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Reagan Diaries: Detested Apartheid But Refused to Support Sanctions, Never Mentions Mandela

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There’s a debate raging that Lee Daniels’ “The Butler” is not fair to Ronald Reagan about apartheid. In fact, both Nancy and Ronald Reagan come off very well in “The Butler.” But as far as apartheid goes, it’s best to go to Douglas Brinkley’s officially sanctioned book, “The Reagan Diaries.”

A couple of things– the word Mandela never comes up in eight years, not once. Reagan says he “detests” apartheid, but does nothing about it. He refuses to implement sanctions against Botha and the South African government. He doesn’t like Bishop Desmond Tutu. He notes that Rev. Billy Graham questions Tutu’s “stature.” Reagan says he will veto a sanctions bill, and eventually does. The congress overrode him.

Here are the pertinent diary entries, all written by Reagan himself:

March 30, 1983

Pres. Kaunda of Zambia arrived. A good meeting & lunch. I think he feels good about the trip. We made clear we detest Apartheid but believe we can do better with S. Africa by persuasion—

Monday, November 24

Met with Zulu Chief Buthelezi of S. Africa. I admire him greatly. I told him I was not a fan of Bishop Tutu.

Friday December 7, 1984

Bishop Tutu of S. Africa came in. I’m sure he is sincere in his belief that we should turn our back on S.A. & take actions such as sanctions to bring about a change in race relations. He is naïve. We’ve made considerable progress with quiet diplomacy. There are S. Africans who want an end to Apartheid & I think they understand what we are doing. American owned firms in S.A. treat their employees as they would in Am. This has meant a tremendous improvement for thousands & thousands of S.A. Blacks. There have been other improvements but there is still a long way to go. The Bishop seems unaware, even though he himself is Black, that part of the problem is tribal not racial. If apartheid ended now there still would be civil strife between the Black tribes.

December 14, 1984

Billy Graham for dinner tonight. Very interesting— his experiences in the Soviet U. & S. Africa. He questions the stature of Bishop Tutu.

 January 21, 1985

It seems like Monday but then yesterday seemed like Sunday. Geo. Bush reported on his day in Atlanta— the various programs celebrating Martin Luther King, Jr.’ s birthday. Bishop TUTU of S. Africa took advantage of the day to kick me & our admin. around.

Monday, February 4

Met with So. African Chief of Zulus, Gatsha Buthelezi. He’s a very impressive man— well educated & while dedicated to ending apartheid in S. Africa still is well balanced & knows it will take time. I’d quoted him in my own speeches before I ever met him.

Wednesday, June 11th

Staff briefings— this time with Sec. Shultz on hand. Some discussion of S. Africa & the legislation some in Cong. are cooking up to have us take extreme actions like taking Am. investment out of S.A.— Sanctions etc. Of course then we’d have no contact or ability to help rid them of apartheid. Besides Am. investment is only 1% of S.A. investment.

 Friday, July 26

Staff meetings here in W.H. & then an NSC meeting in the old treaty room. Subject S. Africa. We’ve quietly influenced the S.A. G. to a number of changes benefitting Blacks. Now our Congress yielding to demonstrations, etc. is debating legislation to impose sanctions on S.A. Govt. We’re opposed. It isn’t a solution to the problem of apartheid & it will hurt the very Blacks we’re trying to help. I think we’re all agreed on continuing & even stepping up our present program but resisting the other. We’re off to Camp David. From there I’ll call Margaret Thatcher at George Bushes house— sorry we can’t get together while she’s here.

September 9, 1985

Saw our Ambas. off on his return to S. Africa. Then at 10: 30 I went before the press & read a statement about the exec. order I would sign listing things we were going to do with regard to Apartheid in S. Africa. Many were things included in the Cong. bill calling for sanctions. I explained these were things I would agree to but eliminated parts of the bill I did not favor & that I would veto the bill if it came to my desk. This wouldn’t have been necessary if I had line item veto.

Congress eventually overrode Reagan’s veto of the bill to impose sanctions. After this, there’s no mention again from 1986 to Reagan’s exit in January 1989 of South Africa or apartheid:

October 2, 1986

Today’s Senate vote should not be viewed as the final chapter in America’s efforts, along with our allies, to address the plight of the people of South Africa. Instead, it underscores that America — and that means all of us — opposes apartheid, a malevolent and archaic system totally alien to our ideals. The debate, which culminated in today’s vote, was not whether or not to oppose apartheid but, instead, how best to oppose it and how best to bring freedom to that troubled country.

