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Shock: Justin Timberlake Will Perform on AMA’s, Takes Himself Off 2014 Grammys?

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Quel surprise! Justin Timberlake has agreed to perform on the American Music Awards November 24th on ABC. This means, if tradition is observed, Timberlake will not be asked to perform on the Grammy Awards come January 26, 2014. Under famed producer Pierre Cossette the rule was that an appearance on the AMAs meant no Grammy airtime. I can’t imagine that Ken Ehrlich would change the rule now.

This is particularly interesting since Timberlake’s “20/20” albums were expected to the stuff of many Grammy nominations. The combined two “20/20” albums were the bestselling CDs of 2013. Timberlake is definitely a would be contender for the albums and for the singles “Mirrors” and “Suit and Tie,” as well as his duet with Jay Z called “Holy Grail.”

The Grammys have always considered the AMA’s the lesser prize, a Golden Globe versus their Oscar. The AMA’s are not run by the Recording Academy but are just a function of Dick Clark Productions like the ridiculous People’s Choice Awards and the Globes.

Until today’s announcement, this year’s AMAs were already featuring artists that likely be wouldn’t be involved in the Grammys, like Macklemore & Lewis, Miley Cyrus and Ke$ha. If Justin Bieber had an eligible record, he’d be there too.

In a way, this means Timberlake cedes the Grammy stage to Robin Thicke. Other likely Grammy performers could be Eminem and Rihanna, Katy Perry, Elton John, Paul McCartney, and so on.

The AMAs are also claiming Lady Gaga and One Direction. This may disqualify them from Grammy appearances as well.

Ehrlich and NARAS may feel that Timberlake was played out from his 20 minute VMAs performance in August and his big showing on this past year’s Grammys. Frankly, I’m surprised. The backstage politics in these things is crazy. Now the Grammys go on the hunt for a centerpiece performer who can produce ratings.

Stay tuned…

 

Lady Gaga: Will ArtPop Benefit from Flying Dresses, Drug Confessions, Jeff Koons?

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ArtPOP is here. Or ARTPOP. However you capitalize it, can Lady Gaga capitalize on all the noise surrounding it? Yesterday she introduced the world’s first flying dress. In the last few weeks she’s been naked, played different characters, and admitted she became addicted to drugs and alcohol during her hip surgery recovery. She’s also dragged contemporary artists Jeff Koons and Marina Abramovic into the mix.

And now it’s time for ArtPop. The album is released officially today, and it’s already number 1 on iTunes, of course.

Along the way Gaga has essentially dumped the manager who made her number 1, Troy Carter. She’s out on her own. If ArtPOP sinks or swims, it will all be Gaga’s vision.

She already has to overcome the huge debut of Eminem’s new album, which will the charts tomorrow with between 700 and 750K albums sold. Can Gaga beat that number? It’s unclear what will happen. She hasn’t had the out of the box hit Eminem had with “The Monster.” (And isn’t ironic that Gaga’s fans are “little monsters”?) In the Eminem hit, Rihanna sings that she’s made friends with the Monster under her bed. Is that monster Lady Gaga?

I’ll say this: Gaga has a great great voice. Just watching her on the live stream last night of her Brooklyn concert is elucidating. Her voice is full of power and melody. I can’t wait for her duet album with Tony Bennett. When you watch the live stream, you’ll see it’s all her. Unlike most pop stars right now, there does’t seem to be a lot of augmentation.

Now if she can just get a real hit single to drive that album. Let’s see what happens this week.

http://www.vevo.com/lady-gaga-artRave

“Thor” No Bore: $86.1 Mil US, $327Mil Worldwide–Could Loki Get His Own Movie?

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“Thor: The Dark World” didn’t hit that $90mil mark in the US this weekend, but its take was good enough. The hammer swinger took in $86.1 million here, and now has a worldwide total of $327 million. Ray Subers of boxofficemojo.com thinks that Marvel fans flocked to “Thor 2” as a kind of sequel to “The Avengers.” He may have a point. But it also did $15 mil more than the first “Thor” from two years ago.

