Thursday, December 18, 2025
Home Blog Page 1753

Bill Clinton Surprises Sting, Trudie Styler at “A Swell Party” for the Rainforest Fund 25th Anniversary

0

When Bill Clinton walked on stage last night I don’t know who looked more surprised, Sting or wife Trudie Styler. There was such uncertainty that Clinton would come, let alone give a talk to the star studded Carnegie Hall audience for the Rainforest Foundation’s 25th anniversary, that he was never announced. And no mention of him was made all afternoon during rehearsals.

But Clinton did show up, just at the end of Act 1, in the break between Stephen Stills’ two songs, and rocked the house. The place went wild as Clinton not only spoke about Sting and Trudie’s dedication, but let Kevin Spacey do imitations of the former president at the mike with him. “Sometimes you can’t tell who’s talking,” Clinton said. Then referring to Spacey’s role as a vicious president elect on “House of Cards,” Clinton marveled of Spacey’s Frank Underwood, “He’s president and a murderer.”

Clinton was only one hit of amazing night produced by Styler and Sting. They put together an eclectic list of artists and came up big winners with Paul Simon, James Taylor, Stephen Stills, opera great Renee Fleming, Chris Botti Dionne Warwick, Patti Scialfa, and Oscar Isaac from “Inside Llewyn Davis.”

The Rainforest show began with Sting, James Taylor and Kevin Spacey, wittily commiserating and singing around a leather padded bar to “What a Swell Party” from “High Society.”

And as usual the concert had a family element to it. Sting’s son Joe Sumner delivered a more than credible “Smells Like Teen Spirit” with Narada Michael Walden’s house band. Sting and Trudie’s daughter Eliot (aka Coco) Sumner rocked a gravelly “Born to Be Wild.” Famed backup singer Lisa Fischer (from “20 Feet to Stardom”) and sensational Ivy Levan did a Rolling Stones medley of “Start Me Up” and “Jumpin’ Jack Flash” that tore the paint off the ceiling of Carnegie Hall.

All of Sting’s family was there: six kids, two grandchildren (including a 12 week old baby Chloe), sister Anita, loads of friends, loyal Rainforest concertgoers from the last quarter century, as well as pals like Rita Wilson, billionaires Ronald Perelman and Len Blavatnik, and Melanie Griffith– friends with Sting since their classic film “Stormy Monday” some 25 or more years ago.

Styler, looking stunning in a brilliant white gown, told the audience that in 25 years the Rainforest Foundation had raised an astounding $35 million to protect the rainforests of the world and their indigenous people. The foundation is easily the most consistent charitable organization started and run by celebrities with a cause ever. As Simon noted, charities that followed– like his Children’s Health Fund– looked to the Rainforest Foundation as an example of how it’s done.

There were some lovely turns: Dionne Warwick, a national treasure, found some notes we hadn’t heard for a long time on “Walk on By” and “Anyone Who Had  a Heart.”  Oscar Isaac, overdue for his own album, reinvented Rod Stewart’s “Young Hearts” into a bluesy folk number. Patti Scialfa partnered with Sting on an irresistible “Stand by Me.”

The show also gave Sting and Paul Simon to reprise their collaborations from last month’s successful joint tour. Who knew that Sting’s voice would be so well suited to Simon’s songs. He breathes new life into “Bridge Over Troubled Water,” “The Boxer,” and “America.” Simon added “Graceland” as a solo number.

Taylor contributed “Fire and Rain” and “How Sweet it Is” on his own. Stephen Stills, a newcomer to the Rainforest family, gave the group a couple of depth charges with “For What It’s Worth” and and the Latin tinged “Amazonia. All the artists pitched in for a big finale on “Love the One You’re With.”

And what of Patti’s husband, Bruce Springsteen? He came to rehearsals to cheer Patti on, but was in Nashville by 7pm to play a three hour, thirty minute show with the E Street Band. I am not kidding. I saw him at around 2:50pm leaving Carnegie Hall. Now I’m reading reviews of the Nashville show. Amazing.

 

photo c2014 Showbiz411

 

 

 

 

 

“American Idol” Down 5% from Last Week Even as Competition Tightens

0

Down, down, down. “American Idol” continues its slalom ride down in the ratings. Last night the show was down 5% in ratings, with a 1.9 in the key demo and 8.3 million total viewers. Last Wednesday they were still at 2.0 and and 8.9 million total fans. So where did 600,000 people wander off to? “Survivor” best “Idol” handily last night. Otherwise everything else was in reruns. This should be the moment when “Idol” is up as the competition narrows. But apathy has set in. Tonight’s results show will produce shockingly lower numbers.

