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Oprah Winfrey: “I Held a Grudge for a Long Time” About the Failure of “Beloved”

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Oprah Winfrey says she “held a grudge” about the failure of her 1998 film “Beloved” directed by Jonathan Demme and based on Toni Morrison’s bestselling novel. Oprah is in London to promote the release of “The Butler.”

“I was so disappointed by the box office reception of Beloved,” Oprah tells Baz Bamigboye of the Daily Mail. “I took it personally that people didn’t go to see it. Literally.” Winfrey says that when audiences for her talk show told her how much they loved her in The Color Purple (1986), she’d respond “But you didn’t go see Beloved. I held a grudge about it for a long time.”

Oprah also says “Butler” director Lee Daniels had wanted her character, Gloria, to have a bed scene with Terrence Howard. Winfrey nixed that plan.

It’s a great interview, from beginning to end:

Barbra Streisand Makes Rare Appearance at Concert for “Inside Llewyn Davis”

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No less a music authority than Barbra Streisand turned up on Wednesday night in Hollywood for the west coast folk concert honoring Ethan and Joel Coen’s ‘Inside Llewyn Davis’. Streisand came to the Buffalo Club in santa Monica with husband James brolin who told me: “This is amazing.  It’s hard to get her to come to these things, and she was impressed.”  Barbra then turned to me and affirmed what James said, “I am very impressed.  Lots of talent on that stage.”

Some other VIPs included Peggy Siegel, Norman Lear, Ted Danson and Mary Steenburgen, Mary Kay Place, Thora Birch Ed Helms, Christopher Lloyd, Steve Martin and wife Anne, Fred and Mary Willard, Josh Gad and his wife Ida, Jennifer Jason Leigh, Patricia Arquette, Marisa Tomei, Gina Gershon, Steve Levitan, Mary Kay Place, Stephen Gaghan, Marc Forster, Nastassja Kinski and John Goodman.

Joel and Ethan Coen were also there along with their longtime musical collaborator T-Bone Burnett.  Producer Scott Rudin and CBS President Leslie Moonves, hosted the event, which was titled, ‘A Special Musical Evening Honoring T-Bone Burnett and Joel and Ethan Coen.’  The gifted performers included The Punch Brothers, the sensational Rhiannon Giddens (I know this young lady, she is the Billie Holiday of our times) Milk Carton Kids, Willie Watson, Sean & Sara Watkins and the talented actor/musician Oscar Isaac, who is one of the stars of the film.

Steve Martin did a set with the band playing his banjo. He quipped as he got on the stage, “I’m so honored to be accepting this award.” Martin gets an honorary Oscar this week.

Ted Danson, whose wife Mary Steenburgen is now a musician  told me that, “These performers are extraordinary.  They so love the music, it’s so pure and they are enthralling to watch.”

Ted also told me that he’s excited about the possible upcoming ‘Bored To Death’ film based on his cancelled HBO series.  “I’m on ‘CSI’ now, I’m enjoying it, but I miss comedy.  So if it happens, which I think it will, I’ll be thrilled.”

Joel Cohen told me, “Whenever I get to listen to these guys, it’s amazing from me.  T -Bone is the man.  The night went great and everybody had fun, that’s what it’s all about.”

I then mentioned that this earnest, low-key lovely night was pretty atypical for Hollywood.  Joel quipped, “I don’t know what Hollywood nights are, but I’m enjoying it.”

T-Bone told me about this love of this music is deep rooted. “I’ve been looking for performers like these for 30 years. These young people, all in their early 20’s to mid 30’swere born at the end of the last century, and coming of age in this one.  They’ve been able to learn and absorb a wide range of music, from classical, to bluegrass to jazz and folk. Chris Thile, the mandolin player from The Punch Brothers, in my view is the Louis Armstrong of this century.  He’s one of the greatest musicians I’ve ever seen.  I’m constantly on the lookout for these people.”

I asked how it was working with the brothers? He replied, “This is my fourth film with the Cohens.  They are beautifully rewarding and unbelievable fun.”