The main point, I guess, is that Marvel has all its movies working on all fronts– The X Men and Wolverine series, Spider Man, Iron Man, Captain America, and The Avengers. They are all cross referenced through the studios that release them, too. The unexpected “Easter eggs” and flash forward teasers also make the movies must-see right away. You literally have to sit through all of “Thor 2” and some of its credits to get future info. That’s cool.

Of course one element of “The Dark World” popularity–besides Chris Hemsworth and Sir Anthony Hopkins–is Brit thespian Tom Hiddleston as Loki. Now the drum beats begin for a solo Loki movie and story. Is this possible? I don’t think so. (Sorry!) Loki is a snarky villain. It would be fairly difficult for him to carry a whole movie on his own. He certainly can’t be turned into a hero. So a new hero would have to emerge. And then the whole formula would be turned inside out.

For the same reason Catwoman’s movie was a misfire, Loki’s would be too. But let him wander through the Marvel universe, causing trouble wherever he goes. He’d be welcome anywhere. But The Joker and the Riddler didn’t get movies in the DC world, and plenty of other villains have been very happy to remain troublemakers where they’re needed.

“Big Fish,” Third Broadway Bust of Season, Will Close Next Month

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Broadway: The truly bad musical of the movie “Big Fish” will close on December 29th after 34 previews and 98 performances. How “Big Fish” made it this far is a mystery– as is how it will last six more weeks. Based on Tim Burton’s movie, “Big Fish” is one of those jaw dropping disasters you feel bad for. But everything about it was misguided and made no sense.

The worst part was the score by Andrew Lippa. There isn’t decent song. Didn’t anyone realize this before they went forward? None of the songs have choruses! Lippa should really not be allowed back to Broadway unless he can demonstrate an ability to write a song that might play on radio– any radio.

Two weeks ago “Big Fish” played at 68.9% capacity and took in just $647,165. This past week’s figures will be published tomorrow. They must be even worse.

“Big Fish” is the third new Broadway show to shut down quickly. “First Date,” a pedestrian musical, and “A Time to Kill,” a play based on John Grisham’s bestseller, preceded it in death.

What’s next? If it weren’t in a subscription theater, “The Snow Geese” would be shot by a hunter. The better-reviewed “Winslow Boy” also is struggling. By the looks of things, “Mamma Mia” may mercifully be near the end of its long run. Its own Waterloo may be January.

But Broadway is not all bad news. After Midnight (a must see) is doing very well, Betrayal is a huge hit, and the Beckett and Shakespeare plays are thriving.

One last word on “Big Fish”: Norbert Leo Butz can do no wrong. He should be the star of a USA Network show by now. Network TV has to give him, Steve Kazee and a few other Broadway stars their national breaks already.

 

 

“Mary Poppins” Songwriter: Classic Movie’s Author Was “Bananas,” Working with Her “Torturous”

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Sean Penn joined his good pal Emma Thompson for a one of kind night of singing Awards seasons’ event around the Disney Oscar Contender, ‘Saving Mr. Banks’ at the Polo Lounge in the famed Beverly Hills Hotel.  ‘Banks’ tells the story of the turbulent relationship between Walt Disney (himself played by Tom Hanks, who could find himself with a Best Supporting Actor nod) and, P.L. Travers (Emma Thompson, a shoo-in Best Actress nominee).

Travers wrote ‘Mary Poppins,’ one of the most beloved characters in literary lore. Travers and Disney’s complicated back and forth history is woven in with the extraordinary talented Sherman brothers, who composed the music for that score and so much more including ‘The Jungle Book,’ ‘Chitty Chitty Bang Bang’ and many other classics.

‘Banks,’ had its AFI premiere at the Chinese Theater the night before, where nearly 50 years ago ‘Poppins’ debuted.  This night however, belong to he ageless graceful and debonair 85-year old Richard M. Sherman, who along with his late brother Robert, composed these legendary songs and led a sing-along, regaling the crowd as well with his remembrances of those magical and tough times.

Sherman admitted to the crowd that those two weeks spent with Travers were ‘torturous.’  He continued, ‘we were falling apart from this woman.  She was driving us completely bananas.’