I deeply regret that Congress has seen fit to override my veto of the Comprehensive Anti-Apartheid Act of 1986. Punitive sanctions, I believe, are not the best course of action; they hurt the very people they are intended to help. My hope is that these punitive sanctions do not lead to more violence and more repression. Our administration will, nevertheless, implement the law. It must be recognized, however, that this will not solve the serious problems that plague that country. The United States must also move forward with positive measures to encourage peaceful change and advance the cause of democracy in South Africa.

 Now is the time for South Africa’s Government to act with courage and good sense to avert a crisis. Moderate black leaders who are committed to democracy and oppose revolutionary violence are ready to work for peaceful change. They should not be kept waiting. It would be tragic to lose this opportunity to create a truly free society which respects the rights of the majority, the minority, and the individual. There is still time for orderly change and peaceful reform. South Africans of good will, black and white, should seize the moment.

 Note: H.R. 4868, which passed over the President’s veto on October 2, was assigned Public Law No. 99 – 440.

“The Butler” in at Number 1, Beats “Kick Ass,” Explodes on Twitter (Reba McEntire Loved It)

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Lee Daniels’ “The Butler” opened tonight and exploded at the box office and on Twitter. The Forest Whitaker-Oprah Winfrey all star tale will be number 1 for the weekend coming in at between $27-$30 million. It’s possible it may go higher based on reaction on Twitter.

Starting around 9:30pm Friday night thousands of people who saw the early shows in their neighborhoods starting Tweeting about much how they loved the movie. Country superstar Reba McEntire was one of them. (She lives in Nashville.)

 

 

There are also several Tweets from people who say the audience applauded at the end of the film. That’s a good sign that tomorrow’s shows are going to be HUGE. The irony is that “Kiss Ass 2” was supposed to beat “The Butler.” But it’s winding up at number 2.

Stay tuned and keep refreshing… I told you about “The Butler” a couple of weeks ago. Mark this down on August 16th: “The Butler” will score Oscar nods for Daniels, screenwriter Danny Strong, Whitaker, Winfrey, and David Oyelowo at least, as well as Best Picture.

 

Michael Jackson Remixed Song with Justin Bieber “Leaks” (Listen)

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The story seems to be: last year, someone in the Jackson family–maybe one of the kids– gave Justin Bieber a copy of Michael’s unreleased “Slave to the Rhythm.” He remixed it and added his own vocals. Now it’s been released er, leaked, all over the place. The Michael Jackson estate has sent out take down notices but the damage is done. It’s everywhere. How did this happen? Bieber lives in the same gated community as Katherine Jackson in Calabasas, California. Frankly, you don’t need Bieber’s dullish singing on the record. It’s Michael Jackson, for god’s sake. But here it is, until it’s not:

Michael Jackson Ft. Justin Bieber – Slave 2 The Rhythm

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Powered by mp3ape.com

New Lady Gaga Single Beaten to Number 1 by Katy Perry on iTunes, amazon

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UPDATE SATURDAY MORNING: “Applause” is now number 4 on iTunes, 8 on amazon. I’m surprised. Where are all the Little Monsters?

EARLIER: Not much applause for Lady Gaga‘s comeback single “Applause.” Rushed into release this week, “Applause” didn’t make number 1 or number 2 on the iTunes chart. It finished 3rd, with only about 225,000 downloads so far.

Number 1 is Katy Perry’s “Roar,” an anthemic, sort of banal offering. But its success is fueled by her romance with John Mayer, and their constant tabloid publicity. Mayer also has a new album coming, and there’s a duet from the two popstars.

Perry is also ahead of Gaga at amazon.com, with “Roar” at number 2 and “Applause” at number 4.

read today’s headlines by clicking here

Meantime, Lady Gaga is taking a very different kind of marketing path– going very artsy, edgy, and dark. She’s released an art video of her naked (no one seemed to care). She’s making strange declarations about pop being dead, etc. It’s a downer for teen fans. Is Gaga becoming Yoko?

The other problem is so many Gaga tracks “leaking” all at once including one this week called “The Greatest Thing” with Cher. Gaga seems disorganized. Perry is focused. The charts are the result.

The difference between the two songs? As my old friend Michael Zilkha of Ze Records used to say, a hit single has the sound of triumph. And that’s the Katy Perry. Lady Gaga’s song might be better, but it doesn’t have that feeling to it. Her Cher song does. She re-consider not making it a duet.

