Thursday, December 18, 2025
Home Blog Page 1854

Exclusive: Lenny Kravitz Writes Gladys Knight an Oscar-Buzzed Song for “The Butler”

2

So: when I saw Lee Daniels’ “The Butler” at an early screening, there was a little section in the mid 1970s that featured Gladys Knight and the Pips singing “Midnight Train to Georgia.” But last night, in the same spot, there was another Gladys Knight song, and this one was all new and original. It’s called “You and I Ain’t Nothin’ No More.”

It turns out that just three weeks ago, Lenny Kravitz– who’s in the movie– was asked to write a new song to give “The Butler” an entry for that Oscar category. A few singers were considered including Diana Ross. But sources tell me that everyone involved just wanted Gladys. The song as it is now in the movie is an acoustic version. I’m told that a fuller version, with a symphony orchestra, will make it into the final print.

Kravitz told me last night at the premiere of “The Butler”: “Gladys is one of the most underrated singers of all time. I mean, overshadowed. She’s phenomenal. And her voice remains amazing.” I agree. Gladys is undoubtedly the best female vocalist ever to come from Motown. Hands down. And now she’s on her way to an Oscar nomination. I am sure we’ll see her on the stage of the Dolby Theater next March 2nd.

Exclusive: Ben Affleck Visited Lindsay Lohan In Rehab to Talk About Movie Role

0

Exclusive: I told you last week that Lindsay Lohan was “circling” a role in Ben Affleck’s next directing project, called “Live By Night.” Affleck’s publicist emailed me to say that I was lying and everything I wrote was untrue.

Now I can tell you that Affleck actually visited Lindsay in rehab on one of her Sunday visiting days. They did talk about “Live by Night” and the part of Emma. This is from a different source than the first one, and it was just a coincidence that they each spoke to me. Affleck’s publicist now adds: “It’s still not true. She hasn’t been considered for any role and won’t be in the movie.”

Oh well. I disagree. I don’t know why there’s such reluctance to confirm this. Ben put Blake Lively on the map with “The Town.” Offbeat casting often works out. And no one says Lindsay Lohan can’t act. If she’s clean and sober, she’ll be great. And Affleck, who’s one of the nice guys, knows that rehab can work. He did it in 2001 for alcohol and came out a winner.

Exclusive: Paul Bettany Directing Jennifer Connelly, Anthony Mackie in “Shelter”

0

Exclusive: Paul Bettany and Jennifer Connelly are part of the Brooklyn acting elite (at least I think they, as well as Emily Mortimer and Alessandro Nivola, are still in that popular borough). Now Bettany– best known for playing Russell Crowe’s imaginary friend in “A Beautiful Mind”– is making his directorial debut. He’s getting ready to film Connelly–who got an Oscar for the same film–and the great Anthony Mackie in “Shelter.” It’s a love story about two homeless people, written by Bettany. Stephen Graham (Boardwalk Empire, Parade’s End) is also cast, and the production has just sent out a notice for a variety of other players. Bettany will be filming all over the city during September, when everything looks terrific. Yes, it’s low budget. But it does sound like something we’ll see at next spring’s Tribeca Film Festival.

CBS vs. Time Warner Cable: Les Moonves Rejects A la Carte Proposal as “Well Wrought Distraction”

0

CBS’s Les Moonves has responded to Time Warner Cable’s ridiculous suggestion that the TV network split up its deal and take an ‘a la carte’ offer. CBS, Showtime and all the Viacom networks are still off the “air” thanks to Time Warner Cable’s greediness. Am I biased? Oh yes. TWC is not the company it was when it was actually owned by Time Warner. Monnves calls CEO Glenn Britt’s offer “a well wrought distraction” and “grandstanding.” I agree. TWC had better get CBS et al back on its cable systems tout suite. They don’t realize there are other places viewers can go for the shows they’re missing.

