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Mia Farrow Goes After Woody Allen Again, 21 Years Later, to No Avail

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Mia Farrow is on the war path. She’s gotten Maureen Orth to write a piece in Vanity Fair accusing Woody Allen of something–child molestation, anything to retaliate against him for romancing and marrying her adopted daughter Soon Yi in 1992. And for being wildly successful late in life.

Orth does what she can to accommodate Farrow, including painting her as the patron saint of handicapped adopted children and the savior of central Africa. In fact, Orth presents Farrow first as an angel, then turns to her mission of assassinating Allen once the reader is in.

Orth asks Farrow about Allen’s latest film, “Blue Jasmine.” Farrow responds that she doesn’t know what Orth is talking about. Right. The timing of the Orth article is no coincidence: it’s designed to smear Allen just as Oscar season begins. It’s hilarious and sad that after 21 years, Farrow still wields an ax for Allen.

If you do read this piece, and I’m sure you will, there’s a lot that Orth leaves out. Uncomfortable as it may make people today, Allen has been with Soon Yi without incident since 1992. They have two children. They are fairly public, also. They were featured in a documentary made by Barbara Kopple, and in a PBS documentary last year. They seem to be very happy, which makes Farrow probably even more agitated.

In the story, Mia Farrow tries to raise the idea that her son with Allen, Ronan Farrow, was fathered by Frank Sinatra. Ronan–then known as Satchel– was born in December 1987 the same week Allen’s movie, “September,” was released. Vanity Fair has juxtaposed pictures of Ronan and Sinatra opposite the article.

But as I wrote recently, there’s no denying Ronan is Allen’s kid. His Twitter account is filled with one liners that could only come from the mind of Woody Allen’s progeny. I don’t think Frank Sinatra was known for his sense of humor and adroit glibness.

There’s no doubt that Mia Farrow was deeply wounded by Woody Allen. So were her kids. But to carry on a vendetta into a third decade seems tacky and pointless. To suggest that he is guilty of things for which he was exonerated — with no real evidence and a lot of innuendo– is kind of pathetic at this point.

Meantime, I did run into Ronan Farrow a few weeks ago. He is obviously smart, talented, and good looking. After working for the State Department, and then serving as a Rhodes scholar at Oxford, he told me that he had a book contract (Orth says he’s writing a book). He also said he’d be joining a major publication soon (Vanity Fair, maybe?). His Twitter account shows a keen mind. But if he were smart, he’d go to Woody directly, and not let this story continue as a public spectacle.

PS I just got my November VF but I’ve already read James Wolcott’s piece on JFK, Lisa Robinson’s astute cover story on Jay Z, and the excerpt from Anjelica Huston’s terrific memoir. It’s quite an issue!

Cher Ties Barbra Streisand for Top 3 Album at Age 67

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Cher has tied Barbra Streisand for a record in the music biz. At 67, Cher’s new album “Closer to the Truth” is ranked at number 3 for the week. That would make her the oldest female singer to score a Top 3 debut. However, Barbra Streisand did the same thing in 2009 with her “Love is the Reason” album. And she came in at number 1 on Billboard and number 2 on hitsdailydouble.com.

Together they will share this distinction. Of course, Streisand sold around 167,000 copies compared to Cher’s 61,000. But times have changed and albums just don’t sell like that anymore. Still, for Cher it’s a little more of a distinction because it’s a longer time since her last album. Streisand is pretty reliable with a new release every 18-24 months.

But of all the female artists of the 60s and 70s, they’re the winners and the biggest successes over all. Hats off to these two divas!

Tina Turner, the ball is now in your court!

Pop: Drake– Bar Mitzvah Boy with Memphis R&B Roots–Hits Number 1 Big Time

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Drake is numero uno this afternoon. He sold 658,179  copies of his “Nothing was the Same” album and came in on top of the charts like crazy. He completely out sold number 2, Kings of Leon. Their “Mechanical Bull” motivated only 115,088 fans to plunk down some dough. Old pals Cher and Elton John followed in the top 5. But aside from Drake it was a pretty sad week saleswise for everyone. Sting came in at number 11 with  “The Last Ship,” and that’s pretty good considering it’s an album tied to a Broadway show.

Who is Drake? He’s always fighting with either Chris Brown or that Bieber kid. His real name is Aubrey Drake Graham. Are you ready for this? His mother is Jewish and he was Bar Mitzvahed. His father is black, and the father’s uncles are Larry Graham (of Graham Central Station and Sly Stone fame) and Memphis legend Teenie Hodges. Wow. The parents divorced and Drake grew up between Toronto and Memphis. Good genes. Good for him.

