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Exclusive: Whitney Houston Estate Preparing Documentary About Late Singer

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Exclusive: details are still sketchy, but I am told that the Whitney Houston estate is putting together a documentary about the late singer. Executor Pat Houston, Whitney’s sister-in-law, is said to be the executive producer. The film could offer rare home footage and that sort of thing, but it certainly won’t be an objective film about Whitney’s rise and fall. It will most likely be a tribute film, much like the current One Direction infomercial in theaters now.

One thing about so-called documentaries about star singers: you can’t make ’em unless the principle performer or their estate agrees not to block rights usage of music and/or likeness. If a journalist were to make a film about Whitney Houston, the estate would block the rights to use her music. It’s too bad, because an actual doc about Whitney would try to examine what happened to her. This will likely be a rah-rah celebration.

We’ll see what happens, It will  be interesting to see how they handle Bobbi Kristina shacking up with the boy Whitney took in, and everything about Bobby Brown. That movie might be made in 20 years, but not now…

“American Idol” Settles for Harry Connick Jr After Everyone Turns Them Down

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The only person who’d agree to be an “American Idol” judge was finally named one tonight. Harry Connick, Jr. auditioned last spring for a spot on “Idol” but was dismissed by Simon Fuller. Instead, Fuller and co. flipped through a bunch of possibilities, from Jennifer Hudson and several former “Idol” winners to producer “Dr. Luke” and Justin Bieber’s manager, Scooter Braun. The word was that Sean “Diddy” Combs turned them down.

And now, with minutes to spare before the auditions process begins, “Idol” was forced to go back to Connick, the guy they should have hired in the first place. Connick adds class and wit to the judge’s panel. He joins Keith Urban, who acquitted himself very well last season, and Jennifer Lopez, who looks good even if she’s not an actual singer. What “Idol” doesn’t really have is rock and roll — Urban is country — or actual R&B. it would be nice to see a male African American join the group. It’s hard to believe that Seal wasn’t free.

Anyway, Randy Jackson will move to a mentor’s role. Maybe in time he’ll go back to the judges’ table. “Idol” is the victim of age–it’s old, the audience is old, and the ratings last spring were on a huge downward trend. This could be the final year. The long knives will certainly be out. But Harry Connick Jr is a good choice. Surprising though: he records for Sony/Columbia and technically, they’re the enemy. Universal Music has the deal with “Idol” for all the artists.

Exclusive: Lindsay Lohan is OK, Says She Wasn’t Set to Be in Venice

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Everyone can calm down. Lindsay Lohan is just fine, thanks. She didn’t show up at the Venice Film Festival because she says she wasn’t supposed to be there. Whew! Lohan emailed me this afternoon: “I’m great! Thank you! No I wasn’t set to go. Just staying focused on me and my recovery :)”

Frankly, Lohan is smart to work on her sobriety and not get any more involved with “The Canyons.” Director Paul Schrader and porn star James Deen handled the movie’s press conference in Venice just fine from what I can tell. But the film did poorly, was reamed by critics, and has ended its life in the U.S.

check out today’s headlines– click here for more Showbiz411

Lindsay is moving forward from that bad choice. She’s filming an episode of “Eastbound & Down” for HBO and making more plans for quality productions. Let’s hope she has a tranquil Labor Day weekend.

PS Lindsay gave “The Canyons” a nice plug on her website, and published a picture from the photocall today. Very classy!

P.S. Radar is reporting Lindsay may host the season premiere of “Saturday Night Live.” Can’t wait! www.radaronline.com

No. 1 Album in iTunes: “Gun plus a mask equals cash” advocates hold ups

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The number 1 album on iTunes today features a song that advocates putting on a mask, getting a gun and committng a hold up. Dr. Luke is executive producer of Juicy J’s new album. Dr. Luke almost became a judge on “American Idol” this week.  “Gun Plus a Mask” is the song I would have paid to see him promote on the show. “Line yo family up against the wall and open fire.” If I could hear Phillip Phillips or Carrie Underwood cover this, life would be perfection.