T-Bone is currently scoring the upcoming HBO series ‘True Detective,’ which is his first electronic score.  I asked if there was a next Cohen Brothers movie coming up?

He answered, “There is talk of a film that Joel told me that is “still in the air.”  But if there is, I’ll do that.”

T-Bone summed it up by wisely saying; “This kind of music restores my faith in music.  They are pure musicians coming from the heart.  They’re all young, but they’re all old souls.”

 

Justin Bieber Releases 5 New Singles in 5 Weeks: No Airplay, No Sales

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The screaming girls in stadiums are one thing. But teen popster Justin Bieber has no actual hits. In the last five weeks he’s released 5 new singles, each on a Monday. Only one of them is on the iTunes top 50. Not one of them is being played on the country’s number 1 pop station, Z100. It’s as if they don’t exist.

Indeed, what’s happening to Bieber looks a lot like the fate of the Jonas Brothers and other teen pop idols. The appeal is all in person. But the songs are non existent and so are the hits. Everyone knows Bieber’s antics abroad, brothels, smoking pot, racing cars in his suburban neighborhood.

But can you hum any of his songs? Probably not.

The recent singles are called “Bad Day,” “All Bad,” “Heartbreaker,” “Hold Tight,” and “Recovery.” On each of the last five Mondays, the newest one has appeared briefly on the iTunes chart, then vanished. Only “All Bad” is still hanging around this week, at number 17.

It’s not like they’ve gotten any airplay on radio. On Z100, Bieber isn’t even listed on a roster of artists and songs for listeners to request. By contrast, Lady Gaga has six offerings and Justin Timberlake has three. http://www.z100.com/pages/info/request.html

Bieber, it seems, is now just a function of tabloid headlines. He’s never had a breakout hit a la his female counterpart, Carly Rae Jepsen, also managed by Scooter Braun. She will forever be associated with the endlessly catchy “Call Me Maybe.”

It’s sort of amazing that none of those five Bieber songs has stuck at all. But they are pedestrian pop at best, written like the most vapid greeting card. In a short time Bieber’s rapidly become the Thomas Kinkeade of pop singing.

Emma Thompson Leads a Mary Poppins Sing-a-Long at New York’s Four Seasons

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Oscar winner Emma Thompson is not Julie Andrews, and P.L. Travers was not Mary Poppins. At Wednesday afternoon’s lunch time singalong for “Saving Mr. Banks,” Thompson–who plays the very irritable Travers– recalled being in a musical for real. “I once did a musical in London called “Me and My Girl.” It was 15 months, eight shows a week, and I had to be like I appear now, cheerful, onstage. After six months I was clinically depressed.”

The  crowd at the Four Seasons, gathered by Peggy Siegal, included Bob Balaban, Tovah Feldshuh, Paul Haggis, Joy Behar, English Consul General Danny Lopez, writer Amanda Foreman, Lady Lyall Grant, producer Jean Doumanian and “Saving Mr. Banks” producer Alison Owens.

Thompson, her hair very blonde, looked terrific in brown leather pants and dangly earrings.

“We did a great sing-a-long with Dick Sherman last week in Los Angeles,” she told me. Richard Sherman (played by Jason Schwartzman in the film), who wrote the Disney hits with his late brother Robert (B.J. Novak), is now 85 and was unable to make it to New York.

“Saving Mr. Banks” focuses on the power struggle between Walt Disney (Tom Hanks) and J.L. Travers to bring Mary Poppins to the screen. Disney pursued the writer for two decades to get the rights to her book to keep a promise to his daughter. The cranky Mrs. Travers fought him off until he finally wore her down and she finally ran out of money, which happened at about the same time.

The film is set mainly in a rehearsal studio on the Disney lot, where Mr. Disney and Mrs. Travers disagree over everything from casting – she didn’t want Dick Van Dyke to star as Mr. Banks – to animated dancing penguins. It’s also a three-hankie tearjerker; Mr. Disney and Mrs. Travers finally find common ground over disappointing fathers and unhappy childhoods

Before the sing-along I asked Thompson if it was fun to play a crank.

