, Paris and  Blanket. He is still very much on top of things.

Next Sunday, June 15th, there will be a Jackson family wedding at the Havenhurst house in Encino. TJ’s brother, Taj, son of Tito, will get married. Everyone in the family is invited. Who will show up? We’ll have to read X17online, where Randy Jackson has some kind of deal for photos. It’s unlikely Paris will be there, but who knows> A week is a long time. And Tito’s kids have been very close to Paris and Prince.

Meantime, there is talk that Paris was going to change schools at the end of this term anyway. I will let you know more about this soon.

 

 

Academy Insider: “NO” to Jimmy Kimmel as Oscar Host

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Jimmy Kimmel as Oscar host? An emphatic “no” has come from a top Academy insider who really looked horrified when I mentioned the name recently. There was a strong case being made for Kimmel based on a lot of things– his show on ABC by March 2nd, 2014 will be under siege from Jimmy Fallon’s move to the Tonight show at 11:35pm.

ABC really wants Kimmel for the Oscars, I am told. And he’s turned into a friend of many younger Hollywood types. If Kimmel were to host the show, he could just go across the street and do his own show, live, extending Oscar night. It does make sense. But unless something really changes, the chances of Kimmel hosting the next Academy Awards is nil.

Of course, you never know. The Academy gets a new president this summer when Hawk Koch’s term is up. The new guy or gal will have ideas of their own. And then returning show producers Neil Meron and Craig Zadan will have input. But Seth MacFarlane has already said no to a return. Billy Crystal is done. Neil Patrick Harris could score a hat trick by hosting the Tonys, Emmys and Oscars, but I doubt it. Hugh Jackman is always a possibility.

And you know: whoever does it will be panned the next day for minute reasons. No one leaves the Oscar host job unscathed.

Hurwitz, Sarandos: “Arrested Development” Will Be Back

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CLICK ON TODAY’S HEADLINES JUST OVER HERE– AT RIGHT–

One of the many pleasures of last night’s Mel Brooks AFI tribute was meeting “Arrested Development” creator Mitch Hurwitz. He was sitting at the same table as Netflix chief Ted Sarandos. And the two very creative guys told me that, if they can pull everyone together again, “Arrested Development” will be back on Netflix with  more episodes.

Their recent launch of 15 new episodes is a big hit, Sarandos says. Netflix doesn’t release figures or ratings, but suffice to say that the two guys are very very happy with the experiment that brought the cult series back.

“And to think the ratings that cancelled it were like 7 million,” Hurwitz said of Fox’s cancellation of the show a couple of years ago. “Now everyone would kill for that number.”

Take the “Arrested Development” poll on the home page.

Hurwitz told me that making the new series was a total pleasure. “Jason Bateman only had three weeks for us. He filmed all his scenes at once. And he was great. Michael Cera is a star. Jessica Walter– how funny is she? That she would do the things we ask her–” Hurwitz had praise for the whole cast, believe me.

We talked about binge viewing. Initially fans were skeptical of the first few new episodes. But then watching the whole season to the end was very satisfying. “You saw how the last episodes answered the first ones,” Hurwitz said. “We never tried anything like that before. But it worked.”

Sarandos is very stoked about “AD,” “House of Cards,” and the new Netflix series coming imminently– “Orange is the New Black” from “Weeds” creator Jenji Kohan. I am too. I have my Roku box all set and ready to go! Nice guys by the way.

Want more “Arrested Development” news? Sign up for the daily Showbiz411 at the bottom of this page or on the home page.

Exclusive: Dustin Hoffman, Judi Dench to Make Roald Dahl Romance

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UPDATE TUES SEPT 2 2014: The Weinstein Company has picked up this project worldwide. I broke the news of this film back in July 2013.

Here’s the original story:

Exclusive: “Esiotrot” is tortoise spelled backwards. It’s also the title of a very popular 1990 Roald Dahl illustrated children’s story that involves a love story between two mature adults. And I can tell you that Dustin Hoffman and Dame Judi Dench are going to play the main characters. “Esiotrot” will film next month in England. Hoffman told me he’s a little nervous. “She’s Judi Dench!” But something tells me these two will hit it off famously. Dearbhla Walsh, who won the 2010 Emmy Award for Best Mini Series, “Little Dorrit,” will direct…This should be interesting since the book’s description makes it sound like a tough translation to film…Dench, by the way, may be on her way to a second Oscar next March 2014…She’s the star of Stephen Frears’ “Philomena” and will be very much in the Oscar race this winter thanks to a big push by Harvey Weinstein…

Exclusive: Mel Gibson Said to Be Joining “Expendables 3”

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Mel Gibson came under some fire last night at the Mel Brooks tribute, still the butt of jokes after his career ending moves with the police, anti-Semitism, racism, drinking, philandering, accusations of violence against his baby mama, and so on. And of course “The Beaver.”