“Gun Plus A Mask”
(feat. Yelawolf)

[Intro]
You niggas gon have to start
Watchin your mothafuckin back
Real shit

[Hook]
A gun plus a mask, you do the math
All my goons know, that equals cash [x3]
A gun plus a mask, that equals cash
So if your fucked up down to your last
A gun and a mask gon getchu cash
A gun plus a mask, you do the math
All my goons know, that equals cash

[Verse 1: Juicy J]
What you know about it nigga this that goon shit
AK sweep a nigga house without a broomstick
So nigga come up of that bad, all them pistols blast
With the choppa at yo house lyin in the grass
They a rob a nigga blind if they doin bad
Duct tape around the handle they don’t use a mag
So tell em where its at, don’t tell em no more lies
Line yo family up against the wall, and open fire
All you trap niggas are victims, jackers gon catch you slippin
Feeling yourself, flashin this stuntin, niggas are come end up missin
You trappers gon drop off that cash, you see em out here they hurtin
They got you back its a robbery, nigga now don’t make it a murder
Too late to talk when the shit hit the fan
Got choppas on deck, war drums than a band
Gun a nigga down, leave em where he stands
Highway to hell, nigga better start praying

[Hook]
A gun plus a mask, you do the math
All my goons know, that equals cash [x3]
A gun plus a mask, that equals cash
So if your fucked up down to your last
A gun and a mask gon getchu cash
A gun plus a mask, you do the math
All my goons know, that equals cash

[Bridge:]
Walk up to your house, knock on your door, and blow your ass off
Drop it off, drop it off, bitch I got a sawed-off
Bitch I got a sawed-off
Walk up to your house, knock on your door, and blow your ass off
Drop it off, drop it off, bitch I got a sawed-off
Bitch I got a sawed-off

[Verse 2: Yelawolf]
They telling me Yela don’t swing
Look buddy don’t worry bout me
If you in my lane, you would end up in a train that’s ditch with the snakes in a leeches
Gotta take a mothafucka out I get wanted cuz I never did shit but me,
Its about time that I said it, hey would I regret it we’ll see (fuck that)
Yelawolf I am a loose cannon, ask David Banner how deep
I was born and raised in this shit, momma I got manners bout me
But I’ll get dirty if I gotta get dirty and dead a mothafuckin piranha up in a Alabama creek
I’m hotter than you in the middle of the summer
Sitting in a sauna under the sun in a Alabama street, shit
Rockin rollin’ I got noted, I’m going up yeah I’m going
But with my dreams and my people I got that poetry loaded
My soul is sold, and they sold it, sweet [?] they grow it
I leave that potato smoking, look bitch don’t think that I’m jokin
Click, POW!

 

Labor Day Jerry Lewis Telethon Without Comedian: MDA Lost $14 Million Last Year

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It’s Labor Day weekend so there must be a Labor Day telethon, right? Wrong. There’s a two hour show on Sunday night on ABC, a far cry from Jerry Lewis’s beloved (and often playfully mocked) 21 hour Las Vegas marathons. Lewis was fired after the 2010 telethon (and 50 years with the organization).  The show was reduced to six hours in 2011 and just three in 2012. The tote board is gone, too. No big drum roll to see how many millions have come in for Muscular Dystrophy.

Last year it took MDA until the end of September to declare how much they’d made on Labor Day. The number was $58.7 million. But that’s what was pledged. In their new federal tax filing Form 990, MDA doesn’t list that $58.7 million anywhere. And for the first time they don’t even mention the telethon. They just lump it in with other “special events.”

This is a big change from the prior year. In 2011, the proclaimed they’d raked in $61.5 million without Lewis. But when the tax filing was made public, MDA listed under Revenue-Telethon just $30 million collected.

Roxan Olivas, the pr director for MDA, says in an email: “The amount collected in 2011 was approximately $61.5 million (could be less or more based on redemption and after show donations) and is reported in various sections of the 2011 990, including special events. Your statement about MDA announcing $60 million and collecting $30 million is inaccurate. The totals represent pledges, credit card donations, text message donations and telethon-related sponsor support.”

But that 50% collection rate, considerably down from prior years, is what’s listed on the federal tax filing. That’s all we can go by. The number $61.5 million appears not in one place on the 2011 Form 990.

As for 2012, Olivas says: “the amount we collected in 2012 is $58.7 million and was reported in special events of our 990.”

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Actually, she’s wrong. There’s no listing for $58.7 million or the telethon on the 2012 tax filing. This is what’s under “Special Events”: a total of $116 million in gross receipts for all “special events.”  There’s no specific break-out  for the telethon (aka “MDA Show of Strength”). Of that total, $100 million is listed as “charitable contributions.” Gross income from the “special events” is $15.9 million. Olivas says the $58.7 million is part of that. We’ll have to take her word for it.

MDA, via Olivas, will not release a break down of the 2012 telethon. So if the collection rate remained steady or dropped from 2011 and 2010, there’s no record of it. Given the past history of MDA, the 2012 telethon collection was more likely — and this is only conjecture– around $28 million.