Anyway. Lots of good music. Drake is now the prime suspect in the hunt for Album of the Year and R&B nominations at the Grammys.

The song starts at 2:45

Daniel Radcliffe Makes Radical Moves Away from “Harry Potter”

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Well, we finally saw the artfully made “Kill Your Darlings” last night at its New York premiere. Daniel Radcliffe continues his grand crusade to move away from “Harry Potter.” In this one, he makes out with Dane DeHaan while playing the famed late gay poet Allen Ginsburg. He also gets fellated by a female coed while making eyes with DeHaan, who plays Lucien Carr.

“Kill Your Darlings” recalls the true story of how Carr murdered his gay lover, played by “Dexter” star Michael C.Hall, then asked Jack Kerouac (an excellent Jack Houston) to help him get rid of the switchblade in question. The fourth part of this group is William S. Burroughs, in a spot on performance by Ben Foster.

Yes, it all happened in 1943, in New York, when ‘downtown’ was considered ‘for queers’ only, and these boys were making a mockery uptown of Columbia University. Of course, Kerouac, Burroughs, and Ginsberg all went on to become quite famous. Carr spent a short time in jail, married three times, and two children. One of them is Caleb Carr, author of “The Alienist,” a movie no one’s been able to make.

Last night’s premiere at the Paris Theater– and then the new downtown Tao in the Maritime Hotel– brought out a few interesting types. Jason Ritter, shooting a midseason TV series in Brookly, stopped by. Famed publisher Nan Talese and husband Gay, the esteemed writer, caught the screening. James Marsden and Patrick Wilson also attended.

This is what I can tell you: everyone in this film is young and thin. I hated all of them.

Seriously: Daniel Radcliffe remains the same great “kid.” Everyone loves him. He’s serious about his work. Dane DeHaan is The Next Big Thing. He’s the new Leo. He’s off to shoot a movie playing James Dean alongside Robert Pattinson. Then he plays Harry Osborn in the second “Spider Man” movie of this series. If James Franco isn’t careful, DeHaan will next play a hiker who loses his leg while trapped in the Andes. Then he’ll start writing novels and going back to school.

PS I wish Michael C. Hall had been at the premiere. “Kill Your Darlings” is first step to movies now. And there’s an irony since “Dexter” killed all those people. It’s Hall who gets it in “Kill.” Poetic justice for real!

 

Tom Hanks Skypes The Real Captain Phillips into Star-Studded L.A. Premiere

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What do you do when the subject of your movie has to go back to work in the real world? Tom Hanks and Sony Skyped in the real Richard Phillips for last night’s L.A. premiere of  “Captain Phillips” at the Academy. The VIP crowd–including Michael Mann, Lou Diamond Phillips, Stephen Merchant who came with John Krasinski, Harry Hamlin, Avatar Editor Stephen Rivkin and numerous Hollywood insiders, agents etc–loved it. The talk floating at the screening is that this film will be a major contender for the award season. Tom Hanks could easily garner his third Oscar for his searing portrayal of Captain Phillips.

Director Paul Greengrass introduced the film and said that, “It was physically pretty arduous out there on the ocean. But it also was an absolute pleasure. ” Greengrass went on to thank “our fearless leader Scott Rudin, Producers Michael DeLuca and Dana Brunetti, screenwriter Billy Ray, casting director Francine Maisler and another talented newcomer who I think might have a future in this business, Tom Hanks.”

Tom explained that “the real Captain Phillips can’t be here, he’s going back out to sea but through the wonders of Skype, here he is.” A huge screen then showed Captain Phillips who quipped, “You guys look awfully small.” Greengrass said to Phillips: “We hope we told the story of what you went through well,” Phillips replied. “You did a great job Paul.” The Captain joked: “Tom, well he did a good job.” Tom, ever the comedian, then tried to arrange the Skype camera so Captain Phillips could see the film to no avail.

At the reception after, I spoke with Barkhad Abdi, the Somalia native who, in his first role, goes head to head with Hanks as the Captain of the Somali Pirates. He’s just spectacular. He told us, “I grew up in Somalia. I came here to Minneapolis, when I was 15. They were auditioning at a gym by my home. I never acted before. Tom was the best, hardworking and humble.” I told him he might get a nomination out of this. Is he going to stay in acting? Barkhad replied, “Well it seems that I’m pretty good at it, so I want to.”

I also spoke to Faysal Ahmed, who plays the psychotic Somali pirate. Faysal, whose parents are from Somalia, but he was raised in Yemen till he was 14 then also moved to Minneapolis. Faysal told me, “I accidentally hit Tom when we were doing a scene in the lifeboat. It was such a small space, Tom was sitting, I’m a big guy and it was a mistake. I grazed him really on the face, but still. I felt horrible. Tom was so cool about it. He went over to me and told me to move past it, that he was fine and it was no big deal. That’s how cool Tom was the entire time to the cast and crew.”

