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Beatles Special: A Plus, But They Did Cut “Magical Mystery Tour”

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And so we close Beatles weekend– first with a great event at the Ed Sullivan Theater, a panel discussion for CBS online moderated by Anthony Mason with The Rascals’ Felix Cavaliere,  Foreigner’s Mick Jones, producer Peter Asher, Pattie Boyd Harrison, The Rutles’  Neil Innes, “Across the Universe’ director Julie Taymor, John Oates of Hall &, and new 5 time Grammy winner Nile Rodgers. Ed Sullivan’s granddaughters were in the audience as was his publicist, Bernie Ilson, who wrote the memoir “Sundays with Sullivan.”

They even put up a facsimile of the marquee from the night the Beatles debuted on Sullivan! Nice touch!

The 90 minute show was the first in a series for CBS.com. What better way to kick it off? After the show, the audience– which included CBS radio prize winners– was invited to stay and watch the Beatles special on the big screen in the theater. It was a little surreal. When I was in first grade watching the Beatles 50 years ago, I couldn’t have imagined that I’d be in the same theater, etc. It was a grand night. Martin Lewis even convinced Neil Innes to sing a Rutles song. And everyone sang “All You Need is Love” at the end, with Innes, Jones, and Oates on guitar.

I came home to the DVR of the special. The good news is that it ran mostly as we saw it in the L.A. Convention Center. The only song I think they omitted was Paul and his band on “Magical Mystery Tour.” There wasn’t time. Everything else was intact. Producer Ken Ehrlich did a good job presenting what the amazing show that we saw in that room.

A couple of thoughts: you can see it on the special and from the Grammys, which were held the night before across the street at the Staples Center. The Beatles family– Paul, Ringo, Yoko, Olivia, Sean, Dhani, Ringo’s wife Barbara, her sister Marjorie (who’s married to Joe Walsh) — were what made the two nights so pleasant. They were front and center, invested in the moment.

They sing along to the songs, dance. They’re not faking it. You watch them all mouthing the words to the songs. Sean Lennon even video’s the finale from his phone. Dhani Harrison does his father proud playing and singing on “Here Comes the Sun.” Even Yoko is having a good time. Old feuds are put aside. At the Grammy show, the whole gang sat right up front and were present for the whole show. It was refreshing.

Second: the songs are stunning, aren’t they? I thought I could fast forward through them. But it was impossible. I was very impressed a second time around with Keith Urban and John Mayer on “Don’t Let Me Down.” Annie Lennox is phenomenal singing “Fool on the Hill.” I really loved John Legend and Alicia Keys on “Let it Be.” My only real gripe: not enough John Lennon songs. But Ed Sheeran gave a terrific reading of “In My Life.”

Were the ratings good? Against the Olympics and “Downton Abbey”– who knows? If you loved music you watched the show. And you saw two and a half hours of live — live– music, no lip synching or Auto Tune, or any of the crap this generation has become so used to. There were live French horns in “Sgt. Pepper”! Musical director Don Was, band members Peter Frampton and Steve Lukather, were all superb. The Renaissance of Joe Walsh is an astonishingly nice thing to watch.

And no, I have no idea why those actors were there. Johnny Depp’s reading was bizarre. But they were like the furniture, really. They didn’t hurt a thing.

Kudos. Loved the interviews with David Letterman, too. Ringo seemed chipper, as usual. Paul actually looked a little dazed. What a thing for them to take in. This Beatles celebration is unprecedented, and it won’t happen again to anyone. They made history, and gave us our culture. Imagine if Shakespeare had been brought in 50 years after his first play, to the Old Globe, for a national celebration of his work. Or Beethoven or Mozart. It has to be a dizzying experience to know you were responsible for all of this.

 

photo c2014 Showbiz411

Paul McCartney on Beatles Special: “I was wondering if it was seemly to tribute yourself”

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On tonight’s special, from last week’s concert in L.A., Paul McCartney spoke a little. He said, “I was wondering if it was seemly to tribute yourself. But I ran into a couple of American guys who said You don’t know the impact of the show on America. It changed a lot of people’s lives. I really didn’t understand it. But once I did, through them, I decided we’d show up.”