“Yeah, it was great. We’re all so bloody well brought up. We’re constantly told from when we’re very little the please, the thank you, you know, often to express pleasure in moments and at things that we don’t really feel very genuine about, so there’s something authentic about her irritability, which I liked.”

As for working with Tom Hanks, she said, “It was bliss of course,” she said, adding, “He was a bit cranky but after I finished with a full-body massage he kind of warmed up. Once a day I’m fine with that.”

She recalled her own first impressions of L.A. were much like those of her movie character.

“I remember it so clearly. It was the only time that my dad had the money to take me and my sister to this very exotic place, and I was about 14. I’ll never forget it because there didn’t seem to be any people living in Los Angeles because no one walked. I thought, ‘Where is everyone?’ And then, ‘Oh my God! Look at the palm trees! And can you really buy bacon and mascara in the same shop in the middle of the night? It’s a weird place.”

Her favorite Mary Poppins song she told me was “Let’s Go Fly a Kite.”

“It’s an unbelievable song. It’s a sort of Mozartian song actually. You really feel like Dick and Bob picked some chord that sunk deep in the human collective consciousness because everyone tears up. It’s a very extraordinary piece,” she said. “It reminds you that in those days Walt Disney was surrounded by some of the greatest artists in the world, because they were all on the run from the f–king Nazis.”

She told me as a child she knew the book and the film were very different.

 “I remember thinking that I get it, that they’re two completely different art forms,” she said. I liked them both for different reasons, so I understood that for the book I used my own imagination and that the film had this amazing music in it and one was lifted in a different way and for different reasons

After the Oscar season ends in March, Thompson goes from playing grouchy Mrs. Travers in “Saving Mr. Banks,” to playing the murderous London baker Mrs. Lovett in the Stephen Sondheim-Hugh Wheeler musical “Sweeney Todd: The Demon Barber of Fleet Street” on the stage at Avery Fisher Hall.So was today’s sing-along a warm up for “Sweeney Todd”?

 “Yes, this is a rehearsal, basically,” Thompson cracked.

Everyone did well with the more familiar “A Spoonful of Sugar,” and the well-known lyrics, “a spoonful of sugar helps the medicine go down.”

Thompson got film director Paul Haggis to join her for “Chim Chim Cher-ee,” and he relented. “Come on! You can do a really bad English accent,” she cajoled.

photo c2013 Showbiz411

 

Leonardo DiCaprio: Second BFF in a Dozen Years Pleads Guilty to Fraud

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Leonardo DiCaprio: if you want to be his BFF, be a criminal, too. This week Helly Nahmad, the son of an international art dealer, pleaded guilty to a single  count of gambling in Federal court. He’ll pay $6.4 million in restitution and give up a painting worth of hundreds of thousands of dollars. Nahmad, who has been Di Caprio’s best pal for some time now, faces a sentence of 12- 18 months in federal prison.

District Attorney Preet Bharara’s office said in a statement: “Hillel Nahmad headed an illegal sports gambling business with ties to a Russian-American organized crime ring. Nahmad bet that he would never get caught and he lost.”

Helly told the court: “Judge, this all started as a group of friends betting on sports events, but I recognize that I crossed the line, and I apologize to the court and my family.”

In the end, Nahmad got a sweet deal. If he’d gone to trial and had been convicted he could have gotten 92 years in the pokey.He had to admit to being the primary financier of a $100 million gambling ring. His sentencing isn’t until next March and he probably won’t go to jail. The $6.4 million fine is like pocket change. He and his family are worth billions. Crime pays!

For Leo it’s his second pal since 2001 who’s had to admit guilt of fraud in a federal court. Dana Giacchetto served a little more time in jail and was ordered to pay $14 million in restitution to his victims. It’s unclear if he’s ever paid anyone back for ripping off celebrities and local friends includign DiCaprio and Tobey Maguire in a Ponzi scheme.