What was heavenly however, was hearing him sing, along with the grateful crowd, songs the duo composed such as the pop hits they first wrote for Annette Funicello, ‘Tall Paul,’ songs from The Parent Trap‘s Lets Get Together,’ for Hayley Mills, songs from ‘The Jungle Book,’ and more.  Sherman then went on to sing ‘It’s A Small World,’ by noting that, “People either want to kiss us or kill us for this song.”

That didn’t stop Penn; he was singing that one with Gusto.

Sherman then went on to the Poppins classics including, ‘Supercalifragilisticexpialidocious,’ ‘Chim Chim Cheree,’ and the song that Sherman said “deep in my heart,” ‘Lets Go Fly A Kite. ‘  Emma Thompson, besides being the classiest lady around, sings beautifully and was joined by her fellow cast mates Jason Schwartzman, Bradley Whitford, B. J. Novak and director John Lee Hancock in singing some of the songs alongside Sherman.

The evening was superbly organized by Peggy Siegal and Disney’s Michelle Sewell, whom Disney CEO Alan Horn especially went out of his way to thank.  Besides Penn, Mickey Rooney, Jacqueline Bisset, (sitting beside Sean at the table with Emma,) Carl Reiner, Jane Seymour, Mary Kay Place and Natassja Kinski were the celebs making an appearance, as well as Academy voters.

Horn also mentioned that, “50 years ago, P.L Travers, stayed at this hotel.   She went down the red carpet to her car and then went to work at Disney Studios.”  Sherman told me that Travers indeed was the toughest person he ever worked with.” He added, “It does seem surreal that it’s 50 years later.”

Penn, as he was leaving, turned around and told me that ‘it was a beautiful night, what’s not to love?”  You got that right Sean.

George Clooney, Producer, Brings “August: Osage County” to AFI

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The last time we saw John Wells’s “August: Osage Count” was at the Toronto Film Festival. It looked pretty good, and received a massive standing ovation. But it’s been tweaked since then for its American Film Institute opening.

Last night, George Clooney–who produced “AOC” with partner Grant Heslov, was very funny when he quipped about seeing the excellent adaptation over and over. “I haven’t seen it in two weeks, I’m not sure if it’s changed or not.”

Director John Wells, who cast George in the TV series “ER,'” which launched his career, told me:  “George is really very supportive. He’s just happy he didn’t have to act in it. He likes producing and over our 22 year friendship, we’ve developed a real shorthand.”

Clooney, Heslov and Wells weren’t alone at the Chinese Theater screening. “AOC” cast members Chris Cooper, Juliette Lewis, Dermot Mulroney, and Julianne Nicholson. Missing–but soon to seen when the film rolls out in December– Meryl Streep and Julia Roberts.

Cooper told me what attracted him to the script by playwright Tracey Letts. Cooper explained, “This kind of writing is what got me into acting in the first place. Essentially ‘August’ is a great and intense study in human behavior. Tracy’s (writer Tracy Letts) writing reminds me of Tennessee Williams, Edward Albee, Arthur Miller, that kind of playwriting. He’s up there with them.”

What’s up next for Chris? “I honestly don’t know. Reading a lot of material. Tracy is a lot to live up to for anybody.”

I asked Chris how about Clooney as a producer. “He came to the set often. He put us all at ease. He’s a real cheerleader…you just want to give him your best effort.”

Juliette Lewis chimed in with, “George is hands on. Grant too. And they’re both funny and cute. What’s not to like?”

Clooney, meanwhile, was going back to see the movie again. Many stars just do the red carpet and leave without sitting through the screening again. But he was going to watch it after seeing it numerous times.

And just keep this in mind: “AOC” could figure greatly in the Oscar race for Picture, Director, Actress (Streep), Screenplay and supporting actors. Streep is stunning in it and Margo Martindale could be a dark horse nominee. Chris Cooper, with his usual subtlety, quietly commands attention in his scenes with Benedict Cumberbatch. Just sayin’….

“August: Osage County,” is set to be released on December 25th.

 

photo courtesy of Getty Images.

