Thursday, December 18, 2025
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Box Office: “The Butler” Takes One Direction, Wins Labor Day Weekend

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Lee Daniels’ “The Butler” won the four day weekend box office for Labor Day, beating teeny boppers One Direction. The Forest Whitaker-Oprah Winfrey drama took in $20 million total Friday- Monday, as opposed to $18 million for “This Is Us,” a 90 minute commercial for the hastily assembled boy band. That’s a relief, isn’t it? One Direction fans turned out less and less over the weekend. There was something they didn’t get from that film– was it sex, or anything personal? Maybe. “The Butler” meantime speeds along to the Oscars. It’s only one of three films released so far in 2013 that could make the top 10 and only one of 2 that will probably will. (I’d rank them “The Butler,” “Blue Jasmine,” and “Fruitvale Station.”) “The Butler” is headed for $100 million and then some.

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MDA Fibs About Telethon Money Collected on Website Tote Board

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MDA– I don’t get it. They just continue to play word games. It’s all semantics. On their website tote board this morning they’re touting over $54 million raised. You mean last night? From the telethon? No. No No. It’s right there, hiding in plain sight under the numbers: “MDA families thank the generous American public, and the collective contributions of our partners recognized on the telethon, for raising funds to continue the progress in the fight against muscle disease.”

Got that? I bolded the important wording. “The collective contributions of our partners recognized on the telethon.” That’s all the money they’ve collected all year– I suppose it’s since January 1st, 2013. The money collected from big corporations like JiffyLube who became defacto advertisers on the two hour ABC special non-telethon.

In fact, the digital tote board on the website showed just $13 million raised after two hours, and $17 million at 11:23pm. And even that fell under the “collective contributions” rubric.

How much money was raised during that actual broadcast? I think ABC has a mandate to break that down as they allowed this fundraiser on a regular network. If MDA announces $54 million raised on the telethon, ABC is going to have a lot of explaining to do.

Meantime, questions persist about that MGive Foundation, which collected the text message donations. Read my story from last night.

MDA 2Hour Telethon: $17 Million “Raised,” And Questions About Company Collecting Texts

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The two hour MDA “Show of Strength” on ABC has just ended. The organization’s website has a digital tote board (since the show was taped a month ago). It says they raised $17 million as of 11:20pm EST. Based on past reports it’s not clear if that was raised or pledged. But more importantly, there’s a problem and I can’t believe it.

MDA uses a group called MGive Foundation in Colorado to collect its donations given by text messaging. But according to Guide Star, MGive Foundation hasn’t filed its own Form 990 tax filing since 2010. That’s three years ago. Under GuideStar rules, MGive could be dropped altogether now because three years is their limit for groups not filing. (They actually filed their 2010 report two years ago and haven’t filed again.)

In 2010, MGive says it collected $21.4 million and had expenses– I am assuming this was the forwarding of donations to charities who used them–$19.4 million. Where did the other $2 million go? I have no idea.

I can’t I’m comfortable with a text donation middle man company that doesn’t file its own reports spotlessly on time. It’s certainly alarming that MDA is using them.

And the show: humorless. Canned. Devoid of personality. Very sad, of course, because the kids need help and need research and money for it. No question about it. Jerry Lewis’s name was invoked once, in passing. Slickly produced. The actual donations will be a result of the audiences’ genuine feelings for the kids. The rest of it looked like it was produced in Branson, Missouri for a generic charity.

 

Labor Day Telethon: MDA New President Invokes Jerry Lewis Name in Letter to Followers

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Here’s a new twist: the new president of Muscular Dystrophy Association has invoked Jerry Lewis’s name in a letter to followers. Stephen M. Derks has posted a letter to website www.mdausa.org summarizing MDA accomplishments and asking for support. But Derks, newly installed from his position as head of the American Cancer Society in Chicago. invokes the name of MDA’s former spokesperson and standard bearer even though the organization famously fired Lewis three years ago.

First Derks writes: “Where would MDA and the fight against 43 muscle diseases be without the amazing Jerry Lewis? Certainly, we would not be at this hopeful spot. Forever he will be our greatest “muscle maker,” a true hero in the hearts of millions. He and all of our sponsors, and thousands of celebrities as well as millions of generous Americans who said “yes” to him, brought our fight into America’s living rooms.”