When I told Greengrass the film was unrelenting in its thrill aspect–his expertise–he told me, “That was my intent. It was a tough, tough shoot-but everyone handled it so well.” Altogether, Greengrass filmed for 60 hours on the high seas. Not easy.

One of the unexpected highlights was chatting with the incomparable opera singer Renee Fleming who with her manager, Untitled’s powerhouse Dannielle Thomas. Lovely Renee told me she loved the film and was out in LA for movie and television meetings. She’s also planning to see the Los Angeles Opera’s production of Carmen with Chairman Of The Board no less. She also told us she’d be in LA in the spring to do Adnre Previn’s opera of “A Streetcar Named Desire.” We here in LA can’t wait for that!”

“Breaking Bad”: Badfinger “Baby Blue” Goes Top 20 in iTunes

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Holy moley, as they say. Badfinger‘s lost classic of an album, “Straight Up,” is back on the charts. Thanks to the “Breaking Bad” finale use of “Baby Blue,” the album and the single are hits. On the Beatles’ Apple Records. “Baby Blue” is number 10 on amazon.com and number 13 on iTunes this morning.

The album is at 94 and 99, respectively. For people who buy the album and have never  heard it before, you can only imagine what they’re thinking. “Straight Up,” produced by George Harrison and Todd Rundgren, is a mini masterpiece. It contains the still fresh sounding masterwork single, “Day After Day.”

I know everyone is crazy for Vince Gilligan because of the TV show, but I have to thank him for this. It’s been 41 years since “Straight Up” came out and it sounds better than ever.

Entertainment Weekly found Joey Molland, the only living member of the group, right after “Breaking Bad” aired. He had no idea the show was using the record but sounds pleased. He has a new CD of his own coming out in November.

“Baby Blue” was written by Pete Ham, who took his life after a long bout of depression. As a lot of fans have written in, Badfinger was plagued not by drugs but by bad management. They had long court battles, were ripped off, and it eventually all took a toll.

PS It was Peter Asher at Apple who discovered Badfinger. When he does his entertaining one man show, Peter brings along a Badfinger replica band. They play “Day After Day.” Now they may add “Baby Blue.” Peter always had great ears– he also discovered James Taylor.

 

 

Katy Perry Sends 2 More Hits to Top of the Charts, Miley’s New Album Disappoints

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And now, the beginning of a new music year: Katy Perry released two new tracks from her forthcoming Prism album last night. They immediately went into the top 10 on iTunes. “Walking on Air” went right to number 1, with “Roar” holding strong at number 2. Another new track, “Dark Horse,” jumped to number 9. “Prism” isn’t released until October 22nd. But it does seem Perry’s people have followed the Taylor Swift pattern from one year ago.

“Dark Horse” didn’t do much for me. But “Walking on Air” is a strong track, again creating “the sound of triumph,” as I told you weeks ago about “Roar.” Perry’s production team is very smart. They showcase her strong, strong voice. And they write songs that are upbeat anthems. Katy Perry is no Joni Mitchell or Carly Simon. There’s no time for introspection. She is “Walking on Sunshine” 24/7, lest her teen followers feel let down. It would be so interesting to hear her sing real songs with a real producer. But I doubt that will happen any time soon. In the meantime, it’s all good.

Miley Cyrus’s “Bangerz” album is streaming on iTunes. It’s not very interesting. I really liked “We Can’t Stop.” But the rest of “Bangerz” feels tired, hackneyed, anonymous. You can only push the naked thing so far. At some point there have to be records. Miley has ‘duets’ with Britney Spears and with Nelly. Right away, you sort of feel manager Larry Rudolph used her to push other clients. And not very hip ones. (I liked Nelly’s “Suit” album, don’t get me wrong. But it was a long time ago.)

Streaming the whole album now may be a mistake. It might have been better as a surprise. “Bangerz” goes on sale Oct. 8th. One thing: a couple of times you can hear her actual ‘country’ style voice come through. That’s her natural style. And that’s where Miley should be headed as she gets older. She’s forcing this “female rebel” thing.

Grammy Deadline Is Here: Some Albums of the Year for 2014

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Tonight as the government shuts down, so does arrive the Grammy deadline. Albums are eligible for the 2014 Grammy Awards if they were released between October 1, 2012 and today. The pickings are slim but still pretty decent all the same. It’s always interesting to see who pushed hard to make the date and who didn’t.