Here’s Les Moonves’s letter to Britt this morning:

August 6, 2013
Glenn Britt
Chairman and Chief Executive Officer
Time Warner Cable
60 Columbus Circle, 17th Floor
New York, NY 10023
Dear Glenn:
I was surprised to get your letter yesterday, particularly since I hadn’t spoken to you in more than a week. Come to think of it, you haven‟t reached out to me personally, as I have to you on more than one occasion, even once during this entire matter, so your communication was both unexpected and welcome. The fact that you released it simultaneously to the media, however, dampened my enthusiasm somewhat. It made me suspect that the document was not, as I hoped, a sincere offer but rather a public relations gesture of some kind. Sadly, my suspicions were more than justified. I was also surprised and disappointed when your incoming CEO, when asked by CNBC whether we had responded to your lengthy letter, said, “I am not aware of CBS having made a counterproposal or responded to our proposal in any way.” I found this rather dishonest. After all, we had received your communication along with the press not five minutes before airtime, as he surely must have known.
Nevertheless, I welcome this opportunity to respond to your “offer,” and to run down some other specious arguments you have made that require clarification and correction.
First, after reviewing your letter, we have concluded that there is not a sincere or helpful proposal in it. It is, rather, a well-wrought distraction. Let me remind you, Glenn, that you have in your possession more than 100 pages of our actual proposal, with economics, terms and rights agreements contained for CBS, Showtime and all the content vehicles under discussion. You had them well before you dropped our programming from your service. We have never received a mark-up or reply to anything contained in them. Last Friday, in spite of the fact that we had offered a one-week extension to remain on the air while we continued our discussions, you chose to take us off the air. Why? Because, as your new CEO stated, Time Warner Cable would “have more leverage” with CBS off the air and
our viewers deprived of our programming. Since that night, Friday at 5:00 PM, we have not heard from anybody at Time Warner Cable to discuss anything at all, in spite of your public statements to the contrary. Until, of course, your public letter masquerading as a private one.
That‟s not negotiating. That‟s grandstanding.
As to your groundbreaking “offer” to go a la carte: Anyone familiar with the entertainment business knows that this is an empty gesture. The economics and structure of the cable industry have created a certain way that content is distributed and compensated. We both know that a true a la carte universe is not one that Time Warner Cable welcomes.
In fact, if you thought it was a good idea, why aren‟t you offering your new, multi-billion-dollar Lakers and Dodgers channels to your subscribers in Los Angeles on an a la carte basis? Instead, your subscribers in Los Angeles are already being charged in the neighborhood of $4.00 for the Lakers and likely more than that for the Dodgers – both of which you have pulled off broadcast television entirely. These charges are added to the cost of your customers‟ basic monthly bill whether they want them or not. At the same time, you find it impossible to pay far, far less than that for the network that brings your viewers the NFL, the PGA Championship, the Masters, the NCAA Basketball tournament, SEC Football, plus 60 Minutes, NCIS, The Big Bang Theory, Under the Dome, David Letterman, the Grammys, and so much more.
We view your so-called proposal, then, as nothing more than an attempt to muddy the water and confuse the public discussion.
Are you really so reluctant to come to the same kind of agreement that we have struck – without incident – with every other cable operator, telco and satellite provider? You already pay ten networks on your channel lineup more than you compensate CBS, all of which have far fewer viewers. What we are looking for, have always been looking for, is fair compensation for our content. CBS is the most popular programmer in the world. Showtime has content that is the most sought-after in the business. Why can‟t you see your way clear to honestly paying for what your customers value most?
Perhaps the most egregious portion of your letter was at the very top, where you “agree to resume carriage with the „new economics‟” while “employing all the other terms and conditions of our recently expired contracts.” On the surface of it, that looks reasonable. But it‟s not. Clever PR, perhaps, but not genuine negotiation. As I am sure you know, we have no “new economics” that are not intimately tied to new “terms and conditions.” Those terms and conditions, better known as rights, were established in 2008. That was before the introduction of the iPad. Netflix was still doing little but mailing out DVDs. Amazon was known simply for selling books. This doesn‟t even begin to account for the new entrants
now coming up the ramp who are interested in paying a fair price for the most desirable programming. What you are asking for, pure and simple, is either to gain the right to deliver content for free that others are paying for,or to inhibit CBS from licensing content to existing online competitors and new companies that are now emerging. I can understand why you might want to preserve your dominance in that venue, but bullying us into becoming your accomplice in that effort doesn‟t seem fair. Again, what we are seeking with you is nothing more – or less – than a rights and conditions package that every other cable, satellite and telephone company has agreed to.
Rather than engaging in public posturing that achieves nothing but confusion and doesn‟t move us one bit closer to our mutual goal, please return to the negotiating table and talk about the real issues that separate us. We will be there waiting and hopeful.
Sincerely,
Leslie Moonves