Then he adds: “Thanks to Americans saying yes to Jerry Lewis’ requests and the requests of all our sponsors and volunteers, new, lifesaving breakthroughs are not only on the horizon they are being injected into people today.”

This is what’s known as a “sop.” It’s a way of exploiting Lewis’s name without apologizing to him or making any kind of peace with him. Lewis must be bitterly amused. But Derks knows that regular contributors to MDA have declined tremendously since Lewis’s ouster. He almost must be fearing a bigger drop tonight after the 2 hour “Show of Strength” special, no longer a telethon, on ABC.

Look up the word “sop,” kids.

PS Lewis’s name appears nowhere else anymore on the MDA website. He’s been erased from their history.

One Direction Soft So Far; “The Butler” Might Have Best Box Office Ever for 4 Day Weekend

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Box office: One Direction fans are simply not flocking to the box office to the boy band of 2013. So far “This Is Us” started with a strong Thursday-Friday $8 million take, then fell more than 50% and did $4 million on Saturday and pretty much the same today. The total now is $17 million. Meanwhile Lee Daniels’ “The Butler” looks like it could take the four day weekend. “The Butler” has improved each day over the weekend, the inverse of One Direction. Are One Direction fans simply not spending the money for tickets with back to school supplies needed? The box office response is simply not the tsunami that one might have predicted.

Elsewhere: Woody Allen’s “Blue Jasmine” has crossed the $20 million mark. Its next magic line will be $23.2 million, which was the total for “Vicki Cristina Barcelona.” Then $40 mil for “Hannah and Her Sisters” and $56 million for “Midnight in Paris.” All signs point to the first and maybe second landmarks. Plus awards season will churn it up again.

And Jennifer Aniston has a bona fide hit “We’re the Millers.”All that pole dancing paid off. The reviews weren’t very good, and early box office was so- so. But “We’re the Millers” has turned into the summer comedy hit, a choice away from all the heavy stuff. It may not be a classic comedy, but it’s a relief for searing temperatures.

Telluride: Movie Press Becomes Hyperbolic, Giving Everyone Oscar Nominations

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Between Venice and Telluride, the 2014 Academy Awards are over. Just like that. Staying in New York this Labor Day weekend, I’m getting a kick out of reading completely over the top reports from the festivals. Is everyone drinking too much coffee? As far as I can tell, Variety, THR, Deadline and The Wrap are falling over themselves to proclaim one movie “stunning” and another “a definite Oscar winner” — or some such nonsense.

Some of this comes from the writers not having been in Cannes, so they’re seeing some films like Alexander Payne’s “Nebraska” and Joel and Ethan Coen’s “Inside Llewyn Davis” for the first time. Yesterday’s mania came with “12 Years a Slave,” which is supposed to be pretty good. But to read Chris Willman in The Wrap, he needs a Valium. i could be just the altitude.

THR, of course, is already setting up Oscar predictions. And GoldDerby.com has put out its spread sheets. Kids, it’s September 1st. The Oscars aren’t until March 2, 2014. This is all a little premature. There are plenty more movies to see and performances to evaluate. It’s impossible to start drawing up lists now. Maybe around October 15th. But today? Keep Calm and Refrain from turning this into a circus.

I am a little amused that one article already predicted four of five Best Actor nominees. You know, a lot has to happen before we get to that point. Of movies released to the public so far, only three this season merit awards talk- “The Butler,” “Blue Jasmine,” and “Fruitvale Station.” Otherwise, really, get a grip. Both the Coens’ movie and the Payne movie looked like contenders in Cannes. Robert Redford was outstanding in “All I Lost.” Now word is that “Gravity” and “12 Years a Slave” are quite good. But few have seen these, they’re not released, and there’s a lot more to come.

The downside is that the general public doesn’t want to think about this for six solid months. And it’s going to spoil appreciating the good films. And there are plenty of those this season.

One Direction: Teeny Bop Doc Falls Short on Opening Night with $8.9 Mil

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Well, all you One Direction fans. You did not get out there last night to help the Faux Fab Five beat Justin Bieber’s opening night for his documentary. “One Direction: This is Us” did $8.9 million last night, a far cry from Bieber’s $13.1 mil Friday night opening a couple of years ago for “I Don’t Wear Shirts,” er, “Never Say Never.”

