Thursday, December 18, 2025
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Ashton Kutcher on Steve Jobs, Fruit Diets, and Creating Efficiencies (Not Studio Apartments)

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Taking on the role of Steve Jobs for the biopic “Jobs” landed Ashton Kutcher in the emergency room. Kutcher channeled the tech genius a little too closely he said Monday at a smallish press conference at the Waldorf Astoria.

Kutcher, 35, explained how he landed in the E.R.  “I went on this fruitarian diet and I read a book by this guy Arnold Ehret, which was a book that Steve read called ‘The Mucus-less Diet Healing System’ and it was kind of his dietary bible. It talked about the value of grape sugar and that that was the only pure sugar that you could have in your body.”

In a dramatic understatement, Kutcher added, “I think that the guy that wrote that book was pretty misinformed. My insulin levels got pretty messed up and my pancreas kind of went into some crazy, I don’t know, the levels were really off and it was really painful. I didn’t know what was wrong. And we figured out that my insulin levels were really off.”

Ehret died shortly after writing his book in 1922, by the way, at age 56. He fell and hit his head. He may have been weak from hunger, but we’ll never know.

Kutcher, like Job, says he’s also into efficiencies, and he does not mean small apartments.  “I love creating efficiencies,” he said, “and I love solving big problems and I love working with people who create efficiencies. I love creating efficiencies in my own life on a day-to-day basis and I think that that’s probably pretty similar.”

What is he talking about? He explained: “I bought a house five minutes away from my work so I didn’t have to drive through traffic. I figured out a way to organize my closet so that I can actually wake up and get dressed in the order that I like to dress and move right down a line in my closet, so I can start at one end and move to the other and by the end I’m done. I kind of have the thing set up so that I can wake up and get out of my house in about four minutes and get to work within 12 minutes from the time I wake up so I try to do a lot and accomplish a lot in a short period of time so I try to create as many efficiencies as I can.”

Jennifer Aniston Comedy “We’re the Millers” Trashed by Critics

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I like Jennifer Aniston a lot, but I am baffled by the movies she picks. Tomorrow (Wednesday), “We’re the Millers” opens and it’s being trashed by the critics. So far it has a 20% on Rotten Tomatoes. Nearly everyone dislikes it. Jason Sudeikis co-stars. I hope he didn’t decide to leave “Saturday Night Live” based on this film’s success. “Millers” may have worse buzz than “Girl Most Likely”–a comedy with Kristen Wiig that opened Dead on Arrival.

Aniston has made a lot of money. She has excellent comic timing that is not well-suited to these hare-brained comedies directed by hacks. She should seriously think about getting into a hip HBO style comedy for TV. The pile up of her DVDs and airplane films is immense at this point. “Millers” wasn’t expensive– Warner Bros. says $30 million, so let’s say it’s $50 mil all in. But still, with those reviews– every major outlet has panned it– the film could be dead by Saturday morning. Stay tuned…

Stallone Calls Bruce Willis “Greedy and Lazy” on Twitter, Harrison Ford Replaces Him In Film

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Sylvester Stallone or whoever Tweets for him is having a meltdown. His official account has just announced that Harrison Ford is replacing Bruce Willis in “Expendables 3.” Stallone is thrilled. But Willis won’t be, because Stallone has just attached him on Twitter. No one’s ever accused Bruce Willis of being lazy in the past. Greedy? Everyone in Hollywood is, Sly. Career ender? I think Bruce can sleep comfortably in one of his many beds tonight. Here are Sly’s Tweets:

New Lady Gaga Track Leaks– Rough Version of “Burqa” from ArtPOP (Listen Here)

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This track appears on Lady Gaga’s Soundcloud site today. Little Monsters, listen and discuss. “Do you want to see the girl behind the aura? Behind the curtain? Behind the burqa?”

Golden Oldies: iTunes Price Cut Pushes Billy Joel, Stones, Elvis, Fleetwood Mac Into Top 50

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What year is it again? A major price cut from iTunes last week pushed a bunch of Golden Oldies artists into the top 50 on the charts. Yes, Robin Tnicke is number 1 with his “Blurred Lines” album at 174,000 copies. But “Blurred Lines,” like Daft Punk and Justin Timberlake all sound like music from the 1970s. So it makes sense that the charts today from hitsdailydouble.com show a surprising resurgence of old albums. They’re all greatest hits packages. Otherwise, the charts are stagnant. And these artists and numbers reflect that music today is either terrible or not being made available to buyers, or both. Radio monopolies and pre-programmed playlists haven’t helped. And streaming is definitely cutting into sales both physical and digital. Jay Z and Kanye West have had disappointing releases. Mariah Carey didn’t come through. Now we wait for John Mayer, Sheryl Crow, and Arctic Monkeys.