Oprah’s BF Stedman Speaks: Sees Her in “Butler” for First Time, Pronounces Her “Amazing”

0

The big Ziegfeld premiere for “Lee Daniels’ The Butler” was as star studded as the film. And the stars stayed later at the Bowery Hotel party for as long an amount of time as they appeared in the film. Mariah Carey is on screen for two short (and dramatic) scenes. She stayed at the party for about twenty minutes. Ditto Oprah Winfrey, although she’s in the movie in two thirds of the scenes. But she, Stedman Graham, and Gayle King made a beeline for a side exit before almost anyone could talk to her.

Oprah’s been getting a lot of praise for her role, especially from me. But I’d seen “The Butler” once before last night. Stedman had not. When the film was over, he — like a lot of us– clamored up the center aisle of the Ziegfeld to try and be near his date. But Oprah was swarmed up by fans and publicists and security guards after the movie got a standing ovation and the cast was introduced.

“Is this the first time you’ve seen it?” I asked Stedman, who is very tall and now is gray. He looks like he should run for the U.S. Senate. “Yes, first time,” he said. And? “She was amazing. She’s had a tough time the last couple of years,” Graham said. I think he meant with the OWN network. “Now things are turning around. I’m not sure she believes it.”

I mentioned the Oscar buzz to Gayle. “You know Oprah,” she said. “She won’t allow us to discuss it.”

At the start of the screening, Harvey Weinstein joked: “Thanks to Warner Bros. for $50 million of free publicity.  We were going to play the 10 minute short film first,” he said, referring to the 1916 film that prevented him from using the title. “But no one could find it.”

In the audience was the cast including Forest Whitaker, David Oyelowo, Lenny Kravitz, Cuba Gooding Jr., Jane Fonda, Liev Schreiber (with wife Naomi Watts), James Marsden, Minka Kelly, YaYa DaCosta, screenwriter Danny Strong and director Lee Daniels. Some non cast members included Marisa Tomei and Debbie Harry.

Also at the premiere: the once and always Major league Baseball home run king Hank Aaron. He sat quietly with his lovely wife, and was not introduced. I was so thrilled to meet him, but I did try and ask about A-Rod and Biogenesis, etc. Mr. Aaron deftly avoided getting into it. Remember, Barry Bonds claims 7 more lifetime home runs, but he was a juicer. .

Prince– Yes, That Prince– Is Playing NY Nightclub City Winery This Month

0

Prince– the artist known as– is coming to NYC in like two weeks. Are you ready? He’s booked six shows at the smallish, very cool City Winery for his NPG horns and artists Shelby J. and Liv Warfield. Who? Right. But you know Prince played City Winery in Chicago last month. This is a coup for Michael Dorf, who’s even staged Prince tribute shows in the past. I’m told His Highness will play at least one show, but my guess is he’ll be at most of them. And you know, from past experience we know that Prince Rogers Nelson likes the post- midnight hours. So those midnight shows from August 20-25th will be in high demand. The summer has just taken a very positive turn! www.citywinery.com

Washington Post Sold to Amazon Founder Jeff Bezos for $250 Mil

0

The new world is here. Amazon founder Jeff Bezos, 49, has bought The Washington Post for $250 million. A man with no background in journalism but who has made a fortune reinventing the world via the internet, now owns one of the three or four most important newspapers in the world. He bought it from the Graham family, ending four decades of a dynasty that culminated in the 1970s with publisher Katherine Graham and the Watergate era. The press release says Bezos bought the paper on his own, that it’s not amazon.com buying it.

Graham’s granddaughter, Katherine Weymouth, will continue as CEO and Publisher. Weymouth is also related to rock royalty: her aunt is Tina Weymouth of the Talking Heads.