But now I’m told that Gibson will appear in “The Expendables 3,” the third installment of Sylvester Stallone’s shoot em up series that also features his former Planet Hollywood buddies and partners Bruce Willis and Arnold Schwarzenegger. There’s no confirmation, but the source seemed serious.

Also featured in “E3” are Jackie Chan and Milla Jovovich.

Gibson, sources say, will play “the villain” in the new movie. He’s lucky to be included in a film with other stars at this point. After all his scandals and “The Beaver” he can’t open a film. He made a movie two years ago that was released to video on demand. Basically, there’s very little demand to pay for  Mel Gibson in a movie theater.

Stallone had Tweeted back on April 13th that Gibson was not interested in directing “Ex 3.” But I guess he changed his mind about appearing in the film which also features Nicolas Cage.

Mel Brooks Roast: “He Never Let His Love of Scientology Affect His Work”

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The American Film Institute was supposed to honor Mel Brooks last night in Hollywood. Well, they did, with a star studded audience and players on stage at the Dolby Theatre. But then Mel, who’s 86 and hasn’t lost a step, roasted them right back. It was sheer genius. About three hours of toasts, roasts, clips and tributes went by, all with Brooks quietly watching.

The live presenters ranged from his oldest and best friend Carl Reiner to Martin Short (in a hilarious musical number), Billy Crystal, Robert DeNiro, Amy Poehler, Cloris Leachman, Conan O’Brien, Jimmy Kimmel, David Lynch, Morgan Freeman, Larry David, Cary Elwes, Sarah Silverman and finally Martin Scorsese, who presented him with the AFI Lifetime Achievement Award.

Some of it will make it to TV, some will not. Skillful editing will be applied to this very funny night of inside jokes that showed Brooks’s career chronologically. The only piece missing was any reference to “Get Smart,” as Buck Henry was unable to attend.

But the Dolby, turned into a dinner theater, was packed with celebs who didn’t speak including Brooks’s beloved former ingenue Teri Garr, as well as Dustin Hoffman, Lesley Ann Warren, directors Alexander Payne and Jay Roach, Richard Benjamin and Paula Prentiss, Richard and Lauren Shuler Donner, Paul Mazursky, Hawk Koch, Jon Avnet, Sacha Baron Cohen and Isla Fisher, “Mad Men” creator Matt Weiner, Richard Lewis, Steven Weber, Mike Medavoy, Disney chief Alan Horn, “Arrested Development” creator Mitch Hurwitz, and Netflix’s Ted Sarandos.

Outgoing Sony chief Sir Howard Stringer introduced the evening with his usual panache.

On tape, the AFI rounded up Gene Wilder, Matthew Broderick, Nathan Lane, Woody Allen, Steven Spielberg, George Lucas, Whoopi Goldberg, Jerry Seinfeld, and Clint Eastwood to explain how Brooks had perverted and parodied various genres to make his classic films.

Short cracked wise about Brooks in his opening number: “He never let his love of Scientology affect his work.” Yes, it brought the house down.

Kimmel pretended he was eulogizing, not celebrating, Brooks. The “Blazing Saddles” director quipped later: “Just for that, I’m going on Conan. I’m not dead or dying!”

And it was Brooks who got everyone back, deftly turned the night on its head and made sure this wasn’t the usual fawning Hollywood love in. Finishing the night, he he read from cards he’d written delivering his mock thank you’s to the AFI and to his friends.

He then announced he had no interest in returning next year to present the award to the 2014 winner, so he simply read a prepared statement congratulating that person–“he or she”– in advance with facetious sincerity– essentially lampooning the entire proceeding we’d just witnessed with Brooksian precision.

The AFI will have to sell the unedited show online so people can see the whole thing. It was one of those great nights in  Hollywood where everyone’s relaxed, and the show just rolls. All the interviews with Brooks plus all the clips added up to a memorable event.