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Labor Day Telethon: MDA New President Invokes Jerry Lewis Name in Letter to Followers

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Here’s a new twist: the new president of Muscular Dystrophy Association has invoked Jerry Lewis’s name in a letter to followers. Stephen M. Derks has posted a letter to website www.mdausa.org summarizing MDA accomplishments and asking for support. But Derks, newly installed from his position as head of the American Cancer Society in Chicago. invokes the name of MDA’s former spokesperson and standard bearer even though the organization famously fired Lewis three years ago.

First Derks writes: “Where would MDA and the fight against 43 muscle diseases be without the amazing Jerry Lewis? Certainly, we would not be at this hopeful spot. Forever he will be our greatest “muscle maker,” a true hero in the hearts of millions. He and all of our sponsors, and thousands of celebrities as well as millions of generous Americans who said “yes” to him, brought our fight into America’s living rooms.”

Then he adds: “Thanks to Americans saying yes to Jerry Lewis’ requests and the requests of all our sponsors and volunteers, new, lifesaving breakthroughs are not only on the horizon they are being injected into people today.”

This is what’s known as a “sop.” It’s a way of exploiting Lewis’s name without apologizing to him or making any kind of peace with him. Lewis must be bitterly amused. But Derks knows that regular contributors to MDA have declined tremendously since Lewis’s ouster. He almost must be fearing a bigger drop tonight after the 2 hour “Show of Strength” special, no longer a telethon, on ABC.

Look up the word “sop,” kids.

PS Lewis’s name appears nowhere else anymore on the MDA website. He’s been erased from their history.

One Direction Soft So Far; “The Butler” Might Have Best Box Office Ever for 4 Day Weekend

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Box office: One Direction fans are simply not flocking to the box office to the boy band of 2013. So far “This Is Us” started with a strong Thursday-Friday $8 million take, then fell more than 50% and did $4 million on Saturday and pretty much the same today. The total now is $17 million. Meanwhile Lee Daniels’ “The Butler” looks like it could take the four day weekend. “The Butler” has improved each day over the weekend, the inverse of One Direction. Are One Direction fans simply not spending the money for tickets with back to school supplies needed? The box office response is simply not the tsunami that one might have predicted.

Elsewhere: Woody Allen’s “Blue Jasmine” has crossed the $20 million mark. Its next magic line will be $23.2 million, which was the total for “Vicki Cristina Barcelona.” Then $40 mil for “Hannah and Her Sisters” and $56 million for “Midnight in Paris.” All signs point to the first and maybe second landmarks. Plus awards season will churn it up again.

And Jennifer Aniston has a bona fide hit “We’re the Millers.”All that pole dancing paid off. The reviews weren’t very good, and early box office was so- so. But “We’re the Millers” has turned into the summer comedy hit, a choice away from all the heavy stuff. It may not be a classic comedy, but it’s a relief for searing temperatures.

Telluride: Movie Press Becomes Hyperbolic, Giving Everyone Oscar Nominations

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Between Venice and Telluride, the 2014 Academy Awards are over. Just like that. Staying in New York this Labor Day weekend, I’m getting a kick out of reading completely over the top reports from the festivals. Is everyone drinking too much coffee? As far as I can tell, Variety, THR, Deadline and The Wrap are falling over themselves to proclaim one movie “stunning” and another “a definite Oscar winner” — or some such nonsense.

Some of this comes from the writers not having been in Cannes, so they’re seeing some films like Alexander Payne’s “Nebraska” and Joel and Ethan Coen’s “Inside Llewyn Davis” for the first time. Yesterday’s mania came with “12 Years a Slave,” which is supposed to be pretty good. But to read Chris Willman in The Wrap, he needs a Valium. i could be just the altitude.

THR, of course, is already setting up Oscar predictions. And GoldDerby.com has put out its spread sheets. Kids, it’s September 1st. The Oscars aren’t until March 2, 2014. This is all a little premature. There are plenty more movies to see and performances to evaluate. It’s impossible to start drawing up lists now. Maybe around October 15th. But today? Keep Calm and Refrain from turning this into a circus.

I am a little amused that one article already predicted four of five Best Actor nominees. You know, a lot has to happen before we get to that point. Of movies released to the public so far, only three this season merit awards talk- “The Butler,” “Blue Jasmine,” and “Fruitvale Station.” Otherwise, really, get a grip. Both the Coens’ movie and the Payne movie looked like contenders in Cannes. Robert Redford was outstanding in “All I Lost.” Now word is that “Gravity” and “12 Years a Slave” are quite good. But few have seen these, they’re not released, and there’s a lot more to come.