Ringo, in the cut away, points to himself. It changed his life. And ours. Some pictures. All c2014 Showbiz411.

beatles 4 ringo

beatles 3

beatles 2

Shia LaBeouf Wears Paper Bag On His Head to Berlin Movie Premiere: Reads “I AM NOT FAMOUS ANYMORE”

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A little UPDATE here: Back on January 23rd, an email LaBeouf sent to an L.A. art was picked up by the Defamer website. This is what Shia wrote:
I am in need of a performance space in Los Angeles I’m looking to put on a show. Your gallery is perfect. My plan is to repent in the way of the Middle Ages. For 7 days.

I am promoting it at the Berlin film festival. By wearing a mask I’ve made for the show, To the red carpet of the NYMPHOMANIC premier. The date for this action is the 9th I’d like to start my show on the 10th. The show works in conjunction with an online action- @thecampaignbook

Manifesto

So this is something he’s been planning right along. Good for him. The bag can later be used for a sandwich or for breathing if he starts to hyper-ventilate.

EARLIER: According to a report in Variety, and from accounts I’m just getting, Shia LaBeouf wore a paper bag on his head to the premiere of “Nymphomaniac” at the Berlin Film Festival. He did also come in a tuxedo, so that’s something. Written on the paper bag: “I am not famous anymore.”

Look, he’s either having a nervous breakdown or pulling off a kind of James Franco-esque college thing because he’s reading a lot of material about modernism. For weeks, La Beouf has been posting “I AM NOT FAMOUS ANYMORE” on Twitter, just that, once a day.

This is what happens when you do college at home, without professors or guidance, and in public. He’s a bright kid. We may have to suffer through this as his collective parents.

LaBeouf has put up a separate website on Meta Modernism from reading “Notes on MetaModernism” by Vermeulen & van den Akker. His Twitter feed is @thecampaignbook.

Can you imagine what pains in the neck Franny and Zooey would have been if they had the internet?

Shia LaBeouf Abruptly Exits Press Conference: Is He Next Celebrity Victim?

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Shia LaBeouf has given the quote which will replace “What’s the frequency, Kenneth?” as the enigmatic catchphrase of the 2010s.

Apparently at this morning’s press conference in Berlin for Lars von Trier’s “Nymphomaniac,” Le Beouf said: “When the seagulls follow the trawler, it is because they think sardines will be thrown into the sea.”

Then he left without explanation.

LaBeouf has earned a reputation in a short time as a brawler, both physically and intellectually. He’s erratic, abrasive, obnoxious at times. He’s certainly uncooperative. LeBeouf blurts out shocking statements and gets himself into trouble all the time.

This morning in Berlin several reports also noted that he looked thin. He’s already gotten into scuffles there, as well.

Is Shia LaBeouf the next celebrity victim? Are we all going to say we saw the signs of trouble after something really awful happens?

The sardines quote is borrowed from controversial British footballer Eric Cantona. In April 1995 he received 120 hours of community service after kicking a fan in the chest during a game.

Of course, the statement is weird. But it just means he’s not going to be a target for journalists. But why walk out on the press conference? And before anything even happens?

“Nymphomaniac” needs all the help it can get. von Trier is in the public dog house after his comments in Cannes two years ago about being a Nazi. At that press conference, he also suggested his “Melancholia” actresses make a porn movie with him. Kirsten Dunst was aghast. But Charlotte Gainsbourg was evidently ok with it since she’s in “Nymphomaniac.”

von Trier also made one of the worst and most appalling movies ever, “Anti Christ.” He’s a barrel of laughs on a good day.

For some reason, Shia’s statement reminds me of Fiona Apple’s album title: “When the Pawn Hits the Conflicts He Thinks like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ‘fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right.”

That would have been worse I think…

 

Ed Sullivan Talent Exec: Beatles Were Paid $3500 for Each of Three Shows

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Donovan was a no show because of the death of a friend. But Martin Lewis’s Beatles panel at the 92nd St. Y on Thursday night kicked off Beatles weekend with a bang. Peter Asher, Billy J. Kramer, Freda Kelly, and Vince Calandra of the Ed Sullivan Show more than made up for Donovan’s absence.