Speaking of music: if you’re a fan of country pop, get Carlene Carter’s new album “Carter Girl.” It’s just a wonderful piece of work, with terrific musicians (Jim Keltner!) and production by Don Was. I think I’ve played it 10 times in my car already! Carlene is the daughter of the late June Carter Cash, and stepdaughter of Johnny Cash. She was once married to Nick Lowe, and made records with him and with Dave Edmunds. What a voice!

Cannes 2014: Ryan Gosling Directing Debut, New Godard, Bennett Miller’s “Foxcatcher,” New Film from “The Artist” Director, Tommy Lee Jones Directs Meryl Streep

0

The 2014 Cannes Film Festival line up was announced this morning in Paris. The selections are intriguing. “Grace of Monaco” opens the fest, hopefully very changed from its early reports. Bennett Miller’s “Foxcatcher” is one of two films from Sony Pictures Classics including Mike Leigh’s “Mr. Turner”; David Cronenberg’s “Maps to the Stars” isn’t theirs yet but feels like it. Also out there is Tommy Lee Jones’s “The Homesman” with Hilary Swank and Meryl Streep. Clips from it are generating a lot of buzz.

Of much interest is Michel Hazanavicius’s “The Search” and a directing debut from Ryan Gosling called “Lost River” with Eva Mendes. There’s also a new film from 83 year old legend Jean Luc Godard. And what would Cannes be without Ken Loach, whose films are made for his own cult followers? On the imdb they say: “Unlike virtually all his contemporaries, Ken Loach has never succumbed to the siren call of Hollywood.” That’s an understatement! Also at the festival: “Eleanor Rigby,” a very fine film with Oscar potential from Ned Benson with Jessica Chastain and James McEvoy.

Godard, by the way, has made his first 3D movie with “Goodbye to Language.” It’s only 70 minutes, but should stir up a storm on the Croissette! Also, Cannes officials are said to in discussions with religious officials about preventing any rain this year (just kidding).

 

OPENING NIGHT
Grace of Monaco, Olivier Dahan

COMPETITION
Goodbye to Language, Jean-Luc Godard
The Captive, Atom Egoyan
Clouds of Sils Maria, Olivier Assayas
Foxcatcher, Bennett Miller
The Homesman, Tommy Lee Jones
Jimmy’s Hall, Ken Loach
La Meraviglie, Alice Rohrwacher
Leviathan, Andrei Zvyagintsev
Maps to the Stars, David Cronenberg
Mommy, Xavier Dolan
Mr. Turner, Mike Leigh
Saint Laurent, Bertrand Bonello
The Search, Michel Hazanavicius
Still the Water, Naomi Kawase
Timbuktu, Abderrahmane Sissako
Two Days, One Night, Jean-Pierre and Luc Dardenne
Wild Tales, Damian Szifron
Winter Sleep, Nuri Bilge Ceylan

OUT OF COMPETITION
Coming Home, Zhang Yimou
How to Train Your Dragon 2, Dean DeBlois
Les Gens du Monde, Yves Jeuland

UN CERTAIN REGARD
Amour fou, Jessica Hausner
Bird People, Pascale Ferran
The Blue Room, Mathieu Amalric
Charlie’s Country, Rolf de Heer
Dohee-ya, July Jung
Eleanor Rigby, Ned Benson
Fantasia, Wang Chao
Harcheck mi headro, Keren Yedaya
Hermosa Juventud, Jaime Rosales
Incompresa, Asia Argento
Jauja, Lisandro Alonso
Lost River, Ryan Gosling
Party Girl, Marie Amachoukeli, Claire Burger and Samuel Theis (OPENER)
Run, Philippe Lacote
The Salt of the Earth, Wim Wenders and Juliano Ribeiro Salgado
Snow in Paradise, Andrew Hulme
Titli, Kanu Behl
Tourist, Ruben Ostlund

MIDNIGHT SCREENINGS
The Rover, David Michod
The Salvation, Kristian Levring
The Target, Yoon Hong-seung

SPECIAL SCREENINGS
The Bridges of Sarajevo, Various
Eau argentee, Mohammed Ossama
Maidan, Sergei Loznitsa
Red Army, Polsky Gabe
Caricaturistes – Fantassins de la democratie, Stephanie Valloatto

Review: “Of Mice and Men” Brings Broadway Debuts for Franco, O’Dowd and Meester

0

No one can be unhappy with the new Broadway production of “Of Mice and Men.” Certainly not John Steinbeck. Except for opening night last night, the audiences are young people, lots of girls, who probably think an actual rodent is involved.