Even worse: For 2012, revenue less expenses came to minus–that’s negative— $14 million. That’s better than 2011’s whopping $19 million dip into red ink, but still much worse than 2010 (-$5 million) or 2009 (-$10 million). Of course none of these figures compare with the whopping $42 million loss MDA took in 2008 over bad investments. They wound up cutting their wheelchair program.

Since MDA tossed Jerry Lewis and shrunk the show, the numbers have been going down.  In 2009, MDA claimed $60 mil but collected only $45 mil. In 2010, Lewis’s last year, they claimed $58 million and collected $48 million. were even lower.

Overall donations to MDA are down, too. Total contributions and grants — including whatever money came in from the telethons– fell from $158 mil in 2011 to $149.5 mil in 2012.

There’ s no doubt that MDA still does a lot of good. They still give a sizeable amount away every year– in 2012, MDA distributed $47 million in grants– about $12 million in aid, and $34 million in research. That’s still a lot of money. But it’s much less, say, than when Lewis was there. In 2008, MDA gave away over $61.6 million. In 2009, in the thick of the recession, the number was $53.5 million.

Little by little everything is falling– income, revenue, grants. The only thing that gets better at MDA is salaries.

In 2012, they finally replaced Gerald Weinberg, the long time president, who was making over $400,000. (In 2012, Weinberg still managed to pick up $148k in salary from MDA.)

The new guy, Stephen Derks, comes from the Illinois branch of the American Cancer Society. Derks’ salary, according to the MDA 2012 form 990 was a measly $17,000. His actual annual compensation isn’t listed. But Derks was making $367,000 with ACS. It’s unlikely he took a pay cut.  Olivas did not answer the question of how much Derks signed on for.

The rest of the MDA hierarchy is well paid, all six figures, with exec VP Valerie Cwik coming in at just under $300,000. Indeed, even with revenue falling, there are still no fewer than eleven executives– not counting Derks– pulling six figures incomes.

Review: One Direction, and That’s Up, Up, and Away

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Morgan Spurlock’s “One Direction: This Is Us” about the forenamed band, is a fun, zippy look at five  ridiculously charming and uber cute lads from the UK.  I watched it in a theater filled with teenage hormonal girls and their unabated deafening shrieks were filled with unabashed adoring love.  How could they not? The dreamy guys are Harry Styles, Liam Payne, Niall Horan, Louis Tomlinson and Zayn Malik and the band is the creation of the musical genius Simon Cowell.

The seasoned and respected Cowell admits in a candid moment that the phenomenon caught him completely by surprise. Cowell again — as he did with American Idol and X Fact0r– finds the perfect zeitgeist of fan adoration via the Internet, Facebook, Twitter. All of  which helped spur One Direction’s  meteoric rise to the mega worldwide stars.

Older folks will smile, the film is just plain fun to watch and the music is poppy and quite lovely at times. These young men are actually talented, the boys can sing, which Cowell of course got spot on.

Spurlock gives some touching cameos to the parents of these seemingly normal working class kids, one especially said how he was just a plain rural Dad and seemed truly befuddled by his son’s success.  All the parents are still shell shocked, they still don’t know what quite hit them. You can’t blame them, the scenes of the global swarms of screaming girls harken back to the Beatles.  “One Direction” is the social networking version of that kind of hysteria. And hysteria it most certainly is.

After watching Miley Cyrus’s debacle on the VMAs I think parents will herd their teenagers into the theater to watch genuinely nice, mischievous young men not misbehaving.  Spurlock does more than a good job of making their story an enjoyable, albeit harmless and light foray of boy band fodder.

Confirmation: J.D. Salinger Said in 1962 He Had “Shelves and Shelves” of Unpublished Stories

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Exclusive: J.D. Salinger is getting more exposure than he ever wanted right now. Next week, a documentary and an accompanying book are released by Shane Salerno and David Shields. Almost no one has seen the movie. I have the book. It’s an oral history of Salinger, with reminiscences from a lot of people who knew him or interacted with him. One thing popped out of my cursory reading:  a recollection from 1962 from the esteemed editor and writer Gordon Lish confirming that Salinger had troves of unpublished work.

Lish wrote to Salinger and a bunch of other writers as director of linguistic studies at Behavioral Research Laboratories in Menlo Park, California. He asked them to write an essay for the Job Corps “Why Work” program.