They were/are, respectively, a famous 60s singer, producer, and the man who ran Apple Records (Asher); a Liverpool pop star and pal of the group (Kramer); the secretary for the Beatles fan club for 10 years (Kelly); and the guy who commanded the Sullivan show when the group played there.

On Saturday, the erudite Asher performed the first half of his one man (with a band) show recounting his life at BeatleFest at the Grand Hyatt to his largest audience ever. Part one tells the story of Peter & Gordon, Paul McCartney living in the Asher home, and Peter inadvertently introducing John to Yoko.

Denny Laine, of Moody Blues and Wings fame, stopped by to sing “Go Now” with Asher’s crack band.

Part two is all about Apple Records, Badfinger, how Asher discovered James Taylor, and went on to produce classic albums by Taylor and Linda Ronstadt. It starts at 1:30pm Sunday in the main ballroom.

Later today (Sunday) there’s a CBS panel at the Ed Sullivan Theater featuring Pattie Boyd, the first Mrs. George Harrison, and the woman for whom “Layla” was written by Eric Clapton.

At the Lewis panel, there was much chuckling about how Liverpool became a mythic place in Beatle lore. But Kramer and Kelly reassured everyone it was not a hip place. Asher agreed that no one wanted to go there. The goal was to leave and get to London.

“Love Me Do came out in 62, and Please Please Me in 63, and that was the start of Beatlemania for me,” Kelly offered. Billy J Kramer’s career took off then too. He said, “I had a hit with ‘Do You Want to Know a Secret’ before the Beatles did. It was tied to the Profumo scandal.”

Another guest chimed in. Vince Calandra, talent executive for Ed Sullivan. He’s 79 now and has a sharp memory: “We really heard about the Beatles in March of 1963 when they had Please Please Me. We had an agent in London named Peter Prichard. He, Bob Precht, Ed Sullivan, Sid Bernstein. Those were the people responsible for the Beatles coming to America.

“Our talent person went to see them in London twice and turned them down. It wasn’t like they were bad. We had to convince everyone they were better than American groups like Frankie Valli and the Four Seasons. Sullivan would see clips on CBS and NBC of them on the Val Parnell show. They did the Royal Command Performance. Sullivan saw that and got excited.”

“For some reason, Capitol Records wouldn’t release any of their records. When Brian Epstein came to New York [the label didn’t know who he was in New York]. Brian did have a meeting with Sullivan. He wanted two shots, and top billing. We never did that. My boss was never aware of the meeting. Brian and Sullivan had lunch at the Delmonico and ironed at the deal. Three shots, $3500 apiece. That’s all we gave them.”

Calandra, by the way, gives credit to a 15 year old girl in Maryland named Marsha Albert who got WWDC to play “I Want to Hold Your Hand.” She’d be 67 or so now. Marsha, this is all your fault. You can read more about that at http://www.huffingtonpost.com/martin-lewis/tweet-the-beatles-how-wal_b_239202.html

Calandra’s last thoughts: “They were so polite, you wanted them to succeed. After the Rolling Stones and the Doors, I could tell you stories…”

PS Everyone agreed that Dusty Springfield was their favorite female singer.

You can see more of Vince in this video.

 

 

“Captain Phillips,” “American Hustle” Receive Eddie Editing Awards in L.A.

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It must be some consolation to Paul Greengrass, Tom Hanks and Sony Pictures– “Captain Phillips” was named the Best Edited dramatic film of the year last night by the Eddie Awards. Billy Ray has the screenplay award for the same movie. Tom Hanks got shut out of the Oscars. But voters in these awards are circling back to this fine film. Maybe Tom will get to present Best Picture. The Oscars theme this year is about heroes. Makes sense.

Sony actually got both of the big awards last night. “American Hustle” received the comedy Eddie for Best Editing.

Here are the winners:

64th ANNUAL ACE EDDIE AWARD WINNERS

BEST EDITED FEATURE FILM (DRAMATIC):

Captain Phillips

Christopher Rouse, A.C.E.

BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):

American Hustle

Jay Cassidy, A.C.E., Crispin Struthers & Alan Baumgarten, A.C.E.