So “The Best Song Ever” wasn’t enough to draw out the tweeny girls. I’m surprised. Anyway, four day weekend could give Sony a $30-$33 million take, which isn’t bad. In real movie news, Lee Daniels’ “The Butler” made $3.6 million on Friday night, will have a nice $15 million weekend as it speeds toward its inevitable $100 million domestic.

“Getaway,” the worst reviewed movie of the year so far, made $1.4 million last night. That’s pretty good all things considered.

More numbers to come…

Here’s the video for Best Song Ever. It’s pretty funny.

 

Exclusive: Whitney Houston Estate Preparing Documentary About Late Singer

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Exclusive: details are still sketchy, but I am told that the Whitney Houston estate is putting together a documentary about the late singer. Executor Pat Houston, Whitney’s sister-in-law, is said to be the executive producer. The film could offer rare home footage and that sort of thing, but it certainly won’t be an objective film about Whitney’s rise and fall. It will most likely be a tribute film, much like the current One Direction infomercial in theaters now.

One thing about so-called documentaries about star singers: you can’t make ’em unless the principle performer or their estate agrees not to block rights usage of music and/or likeness. If a journalist were to make a film about Whitney Houston, the estate would block the rights to use her music. It’s too bad, because an actual doc about Whitney would try to examine what happened to her. This will likely be a rah-rah celebration.

We’ll see what happens, It will  be interesting to see how they handle Bobbi Kristina shacking up with the boy Whitney took in, and everything about Bobby Brown. That movie might be made in 20 years, but not now…

“American Idol” Settles for Harry Connick Jr After Everyone Turns Them Down

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The only person who’d agree to be an “American Idol” judge was finally named one tonight. Harry Connick, Jr. auditioned last spring for a spot on “Idol” but was dismissed by Simon Fuller. Instead, Fuller and co. flipped through a bunch of possibilities, from Jennifer Hudson and several former “Idol” winners to producer “Dr. Luke” and Justin Bieber’s manager, Scooter Braun. The word was that Sean “Diddy” Combs turned them down.

And now, with minutes to spare before the auditions process begins, “Idol” was forced to go back to Connick, the guy they should have hired in the first place. Connick adds class and wit to the judge’s panel. He joins Keith Urban, who acquitted himself very well last season, and Jennifer Lopez, who looks good even if she’s not an actual singer. What “Idol” doesn’t really have is rock and roll — Urban is country — or actual R&B. it would be nice to see a male African American join the group. It’s hard to believe that Seal wasn’t free.

Anyway, Randy Jackson will move to a mentor’s role. Maybe in time he’ll go back to the judges’ table. “Idol” is the victim of age–it’s old, the audience is old, and the ratings last spring were on a huge downward trend. This could be the final year. The long knives will certainly be out. But Harry Connick Jr is a good choice. Surprising though: he records for Sony/Columbia and technically, they’re the enemy. Universal Music has the deal with “Idol” for all the artists.

Exclusive: Lindsay Lohan is OK, Says She Wasn’t Set to Be in Venice

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Everyone can calm down. Lindsay Lohan is just fine, thanks. She didn’t show up at the Venice Film Festival because she says she wasn’t supposed to be there. Whew! Lohan emailed me this afternoon: “I’m great! Thank you! No I wasn’t set to go. Just staying focused on me and my recovery :)”

Frankly, Lohan is smart to work on her sobriety and not get any more involved with “The Canyons.” Director Paul Schrader and porn star James Deen handled the movie’s press conference in Venice just fine from what I can tell. But the film did poorly, was reamed by critics, and has ended its life in the U.S.

check out today’s headlines– click here for more Showbiz411

Lindsay is moving forward from that bad choice. She’s filming an episode of “Eastbound & Down” for HBO and making more plans for quality productions. Let’s hope she has a tranquil Labor Day weekend.

PS Lindsay gave “The Canyons” a nice plug on her website, and published a picture from the photocall today. Very classy!

P.S. Radar is reporting Lindsay may host the season premiere of “Saturday Night Live.” Can’t wait! www.radaronline.com