He recalls: “In February 1962 the telephone operator at the Behavioral Research Lab said she had a Mr, Salinger on the phone for me, and because of the nature of the laboratory I thought that she was talking about Pierre Salinger, the press secretary to President Kennedy. So I was surprised to discover that it was J.D. Salinger. He started by saying “You know who I am and you know I don’t reply to telephone calls and mail, and I’m only doing this because you seem to be hysterical or in some sort of difficulty.”

That struck me as amazing  since the telegram had gone out in the fall and here it was winter.  But that was the pretext of his phone call– he said I was in some kind of problem.  Then he said, “You only want me to participate in this because I’m famous.” And I said, “No no no it’s because you know how to speak to children.” He said, “No, I can’t. I can’t even speak to my own children.”

I said it was easy to speak to children if you open up your heart to them. After this we talked about twenty minutes, chiefly about children. His voice was very deep, Haggard-sounding,m weary-sounding. He didn’t sound at all like I expected Salinger to sound. He didn’t possess any of the adroitness I would have anticipated. Anyway he did tell me he never wrote anything if it was not about the Glasses and the Caulfields, adding that he had shelves and shelves filled with the stuff.

So I said, “Well, gee, that will be fine, Just give me some of that.” Soon the phone call ended, and of course, he didn’t agree to provide me with a piece on why he loved his work.”

PS By strange coincidence, The Guardian ran a piece on Lish today. How nice to see he’s still being appreciated. He was a great friend to me many dozens of years ago when I was a young lad being terrorized at Ballantine Books by truly crazy people. Here’s the link: http://www.theguardian.com/books/booksblog/2013/aug/29/gordon-lish-80-raymond-carver

Selena Gomez in Worst Movie of the Year: “Getaway” Rates A Zero with 55 Negative Reviews

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Congratulations Selena Gomez and Ethan Hawke: you are in the single worst movie of the year. “Getaway,” which opens tomorrow, rates a big fat Zero on Rottentomatoes.com. Fifty five reviews are negative. None are positive. “Getaway” outranked such other horrors as “GrownUps 2” (7%), “Paranoia” (3%) and “RIPD” and “The Lifeguard” (each 11%). “Getaway” co-stars Jon Voight (who’s used to better effect on Showtime’s Ray Donovan) and soap star Rebecca Budig. Someone named Courtney Solomon directed it. Hawke is a former Oscar nominee (“Training Day”) who should know better. But poor Selena. She may have to stick to singing and teasing Justin Bieber.

Clint Eastwood’s Marriage Breaks Up: That’s 2 A List Couples in 2 Days

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Clint Eastwood’s 17 year marriage to Dina Ruiz is over after 17 years and one daughter. They’re the second A list Hollywood marriage to tank this week– following Michael Douglas and Catherine Zeta Jones. Is a third couple lurking out there? Quite possibly. The Eastwoods were married in 1996.. They have a 16 year old daughter named Morgan.

Last year, Dina and Morgan and Clint’s daughter with Frances Fisher, Francesca, were all part of a reality TV show. This was so unlike Clint, and he didn’t want it. But he relented and regretted it. When I ran into him last winter he was dining with friends, no Dina in sight. He made it clear that the TV show wasn’t his idea, and that it was over.

Eastwood is now 83 years old. He will never retire. He’s currently shooting “Jersey Boys,” the movie based on the musical. During the marriage he’s directed “Mystic River,” “Million Dollar Baby,” “Hereafter,” “Invictus,” the wonderful “Gran Torino,” “Flags of our Fathers,” and “Letters from Iwo Jima” (in Japanese!),  acted in “Trouble with the Curve.” He’s relentlessly productive and successful. There’s no one else like him. In the last 20 years he’s won Best Picture and Director twice in a combo, for “MDB” and “Unforgiven,” his masterwork. Maybe Dina thought he’d retire some day.

Around them, everyone knew the marriage was over some time ago. Still, it’s sad. Now if we get one more couple this week, it’s a trifecta, hat trick. Place your bets.

June Foray, 95, Voice of “Rocket J. Squirrel” and “Natasha,” Getting Lifetime Emmy Award

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June Foray, the woman considered the Queen of Cartoon Voices, is getting a lifetime Emmy Award at the big show September 22nd. Foray is approximately 95, and has voiced some of the great cartoon characters of all time like Rocket J. Squirrel from “Rocky and Bullwinkle” and Natasha of Boris and– fame. She also voiced Nell in the classic “Dudley DooRight.” More recently, Foray has been a voice on Looney Tunes just this year and has never stopped working since she began in 1943. Good for her!