Robin Thicke Crosses Blurred Lines–And Sues Marvin Gaye’s Family Before They Sue Him

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Here’s a disappointing move: Robin Thicke and Pharrell Williams, who wrote Thicke’s massive hit “Blurred Lines,” have sued members of Marvin Gaye’s family. They’ve sued the Gayes before the Gayes can sue them. The issue? Whether or not “Blurred Lines” resembles in any way Gaye’s classic 1981 hit, “Got to Give it Up.” Evidently the Gayes have sent notice that they will sue if not compensated for the incredible similarities between the two songs. They say Thicke and Williams ‘got to give it up.’

It’s an aggressive turn for Thicke and one that he maybe didn’t think out all that clearly. He and Justin Timberlake have spent their careers emulating 70s R&B soul. In Timberlake’s case, he actually did sample a piece of a 70s dance record to get “Suit and Tie.” With Thicke, I thought he understood that we knew he’d adapted “Got to Give it Up.” He bills himself as white soul singer. What he and Pharrell did was incredibly clever. But there’s no denying the relationship between the two records.

Thicke makes his money emulating black music. I don’t think it looks so good for him to sue the family of a deceased R&B legend. The Thicke-Williams complaint says they didn’t infringe on “Got to Give It Up.” They say you can copyright a “feeling” as opposed to actual notes. Attorney Howard King, who’s usually on the right side of arguments, says a musicologist studied the songs and they’re not the same. But does that matter? Thicke and Williams could have just paid a sampling fee, made the Gayes feel good, and moved on. This way, it just doesn’t feel good.

Ken Howard, “The White Shadow,” (Re) Elected President of Actors’ Union

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Ken Howard, best known for playing “The White Shadow” on TV, has been elected president of SAG-AFTRA. He beat out actor Esai Morales and a couple of other candidates. Howard was already president of SAG-AFTRA and had had two consecutive two year terms as president of SAG before the unions merged. Amy Aquino was elected secretary- treasurer.

Lindsay Lohan Launches Website with SpinMedia

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Lindsay Lohan is on the move. She’s just launched www.lindsaylohan.com, her own website via SpinMedia. That company used to be Buzz Media before it bought what was left of Spin Magazine. They also operate some gossip sites, like Celeb Buzz and  Just Jared, where Lohan is often harpooned. We’ll see how that works out. Anyway, Lindsay has put up a bio, clips from her Oprah interview, and the reworked trailer to “The Canyons” made by Kanye West. She’s also hawking fashion items, which is a quick way to make some cash. Maybe this will be her entrepreneurial phase.

 

How Jerry Seinfeld’s Ex Girlfriend Owns Six Beatles Songs

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If this were a Seinfeld episode it would be called “How the Ex Girlfriend Came to Own Six Beatles Songs.” Yes, it seems that through a quirk of history, timing and legal maneuvering six very early Beatles hits are not part of the much vaunted Lennon-McCartney catalog at Sony/ATV Music Publishing. And now they belong, at least for now, to Josh Gruss, husband of ex-Jerry Seinfeld girlfriend Shoshanna Lonstein. Strange, but true.

The songs are “I Saw Her Standing There,” “I Feel Fine,” “I Wanna Be Your Man,” “She Loves You,” “From Me to You,” “Misery,” and “There’s a Place.” The songs were never part of the regular catalog because they were from the Beatles’ early and brief stay on VeeJay Records circa 1962. Last year, surprisingly, the owner of the song sold them for an unknown amount to tiny, new music publisher Round Hill Music.

This is where Shoshanna comes in: her husband, Josh, owns Round Hill. He partnered up with a financier called Adage. For some reason, the songs were not offered to Sony/ATV, or to Paul McCartney or Yoko Ono.

But the latter two may not mind so much. First of all, Round Hill only got the U.S. rights. And second, in 2018, as the songs turn 56, they will being reverting back to Lennon-McCartney under the Copyright Law of 1976. So Shoshanna is just babysitting them, via Round Hill, for the next five years.

What will happen in 2018? Paul McCartney will likely start taking back his rights to the songs he wrote with John Lennon. He has his own publishing company, MPL. Eventually he’ll get back everything Michael Jackson got when he bought the Beatles catalog in 1984. Jackson’s big Beatles part will be over by 2026. The loser could be Sony/ATV Music, unless they can strike a deal with McCartney to continue administering the songs and taking fees.