Ironically each of Di Caprio’s movies this year– “The Great Gatsby” and “The Wolf of Wall Street”– are about questionable or criminal financiers. Maybe he’s just studying these people for his roles.

 

Mark Wahlberg Film “Lone Survivor” Could Be This Year’s “Hurt Locker”

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Could “Lone Survivor: be “The Hurt Locker” of 2013? Maybe so. Peter Berg’s intense war film had its premiere at the AFI in Hollywood on Tuesday night.  At a recent  Q & A  for ‘Lone Survivor, the real Navy Seal, Marcus Luttrell, on whose book the film is based,  joined stars Mark Wahlberg (who plays Marcus) co-star Taylor Kitsch and director Peter Berg.

This blistering, riveting Universal film is fast becoming a serious awards contender.  Universal Pictures chief Ron Meyer introduced the film. To say that it transfixed the Academy members, VIP’s and press that were in the audience is an understatement. The theater was packed for the both the screening and afterwards.

Wahlberg is clearly a candidate for Best Actor nominations. But he joins a crowded field: Redford, Hanks, Dern, Eijofor, Whitaker, Elba, maybe DiCaprio, Affleck or Bradley Cooper. Tough, tough, tough.

It was a rare night in Hollywood.  Luttrell, a low key Texas boy with southern charm, took the stage and set the tone for a respectful, earnest and fascinating Q and A. The actors portray SEAL Team 10 members on a mission to capture a Taliban leader in the Afghan mountains in 2005.  They run across three goat herders, and the fateful decision whether or not to release them leads to tragic results.  The battles with the Taliban soldiers kills them all except Luttrell, who’s badly wounded and was kept alive by some kind Afghan villagers.

Luttrell, with a service dog close by, recounted the story to the unusually appreciative jaded show business crowd.

Mark was asked why he took the role.  Mark answered, “I was so inspired by the act of courage.  I read the script and the book and saw Marcus on the ‘Today’ show.  It was hard to make the movie with Marcus there.  I was determined to make him and the families of the men that were lost, as proud as I could.”

Peter Berg recounted that, “I read the book and I couldn’t put it down.  I arranged a meeting with Marcus and did my best to convince him to hire me.  We went to a bar and had about 500 beers.  Marcus then told me he would give the book to me, but that I better not fuck it up.”

Marcus was then asked what convinced him?

Marcus replied, “Peter’s attention to detail.  Attention is such a big part of our lives, so I gave him the book.”

Wahlberg summed it up by saying, “For me or anyone else to talk about what we went through is bullshit compared to the sacrifice these men and women make on a daily basis.  I’ve played quite a few real people.  But I’ve never had the sense of responsibility that I had with this.  Look he’s 6’6 and 250 pounds.  So I had to my best to embody him.  I never felt more pressure playing somebody, but I also never felt more pride.”

“Lone Survivor’  is set to have a limited release on December 27, 2013, and have a wide release on January 10, 2014.

Greatest Soap Villain Ever? Roger Thorpe? Stefano DiMera? No: Jeff Kwatinetz

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In what has become a joke of sorts, Prospect Park Productions has filed a $125 million lawsuit against ABC over soap operas. See if you can follow this: ABC cancelled One Life to Live and All My Children. They were done with soaps thanks to Brian Frons, then head of ABC Daytime. They were on the verge of killing General Hospital as well.

Enter Jeff Kwatinetz, the controversial head of Prospect Park. He and former ABC Disney exec Rich Frank run the company. They announce a plan to license the soaps and put them online. They stall as long as they can, and then announce that Prospect Park can’t pull it off. ABC takes three actors from One Life to Live and puts them and their characters on General Hospital.

Prospect Park finally says they will indeed put the shows online, and they want the characters back. Only, two other OLTL characters– minor, and resurrectable– are killed om GH. So Kwatinetz files suit against ABC saying they’ve ruined the potential success of his online plan.

The shows launch anyway online. Susan Lucci, star of All My Children, sees the chaos at Prospect Park and declines to join the effort. They won’t pay her what she wants. So she gets “Devious Maids” on Lifetime, and it turns out to be a hit. Goodbye Susan.