The downside is that the general public doesn’t want to think about this for six solid months. And it’s going to spoil appreciating the good films. And there are plenty of those this season.

One Direction: Teeny Bop Doc Falls Short on Opening Night with $8.9 Mil

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Well, all you One Direction fans. You did not get out there last night to help the Faux Fab Five beat Justin Bieber’s opening night for his documentary. “One Direction: This is Us” did $8.9 million last night, a far cry from Bieber’s $13.1 mil Friday night opening a couple of years ago for “I Don’t Wear Shirts,” er, “Never Say Never.”

So “The Best Song Ever” wasn’t enough to draw out the tweeny girls. I’m surprised. Anyway, four day weekend could give Sony a $30-$33 million take, which isn’t bad. In real movie news, Lee Daniels’ “The Butler” made $3.6 million on Friday night, will have a nice $15 million weekend as it speeds toward its inevitable $100 million domestic.

“Getaway,” the worst reviewed movie of the year so far, made $1.4 million last night. That’s pretty good all things considered.

More numbers to come…

Here’s the video for Best Song Ever. It’s pretty funny.

 

Exclusive: Whitney Houston Estate Preparing Documentary About Late Singer

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Exclusive: details are still sketchy, but I am told that the Whitney Houston estate is putting together a documentary about the late singer. Executor Pat Houston, Whitney’s sister-in-law, is said to be the executive producer. The film could offer rare home footage and that sort of thing, but it certainly won’t be an objective film about Whitney’s rise and fall. It will most likely be a tribute film, much like the current One Direction infomercial in theaters now.

One thing about so-called documentaries about star singers: you can’t make ’em unless the principle performer or their estate agrees not to block rights usage of music and/or likeness. If a journalist were to make a film about Whitney Houston, the estate would block the rights to use her music. It’s too bad, because an actual doc about Whitney would try to examine what happened to her. This will likely be a rah-rah celebration.

We’ll see what happens, It will  be interesting to see how they handle Bobbi Kristina shacking up with the boy Whitney took in, and everything about Bobby Brown. That movie might be made in 20 years, but not now…

“American Idol” Settles for Harry Connick Jr After Everyone Turns Them Down

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The only person who’d agree to be an “American Idol” judge was finally named one tonight. Harry Connick, Jr. auditioned last spring for a spot on “Idol” but was dismissed by Simon Fuller. Instead, Fuller and co. flipped through a bunch of possibilities, from Jennifer Hudson and several former “Idol” winners to producer “Dr. Luke” and Justin Bieber’s manager, Scooter Braun. The word was that Sean “Diddy” Combs turned them down.

And now, with minutes to spare before the auditions process begins, “Idol” was forced to go back to Connick, the guy they should have hired in the first place. Connick adds class and wit to the judge’s panel. He joins Keith Urban, who acquitted himself very well last season, and Jennifer Lopez, who looks good even if she’s not an actual singer. What “Idol” doesn’t really have is rock and roll — Urban is country — or actual R&B. it would be nice to see a male African American join the group. It’s hard to believe that Seal wasn’t free.

Anyway, Randy Jackson will move to a mentor’s role. Maybe in time he’ll go back to the judges’ table. “Idol” is the victim of age–it’s old, the audience is old, and the ratings last spring were on a huge downward trend. This could be the final year. The long knives will certainly be out. But Harry Connick Jr is a good choice. Surprising though: he records for Sony/Columbia and technically, they’re the enemy. Universal Music has the deal with “Idol” for all the artists.

Exclusive: Lindsay Lohan is OK, Says She Wasn’t Set to Be in Venice

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Everyone can calm down. Lindsay Lohan is just fine, thanks. She didn’t show up at the Venice Film Festival because she says she wasn’t supposed to be there. Whew! Lohan emailed me this afternoon: “I’m great! Thank you! No I wasn’t set to go. Just staying focused on me and my recovery :)”

Frankly, Lohan is smart to work on her sobriety and not get any more involved with “The Canyons.” Director Paul Schrader and porn star James Deen handled the movie’s press conference in Venice just fine from what I can tell. But the film did poorly, was reamed by critics, and has ended its life in the U.S.

check out today’s headlines– click here for more Showbiz411

Lindsay is moving forward from that bad choice. She’s filming an episode of “Eastbound & Down” for HBO and making more plans for quality productions. Let’s hope she has a tranquil Labor Day weekend.

PS Lindsay gave “The Canyons” a nice plug on her website, and published a picture from the photocall today. Very classy!