“Thor: The Dark World” Opens to $141 Mil Worldwide

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“Thor: The Dark World” opened to $31.6 mil in the US Friday night and is headed to a possible $90 mil weekend. Disney/Marvel should be very pleased. The worldwide take all in is now $141 mil. And that’s just in a couple of days. By Sunday, Thor’s hammer will have reaped a lot of rewards. It’s a good thing that Loki {er, wait, sounds of writer being dragged off…)

UPDATE: “X Factor” EX-Hausted: Thursday Ratings Plummet, Even with Selena Gomez

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Last night’s “X Factor” should have perked up the ratings from Wednesday. Alas, it was not the case. The Simon Cowell hosted program pulled in a frighteningly low 3.64 million viewers, down a million from Wednesday. This was even with Selena Gomez appearing on the show. But she didn’t sing because “X Factor” on Thursday was really a do-over from Wednesday. A technical glitch cancelled all the registered votes. Things are going wrong big time. Is “X Factor” ex-hausted? It sure seems that way. It finished 12th for the evening. It was also wiped out from 9-10pm by NBC’s competing show “The Voice.”

Here’s a video from last night. Honestly, though, how any one can stand this kind of singing anymore is beyond me. I guess I was ruined by last night’s Ronnie Wood-Mick Taylor show. If someone put this “Titanium” on a mixtape for me, I’d be insulted.

Saturday Night Live Has Never Asked Whoopi Goldberg to Host the Show (Exclusive)

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EXCLUSIVE Oscar winner Whoopi Goldberg has never been asked to host “Saturday Night Live,” Tom Leonardis, the president of Goldberg’s production company Whoop Inc., told me last night at the afterparty at Sylvia’s for the documentary “Whoopi Goldberg Presents Moms Mabley.” The documentary was screened at the Apollo Theater, where Mabley was the first woman comic to perform.

Other boldface names at the screening included “Rowan & Martin’s Laugh-In” producer George Schlatter, Rain Pryor, Kathy Griffin, Margo Bingham, Phylicia Rashad, Shawn Cornelius, Dick Cavett and Jerry Stiller.

Leonardis, who is also executive producer of the Moms Mabley documentary, makes its debut on HBO Monday, Nov. 18. He has worked with the Oscar, Grammy, Emmy, Tony and Golden Globe winner for 19 years. He told me even before their partnership, when Goldberg was very young, Lorne Michaels never invited the most famous female black comedian to guest host.

Think of it: Whoopi Goldberg has an Oscar, she’s hosted the Oscars, she performs with Billy Crystal and Robin Williams, she runs The View, she has a Tony Award for her acclaimed Broadway one woman show directed by Mike Nichols.

But never Saturday Night Live.

But on the red carpet questions were not about Lorne Michaels but about the Sharon Osborne kerfluffle. The other day Osborne blased all the women on “The View” except for Barbara Walters and said, “They can go f–k themselves.” (Osborne has since apologized.)

Back to the shenanigans on the red carpet, where a hapless reporter made the mistake of asking Whoopi a question about Jenny McCarthy.“Are you seriously asking me this shit while you’re at my premiere?” Whoopi fumed.

“Let me take care of this,” Kathy Griffin said. “What’s the question? I’ll do this for her.”

The reporter tried again: “Has the dynamic changed since Jenny is on the show?”

“The dynamic’s wonderful. It’s like a family. We go in and there are new topics we get to enjoy together,” Griffin continued in the same vein.

“Wait. I thought they were going to ask you about shoes and trends and nail polish,” Griffin pouted.

“All the things I know,” Goldberg cracked.

The next reporter was not to be deterred. She got as far as “Sharon Osborne” when Whoopi cut her off.

“I’m going to stop you guys right here,” Goldberg said. “I don’t give a shit about any of that stuff. This is my premiere, my documentary, and that’s all I’m talking about.”

I bravely asked Whoopi about the Lorne Michaels’ flack.

“Look! These folks are 15 years late on this question,” Goldberg told me emphatically. “Saturday Night Live has looked like this for 15, 16 years. I don’t understand? Why is everyone up in arms? Didn’t anybody see it before? Clearly not!”

Then Goldberg turned around and apologized to the reporter who asked the first question about Osborne. “I just wanted to – you now, cause I know people are asking me all kinds of crazy questions – so I just thought I would settle it and I didn’t want to direct it at you,” Goldberg told her. “I’m sorry.”