Those who released albums last fall after the deadline for 2013 included Alicia Keys with “Girl on Fire” and Van Morrison with “Born to Sing: No Plan B.” Will the Grammy committees remember them or will they fall into an abyss? The Van Morrison album is one of the best of his long, illustrious career.

So what will the committee have to choose from? First of all, there’s Justin Timberlake‘s Complete 20/20 Project, JT released part 2 today to make the deadline (albums are usually released on Tuesdays). He’s in, no matter what, and at this point will probably win Album of the Year from the sheer momentum.

What else?

There will be a big push for Bruno Mars‘s “Unorthodox Jukebox,” released in December 2012. It was unorthodox because the lead single was a rip off of The Police. Even now, a year later, it’s an embarrassment frankly.

Also from last year: Macklemore and Ryan Lewis‘s “The Heist.” It was released on October 9, 2012, although many of its pieces had already come out. They are no England Dan and John Ford Coley, that’s all I can say on the subject.

Another given is Robin Thicke‘s “Blurred Lines” album. The song remains ubiquitous. We’ll see what happens. Same for Daft Punk and “Get Lucky,” although the single really belongs in the Dance Music category.

Best album? Elton John‘s “The Diving Board” could be a surprise in a lot of categories. T Bone Burnett produced, with great songs by Elton and Bernie Taupin. Elton John has never won a Grammy for Best Album despite a catalog of beloved collections from “Goodbye Yellow Brick Road” to “Madman Across the Water” and about a dozen more. “The Diving Board” seems like a natural. It’s just magnificent.

Jay Z‘s “Magna Carta Holy Grail” if for nothing but the main title sung by Justin Timberlake. The Grammys will very JT and JZ on January 26th. Trust me.

What about “Yeezus”? It’s hard to imagine, but maybe just to appease Kanye. It’s not his best work.

David Bowie’s “The Next Day” was a total triumph, with lots of memorable songs and beautiful production. A total return to form and a sales success as well.  Rod Stewart‘s “Time” album was also excellent and got no promotion or marketing.

Elvis Costello‘s “Wise Up Ghost” with the Roots– a moody, beautiful collection with Elvis at his lyrical best.

There’s also Sting‘s “The Last Ship” which will go into traditional pop and should win handily.

What about women? Taylor Swift‘s “Red” will come back to bite us– it was released in October 2012. You know she’s looking at Album of the Year. Emeli Sande‘s wonderful “Our Version of Events” album was officially released in February 2012. There was a re-release in October 2012, but I don’t think that will work. Katy Perry had just a single, “Roar,” which will get Best Record and maybe Best Song. Lady Gaga has the “Applause” single. Sara Barielles had “Brave.” But other than those and Alicia Keys it was a light year of the ladies.

What were your favorites during the Grammy eligibility year?

Bono, U2 Preparing First New Album Since 2009 for Spring 2014 (Exclusive)

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Really? Will it be five years since U2 released a new album? That’s indeed the story. I can tell you that Bono, Edge, Adam Clayton and Larry Mullen Jr. are planning a new album for early spring 2014. And it will be the first since “No Line on the Horizon,” a so-so effort (sorry) compared to the group’s many thrilling and classic recordings.

“No Line” was released in 2009. Bono was on David Letterman last week and said that everyone basically had to be patient and wait for a great album. But I am told that the album is pretty much in place and that work has commenced on art, videos, and other related items. When U2 comes with a release now, it has to have all its ducks in order.

What was the group doing all this time? Well, they made zillions touring. And of course there was “Spider Man: Turn off the Dark.”

U2 will be welcomed back by the music industry with parades and fireworks.

“Breaking Bad” Series Finale Scores Whopping 10.3 Mil Viewers

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The broadcast networks wanted to know where everyone was last night. Well, they were watching “Breaking Bad” on AMC on cable. The series finale was up 300% from the last “Breaking Bad” season finale in the key demo. The total viewing number was 10.3 million. At the same time– 9pm– 1.9 million people were watching the return of “Homeland” on Showtime.

This means that aside from football games, “Breaking Bad” had the most number of actual viewers than the totals for the night on CBS, ABC, and Fox. NBC won the night with 15.9 million people watching the NFL.

Of course, it was a one time thing. AMC could only wish “Breaking Bad” had more episodes. Now they will return to shows like “The Walking Dead” and wait for seven episodes of  “Mad Men” each in 2014 and 2015. But this was a phenomenon that built week after week.

Who could have imagined that Dr. Tim Watley–actor Bryan Cranston– would go from being a a dentist who becomes Jewish for the jokes to Malcolm’s nutty father to an insane meth dealer dying of cancer? Only in America.