P.S. Radar is reporting Lindsay may host the season premiere of “Saturday Night Live.” Can’t wait! www.radaronline.com

No. 1 Album in iTunes: “Gun plus a mask equals cash” advocates hold ups

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The number 1 album on iTunes today features a song that advocates putting on a mask, getting a gun and committng a hold up. Dr. Luke is executive producer of Juicy J’s new album. Dr. Luke almost became a judge on “American Idol” this week.  “Gun Plus a Mask” is the song I would have paid to see him promote on the show. “Line yo family up against the wall and open fire.” If I could hear Phillip Phillips or Carrie Underwood cover this, life would be perfection.

“Gun Plus A Mask”
(feat. Yelawolf)

[Intro]
You niggas gon have to start
Watchin your mothafuckin back
Real shit

[Hook]
A gun plus a mask, you do the math
All my goons know, that equals cash [x3]
A gun plus a mask, that equals cash
So if your fucked up down to your last
A gun and a mask gon getchu cash
A gun plus a mask, you do the math
All my goons know, that equals cash

[Verse 1: Juicy J]
What you know about it nigga this that goon shit
AK sweep a nigga house without a broomstick
So nigga come up of that bad, all them pistols blast
With the choppa at yo house lyin in the grass
They a rob a nigga blind if they doin bad
Duct tape around the handle they don’t use a mag
So tell em where its at, don’t tell em no more lies
Line yo family up against the wall, and open fire
All you trap niggas are victims, jackers gon catch you slippin
Feeling yourself, flashin this stuntin, niggas are come end up missin
You trappers gon drop off that cash, you see em out here they hurtin
They got you back its a robbery, nigga now don’t make it a murder
Too late to talk when the shit hit the fan
Got choppas on deck, war drums than a band
Gun a nigga down, leave em where he stands
Highway to hell, nigga better start praying

[Hook]
A gun plus a mask, you do the math
All my goons know, that equals cash [x3]
A gun plus a mask, that equals cash
So if your fucked up down to your last
A gun and a mask gon getchu cash
A gun plus a mask, you do the math
All my goons know, that equals cash

[Bridge:]
Walk up to your house, knock on your door, and blow your ass off
Drop it off, drop it off, bitch I got a sawed-off
Bitch I got a sawed-off
Walk up to your house, knock on your door, and blow your ass off
Drop it off, drop it off, bitch I got a sawed-off
Bitch I got a sawed-off

[Verse 2: Yelawolf]
They telling me Yela don’t swing
Look buddy don’t worry bout me
If you in my lane, you would end up in a train that’s ditch with the snakes in a leeches
Gotta take a mothafucka out I get wanted cuz I never did shit but me,
Its about time that I said it, hey would I regret it we’ll see (fuck that)
Yelawolf I am a loose cannon, ask David Banner how deep
I was born and raised in this shit, momma I got manners bout me
But I’ll get dirty if I gotta get dirty and dead a mothafuckin piranha up in a Alabama creek
I’m hotter than you in the middle of the summer
Sitting in a sauna under the sun in a Alabama street, shit
Rockin rollin’ I got noted, I’m going up yeah I’m going
But with my dreams and my people I got that poetry loaded
My soul is sold, and they sold it, sweet [?] they grow it
I leave that potato smoking, look bitch don’t think that I’m jokin
Click, POW!

 

Labor Day Jerry Lewis Telethon Without Comedian: MDA Lost $14 Million Last Year

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It’s Labor Day weekend so there must be a Labor Day telethon, right? Wrong. There’s a two hour show on Sunday night on ABC, a far cry from Jerry Lewis’s beloved (and often playfully mocked) 21 hour Las Vegas marathons. Lewis was fired after the 2010 telethon (and 50 years with the organization).  The show was reduced to six hours in 2011 and just three in 2012. The tote board is gone, too. No big drum roll to see how many millions have come in for Muscular Dystrophy.

Last year it took MDA until the end of September to declare how much they’d made on Labor Day. The number was $58.7 million. But that’s what was pledged. In their new federal tax filing Form 990, MDA doesn’t list that $58.7 million anywhere. And for the first time they don’t even mention the telethon. They just lump it in with other “special events.”

This is a big change from the prior year. In 2011, the proclaimed they’d raked in $61.5 million without Lewis. But when the tax filing was made public, MDA listed under Revenue-Telethon just $30 million collected.

Roxan Olivas, the pr director for MDA, says in an email: “The amount collected in 2011 was approximately $61.5 million (could be less or more based on redemption and after show donations) and is reported in various sections of the 2011 990, including special events. Your statement about MDA announcing $60 million and collecting $30 million is inaccurate. The totals represent pledges, credit card donations, text message donations and telethon-related sponsor support.”