There are of course a lot of coincidences here. Newsweek was just sold again, this to the International Business Times, a business website. The Washington Post company owned Newsweek for a long time before it was sold to Sidney Harman and then the Daily Beast. Now there is no print magazine and a shell of a website.

And over the weekend The Boston Globe was sold to the owners of the Boston Red Sox by the New York Times Company after a twenty year partnership.

Print media is just holding on, and the only ones to save it really are web people with money and a fondness for the physical paper. To look at the very thin New York Post and Daily News, it’s surprising they are even still in business. If Bezos can apply his innovative sensibilities to the Post, then the future looks bright.

here’s the full press release:
The Washington Post Company (NYSE: WPO) announced today that it has signed a contract to sell its newspaper publishing businesses, including The Washington Post newspaper, to Jeffrey P. Bezos.

The purchaser is an entity that belongs to Mr. Bezos in his individual capacity and is not Amazon.com, Inc.

“Everyone at the Post Company and everyone in our family has always been proud of The Washington Post — of the newspaper we publish and of the people who write and produce it,” said Donald E. Graham, Chairman and CEO of The Washington Post Company.  “I, along with Katharine Weymouth and our board of directors, decided to sell only after years of familiar newspaper-industry challenges made us wonder if there might be another owner who would be better for the Post (after a transaction that would be in the best interest of our shareholders). Jeff Bezos’ proven technology and business genius, his long-term approach and his personal decency make him a uniquely good new owner for the Post.”

“I understand the critical role the Post plays in Washington, DC and our nation, and the Post’s values will not change,” said Mr. Bezos.  “Our duty to readers will continue to be the heart of the Post, and I am very optimistic about the future.”

Mr. Bezos has asked Katharine Weymouth, CEO and Publisher of The Washington Post; Stephen P. Hills, President and General Manager; Martin Baron, Executive Editor; and Fred Hiatt, Editor of the Editorial Page to continue in those roles.

“With Mr. Bezos as our owner, this is the beginning of an exciting new era,” said Ms. Weymouth.  “I am honored to continue as CEO and Publisher.  I have asked the entire senior management team at all of the businesses being sold to continue in their roles as well.”

The transaction covers The Washington Post and other publishing businesses, including the Express newspaper, The Gazette Newspapers, Southern Maryland Newspapers, Fairfax County Times, El Tiempo Latino and Greater Washington Publishing.

Slate magazine, TheRoot.com and Foreign Policy are not part of the transaction and will remain with The Washington Post Company, as will the WaPo Labs and SocialCode businesses, the Company’s interest in Classified Ventures and certain real estate assets, including the headquarters building in downtown Washington, DC.  The Washington Post Company, which also owns Kaplan, Post–Newsweek Stations and Cable ONE, will be changing its name in connection with the transaction; no new name has yet been announced.

The purchase price is $250 million, subject to normal working capital adjustments, payable at closing later this year.

Allen & Co. assisted the Post Company in the sale process.

Leah Remini: What “Crash” Director Paul Haggis Was Warned Before Speaking Up for Her

0

The reverberations from Leah Remini’s Scientology exit continue: last week Oscar winning “Crash” writer-director Paul Haggis posted an open letter to Remini giving her support as a fellow escapee. Scientology then attacked Haggis in their own statement. This newest scandal comes just 13 months after Katie Holmes bolted from Scientology and her marriage to grand poobah Tom Cruise. It’s also just a couple of months since erstwhile members Will Smith and Jada Pinkett Smith had to shut down their Scientology-oriented private school in Calabasas, California.

Haggis’s letter, I’ve been told, may have come at a price. He’s busy finishing up his new movie, called “Third Person,” which I wrote about before Cannes. Haggis, I heard was warned by friends and advisers not to comment on Remini’s situation because it could affect getting a distributor for “Third Person” when it debuts in Toronto next month. I asked Haggis about this in an email this weekend. He responded: “It was wise advice. I’ve just never been good at taking wise advice.” 

Remini’s escape from Scientology involved taking all of her family with her lest they be permanently separated– what Scientology calls being “disconnected.” The cult responded in their statement against Haggis that no such things exists. We know that’s not true. In fact, one reason Haggis and his ex wife Deborah Rennard left the group was because they’d been “disconnected” from Rennard’s parents– who’d left a year before they did.