They are coming for James Franco, Chris O’Dowd, and Leighton Meester, all making Broadway debuts. Franco they know from “This is the End,” O’Dowd from “Bridesmaids,” Meester from “Gossip Girl.” Most nights the audience has no idea that Anna Shapiro also directed “August: Osage County.” They probably hear it as “Orange County.”

The opening night audience was replete with stars: Joe Morton, Paul Haggis, and Jeremy Piven were scattered about. Franco’s actor brother Dave was there, as were many Franco family members including 90 year old art dealer grandmother Mitzi.

Katie Couric was also present. She had an ulterior purpose: her charity, Stand Up to Cancer, had organized the night and sponsored the after dinner at the Plaza Hotel ballroom. Swanky!

A nice touch: at the end of show, Chris O’Dowd jumped down off the stage and swooped Anna Shapiro up so she could take a bow. Nice touch.

The show: as soon as “Of Mice and Men” began I realized I was mouthing a lot of the words. Oh, those rabbits. They’re back. No one in the cast is bad; it’s just degrees of what works now and what may gel later. O’Dowd, I thought, was exceptional, totally absorbed into Lennie. You felt for him all the way through.

Franco has incredible presence, and no problem being heard. He’s a little flat in the first act, where he’s also saddled with a huge amount of expository dialogue. As he settles in, Franco’s performance will grow. For the moment, he’s just busy as George making sure the trains run on time. There are a lot of trains.

Leighton Meester would have been an excellent failure if she’d failed. After all, “Gossip Girl”? But like Blake Lively and Penn Badgely, Meester shows she has more in her repertoire. She’s not Eva LaGallienne. But she’s very likable, conveys enough to make her climactic scene memorable.

Kudos to the whole supporting cast. I really liked Jim Parrack, Ron Cephas Jones, and Jim Norton.

UPDATE Hi Ho! “Transcendence” Johnny Depp’s “Lone Ranger” Follow Up Could Be Bigger Flop

0

UPDATE THURSDAY AM: “Transcendence” is at 17% on Rotten Tomatoes. And falling fast. Ouch!

EARLIER: Is it possible? Johnny Depp’s “Transcendence,” headed to theaters in two days, looks like a disaster. Already panned by Variety and the Hollywood Reporter, “Transcendence” is hard to spell and harder to type. It’s also, apparently, quite awful. Warner Bros., distributing but not financing, has embargoed reviews until the very last minute. But the smell of death is in the water, and sharks are circling.

The movie is financed by Alcon Entertainment, not known for its Oscar releases– although they did have a fluke in 2009 with “The Blind Side.” Last year Alcon delivered “Prisoners,” a bad movie with good intentions and nice performances from Hugh Jackman, Melissa Leo, and Jake Gyllenhaal.

But Depp seems to have drawn his second financial and career flop in a row. “The Lone Ranger” was, to use a current word, “epic” as it collapsed into a top 10 money loser. “Transcendence” didn’t cost nearly as much– maybe in the $100-$150 million range. The film, which also stars Morgan Freeman, has low enough visibility– and an avalanche of bad reviews coming– that it will literally take Depp’s personal draw to overcome a catastrophe.

Here’s the trailer. I know it’s a good payday, but I can’t figure out how Morgan Freeman keeps a straight face when he intones this line: “If we can’t stop him, it will be the end of mankind as we know it.” If only the Zuckers could do a parody where a Freeman-like character keeps coming into the room and saying that, a la “Airplane!”

“Soul Train” is Coming to Broadway: Get out the Afro Wigs and Platform Shoes

1

Broadway continues to revisit pop music of the recent past. “Motown” is a big hit, and “Rock of Ages” keeps chugging along. And don’t forget Carole King-Gerry Goffin and Barry Mann-Cynthia Weil from “Beautiful.” Now comes word that “Soul Train” is going to do The Hustle right into a Broadway theater. Can we take a disco musical? And who will play Don Cornelius? “Soul Train” comes from the producer of “Rock of Ages.”