BEST EDITED ANIMATED FEATURE FILM:

Frozen

Jeff Draheim

BEST EDITED DOCUMENTARY (FEATURE):

20 Feet from Stardom

Douglas Blush, Kevin Klauber & Jason Zeldes

BEST EDITED DOCUMENTARY (TELEVISION):

The Assassination of President Kennedy

Chris A. Peterson

BEST EDITED HALF-HOUR SERIES FOR TELEVISION:

The Office: “Finale”

David Rogers & Claire Scanlon

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:

Breaking Bad: “Felina”

Skip MacDonald A.C.E.

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:

Homeland: “Big Man in Tehran”

Terry Kelley, A.C.E.

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:

Behind the Candelabra

Mary Ann Bernard

BEST EDITED NON-SCRIPTED SERIES:

Anthony Bourdain: Parts Unknown: Tokyo

Nick Brigden

BEST STUDENT EDITING

Ambar Salinas, Video Symphony

Where In the World Is Rupert Murdoch? Vanished from Twitter, Public Sightings

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Where in the world is Rupert Murdoch? The 82 year old media magnate has been radio silent recently. He’s also been no-profile. It’s not like him.

Murdoch is a proficient Twitter-er. Until last December 22nd, he usually spat out a Tweet once or twice a day. On that day, he sent out two messages. And then, nothing. Until January 24th, almost three weeks ago.
He wrote:

 

And that was it. Murdoch has not Tweeted since, or commented on the State of the Union speech or anything else to do with the government– either here or in Australia. Is he suffering from Twitter fatigue? You’d think he’d have something to say about Bill O’Reilly’s pre Super Bowl interview with President Obama, for example. Or about Sochi. Or Woody and Mia. Or “12 Years A Slave,” his company’s Oscar contender.

rupert murdoch

Curiously, there have been no signs of him in person for a while either. Both WireImage and Getty Images, the main photo agencies, show no pictures of him in public taken since mid November. Murdoch is now Howard Hughes. He’s usually seen somewhere–New York, London, Los Angeles, Sydney.

Murdoch has been off the grid back at Fox, too. His assistant, Natalie Raditz, usually posts pictures of him that either she takes or someone in the office shoots. But between December 22nd and February 2nd, there was nothing. She’s put up five photos since last Sunday including two from the Super Bowl. They’re from inside MetLife Stadium and one is with son James. There are none of Murdoch with anyone else, or shot by anyone on the outside.

Of course, Murdoch has had a couple of blows recently besides those financial. A book about Roger Ailes that came out last month was an annoyance if nothing else. And this week Vanity Fair has its big feature on his divorce from Wendi Deng. All that, plus continued news about the phone hacking case in the UK, may have made him feel like keeping a lower than usual profile.

Did Mia Farrow Get the Molestation Idea from a Song By Ex Husband’s Wife?

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Woody Allen’s Op Ed piece brings up an interesting idea in the matter of Mia Farrow and her molestation charges. Woody points out that Dory Previn, ex wife of Mia’s husband Andre Previn, wrote and recorded a song called “With My Daddy in the Attic.” It was after Mia helped break up Dory’s marriage to Andre. Dory Previn was kind of a budding Carly Simon/Carole King in the late 60s. But the blow up of her marriage sent her down a path of mental breakdowns. She wrote a song about Mia around 1970 called “Beware the Young Girls.” “With My Daddy in the Attic,” about incest, was on the same album. It’s almost a blueprint for Mia Farrow’s charges against Woody regarding Dylan. Mia would have known this song as well as anything else she’d ever heard. Maybe Dylan and Ronan should look into that.

Here are the lyrics:

Ba ba ba ba
Ba ba ba ba…With my
Daddy in the attic
With my
Daddy in the attic
That is where
My being wants to bed
With the
Mattress ticking showing
And the tattered pillow slip
And the pine
Unpainted rafters overhead
With the
Door closed on my mama
And my sibling competition
And my Shirley Temple doll
That truly cries
And my essay on religion
With the pasted paper stare
Proving tangibly
I’d won the second prize
With my
Daddy in the attic
With my
Daddy in the attic
That is where
My dark attraction lies
With his
Madness on the nightstand
Placed beside
His loaded gun
In the terrifying nearness
Of his eyes
With no
Window spying neighbours
And no
Husbands in the future
To intrude
Upon our attic
Past the stair
Where we’ll live on
Peanut butter
Spread across assorted crackers
And he’ll play
His clarinet
When I despair
With my
Daddy in the attic
With my
Daddy in the attic
With my
Daddy in the attic
Passed the stair
Where we’ll live on
Peanut butter
Spread across assorted crackers
And he’ll play
His clarinet
When I despairBa ba ba ba
Ba ba ba ba…