The Scientology screed against Haggis by the way is funny. They say Haggis “has aligned himself with a small posse of lunatics”– I mean, really, this is the pot calling the kettle black. They also try to paint Haggis as self-promoting. But he didn’t even mention his new film in the open letter. I will tell you again that it’s called “Third Person,” stars Liam Neeson and an all star cast including Mila Kunis, and I hope it gets a great distributor because it deserves one.


Ryan Reynolds Lives After “RIPD”: Paula Patton is His Next Co-Star

0

Ryan Reynolds is very much in the movie world right now, what with “RIPD” and “Turbo” each in release. Of course, they’re not exactly hits, per se, but Reynolds is handsome (obviously), affable, and nice. Eventually this will all work out. His next film is called “Self/Less” and it’s going to be directed by Tarsem Singh. I’m told his co-star will be beautiful, talented Paula Patton, recently invited to join the Academy and the wife of this summer’s pop star extraordinaire Robin Thicke. (His “Blurred Lines” hits the charts today at number 1.) Patton is in this week’s number 1 film, “2 Guns,” with Denzel Washington and Mark Wahlberg.

“Self/Less” sounds like one of those movies I dread and maybe you do, too: an old man somehow gets his soul and persona transferred into that of a young man. Yippee! Hilarity ensues. Patton is the wife of the younger man. Maybe it will be clever and funny. We can only hope. The only film like this that ever worked was Steve Martin and Lily Tomlin in “All of Me,” which remains a brilliant comedy. Otherwise, these things have been done to death.

Before Reynolds got abs, he was a good comic actor who sounded clever and wry ripostes. What he really needs is a  kind of “Moonlighting” vehicle, something in which he can do some verbal jousting and be a little charming. “RIPD” didn’t do it. He does have a promising project in the works: “Mississippi Grind,” written and directed by Anna Boden and Ryan Fleck, produced by Jamie Patricof. Cross your fingers. Reynolds and Ben Mendelsohn (“Greetings from Tim Buckley”) play gamblers working casinos in the South.

Hamptons Weekend: Bon Jovi, Howard Stern Help Celebrate 25th Anniversary of Famed Eatery

0

I heard over the weekend that 1988 was 25 years ago. This is a shock. Also, in East Hampton, Jeff Salaway and his wife Toni Ross, daughter of Warner Communications founder Steve Ross, opened a restaurant. They called it Nick & Toni’s. Ever since then the A list has clamored to get a reservation. It’s never stopped. On Saturday night Nick & Toni’s celebrated its quarter century without any fanfare except the celebs were there, trust me.

Howard Stern and wife Beth were eating on the patio. Then “Goodfellas” author Nick Pileggi came in with his family including stepson Jacob Bernstein. George Stephanopolous, sporting heavy black glasses, arrived with his very funny wife Alexandra Wentworth. (Why isn’t she joining “The View” permanently, I wondered. She’s perfect.) They were joined very quickly by two couples: Jon and Dorothea Bon Jovi, and Ronald Perelman and his wife Anna. I also ran into Marc Glimcher of the famed Pace Gallery wining and dining not one but two –unframed– beauties! He just had Jay Z in to perform his “Picasso” song– and it’s on YouTube.

There may have been others but proprietors Mark Smith and Bonnie Munshin were literally running around, trying to find everyone seats, and showing off the spectacular renovations from over the winter. We had a drink to Jeff, who died tragically at the end of the summer of 2001, much too young, in a car accident. He’d be so proud to see his vision has lasted and lasted.I still remember Jeff in the early days, when the place was so packed. He’d get up on a chair, cock a menu over his eyes to block out the lights, and survey the room for empty seats. Somehow he always found an extra table when Steven Spielberg or Billy Joel came in!

And by the way, the food cannot be beat–it’s the absolutely best meal anywhere. This week the menu has some old standards from various menus of the past, including a sensational squab. Many of the dishes are also served at Nick & Toni’s on West 67th St. in Manhattan–the go to place after the movies at AMC Lincoln Square. Mazel tov!