This week at the nursing home:

#13- “The Essential Billy Joel”– 17,440 copies

#17- Rolling Stones “Hot Rocks– 16,335

#22- Creedence Clearwater Revival– 14,770

#26- Queen– 11,042

#27- Fleetwood Mac– 10,872

#32- Johnny Cash– 9,552

#35- Red Hot Chili Peppers – 9,441

#40 – Elvis Presley– 8,709

Nat Weiss, Famed Early Beatles Lawyer and Friend, Passes Away

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I am so sorry to hear that Nat Weiss, a legend in the record business, passed away last Wednesday. Nat lived on the Upper East Side in a magnificent apartment filled with Beatles memorabilia and other references to his long standing in the music biz. He was an early lawyer and friend of the Beatles’ manager Brian Epstein. They even formed a record company called Nemperor in 1966; later Nat released some key jazz records in the early 70s through Nemperor. Nat was the Beatles’ early merchandise rep, and was in on the ground floor of everything. Keep updzting– I’m going to fish out an interview I did with Nat in 1990 about Paul and Linda McCartney. He was a great help. Mostly what I remember now is the amazing apartment and the fact that he had a “houseboy.”

Pop-folk singer Steve Forbert reported Nat’s death on Facebook:

Nathan M. Weiss passed away Wednesday night in New York City.

Nat Weiss was indisputably one of the all time greats of the real music business–a person whom one would consider themselves very lucky to have known and very lucky to have worked with. He was the smartest person I’ve ever met and certainly one of the strongest. I’m eternally grateful to him.

Nat, along with Coconut Management’s Danny Fields and the late Linda Stein, gave me my start with “Alive On Arrival”, which I recorded for his label, Nemperor Records.

For the last couple of years, due to severe knee and then back problems, he wasn’t able to get out and about, and so has been missed, in that sense, by many people for a while now. (Mark Lewisohn, renowned Beatle authority, was able to interview him extensively about a year and a half ago.)

Photo via Steve Forbert.

Exclusive: Lenny Kravitz Writes Gladys Knight an Oscar-Buzzed Song for “The Butler”

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So: when I saw Lee Daniels’ “The Butler” at an early screening, there was a little section in the mid 1970s that featured Gladys Knight and the Pips singing “Midnight Train to Georgia.” But last night, in the same spot, there was another Gladys Knight song, and this one was all new and original. It’s called “You and I Ain’t Nothin’ No More.”

It turns out that just three weeks ago, Lenny Kravitz– who’s in the movie– was asked to write a new song to give “The Butler” an entry for that Oscar category. A few singers were considered including Diana Ross. But sources tell me that everyone involved just wanted Gladys. The song as it is now in the movie is an acoustic version. I’m told that a fuller version, with a symphony orchestra, will make it into the final print.

Kravitz told me last night at the premiere of “The Butler”: “Gladys is one of the most underrated singers of all time. I mean, overshadowed. She’s phenomenal. And her voice remains amazing.” I agree. Gladys is undoubtedly the best female vocalist ever to come from Motown. Hands down. And now she’s on her way to an Oscar nomination. I am sure we’ll see her on the stage of the Dolby Theater next March 2nd.

Exclusive: Ben Affleck Visited Lindsay Lohan In Rehab to Talk About Movie Role

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Exclusive: I told you last week that Lindsay Lohan was “circling” a role in Ben Affleck’s next directing project, called “Live By Night.” Affleck’s publicist emailed me to say that I was lying and everything I wrote was untrue.

Now I can tell you that Affleck actually visited Lindsay in rehab on one of her Sunday visiting days. They did talk about “Live by Night” and the part of Emma. This is from a different source than the first one, and it was just a coincidence that they each spoke to me. Affleck’s publicist now adds: “It’s still not true. She hasn’t been considered for any role and won’t be in the movie.”

Oh well. I disagree. I don’t know why there’s such reluctance to confirm this. Ben put Blake Lively on the map with “The Town.” Offbeat casting often works out. And no one says Lindsay Lohan can’t act. If she’s clean and sober, she’ll be great. And Affleck, who’s one of the nice guys, knows that rehab can work. He did it in 2001 for alcohol and came out a winner.

Exclusive: Paul Bettany Directing Jennifer Connelly, Anthony Mackie in “Shelter”

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Exclusive: Paul Bettany and Jennifer Connelly are part of the Brooklyn acting elite (at least I think they, as well as Emily Mortimer and Alessandro Nivola, are still in that popular borough). Now Bettany– best known for playing Russell Crowe’s imaginary friend in “A Beautiful Mind”– is making his directorial debut. He’s getting ready to film Connelly–who got an Oscar for the same film–and the great Anthony Mackie in “Shelter.” It’s a love story about two homeless people, written by Bettany. Stephen Graham (Boardwalk Empire, Parade’s End) is also cast, and the production has just sent out a notice for a variety of other players. Bettany will be filming all over the city during September, when everything looks terrific. Yes, it’s low budget. But it does sound like something we’ll see at next spring’s Tribeca Film Festival.