With my
Daddy in the attic
With my
Daddy in the attic
With my
Daddy in the attic
Passed the stair
With my
Daddy in the attic
With my
Daddy in the attic
With my
Daddy in the attic
Passed the stair

 

Breaking: Woody Allen Speaks Out in the New York Times: I Did Not Molest Dylan

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Woody Allen has written an Op Ed piece for The New York Times. http://www.nytimes.com/2014/02/09/opinion/sunday/woody-allen-speaks-out.html?_r=0

Definitively: “I did not molest Dylan.” That’s what Woody Allen writes in an Op Ed piece published tonight in the New York Times. He most vehemently denies all of Mia and Dylan Farrow’s accusations. I’ll get to that in a minute.

He does address the issue of his son Ronan being Frank Sinatra’s.

“Is he my son or, as Mia suggests, Frank Sinatra’s? Granted, he looks a lot like Frank with the blue eyes and facial features, but if so what does this say? That all during the custody hearing Mia lied under oath and falsely represented Ronan as our son? Even if he is not Frank’s, the possibility she raises that he could be, indicates she was secretly intimate with him during our years. Not to mention all the money I paid for child support. Was I supporting Frank’s son? Again, I want to call attention to the integrity and honesty of a person who conducts her life like that.”

And about Dylan he writes:

“Of course, I did not molest Dylan. I loved her and hope one day she will grasp how she has been cheated out of having a loving father and exploited by a mother more interested in her own festering anger than her daughter’s well-being. Being taught to hate your father and made to believe he molested you has already taken a psychological toll on this lovely young woman, and Soon-Yi and I are both hoping that one day she will understand who has really made her a victim and reconnect with us, as Moses has, in a loving, productive way. No one wants to discourage abuse victims from speaking out, but one must bear in mind that sometimes there are people who are falsely accused and that is also a terribly destructive thing. (This piece will be my final word on this entire matter and no one will be responding on my behalf to any further comments on it by any party. Enough people have been hurt.)”

 

Fox Cancels “The X Factor,” Says “American Idol” Is “Winding Down”

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Our long national suffering is over. Fox has cancelled “The  X Factor.” Simon Cowell is going back to England to host the show there. With Cowell long off “American Idol,” that leaves Cowell with no on-air work in the United States. For the first time in recent memory, America will be without the caustic observations of the British opinion maker. What shall we do?

At the same time, “American Idol” is quote– “winding down.” Those were the words of Chase Carey, head of Fox TV on conference call with Wall Street analysts Thursday. Carey conceded the show is coming to an end, although he didn’t say this would be the last season.

“It’s not a show that drives the whole network as it did in years passed. The show is 13 years old. We hope to have years 14, 15, 16, 17. But it won’t be like seasons 5, 6, and 7. We know it’s coming to an end. It’s a great show. The ratings fell faster for American Idol and X Factor than we hoped. It’s winding down to where it’s just a great, successful show.”

That was yesterday. Today, Fox cancelled “X Factor.”

This week “Idol” took a pounding on Thursday night from the Olympics. But the show has seen some uptick from new judge Harry Connick, Jr, the return of Jennifer Lopez, and the ever popular Keith Urban. Can they save it? From what Carey indicated, it’s not likely.

But the cancellation of “X Factor” indicates that Fox is ready to call it a day for their competition shows. The genre is pretty much saturated. Plus NBC’s “The Voice” continues to squash Fox’s shows. For Cowell, there’s still “America’s Got Talent.” Some think he may turn up there, with Howard Stern and friends.

It’s all about money, in the end. Profits for 21st Century Fox, the new company separated from News Corp, fell 49% this quarter. Carey pointed out that TV advertising revenues have dropped because of low ratings for “American Idol” and “X Factor.”