Matthew Weaver, says a release, has acquired the rights to “Soul Train” from Soul Train Holdings LLC, a partnership between Magic Johnson Productions and Ron Burkle’s Yucaipa Company. There were 1,100 episodes of the fabled music show. Someone will have to write a book and a score, plus choose the music to go along with it. (Nile Rodgers, call your agent!)

“Soul Train” featured every major R&B act of the 70s and 80s. Its theme music came from Gamble & Huff, and was a hit instrumental disco record called “The Sound of Philadelphia.”

“Soul Train,” if it’s done right, should be a lot of fun. If they’re smart, they’ll rotate through special guest stars of the era and turn the whole thing into a party. Gloria Gaynor, get ready!

Exclusive: Oscar Nominee Ed Harris, Cynthia Nixon Among Stars Signed for Franco “Adderall Diaries”

0

EXCLUSIVE: The film adaptation of “The Adderal Diaries” is coming together. A gaggle of big names have signed up, according to my sources, for the very low budget movie: Ed Harris (Oscar nominated for “Pollock”), Cynthia Nixon, Amber Heard and Christian Slater, as well as the ubiquitous James Franco. Pamela Romanowsky is directing for Franco’s production company, from a script she wrote with Franco from Stephen Elliot’s memoir.

The story is about a computer programmer who kills his Russian wife, whom he met through an online dating service. The main character is the reporter (Elliott)  who covers the murder trial (presumably Franco). The movie is set to rev up production on May 6th in New York while Franco is on Broadway starring in “Of Mice and Men.” That schedule should keep him pretty busy, although, as we know, that’s nothing new.

Romanowsky previously directed “TAR,” the low budget film Franco produced about poet CK Williams. This seems more like a Sidney Lumet movie, but, alas, we have no Lumet. We’ll see if Romanowsky is up to the task.

PS Enjoying the resurgence of Christian Slater. Keep it coming!

Pop Music: Hot 100 “Frozen” As Disney Soundtrack At #1 Since New Year’s– And No End in Sight

0

“Frozen”? You know it was an animated movie, won the Oscar, and had something to do with kids. But did you know the soundtrack to “Frozen” has been at number 1 since its debut there on January 6th? Released on November 25, 2013, the “Frozen” music, with the hit single “Let it Go,” has not melted since that time. Other releases have come and gone, but “Frozen” sells and sells. As of this week, it’s hitting the 2 million copy mark. Half of the sales are digital.

Part of the success of “Frozen” is that there is nothing else out there. With so many stories about music executives changing jobs, people announcing new labels and all kinds of deals, there’s very little product being released. And the product that is released amounts to very little.

Right now there are no big releases until May 6th. That’s when Mariah Carey is supposedly releasing her long awaited album postponed from a year ago. There’s no guarantee that it will be the needed monster hit. Carey has released two singles, and one more “for her fans.” None of them did much. After Carey comes the May 13th releases from Coldplay and Rascal Flatts. The May 20th charts will reflect those sales, which should be good. Coldplay, in particular, seems poised for a hit. And the country market won’t fail Rascal Flatts.

But then comes another desert. Jennifer Hudson has her new album on May 27th. A month later comes Ed Sheeran’s “X.” By then, if Coldplay has not nailed down #1 for two weeks, “Frozen” could be back on top. Why? Who knows? “Let it Go” should have been let go a long time ago. No follow up single has emerged. “Frozen” is not exactly Adele’s “21.” It’s not a treasure trove of hits. It’s more like background music for a mall party.

Meanwhile, there will be more announcements of record execs earning millions and millions, cutbacks at whatever labels still exist, and radio playing the same stuff over and over and over. Nothing guaranteed. Pharrell’s wonderful single, “Happy,” is played constantly everywhere. Yet it hasn’t translated into blockbuster album sales. His “G I R L” collection has fair numbers, and comes in around number 4. Not bad, but not great.

Maybe there will be a surprise album release. Beyonce had one, and churned up the charts. But who would the artist be? Legacy artists from my generation don’t sell beyond one week. The 90s and early 2000s didn’t leave us much. It’s a bleak picture. Wanted: music superstar. Needed: quickly.