But that 50% collection rate, considerably down from prior years, is what’s listed on the federal tax filing. That’s all we can go by. The number $61.5 million appears not in one place on the 2011 Form 990.

As for 2012, Olivas says: “the amount we collected in 2012 is $58.7 million and was reported in special events of our 990.”

click here for today’s Showbiz411 headlines

Actually, she’s wrong. There’s no listing for $58.7 million or the telethon on the 2012 tax filing. This is what’s under “Special Events”: a total of $116 million in gross receipts for all “special events.”  There’s no specific break-out  for the telethon (aka “MDA Show of Strength”). Of that total, $100 million is listed as “charitable contributions.” Gross income from the “special events” is $15.9 million. Olivas says the $58.7 million is part of that. We’ll have to take her word for it.

MDA, via Olivas, will not release a break down of the 2012 telethon. So if the collection rate remained steady or dropped from 2011 and 2010, there’s no record of it. Given the past history of MDA, the 2012 telethon collection was more likely — and this is only conjecture– around $28 million.

Even worse: For 2012, revenue less expenses came to minus–that’s negative— $14 million. That’s better than 2011’s whopping $19 million dip into red ink, but still much worse than 2010 (-$5 million) or 2009 (-$10 million). Of course none of these figures compare with the whopping $42 million loss MDA took in 2008 over bad investments. They wound up cutting their wheelchair program.

Since MDA tossed Jerry Lewis and shrunk the show, the numbers have been going down.  In 2009, MDA claimed $60 mil but collected only $45 mil. In 2010, Lewis’s last year, they claimed $58 million and collected $48 million. were even lower.

Overall donations to MDA are down, too. Total contributions and grants — including whatever money came in from the telethons– fell from $158 mil in 2011 to $149.5 mil in 2012.

There’ s no doubt that MDA still does a lot of good. They still give a sizeable amount away every year– in 2012, MDA distributed $47 million in grants– about $12 million in aid, and $34 million in research. That’s still a lot of money. But it’s much less, say, than when Lewis was there. In 2008, MDA gave away over $61.6 million. In 2009, in the thick of the recession, the number was $53.5 million.

Little by little everything is falling– income, revenue, grants. The only thing that gets better at MDA is salaries.

In 2012, they finally replaced Gerald Weinberg, the long time president, who was making over $400,000. (In 2012, Weinberg still managed to pick up $148k in salary from MDA.)

The new guy, Stephen Derks, comes from the Illinois branch of the American Cancer Society. Derks’ salary, according to the MDA 2012 form 990 was a measly $17,000. His actual annual compensation isn’t listed. But Derks was making $367,000 with ACS. It’s unlikely he took a pay cut.  Olivas did not answer the question of how much Derks signed on for.

The rest of the MDA hierarchy is well paid, all six figures, with exec VP Valerie Cwik coming in at just under $300,000. Indeed, even with revenue falling, there are still no fewer than eleven executives– not counting Derks– pulling six figures incomes.

Review: One Direction, and That’s Up, Up, and Away

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Morgan Spurlock’s “One Direction: This Is Us” about the forenamed band, is a fun, zippy look at five  ridiculously charming and uber cute lads from the UK.  I watched it in a theater filled with teenage hormonal girls and their unabated deafening shrieks were filled with unabashed adoring love.  How could they not? The dreamy guys are Harry Styles, Liam Payne, Niall Horan, Louis Tomlinson and Zayn Malik and the band is the creation of the musical genius Simon Cowell.

The seasoned and respected Cowell admits in a candid moment that the phenomenon caught him completely by surprise. Cowell again — as he did with American Idol and X Fact0r– finds the perfect zeitgeist of fan adoration via the Internet, Facebook, Twitter. All of  which helped spur One Direction’s  meteoric rise to the mega worldwide stars.

Older folks will smile, the film is just plain fun to watch and the music is poppy and quite lovely at times. These young men are actually talented, the boys can sing, which Cowell of course got spot on.

Spurlock gives some touching cameos to the parents of these seemingly normal working class kids, one especially said how he was just a plain rural Dad and seemed truly befuddled by his son’s success.  All the parents are still shell shocked, they still don’t know what quite hit them. You can’t blame them, the scenes of the global swarms of screaming girls harken back to the Beatles.  “One Direction” is the social networking version of that kind of hysteria. And hysteria it most certainly is.

After watching Miley Cyrus’s debacle on the VMAs I think parents will herd their teenagers into the theater to watch genuinely nice, mischievous young men not misbehaving.  Spurlock does more than a good job of making their story an enjoyable, albeit harmless and light foray of boy band fodder.