Saturday, July 4, 2026

50 Shades of Grey Casting Dilemma: Somerhalder, Skarsgard, Fan Faves “Too Old”

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The search for a Christian Grey continues after Charlie Hunnam wisely bowed out. But rabid fans who have an idea of a favorite actor may still be disappointed. Sources say that some of the actors who the fans like are either too old or out of the running. For example: “True Blood” star Alexander Skarsgard is out. “He’s too old,” says a Hollywood manager who has a client peripherally in the mix.

“Vampire Diaries” star Ian Somerhalder is also out, even though he put on a summer long campaign to get the role. According to my source, the author of the book “didn’t want him.” Amazing, huh? She’s not exactly Margaret Mitchell (author of “Gone with the Wind”). “He’s too old.” As with everything Hollywood, they’re looking for younger, younger, younger. (Maybe someone from Nickelodeon?)

Wow–you’d think they were hunting for Hamlet or MacBeth. Isn’t this just handcuffs, huffing and puffing?

Not so, warns a friend of mine who loves this book. Maybe no one can ever live up to the imaginations of millions of women who’ve fantasized Christian Grey knotting his tie.

Whoever is chosen, the producers must be certain. They are planning to make three movies (yeezus!) out of this literary, er, classic.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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