As for John Lennon: because he died during the term of copyright, his heirs have already been collecting a portion larger than McCartney. That’s thanks to the Songwriters Act of 1927. I’ve been told that the Lennon estate has already worked out a deal to stay with Sony/ATV even after 2018 kicks in. In that case, McCartney will be connected to the company anyway.

Exclusive Web Comic for Wong Kar Wai’s “The Grandmaster” — Very Cool

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There’s a web comic for Wong Kar Wai’s “The Grandmaster.” Here’s the link: http://thegrandmaster.vice.com/intro.html. This is pretty cool– and another great reason to this extraordinary film. It will also help you understand it in advance of seeing it. Very helpful!!

Eminem Is Back: “I’m Not a Rapper, I’m An Adapter”

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Eminem is back with a new song. “Survival” is included in the new “Call of Duty” video game. It’s from a new album that might be sprung on us at any moment– and not a moment too soon for Universal Music. The songs features Skylar Grey. Here are the lyrics, followed by the song. WARNING: the “F” is used liberally.

EMINEM “SURVIVAL”
This is do or die
This is the winner takes it all
So take it all

[Verse 1]
Wasn’t ready to be no millionaire, I was ill-prepared
I was prepared to be ill though, the skill was there
From the beginning, it wasn’t ’bout the ends
It was ’bout busting raps and standing for something, fuck an acronym
Cut the fucking act like you’re happy, I’m fucking back again
With another anthem, why stop when it doesn’t have to end?
It ain’t over ’til I say it’s over – enough when I say enough
Throw me to them wolves and close the gate up
I’m afraid of what’ll happen to them wolves
When the thought of being thrown into an alligator pit, I salivated it
Weight is up, hands up like it’s 12 noon, nah, homie
Hold them bitches straighter up, up wave ’em ’til you dislocate a rotator cuff
Came up rough, came to ruffle feathers, nah, egos
I ain’t deflate enough, last chance to make this whole stadium erupt

[Hook]

[Verse 2]
I can see the finish line with each line that I finish
I’m so close to my goals I can almost pole vault over the goal post
And if I don’t got enough in the tank, maybe I can just siphon enough
To fill up this last can, man will I survive in this climate or what?
They said I was washed up, and got a blood bath
I’m not a rapper, I’m an adapter, I can adjust
Plus I can just walk up to a mic and just bust
So floor’s open if you’d like to discuss
Top 5 in this mothafucka and if I don’t make the cut
What, like I give a fuck, I’mma light this bitch up like I’m driving a truck
To the side of a pump, 0 to 60 hop in and gun it
Like G-Unit without the hyphen, I’m hyping ’em up
And if there should ever come a time where my life’s in a rut
And I look like I might just give up, eh you might’ve mistook
Me for bowing out I ain’t taking a bow, I’m stabbing myself
With a fucking knife in the gut, while I’m wiping my butt!
Cause I just shitted on the mic, and I like getting cut
I get excited at the sight of my blood, you’re in a fight with a nut
Cause I’mma fight ’til I die or win
Biting the dust it’ll just make me angrier, wait
Let me remind you of what got me this far, picture me quitting
Now draw a circle around it and put a line through it, slut
It’s survival of what?

[Hook]

[Verse 3]
So get your ideas, stack your ammo
But don’t come unless you come to battle, I’m mad now jump in the saddle
This is it, it’s what you eat, sleep, piss and shit
Live, breathe, your whole existence just consists of this
Refuse to quit, fuse is lit, can’t diffuse the wick
I don’t do this music shit, I lose my shit
Ain’t got shit to lose, it’s the moment of truth
It’s all I know how to do, as soon as I get thrown in the booth, I spit
But my respect is overdue, I’m showing you the flow no one do
Cause I don’t own no diploma for school, I quit!
So there’s nothing for me to fall back on, I know no other trades
So you’d better trade your fucking mics in for some tool-box-es
Cause you’ll never take my pride from me
It’ll have to be pried from me, so pull out your pliers and your screwdri-vers
But I want you to doubt me, I don’t want you to buh-lieve
Cause this is something that I must use to suc-ceed
And if you don’t like me then fuck you!
Self es-teem must be fucking shooting through-the-roof cause trust me
My skin is too thick and bul-let proof to touch me
I can see why the fuck I disgust you
I must be a-llergic to failure cause everytime I come close to it
I just sneeze, but I just go atchoo then achieve!