Jerry Stiller told me on the red carpet he hadn’t been following the goings on at “SNL.” He also broke some sort of record and managed to use the word meshuggah about five times in our two-minute exchange. “There hasn’t been black female comic on the show? I’m surprised,” Stiller told me. “How can they be so meshuggahed out? I don’t understand,” he sighed.

Rain Pryor, daughter of Richard Pryor, whose one-woman show, “Fried Chicken and Latkes” has gotten rave reviews, told me on the red carpet that she hasn’t even been allowed to audition for SNL.  “And I’ve tried four or five times,” she said. “Who knows what that’s about? But I think now it’s kind of out there so maybe in that aspect things will change and maybe by showing this documentary it will add a little more history and context to why it is that way and that can change it as well, so that’s what we have to look forward too, right?”

At the after party I spotted Whoopi, who is very down to earth, stand in the buffet line holding a plate of fried chicken and mac and cheese like everyone else.

She told a small group of people some of the difficulties in making the film. “We didn’t have any money. It was an eye opener. I didn’t know you’d have to pay for pictures. They’d want 70 grand (for a photograph). I’d ask them, ‘Who was the last person who asked for these pictures?’ I don’t have it.”

Goldberg mentioned the scene in the documentary where Mabley sings “Abraham, Martin and John,” at the Playboy Mansion for the television show “Playboy After Dark.” In the clip Sammy Davis Jr. has tears in his eyes as “Moms” performed the tribute to the assassinated leaders. Goldberg then went on to praise Hefner for giving her permission to use the clip.

The prices for the archival photographs and material eventually came down when people she contacted realized they were for the documentary she was doing on Moms Mabley. “I was so glad,” Goldberg said. “I’m a happy girl. Now I’m going to eat some chicken,” she told us, and managed to travel two feet when someone else approached her.

By 10:30 p.m. Whoopi was on her way out the door. She said she had to get up at 4 A.M. to catch an early flight to Washington D.C. to meet with Michelle Obama.

This reminded me of scenes in the documentary where Mabley also was a guest at the White House. In the film there’s a photograph of “Moms” sitting with President Jimmy Carter; she’s wearing a pantsuit instead of her usual frumpy housecoat. In another clip, where we only hear her voice, Mabley says President Kennedy has called her to the White House to help solve the problems of the world and to travel with Mrs. Kennedy as her chaperone.

photo c2013 Showbiz411

Rolling Stones Rave: Ronnie Wood, Mick Taylor Begin NYC Blues Club Gig

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Ronnie Wood is about five foot seven and 125 pounds sopping wet. But when he picks up a guitar and plays, it’s just like yesterday. Or better. Ronnie, Rolling Stone Mick Taylor, famed blues keyboardist Al Kooper and Bad Company drummer Simon Kirke blew out the Cutting Room last night in two shows. The first was a warm up. The second was a shredder, dedicated to the music of Jimmy Reed. The Oklahoma blues man’s classics like “Bright Lights Big City” and “Goin’ to New York” couldn’t have sounded newer or deeper in this quartet’s grip.

The 90 minute show wasn’t enough. And the rumor is that more guest stars will join them Friday and Saturday, like Keith Richards and perhaps Gary Clarke, Jr. Carmine Appice and Billy J. Kramer were each in the audience tonight, as was Ron Delsener, Sirius XM’s Steve Leeds, rock photographer Bob Gruen, comedian Jim Gaffigan, May Pang, Rolling Stones pr maven Fran Curtis with agent husband Brian Dubin, and a bevy of New York rock elite.

Actor Chris Noth introduced the evening–he’s an owner of The Cutting Room. A total non sequitur guest: Mary Kate Olsen with her much older boyfriend Olivier Sarkozy. She is extremely tiny. I’m not sure but she may have ordered off the children’s menu. Also on hand: Simon Kirke’s actress daughter Jemma Kirke. You may know her as Jessa on “Girls.”

I took the picture attached (c.2013 Showbiz411). I’ll try and put up a video later. Watching these guys was sort of amazing. Wood and Taylor are like the engine of the Stones. Watching them you see (apart from Keif) why that band is still humming. Kooper, a legend, played on Blood Sweat and Tears classic album “Child is Father to the Man.” Kirk– Bad Company, need I say more?

Heaven.