Michael Jackson Irony: $800K Court Order Means He’s Paying Concert Promoter for Death

0

Here’s the weirdest ending to the Michael Jackson saga: Katherine Jackson, Michael’s mother, has to pay $800,000 to AEGLive in court fees and legal fees. Why? She lost the lawsuit she brought against AEGLive over Michael’s death. After spending millions on her own lawyers, Mrs. Jackson now has to cough up this chunk of cash. But where will she get it from? Mrs. Jackson has no money of her own. Her funds come from Michael’s estate.

Essentially, Michael Jackson is now paying AEGLive after they were going to pay him $10 million or more for the London concerts. It’s not AEG’s fault. That’s the way the court system functions. Mrs. Jackson even got $400K knocked off the total AEG was asking for. The concert promoter was asking for $1.2 million originally. In settlement talks they arrived at $800K. What a bizarre conclusion.

In other miscellaneous Michael Jackson news, there are tabloid reports that Debbie Rowe wants to either get custody of Michael’s kids and/or marry her BFF, gay porn producer Marc Schaffel. It seems unlikely either of things might happen, but you never know. Sources tell me that Prince aka Michael Jackson Jr. has no interest in that, and can’t be forced to live with Rowe. Paris remains in her boarding school for troubled teens. “She hates it and wants to come home,” says an insider. Rowe, the source says, has best shot with Paris. Blanket will remain with Mrs. Jackson since he is not Rowe’s biological child.

Meanwhile we wait for Michael’s second posthumous album, “Xscape,” with a cover of the America song “Horse with No Name.”

“Mad Men” Scores Lower Premiere Ratings than Usual As Audiences Expect Weekly Cheap Shocks

0

First it was the Red Wedding, and everyone died. Now that annoying kid king on “Game of Thrones” was offed without a word. On “The Good Wife,” Josh Charles got shot by a random character in the courtroom. Dead. On “Breaking Bad,” characters were knocked off without warning, and in brutal unexpected ways. All of it is to get ratings and drive the audience crazy. Cheap shocks for little pay off. “House of Cards” pushed major player Kate Mara in front of a train.

So “Mad Men” debuted on Sunday night to a lower than expected audience. Beautifully acted, exceptionally well written, with a story that’s teased out over many episodes, “Mad Men” had no sudden shocking deaths. No one was murdered. And while bloggers, Tweeters and some critics keep hoping Megan will be killed by Charles Manson, it’s not going to happen. “Mad Men” has had few shocks over its years. Maybe the biggest was the suicide of Lane Pryce (Jared Harris). Otherwise, Matthew Weiner’s characters react and act in ways that are identifiable to human beings.

That’s called drama. It’s not melodrama, which “Scandal” dishes out minute by minute. The only way to keep the audience interested, it seems, is to put everyone in peril every week. The lesson is, If you don’t come back we might kill your favorite character.

But it’s unlikely that Don Draper will jump out a window or fall down an elevator shaft. When Megan made note of their new home in the Canyons, its isolation and howling coyotes, Weiner was merely taking the piss, as it were. He’s heard all the Sharon Tate rumors. He was pulling your leg. And still, people took it seriously. If the next song from the Sixties on “Mad Men” were “Helter Skelter” it would be totally out of character.

Is the audience immune to regular drama? On “Law & Order SVU” this year it wasn’t just the guest characters in trouble. Olivia (Mariska Hargitay) was kidnapped and tortured by a crazy guy. How can Don Draper and his friends’ psychological portraits? “Mad Men” is logical, and elegantly told. Weiner is dealing with nuances of character. Peggy is not going to shoot an intruder in her building. She’s going to try and navigate the idiosyncrasies of her life to some kind of satisfying conclusion.

If you missed “Mad Men” on Sunday night because cheap shocks were triggered elsewhere, please do come back. The final march of the “Mad Men” through 1969 is already fascinating. It won’t be easy, or pat. You may have to wait for a real payoff. But that’s what worth it. And that’s what makes the show special.

A couple of things from Sunday night: Neve Campbell’s character could be an intriguing turn for Don. She was instantly with the program. Joan’s blossoming was historic. Also seeing Peggy up against a man who doesn’t appreciate her work skills was a great idea. So far, she’s had it easy. Will Bert Cooper die? I bet he does, in the second half of the finale series next year. Will Roger leave advertising for good? Will Pete and Peggy see their child? Sorry, no one’s getting pushed in front of a train.