Prospect Park launches The Online Network. Immediately there’s trouble. They cut back the schedule and they keep on issuing crazy press releases. The feeling is, they have no money and no idea of what they’re doing. They get into a squabble with the local unions as well.

The shows have their run. Then Prospect Park says they’re shelving One Life to Live because ABC has ruined their show, and the lawsuit needs to be resolved. They claim All My Children will return, but it never does. And they sue ABC again, this time claiming the network had some kind of conspiracy brewing against them.

Is Kwatinetz the worst soap villain of all time? Possibly. I hate to say I told you so, but I did. Kwatinetz has a long trail of enemies and bad karma. The lawsuits do seem to be smoke screens for Prospect Park’s lack of resources to make The Online Network a reality. The losers are not just the fans, but the actors and crew and production people who depended on those shows for a livelihood. Prospect Park has played fast and loose with them.

Meanwhile: I’ve said this before. Prospect Park’s complaint about ABC killing off soap characters they needed is simply ridiculous. Soap characters are resurrected every day. Characters are successfully recast all the time. If Prospect Park had wanted, they could have done all of these things and more.

PS One victim of this whole mishegos is Leslie Miller, the TV journalist and former host of The Online Network’s weekly wrap up shows. In real life, Miller is Mrs. Frank.

 

Wes Anderson Short Film Starring Jason Schwartzman Is Here

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“Castello Cavalcanti” is a short film sponsored by Prada. It debuted at the Rome Film Festival on Wednesday. As usual, nicely done. Anderson’s next feature, The Grand Budapest Hotel, opens early next year.

You do know that Jason Schwartzman is the nephew of Francis Ford Coppola, son of Talia Shire, first cousin of Sofia Coppola, Roman Coppola, and Nicolas Cage. Just FYI.

American Music Awards: Katy Perry Will Sing But It Won’t be Her Big Hit

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It’s nice to hear that Katy Perry, Jennifer Lopez and TLC have all been lined up for the American Music Awards. Unfortunately, they are relevant to nothing concerning January’s Grammy Awards.

Perry will open the AMAs with her current single called “Unconditionally.” She will not sing her monster hit, Roar, the only single of hers to make the Grammy eligibility deadline of September 30th. So let her sing the new song and get off the stage. The Grammys will get her for the song everyone wants to hear, not the follow up.

Jennifer Lopez: she hasn’t had a real hit in years. She’s not Grammy material anyway. And she’ll lip synch to some convoluted  dance number on the AMAs.

TLC: they are now an emeritus group headed to Las Vegas. They are not chasing waterfalls, just a meaningful paycheck. They wouldn’t be on the Grammys anyway.

The AMAs will be fine, but they will also be cheesy. Yesterday someone alluded to this column saying that things have changed, and that performers can do both the AMAs and the Grammys. Oh no they can’t. And if deals have been worked out for Perry, Gaga and Timberlake, the AMAs will settle for a second tier song or a less spotlighted performance.

Scorsese Film Gets Latest Premiere Possible; “50 Shades” Moved to 2015

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Martin Scorsese and co. are working like crazy to finish “The Wolf of Wall Street.” I can tell you that the movie will get a star studded New York premiere, but really, really late. “Wolf” is set to walk down the red carpet on December 17th at the Ziegfeld Theatre. That’s two days after everyone’s left town. It’s also two weeks or more after the New York Film Critics and other groups have to announce their awards.

Hmm… How is this going to work? Because even if film groups see “Wolf” in some form around December 1st, when Scorsese is back from the Marrakesh Film Festival, that leaves two more weeks to fiddle with the film. And you know they will…”Wolf” opens nationwide on Christmas Day…

“50 Shades of Grey,” a disaster in the making, has been moved to February 2015. Let’s just say they’ve been handcuffed to that day. The film was supposed to open on August 1, 2014. But you know, casting issues have held it up. Now it will arrive for Valentine’s Day. In 2015. Which is too far away to think about now.